{"id":11994,"date":"2022-02-11T11:22:08","date_gmt":"2022-02-11T16:22:08","guid":{"rendered":"http:\/\/acousticmusicscene.com\/?p=11994"},"modified":"2022-02-11T11:27:25","modified_gmt":"2022-02-11T16:27:25","slug":"fai-folk-radio-charts-january-2022","status":"publish","type":"post","link":"https:\/\/acousticmusicscene.com\/2022\/02\/11\/fai-folk-radio-charts-january-2022\/","title":{"rendered":"FAI Folk Radio Charts &#8211; January 2022"},"content":{"rendered":"<p>Singer-Songwriter Janis Ian had the #1 album (<em>Light at the End of the Line<\/em>), four of the top 10 songs, and was the most-played artist on folk radio during January 2022. Buffalo Rose, a modern folk\u2013Americana ensemble, joined by Tom Paxton, had the month\u2019s most-played song (Paxton\u2019s \u201cI Give You the Morning\u201d). So say charts compiled by Folk Alliance International based on radio playlists submitted to FOLKDJ-L, an electronic discussion group for DJs and others interested in folk-based music on the radio.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/acousticmusicscene.com\/wp\/wp-content\/uploads\/2022\/02\/Janis-Ian-2022-album-cover-300x300.jpg\" alt=\"Janis Ian 2022 album cover\" width=\"300\" height=\"300\" class=\"alignright size-medium wp-image-11996\" srcset=\"https:\/\/acousticmusicscene.com\/wp\/wp-content\/uploads\/2022\/02\/Janis-Ian-2022-album-cover-300x300.jpg 300w, https:\/\/acousticmusicscene.com\/wp\/wp-content\/uploads\/2022\/02\/Janis-Ian-2022-album-cover-290x290.jpg 290w, https:\/\/acousticmusicscene.com\/wp\/wp-content\/uploads\/2022\/02\/Janis-Ian-2022-album-cover-50x50.jpg 50w, https:\/\/acousticmusicscene.com\/wp\/wp-content\/uploads\/2022\/02\/Janis-Ian-2022-album-cover.jpg 600w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Janis Ian\u2019s <em>Light at the End of the Line<\/em>, officially released January 22 on her own Rude Girl Records, is the veteran artist\u2019s first album of new material since 2006\u2019s <em>Folk is the New Black<\/em> and is reportedly her last solo recording. Ian, 70, who burst on the folk scene while still a teenager in the mid-1960s and scored major hits with \u201cSociety\u2019s Child\u201d early on in her career, is a two-time Grammy Award-winner. Her new album features 12 newly recorded tracks. Also lending their musical talents to the recording are John Cowan, Vince Gill, Diane Schuur, and Andrea Zonn, among others.<\/p>\n<p>Here\u2019s a link to listen to its opening track, \u201cI\u2019m Still Standing,\u201d which is about getting older but wiser: <a href=\"https:\/youtube.com\/watch?v=Y93NZWb7oLw\">youtube.com\/watch?v=Y93NZWb7oLw<\/a>.<\/p>\n<p>At 70, with more than 55 years of experience as a professional writer, Ian says she\u2019s ready to step back from performing and recording after touring for the final time later this year. \u201cIt takes a certain amount of maturity to realize that you don\u2019t have to keep proving you can write,\u201d she asserts. \u201cI\u2019ve already created a body of work I\u2019m proud of, and I\u2019m old enough to realize that it\u2019s the light at the end of the line that matters. And I\u2019m not calling this retiring. It\u2019s rewiring.\u201d<\/p>\n<p>Pittsburgh, Pennsylvania\u2019s Buffalo Rose features Lucy Clabby (vocals), Margo Jazerc (vocals), Bruce Rubideau (mandolin), Malcolm Inglis (dobro), Jason Rafalak (upright bass), and Shane McLaughlan (guitar and vocals). The band \u2013 which was recently selected to showcase its talents during this year\u2019s SXSW &#8212; is joined on \u201cI Give You the Morning\u201d by Tom Paxton. A folk icon and Grammy Lifetime Achievement Award recipient, Paxton wrote the song that previously appeared on his own recording <em>The Things I Notice Now<\/em>. It\u2019s one of four songs recorded with Paxton on Buffalo Rose\u2019s forthcoming EP entitled <em>Rabbit<\/em>.<\/p>\n<p>The January 2022 Top Albums, Songs and Artists charts are based on 15, 373 airplays reported on 499 playlists submitted by 122 different folk DJs. The number of reported spins is shown below in parentheses.<\/p>\n<p>Folk Alliance International (<a href=\"https:\/\/folk.org\">folk.org<\/a>) is a nonprofit organization that aims to serve, strengthen, and engage the global folk music community through preservation, presentation and promotion.<\/p>\n<p><strong>Top Albums of January 2022<\/strong><\/p>\n<p>1. <em>The Light at the End of the Line<\/em> by Janis Ian (143)<br \/>\n2. <em>Long Haul<\/em> by John Wort Hannam (96)<br \/>\n3. <em>Strings, Wings and Curious Things<\/em> by Sue Horowitz (86)<br \/>\n3. <em>Songs From the River Wind<\/em> by Eliza Gilkyson (86)<br \/>\n5. <em>Folk Hero<\/em> by House of Hamill (79)<br \/>\n6. <em>Rabbit<\/em> by Buffalo Rose and Tom Paxton (73)<br \/>\n7. <em>Raise the Roof<\/em> by Robert Plant and Alison Krauss (70)<br \/>\n8. <em>Sacred Spaces<\/em> by Eric Bannan (69)<br \/>\n9. <em>Anthems of Home<\/em> by HuDost (59)<br \/>\n10. <em>Head Above Water<\/em> by Heather Sarona (49)<br \/>\n10. <em>Over the Moon<\/em> by Chinook Waltz (49)<br \/>\n12. <em>The Village Out West: The Lost Tapes of Alan Oakes<\/em> by Various Artists<br \/>\n(44)<br \/>\n13. <em>Bucket List<\/em> by John McCutcheon (42)<br \/>\n14. <em>Renewal<\/em> by Billy Strings (41)<br \/>\n15. <em>Blues Ballads Cowboy Songs<\/em> by Peter Keane (38)<br \/>\n15. <em>Come What May<\/em> by Kevin Burgess Project (38)<br \/>\n17. <em>Until Now<\/em> by Carrie Newcomer (37)<br \/>\n18. <em>Home<\/em> by Linda Marks (36)<br \/>\n19. <em>Long Time Coming<\/em> by Sierra Ferrell (35)<br \/>\n19. <em>The Birds of Florida<\/em> by Susan Werner (35)<br \/>\n21. <em>Age of Apathy<\/em> by Aoife O&#8217;Donovan (34)<br \/>\n22. <em>A Little Life<\/em> by Liz Miller (33)<br \/>\n22. <em>A Better Day A-Coming<\/em> by Robin and Linda Williams (33)<br \/>\n24. <em>Awake<\/em> by Mala Oreen (31)<br \/>\n25. <em>Stops Time<\/em> by Brooksie Wells (30)<br \/>\n26. <em>Song to a Refugee<\/em> by Diana Jones (29)<br \/>\n26. <em>My Bluegrass Heart<\/em> by Bela Fleck (29)<br \/>\n28. <em>The Empress<\/em> by The McDades (28)<br \/>\n29. <em>Hell on Church Street<\/em> by Punch Brothers (27)<br \/>\n29. <em>Hometown Tragedies<\/em> by Terry Family (27)<br \/>\n29. <em>Outside Child<\/em> by Allison Russell (27)<br \/>\n29. <em>The Insurrection Blues<\/em> by Corey Harris (27)<br \/>\n33. <em>Everything Will Be<\/em> by Eric Brace and Last Train Home (26)<br \/>\n33. <em>Changemakers<\/em> by Crys Matthews (26)<br \/>\n33. <em>Turning Over Stones<\/em> by Bett Padgett (26)<br \/>\n36. <em>I&#8217;ll Meet You Here<\/em> by Dar Williams (25)<br \/>\n36. <em>Buffalo Nichols<\/em> by Buffalo Nichols (25)<br \/>\n38. <em>Day by Day<\/em> by Norman Blake (24)<br \/>\n39. <em>Borrowed Time<\/em> by Joe Troop (23)<br \/>\n39. <em>A World Like This<\/em> by George Mann (23)<br \/>\n41. <em>Arrivals<\/em> by Declan O&#8217;Rourke (21)<br \/>\n41. <em>The St Buryan Sessions<\/em> by Sarah McQuaid (21)<br \/>\n41. <em>Be Here for a While<\/em> by Shane Cook and the Woodchippers (21)<br \/>\n44. <em>Gone<\/em> by Tim Grimm (20)<br \/>\n44. <em>Downhill From Everywhere<\/em> by Jackson Browne (20)<br \/>\n46. <em>Be a Better Me<\/em> by George Ensle (19)<br \/>\n47. <em>Watchhouse<\/em> by Watchhouse (18)<br \/>\n47. <em>Surely Will Be Singing<\/em> by Tammy Rogers and Thomm Jutz (18)<br \/>\n47. <em>Cosmic Banjo<\/em> by Michael Johnathon (18)<br \/>\n47. <em>The Turning Year<\/em> by Jennifer Cutting&#8217;s Ocean Orchestra (18)<br \/>\n47. <em>Rewrite the Ending<\/em> by Ina May Wool (18)<br \/>\n47. <em>On Solid Ground<\/em> by Reggie Harris (18)<br \/>\n47. <em>Timeless Hours<\/em> by Last Chance (18)<br \/>\n54. <em>Settler<\/em> by Malcolm Macwatt (17)<br \/>\n54. <em>Violet Light<\/em> by Maya De Vitry (17)<br \/>\n54. <em>Stories and Memories<\/em> by Mohavisoul (17)<br \/>\n57. <em>Good to Be<\/em> by Keb&#8217; Mo (16)<br \/>\n57. <em>Renaissance<\/em> by Valerie Smith (16)<br \/>\n57. <em>Grit and Polish<\/em> by Mark Schatz and Bryan McDowell (16)<br \/>\n57. <em>The Other Side<\/em> by Kristi Flagg (16)<br \/>\n61. <em>American Siren<\/em> by Emily Scott Robinson (15)<br \/>\n61. <em>Satisfyin<\/em> by Lady A (15)<br \/>\n61. <em>Lost Love Songs<\/em> by The Pine Hearts (15)<br \/>\n61. <em>Uranium Maiden<\/em> by Kate Macleod (15)<br \/>\n61. <em>Be Ready When I Call You<\/em> by Guy Davis (15)<br \/>\n66. <em>The Way the River Goes<\/em> by Dan Weber (14)<br \/>\n66. <em>First Farewell<\/em> by Peggy Seeger (14)<br \/>\n66. <em>Pohorylle<\/em> by Margo Cilker (14)<br \/>\n66. <em>Jimmy Martin and the Sunny Mountain Boys<\/em> by Jimmy Martin and the<br \/>\nSunny Mountain Boys (14)<br \/>\n66. <em>Frame by Frame<\/em> by T. Buckley (14)<br \/>\n66. <em>The Second Million Miles<\/em> by Bill Staines (14)<br \/>\n66. <em>Declining With Thanks<\/em> by Ian Robb and James Stephens (14)<br \/>\n66. <em>Right Where I Am<\/em> by Jonathan Edwards (14)<br \/>\n66. <em>Beating the Odds<\/em> by Eric Lambert (14)<br \/>\n66. <em>The Road Ahead<\/em> by Ray Lambiase (14)<\/p>\n<p><strong>Top Songs of January 2022<\/strong><\/p>\n<p>1. &#8220;I Give You the Morning&#8221; by Buffalo Rose and Tom Paxton (38)<br \/>\n2. &#8220;Better Times Will Come&#8221; by Janis Ian (33)<br \/>\n2. &#8220;I&#8217;m Still Standing&#8221; by Janis Ian (33)<br \/>\n4. &#8220;January&#8221; by Sue Horowitz (32)<br \/>\n5. &#8220;If You Can&#8217;t Fly&#8221; by Eric Bannan (24)<br \/>\n6. &#8220;Wonderful Things&#8221; by John Wort Hannam (20)<br \/>\n7. &#8220;The South Wind&#8221; by Ailisa Newhall (18)<br \/>\n8. &#8220;Dancing With the Dark&#8221; by Janis Ian (16)<br \/>\n8. &#8220;Sister&#8217;s Keeper&#8221; by Crys Matthews (16)<br \/>\n8. &#8220;Louder Than the Guns&#8221; by Tret Fure (16)<br \/>\n8. &#8220;Take Back The Red White And Blue&#8221; by Crowes Pasture (16)<br \/>\n8. &#8220;Swannanoa&#8221; by Janis Ian (16)<br \/>\n13. &#8220;Our Words Will Be Louder&#8221; by HuDost (15)<br \/>\n13. &#8220;At Least It&#8217;s Not Terrorism&#8221; by Ina May Wool (15)<br \/>\n15. &#8220;Winter Wonderland&#8221; by Noel Paul Stookey (14)<br \/>\n15. &#8220;Wanderin&#8221; by Eliza Gilkyson (14)<br \/>\n17. &#8220;Runaway&#8221; by Buffalo Rose and Tom Paxton (13)<br \/>\n17. &#8220;I&#8217;ll Be Lost&#8221; by Heather Sarona (13)<br \/>\n17. &#8220;Last Kind Word Blues&#8221; by Robert Plant and Alison Krauss (13)<br \/>\n17. &#8220;Bristlecone Pine&#8221; by Eliza Gilkyson (13)<br \/>\n21. &#8220;Green Light&#8221; by Buffalo Rose and Tom Paxton (12)<br \/>\n21. &#8220;Ladder to the Sun&#8221; by House of Hamill (12)<br \/>\n21. &#8220;Sacred Spaces&#8221; by Eric Bannan (12)<br \/>\n21. &#8220;You Led Me to the Wrong&#8221; by Robert Plant and Alison Krauss (12)<br \/>\n21. &#8220;Long Haul&#8221; by John Wort Hannam (12)<br \/>\n21. &#8220;Step on the Gas&#8221; by Sue Horowitz (12)<br \/>\n21. &#8220;Young at Heart&#8221; by John Wort Hannam (12)<br \/>\n21. &#8220;Hate That Kind of Love&#8221; by Marion Halliday (12)<\/p>\n<p><strong>Top Artists of January 2022<\/strong><\/p>\n<p>1. Janis Ian (150)<br \/>\n2. Eliza Gilkyson (106)<br \/>\n3. John Wort Hannam (97)<br \/>\n4. Sue Horowitz (87)<br \/>\n5. Bill Staines (82)<br \/>\n6. House of Hamill (79)<br \/>\n7. Buffalo Rose and Tom Paxton (76)<br \/>\n7. Joan Baez (76)<br \/>\n9. John McCutcheon (73)<br \/>\n10. Eric Bannan (71)<br \/>\n11. Robert Plant and Alison Krauss (70)<br \/>\n12. Christine Lavin (65)<br \/>\n13. HuDost (61)<br \/>\n14. Bob Dylan (59)<br \/>\n15. Heather Sarona (51)<br \/>\n16. Billy Strings (49)<br \/>\n16. Chinook Waltz (49)<br \/>\n18. J.D. Crowe the New South (48)<br \/>\n19. Crys Matthews (46)<br \/>\n19. Carrie Newcomer (46)<br \/>\n19. Susan Werner (46)<br \/>\n22. Pete Seeger (43)<br \/>\n23. Peter Keane (38)<br \/>\n23. Kevin Burgess Project (38)<br \/>\n23. Nanci Griffith (38)<br \/>\n23. Sierra Ferrell (38)<br \/>\n27. Linda Marks (37)<br \/>\n28. Ina May Wool (35)<br \/>\n28. Dar Williams (35)<br \/>\n30. Liz Miller (34)<br \/>\n30. Aoife O&#8217;Donovan (34)<br \/>\n30. Robin and Linda Williams (34)<br \/>\n33. Diana Jones (32)<br \/>\n33. Tim Grimm (32)<br \/>\n33. Michael Johnathon (32)<br \/>\n36. Tret Fure (31)<br \/>\n36. Mala Oreen (31)<br \/>\n38. Jackson Browne (30)<br \/>\n38. Brooksie Wells (30)<br \/>\n40. Sarah McQuaid (29)<br \/>\n40. Punch Brothers (29)<br \/>\n40. Bela Fleck (29)<br \/>\n40. Allison Russell (29)<br \/>\n40. Corey Harris (29)<br \/>\n40. Bett Padgett (29)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Singer-Songwriter Janis Ian had the #1 album (<em>Light at the End of the Line<\/em>), four of the top 10 songs, and was the most-played artist on folk radio during January 2022.  Buffalo Rose, a modern folk-Americana ensemble, joined by Tom Paxton, had the month\u2019s most-played song (Paxton\u2019s \u201cI Give You the Morning\u201d). So say charts compiled by Folk Alliance International based on radio playlists submitted to FOLKDJ-L, an electronic discussion group for DJs and others interested in folk-based music on the radio.<\/p>\n<p>[Click on the headline to continue reading the article and to view the monthly charts that are posted with permission.]<\/p>\n","protected":false},"author":3,"featured_media":11996,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":""},"categories":[5],"tags":[7823,1001,1007,1017,1039,1052,1355,2243,2881],"class_list":["post-11994","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-acoustic-radio-waves","tag-buffalo-rose","tag-folk-alliance-international","tag-folk-dj","tag-folk-music","tag-folk-music-on-the-radio","tag-folk-radio","tag-janis-ian","tag-radio-airplay-charts","tag-tom-paxton","entry","has-media"],"_links":{"self":[{"href":"https:\/\/acousticmusicscene.com\/wp-json\/wp\/v2\/posts\/11994","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acousticmusicscene.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/acousticmusicscene.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/acousticmusicscene.com\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/acousticmusicscene.com\/wp-json\/wp\/v2\/comments?post=11994"}],"version-history":[{"count":5,"href":"https:\/\/acousticmusicscene.com\/wp-json\/wp\/v2\/posts\/11994\/revisions"}],"predecessor-version":[{"id":12001,"href":"https:\/\/acousticmusicscene.com\/wp-json\/wp\/v2\/posts\/11994\/revisions\/12001"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/acousticmusicscene.com\/wp-json\/wp\/v2\/media\/11996"}],"wp:attachment":[{"href":"https:\/\/acousticmusicscene.com\/wp-json\/wp\/v2\/media?parent=11994"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/acousticmusicscene.com\/wp-json\/wp\/v2\/categories?post=11994"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/acousticmusicscene.com\/wp-json\/wp\/v2\/tags?post=11994"}],"curies":[{"name":"w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