{"id":13111,"date":"2025-04-18T17:32:07","date_gmt":"2025-04-18T21:32:07","guid":{"rendered":"http:\/\/acousticmusicscene.com\/?p=13111"},"modified":"2025-04-18T17:32:07","modified_gmt":"2025-04-18T21:32:07","slug":"fai-folk-radio-charts-march-2025","status":"publish","type":"post","link":"https:\/\/acousticmusicscene.com\/2025\/04\/18\/fai-folk-radio-charts-march-2025\/","title":{"rendered":"FAI Folk Radio Charts &#8211; March 2025"},"content":{"rendered":"<p>Lucy Kaplansky had the top album (The Lucy Story: Unreleased and Rare Tracks 1976-2023) and was the most-played artist on folk radio during March 2025, while \u201cWhich Side Are You On?\u201d by Artists for Action was the month\u2019s top song. So say charts compiled by Folk Alliance International based on radio playlists submitted to FOLKDJ-L, an electronic discussion group for DJs and others interested in folk-based music on the radio.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/acousticmusicscene.com\/wp\/wp-content\/uploads\/2025\/04\/Lucy-Kaplansky-The-Lucy-Story-300x300.jpg\" alt=\"Lucy Kaplansky - The Lucy Story\" width=\"300\" height=\"300\" class=\"alignleft size-medium wp-image-13112\" srcset=\"https:\/\/acousticmusicscene.com\/wp\/wp-content\/uploads\/2025\/04\/Lucy-Kaplansky-The-Lucy-Story-300x300.jpg 300w, https:\/\/acousticmusicscene.com\/wp\/wp-content\/uploads\/2025\/04\/Lucy-Kaplansky-The-Lucy-Story-290x290.jpg 290w, https:\/\/acousticmusicscene.com\/wp\/wp-content\/uploads\/2025\/04\/Lucy-Kaplansky-The-Lucy-Story-768x767.jpg 768w, https:\/\/acousticmusicscene.com\/wp\/wp-content\/uploads\/2025\/04\/Lucy-Kaplansky-The-Lucy-Story-1024x1024.jpg 1024w, https:\/\/acousticmusicscene.com\/wp\/wp-content\/uploads\/2025\/04\/Lucy-Kaplansky-The-Lucy-Story-50x50.jpg 50w, https:\/\/acousticmusicscene.com\/wp\/wp-content\/uploads\/2025\/04\/Lucy-Kaplansky-The-Lucy-Story.jpg 1920w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Hailed as \u201cThe songwriter laureate of modern city folk\u201d (The Boston Globe), Lucy Kaplansky is a New York City-based contemporary folk singer-songwriter with a luminous voice whose recordings frequently topped folk and Americana radio charts.  The Lucy Story, her 10th album, is a collection of mostly unreleased tracks that form a retrospective \/history of her musical life. It features songs performed in a variety of musical styles  &#8212; both self-penned and ones by Richard Shindell, Robbie Robertson, Townes Van Zandt, John Lennon, Lyle Lovett and Jack Hardy, as well as demos and album outtakes, and live recordings with some of her favorite collaborators (Shawn Colvin, Shindell, and Dar Williams among them).<\/p>\n<p>Kaplansky, who began singing at Chicago folk clubs as a teenager, moved to NYC after high school, where she performed frequently with Shawn Colvin on and around the Greenwich Village folk scene during the early to mid 1980s. Before leaving the music scene to pursue a doctorate in clinical psychology. After earning her degree, she worked with chronically mentally ill adults at a New York hospital as well as in private practice. However, she continued to sing and was frequently asked to add harmony vocals to albums by friends including Colvin and Nanci Griffith and film soundtracks with Griffith and Suzanne Vega. Her voice could also be heard on Chevrolet\u2019s popular \u201cThe Heartbeat of America\u201d commercial jingle.  She left her career as a psychologist in the 1990s after signing with Red House Records, which released her critically acclaimed debut album, The Tide (primarily produced by Colvin) in 1994. She signed with a booking agency and began touring extensively. <\/p>\n<p>In addition to her solo recordings and tours since, Kaplansky has frequently collaborated with other singer-songwriters on recording projects and concert tours over the years. She joined with Shindell and Dar Williams in 1998 to form the folk trio Cry Cry Cry, recorded some of their favorite songs written by other songwriters, and toured nationally in support of it \u2013 as they did in 2017-2018 to celebrate its 20th anniversary.  She and Shindell have also contributed harmony vocals to most of each other\u2019s albums, recorded an album as The Pine Hill Project, and have frequently shared concert stages.  In 2010, Kaplansky, John Gorka and Eliza Gilkyson teamed up to record an album as Red Horse on which they performed each other\u2019s songs. The album topped the folk radio charts for several months that year. Kaplansky has also been part of a recurring On A Winter\u2019s Night Tour with Gorka, Cliff Eberhardt and Patty Larkin.<\/p>\n<p>\u201cWhich Side Are You On?\u201d is a reworked and updated version of the famed folk and labor song originally penned Florence Reece in 1931. Artists for Action is an international folk supergroup comprised of 16 artists who teamed up to raise their voices in response to the global rise of far-right politics and the resurgence of fascism. Initially recorded in September 2022 and recently re-released, the track features Black Umfalosi (Zimbabwe), Ray Bonneville (Canada), Bruce Cockburn (Canada), Chris Corrigan (Canada), Guy Davis (U.S.), Ani DiFranco (U.S.), Maria Dunn (Canada), Adam Hill (Canada), Bob Jensen  (Canada), James Keelaghan (Canada), Richard Knox (Canada), Lucy MacNeil (Canada), Tony McManus (Scotland\/Canada), Moulettes (England), Oysterband (England), Richard Perso (Australia), Heather Rankin (Canada), Martin Simpson (England), and Jon Weaver (Canada). <\/p>\n<p>Although the project\u2019s primary goal is conveying its message and raising people\u2019s consciousness, rather than raising funds, proceeds from the single \u2013 for which none of the artists were paid &#8212; will be donated to a registered charity in aid of Ukraine. For more information, visit <a href=\"https:\/whichsideareyouon.ca\">whichsideareyouon.ca<\/a>.<\/p>\n<p>The March 2025 top albums, songs and artists charts are based on 11.385 airplays reported on 382 playlists submitted by 103 different folk DJs. The number of reported spins is shown below in parentheses.<\/p>\n<p>Folk Alliance International (<a href=\"https:\/\/folk.org\">folk.org<\/a>) is a nonprofit organization that aims to serve, strengthen, and engage the global folk music community through preservation, presentation and promotion. <\/p>\n<p><strong>Top Albums of March 2025<\/strong><\/p>\n<p>1. <em>The Lucy Story: Unreleased and Rare Tracks 1976-2023<\/em> by Lucy Kaplansky (94)<br \/>\n2. <em>All I Got and Gone<\/em> by Chris Walz (78)<br \/>\n3. <em>Maybe New Mexico<\/em> by Helene Cronin (76)<br \/>\n4. <em>Alice Howe and Freebo (Live)<\/em> by Alice Howe and Freebo (74)<br \/>\n5. <em>So Much I Still Don&#8217;t See<\/em> by Sam Robbins (58)<br \/>\n5. <em>A Tip Toe High Wire<\/em> by Sierra Hull (58)<br \/>\n7. <em>Foxes in the Snow<\/em> by Jason Isbell (52)<br \/>\n8. <em>Remains to Be Scene<\/em> by The Seldom Scene (49)<br \/>\n9. <em>Field of Stars<\/em> by John McCutcheon (46)<br \/>\n10. <em>I Made It This Far<\/em> by Deborah Holland (45)<br \/>\n11. <em>Reclamation<\/em> by Crys Matthews(43)<br \/>\n12. <em>The Monkey in the Crown<\/em> by HuDost (42)<br \/>\n13. <em>Looking for the Thread<\/em> by Mary Chapin Carpenter, Julie Fowlis, Karine Polwert (38)<br \/>\n14. <em>Be Real With Me<\/em> by Chatham Rabbits (37)<br \/>\n14. <em>Daggomit<\/em> by Max Wareham (37)<br \/>\n16. <em>Beneath Your Skin<\/em> by Kim Beggs (35)<br \/>\n17. <em>I&#8217;m From Here<\/em> by Rob Siegel (31)<br \/>\n17. <em>Burnished<\/em> by Amelia Hogan (31)<br \/>\n19. <em>Arcadia<\/em> by Alison Krauss and Union Station (28)<br \/>\n20. <em>The Wind Will Change Again<\/em> by The Twangtown Paramours (26)<br \/>\n21. <em>Dear Meadowlark<\/em> by The Wildwoods (25)<br \/>\n22. <em>We Were Wood<\/em> by Barry Oreck and Friends (24)<br \/>\n23. <em>Spirits<\/em> by The Devil Makes Three (23)<br \/>\n24. <em>The Boy From Bluegrass<\/em> by The Boy From Bluegrass (22)<br \/>\n25. <em>Exploding Star<\/em> by Heather Maloney (20)<br \/>\n25. <em>Dark Country<\/em> by Gary Louris (20)<br \/>\n25. <em>Some Kind of Truth<\/em> by Kora Feder (20)<br \/>\n25. <em>To Fly So Low<\/em> by Leo DiSanto (20)<br \/>\n29. <em>Glimmer<\/em> by Carol Crittenden (19)<br \/>\n30. <em>Take It Easy Greasy<\/em> by Jim Brewer (17)<br \/>\n30. <em>Winterbirds<\/em> by Boreal (17)<br \/>\n30. <em>Gold in Your Pocket<\/em> by Caleb Klauder and Reeb Willms (17)<br \/>\n33. <em>Sea Salt and Sawdust<\/em> by Marian Mastrorilli (16)<br \/>\n34. <em>The Purple Bird<\/em> by Bonnie Prince&#8217; Billy (15)<br \/>\n34. <em>Life Is a Wonder<\/em> by Kevin Whalen (15)<br \/>\n36. <em>Waiting for Inspiration<\/em> by Socks in the Frying Pan (14)<br \/>\n36. <em>Racing Down the Valley<\/em> by Sam Bergquist (14)<br \/>\n36. <em>Paris<\/em> by Louise Coombe (14)<br \/>\n36. <em>Face the Day<\/em> by Will Branch (14)<br \/>\n36. <em>Silver Rounds<\/em> by Olivia Wolf (14)<br \/>\n36. <em>Hear My Call<\/em> by Cristina Vane (14)<br \/>\n36. <em>Songs of a Younger Man<\/em> by Michael Melia (14)<br \/>\n36. <em>Life Is Just a Vapor<\/em> by Paul Thorn (14)<br \/>\n36. <em>Cher Reve<\/em> by Miss Tess (14)<br \/>\n45. <em>Julia Belle: The John Hartford Fiddle Tune Project, Vol. 2<\/em> by Various Artists (13)<br \/>\n45. <em>Porcelain Angel<\/em> by Rees Shad (13)<br \/>\n45. <em>The Empathist<\/em> by Stephen Fearing (13)<br \/>\n45. <em>Besos Kisses<\/em> by Colleen Kattau (13)<br \/>\n45. <em>Cold Feet<\/em> by Mark Freeman (13)<br \/>\n45. <em>Peace With a Lion<\/em> by David Lindes (13)<br \/>\n45. <em>Red Camel Collective<\/em> by Red Camel Collective (13) <\/p>\n<p><strong>Top Songs of March 2025 <\/strong><\/p>\n<p>1. &#8220;Which Side Are You On?&#8221; by Artists for Action (30)<br \/>\n2. &#8220;Elephant&#8221; by Annie Gallup (23)<br \/>\n3. &#8220;Home by Bearna&#8221; by Amelia Hogan (22)<br \/>\n4. &#8220;Maybe New Mexico&#8221; by Helene Cronin (21)<br \/>\n5.&#8221;Come Out of My Blues&#8221; by Sierra Hull (19)<br \/>\n6. &#8220;Onward Through the Fog (America Is Bleeding)&#8221; by Rob Siegel (15)<br \/>\n6. &#8220;You Are Not God&#8221; by Emma&#8217;s Revolution (15)<br \/>\n8. &#8220;Piles of Sand&#8221; by Sam Robbins (14)<br \/>\n9. &#8220;Circling the Drain&#8221; by Deborah Holland (13)<br \/>\n9. &#8220;Wind Behind the Rain&#8221; by Jason Isbell (13)<br \/>\n9. &#8220;Man at the Crossroads&#8221; by The Seldom Scene (13)<br \/>\n12. &#8220;Fields of Athenry&#8221; by Carol Crittenden (12)<br \/>\n12. &#8220;Bury Me&#8221; by Jason Isbell (12)<br \/>\n12. &#8220;Granite Mills&#8221; by Alison Krauss and Union Station (12)<br \/>\n12. &#8220;Hard Times Come Again No More&#8221; by Chris Walz (12)<br \/>\n12. &#8220;Blue Ridge Mountain Blues&#8221; by Chris Walz (12)<br \/>\n17. &#8220;Dangerous Women&#8221; by Colleen Kattau (11)<br \/>\n17. &#8220;What a Little Love Can Do&#8221; by Sam Robbins (11)<br \/>\n17. &#8220;Angel From Montgomery&#8221; by Alice Howe and Freebo (11)<br \/>\n20. &#8220;Twilight&#8221; by Alice Howe and Freebo (10)<br \/>\n20. &#8220;Delia&#8221; by Chris Walz (10)<br \/>\n22. &#8220;Forget Me Not&#8221; by Lucy Kaplansky (9)<br \/>\n22. &#8220;Mother Tongue&#8221; by Jean Rohe and Sean Kiely (9)<br \/>\n22. &#8220;Copperhill&#8221; by Helene Cronin (9)<br \/>\n22. &#8220;Thankful (Thanksgiving (2023)&#8221; by Deborah Holland (9)<br \/>\n22. &#8220;Alabama Bound&#8221; by Chris Walz (9)<br \/>\n22. &#8220;Big Fish, Small Pond&#8221; by Chatham Rabbits (9)<br \/>\n22. &#8220;We Won&#8217;t Let It Die (Without a Fight)&#8221; by Len Seligman (9)<\/p>\n<p><strong>Top Artists of March 2025<\/strong> <\/p>\n<p>1. Lucy Kaplansky (99)<br \/>\n2. Chris Walz (78)<br \/>\n3. Helene Cronin (77)<br \/>\n4. Alice Howe and Freebo (74)<br \/>\n5. John McCutcheon (63)<br \/>\n6. Sierra Hull (59)<br \/>\n7. Sam Robbins (58)<br \/>\n8. The Seldom Scene (55)<br \/>\n9. Jason Isbell (52)<br \/>\n10. Crys Matthews (51)<br \/>\n11. Deborah Holland (47)<br \/>\n12. Bob Dylan (45)<br \/>\n13. HuDost (44)<br \/>\n14. Amelia Hogan (38)<br \/>\n14. Mary Chapin Carpenter, Julie Fowlis, Karine Polwert (38)<br \/>\n16. Max Wareham (37)<br \/>\n16. Chatham Rabbits (37)<br \/>\n18. Kim Beggs (36)<br \/>\n19. Alison Krauss and Union Station (34)<br \/>\n20. Rob Siegel (31)<br \/>\n21. Artists for Action (30)<br \/>\n22. Jesse Colin Young (29)<br \/>\n23. The Twangtown Paramours (27)<br \/>\n23. Tim Grimm (27)<br \/>\n25. Chuck Brodsky (26)<br \/>\n26. Guy Clark (25)<br \/>\n26. Joni Mitchell (25)<br \/>\n26. The Wildwoods (25)<br \/>\n29. Barry Oreck and Friends (24)<br \/>\n29. Joan Baez (24)<br \/>\n31. Eliza Gilkyson (23)<br \/>\n31. The Boy From Bluegrass (23)<br \/>\n31. Annie Gallup (23)<br \/>\n31. The Devil Makes Three (23)<br \/>\n31. John Prine (23)<br \/>\n36. Emma&#8217;s Revolution (22)<br \/>\n37. Heather Maloney (21)<br \/>\n37. Colleen Kattau (21)<br \/>\n37. Gary Louris (21)<br \/>\n37. Karan Casey (21) <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lucy Kaplansky had the top album (The Lucy Story: Unreleased and Rare Tracks 1976-2023) and was the most-played artist on folk radio during March 2025, while \u201cWhich Side Are You On?\u201d by Artists for Action was the month\u2019s top song. So say charts compiled by Folk Alliance International based on radio playlists submitted to FOLKDJ-L, an electronic discussion group for DJs and others interested in folk-based music on the radio.<\/p>\n<p>[Click on the headline to continue reading this article and to view the top albums, songs and artists charts that are posted monthly with permission.]<\/p>\n","protected":false},"author":3,"featured_media":13112,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":""},"categories":[1],"tags":[67,9213,9223,228,9212,9219,9214,474,9215,9217,642,6269,740,9218,1001,1007,9211,1196,9222,1340,1464,9221,1739,9114,3916,3147,1989,9216,2243,5054,2279,2281,9220,9225,2306,9224,2479,2637,5775,2909],"class_list":["post-13111","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-jack-hardy","tag-which-side-are-you-on","tag-adam-hill","tag-ani-difranco","tag-artists-in-action","tag-black-umfalosi","tag-bob-jensen","tag-bruce-cockburn","tag-bruce-colvin","tag-chris-corrigan","tag-cliff-eberhardt","tag-cry-cry-cry","tag-dar-williams","tag-florence-reece","tag-folk-alliance-international","tag-folk-dj","tag-folk-music-on-the-radio-folk-radio","tag-guy-davis","tag-heather-rankin","tag-james-keelaghan","tag-john-gorka","tag-jon-weaver","tag-lucy-kaplansky","tag-lucy-macneil","tag-maria-dunn","tag-martin-simpson","tag-nanci-griffith","tag-oyster-band","tag-radio-airplay-charts","tag-ray-bonneville","tag-red-horse","tag-red-house-records","tag-richard-knox","tag-richard-perso","tag-richard-shindell","tag-roulettes","tag-shawn-colvin","tag-suzanne-vega","tag-tony-mcmanus","tag-townes-van-zandt","entry","has-media"],"_links":{"self":[{"href":"https:\/\/acousticmusicscene.com\/wp-json\/wp\/v2\/posts\/13111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acousticmusicscene.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/acousticmusicscene.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/acousticmusicscene.com\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/acousticmusicscene.com\/wp-json\/wp\/v2\/comments?post=13111"}],"version-history":[{"count":2,"href":"https:\/\/acousticmusicscene.com\/wp-json\/wp\/v2\/posts\/13111\/revisions"}],"predecessor-version":[{"id":13114,"href":"https:\/\/acousticmusicscene.com\/wp-json\/wp\/v2\/posts\/13111\/revisions\/13114"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/acousticmusicscene.com\/wp-json\/wp\/v2\/media\/13112"}],"wp:attachment":[{"href":"https:\/\/acousticmusicscene.com\/wp-json\/wp\/v2\/media?parent=13111"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/acousticmusicscene.com\/wp-json\/wp\/v2\/categories?post=13111"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/acousticmusicscene.com\/wp-json\/wp\/v2\/tags?post=13111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}