“For more than two decades, the New Bedford Folk Festival has been enjoyed by both locals and visitors who love food, music and artisan markets, so it was very much missed during the pandemic,” said Rosemary Gill, executive director of the Zeiterion PAC, the festival’s presenter since 2016.

The festival schedule includes a plethora of talented artists and acts — many of them performing in song-swap style workshops with folks whom they may have never even met, making for unique musical pairings. It also poses a dilemma of choices that may have some attendees walking briskly from one stage to another nearby to catch certain artists.

There will be continuous music from 11 a.m. to 9 p.m. on seven sound stages, ranging from the intimate “Meet the Performer” area at the historic Seamen’s Bethel (which figures In Herman Melville’s classic novel, Moby Dick) and the National Park Garden Stage to the majestic 1200-seat Zeiterion Performing Arts Center. Besides nearly 75 musical performances on those stages, there will be non-ticketed areas open to the public – including six blocks of craft vendors, a gourmet food court & beer garden, and a Southcoast Stage featuring local performers.

“We continue to attract high-caliber musicians who are the best in their genre,” maintains Alan Korolenko, who originated the festival as New Bedford Summerfest in 1996 and currently serves as its artistic director, along with his wife Helene. “Our loyal audience look forward to the artists they know, as well as those they haven’t yet experienced, like at the workshops [featuring three of four artists/acts on stage at the same time] that match unlikely musicians,” he said. “These unique performances have helped New Bedford Folk Festival to become the gem it is today.” This summer’s song swap-style workshops include “A Change is Gonna Come: Topical Songs Then and Now,” “The Great American Songbook: What’s In It, What Should Be In It,” and “Now I Long for Yesterday: Songs I Wish I had Written.”

Local artists Back Porch, Butch McCarthy, Chuck Williams, Dori Rubbicco, Eric Kilburn, Fourteen Strings, Gary Fish and Red Fish, Jeff Angeley and the Pebbles of Rain, Joanne Doherty, MaryBeth Soares and Dave Perreira, Mike Laureanno, Molly O’Leary, New Bedford Harbor Sea Chantey Chorus, Putnam Murdock, Sacred Harp with The Beans, The Harper and The Minstrel, and The Jethros will showcase their talents on the Southcoast stage, the only stage open to the public without tickets.

Besides the music, many artisans and crafts makers will set up booths along the cobblestoned streets between the performance tents and venues. Among them will be jewelers, instrument makers, tie dyeers, local honey purveyors, ceramic artists, vendors selling handmade health and beauty products, and more.

Admission to the festival is quite affordable at $50 for the weekend or $40 for one-day. Weekend and single-day passes are available for purchase at Zeiterion.org, by calling 508-994-2900, or in person at the box office at 684 Purchase Street. Children under 12 will be admitted free with an adult.

For more information and to see complete schedules for the weekend, visit newbedfordfolkfestival.com.

Billed as the largest free Celtic festival in North America, the Celtic Classic has drawn nearly 300,000 people in past years. Now in its 34th year, the festival did not take place in 2020 due to the Covid-19 pandemic. The Celtic Cultural Alliance is adhering to all federal and state guidelines with respect to the pandemic this year. Festival hours are 4-10 p.m. EST on Sept 24, 10 a.m. to 10 p.m. on Sept. 25, and 10 a.m. to 7 p.m. on Sept. 26.

Artists slated to perform include Barleyjuice, Blackwater, Celtic Aire (the U.S. Air Force’s Celtic band), Chambless & Muse, Chivalrous Crickets, Emish, Fig for a Kiss, House of Hamill, Seamus Kennedy, Kennedy’s Kitchen, Kilmaine Saints, Moxie Strings, Rogue Diplomats, RUNA, and Gerry Timlin.

Other musical attractions during the weekend include pipe band, fiddle and drum major competitions. Irish dancers from the O’Grady Quinlan Academy of Irish Dance also will take part in the festivities.

North America’s largest highland games take place during the Celtic Classic for the 14th time. The U.S. National Highland Athletic Championships feature events that trace their origins back to medieval Scotland; these include the lifting of heavy stone, throwing 16 and 22-pound hammers, and sheaf and caber tossing. Border collie exhibitions, The Showing of the Tartan parade; a Haggis Bowl (in which whoever eats one pound of Scotland’s national dish wins); a Celtic Heritage Hollow featuring children’s activities, Celtic societies and clans tents, blacksmith demonstrations, and cultural competitions; and a Celtic marketplace featuring crafts, merchandise and collectibles also are on tap.

More information on one of the most popular events in northeastern Pennsylvania’s Lehigh Valley, including daily schedules, may be found at celticfest.org.

Local, national and international touring artists whose performances are slated to stream @ https://facebook.com/michiganirish over the extended weekend include (in alphabetical order) The Alt, An Dro, Blackthorn, Ruth and Max Bloomquist, Bohola, Daimh, Doolin’, Ian Gould, Shane Hennessey, Seamus Kennedy, The Kreelers, One for the Foxes, Peat in the Creel, RUNA, Scythian, Sharon Shannon, Trout Steak Revival, and Uneven Ground. Singer-Songwriter Ashley Davis will host a songwriters circle featuring Dave Curley, Doolin’, Colin Farrell, and Shane Hennessey, while Shannon Lambert-Ryan, RUNA’s lead vocalist, will host a family-friendly presentation on “Baking with Babies.”

The schedule for the virtual festival appears below. Videos may also be posted on the festival’s Facebook page for replay later if you miss or want to see any of the acts again.

Thursday
5-7 pm Sounds Like Ireland Radio Program
8 pm Runa
9 pm Seamus Kennedy
10 pm An Dro

Friday
6 – 9 am Michael Patrick Shiels The Big Show radio show broadcast live from downtown Muskegon
5 pm Ruth and Max Bloomquist
6 pm Ian Gould
6:30 pm Songwriters Circle with Ashley Davis (featuring Colin Farrell and Dave Curley)
7 pm Dave Curley
7:50 pm Five Farms
8 pm Best of Scythian on Dan’s Wedding Day!
9 pm Shane Hennessy
10 pm The Kreellers

Saturday
12 pm Conklin Ceili Band
1 pm Peat in the Creel
1:30 pm Cathy Jo Smith Storyteller – Seanín the Piper
2 pm Kennedy’s Kitchen
2:30 Bob Harke with Kennedy’s Kitchen
3 pm Baking with Babies
4 pm Songwriters Circle with Ashley Davis (featuring Doolan’)
5 pm the Alt
5:30 pm Cathy Jo Smith – Questions about the Irish Wake
6 pm Friel Sisters
7 pm One for the Foxes
8 pm Daimh
9 pm Doolin’
10 pm CrossBow

Sunday
11 am Uneven Ground
11:30 am Deb O’Carroll’s Irish Magic Show
12 pm Runa featuring Eamonn and Cormac de Barra
1 pm Songwriters Circle with Ashely Davis (featuring Shane Hennessy)
2 pm Trout Steak Revival
3 pm Bohola
4 pm Best of Sharon Shannon
5 pm Blackthorn

American, Canadian, Irish and Scottish artists will be featured in what Cheryl Prashker, the festival’s artistic director and general manager; hopes will be “a magical online experience.” Nearly eight hours of pre-recorded music made especially for the festival will be viewable via the festival’s website (CelticFestival.ca), as well as its Facebook page (https://facebook.com/goderichceltic) and YouTube channel (https://youtube.com/channel/UCHRa3SZ8Y1wn88xYtNvR4Lg/featured?view_as=subscriber). FolkMusicNotebook.com, a 24/7 online music channel, will also stream the festival on its website.

From its humble beginnings as one-time memorial concert in 1993, the Goderich Celtic Roots Festival is now the oldest pan-Celtic festival in North America. In addition to a three-day outdoor festival showcasing some of the world’s best Celtic musicians, dancers and artists, it has grown/evolved to include a weeklong Celtic College and a Celtic Kids Camp, as well as a series of rural outreach mini-concerts,

The festival –- whose physical location is surrounded by the Irish and Scottish heritage reflected in the nearby communities of Belfast, Dublin, Kincardine, Lucknow and Seaforth — was founded on the spirit of community and connecting people with Celtic roots and exploring new Celtic expressions. It generally features more than 60 hours of live musical performances by dozens of artists and acts on five stages, ranging from small intimate ones to a high-powered main stage.

Postponing the 28th edition of the Goodrich Celtic Roots Festival to August 2-8, 2021
“was a really emotionally hard decision to make,” Prashker acknowledged, ”but we’re going all out with this virtual one.” Prashker -– who is also part of the Celtic roots group RUNA and a ‘percussionist to the folkies’ — noted that when she assumed her position with the festival two years ago it was her “secret hope to put the beautiful small town of Goderich on the world map … and now it will be on the world stage virtually.”

Here’s a link to view a short commercial for the festival:

https://www.youtube.com/watch?v=L_fcUWQrzE0

The virtual Goderich Celtic Roots Festival 27.5 will feature pre-recorded performances by Ariko (Canada), Bourque Emissaires (Canada), Cherish The Ladies (U.S.), Shane Cook (Canada)), Joe Crookston (U.S.), The deBarra Brothers (U.S. & Ireland), Flack (Canada), Eve Goldberg (Canada), Joe Jencks (U.S.), Kruger Brothers (U.S. & Ireland), Emory Lester (Canada), Malinky (Scotland), North Atlantic Drift (Canada), Brian O’Headhra & Fiona MacKenzie (Scotland), One for the Foxes (Ireland & U.S.), Reynolds, Robinson & Lodge (Canada), and RUNA (U.S. & Canada).

“We returned to the festival the following year and, by that time, I had absolutely fallen in love with the town and the people, not to mention the beach at Lake Huron,” said Prashker. Noting that “There is an energy here that many say is what keeps them coming back time and time again,” she continued, “Each year after that, even if RUNA was not booked at the festival, I would come back anyway and teach at the Celtic College.” That led to her spending more and more time in Goderich — visiting and eventually moving there and assuming her current dream job. “It reads like a fairy tale (at least to me it does.), and I am so honored to be here,” she added, expressing hope that online festival viewers will get a small glimpse of the spirit and beauty of Goderich that drew her there.

The annual Celtic Roots Festival is run under the auspices of the Goodrich Celtic Folk Society — a charitable nonprofit organization that produces events designed to foster awareness, participation, and education in the world of traditional Celtic culture. Although admission to the virtual festival is free, there will be a virtual tip jar (celticfestival.ca/donate) and all contributions will go to the participating artists.

A number of booking agencies whose rosters include folk and roots artists were among the more than 300 exhibitors in the large EXPO Hall. The conference also featured networking opportunities galore, daily plenary sessions and keynote speakers, an awards ceremony, a town hall on the artist as activist, and a wide array of professional development workshops and forums.

The theme for 2019 was The Power of WE and highlighted the collective strength and the influence of the performing arts in the world. As Mario Garcia Durham, APAP’s president and CEO, noted in welcoming conference attendees: “At APAP, we celebrate both the impact of our work and the opportunity for each one of us to draw energy, ideas and inspiration from it. Our strength as an industry comes from the everyday efforts of individuals in this field, and our collective power – The Power of WE – that fuels us as performing arts professionals.”

Showcases of Note Took Place at the Host Hotel and at Venues Around New York City

More than 1,000 showcases (music, dance, theater, comedy, and more) took place both at the New York Hilton Midtown, the conference hotel, and at venues throughout Manhattan. A few also were set in other New York City boroughs.

January 4: As he has for the last two years, composer, banjoist and producer Jayme Stone curated an eclectic roots music showcase at the host hotel that extended from the late afternoon into the evening. Called the Secret Agents APAP Showcase, it featured a number of notable, primarily self-managed touring artists. As Stone told AcousticMusicScene.com last January, he sought “to create a space for independent roots/world music artists to have their music heard by performing arts center directors and festival programmers. My goal was to make the cost slightly more affordable for artists and to create an opportunity for underrepresented artists to have a seat at the table. Most of the artists at our showcase do not have agents, which is rare at this conference.”

Kicking off the musical festivities was Eleanor Dubinsky, a soulful NYC-based singer songwriter, and her ensemble. Although I’d seen and previously been impressed by Dubinsky’s singing and song stylings in solo and duo performances, having an ensemble backing her added a whole new dimension to her performance. Next up, Stone debuted his New Art-Pop Project. Among the artists joining him on that was Moira Smiley, herself a gifted songwriter and vocalist, who, accompanied by her group, VOCO, had her own short showcase immediately afterwards entitled The Voice is a Traveler.

“2019 was my first time at Wavelengths, and that was a revelation to experience the small, fierce like-minded group of people interested in traditional arts,” she said, expressing appreciation to the pre-conference’s organizers for screening her promo video for her The Voice Is A Traveler show. In my view, it was the best of a number of short videos and video clips screened. As for the Secret Agents Showcase, Smiley said: “I love [them] for their absolute weirdness of variety. It reminds you how many worlds of entertainment here are – some intersecting not-one-bit with your own! Yet we’re all here making our dough with these sights and sounds.”

Also part of the Secret Agents Showcase were Taarka, a Colorado-based adventurous Americana trio whose sound is a blend of bluegrass, folk, gypsy jazz, and soul; American samba band Os Clavelitos; the energetic Northeastern Brazilian party music of accordionist Rob Curto’s Forro For All; and the joyous Brazilian bluegrass sounds of Matuto (fronted by Clay Ross), among others.

The evening’s musical gumbo also included the jazzy Brazilian Americana sounds of Max Hatt & Edda Glass; Hen’s Teeth, a cross-continental duo with Janie Rothfield (Staunton, VA) and Nathan Bontrager (Cologne, Germany); DuoDuo Quartet comprised of percussive dancer Nic Gareiss with harpist Maeve Glichrist, plus cellist Natalie Haas (who frequently performs with Alasdair Fraser) with her husband-guitarist Yann Falquet (from the Quebecois folk group Genticorum) – all of whom have toured internationally for years; Jenna Moynihan & Mairi Chaimbeaul, a fiddle and harp duo; and Mark Kilianski & Nate Sabat featuring a guitarist and songwriter from the duo Hoot & Holler and the bassist and songwriter from Mile Twelve, a Boston-based bluegrass band. Each of the preceding artists (with the exception of Simien) also joined Waldman in kicking-off the evening’s musical festivities with renditions of “Cluck Old Hen.” A welcome and unexpected highlight of the evening was Waldman’s pairing of harpists Gilchrist and Chaimbeaul for a tune as a twin-harp interlude between sets.

Although some parts of the roots music variety show’s format have remained the same, “it’s always evolving, sometimes in subtle ways, sometimes a little more dramatically,” Waldman noted. “O stage, I’ll sometimes mention a quote I’ve learned as a writer: no surprise to writer, no surprise to reader, which means if a writer is surprised what he or she is writing, which happens, it’s almost guaranteed the reader will be surprised. I think that’s a good thing. It means extra energy. I try to bring that mindset to the show, and have actively encouraged collaborations, which brings an element of the unknown. If the musicians are not 100% sure what’s going to happen next, the audience won’t know either.”

The same lineup of artists who performed at Don’t Tell Mama also showcased their talents the previous night at Brooklyn’s Jalopy Theater. “One of the evolutions in the show was [that] we began booking Thursday night at the Jalopy Theater in Red Hook, which served not only as a public event (on Friday we only market to APAP attendees), but also as a run-through for Friday,” said Waldman.

While I was enjoying the music at Don’t Tell Mama, the Americana Music Association sponsored a showcase concert at Rockwood Music Hall on the Lower East Side featuring singer-songwriter Caitlin Canty with special guests Oshima Brothers, while Smithsonian Folkways recording artists Anna & Elizabeth (who have previously been part of Waldman’s roots music variety shows) shared their innovative, modern arrangements of old-time Appalachian music at Joe’s Pub; The Klezmatics played Irridium, a midtown jazz club; and the Seamus Egan Project (featuring one of the most influential artists in contemporary Irish music) showcased at the New York Hilton, as did Switchback, the Celtic and Americana duo of Brian Fitzgerald and Martin McCormick. A multimedia concert by Seamus Egan’s seminal band Solas was a highlight of a previous APAP Conference.

January 5: My Saturday afternoon is traditionally filled with Celtic showcases at the hotel, and it would have been this year had I not opted to remain on Long Island to emcee a concert that I’d helped to arrange. Among the artists who showcased their talents at the New York Hilton Midtown that day were ebullient New York-based jig-rockers The Prodigals and their alter egos Acoustic Micks; Cherish The Ladies, the all-female Irish band fronted by Joannie Madden; Philadelphia-based Celtic roots band RUNA; and the young Irish trad trio Socks in the Frying Pan (from County Clare), whom I saw the next day.

Also showcasing their talents at the hotel on Saturday afternoon were Banjo Nickaru & Western Scooches and Sam Reider & Human Hands. Natalia Zukerman performed excerpts from The Women Who Rode Away, a multimedia show melding her talents as a songwriter, painter and storyteller. William Florian, formerly of The New Christy Minstrels, presented a taste of Those Were The Days: The Spirit and the Songs of the 1960s.

Tamara Kater of Toronto, Ontario- based Mavens Music Management reports that the showcase was well attended, with more than 100 people in the audience – about half of whom had APAP connections. “APAP is always rewarding, especially with the concurrent content of Wavelengths and GlobalFEST,” said Kater. “It’s inspiring and rewarding to meet such an array of presenters and artists all in one place, within a few days. Seeing the venues of New York and so many performances in such a compact amount of time is always a brilliant way to start off the new year.”

Also that evening, booking agency Madison House hosted a showcase at City Winery featuring Canadian singer-songwriter Rose Cousins, American singer-songwriter Willie Nile, and Madagascar-born singer-songwriter ad environmental activist Razia Said. Down at Rockwood Music Hall, The Blue Dahlia featuring Dahlia Dumont, a Brooklyn gal now living in Paris, who pens and sings songs in both English and French, appeared. Among the artists who showcased their talents at New York Hilton were Emmet Cahill (star of PBS’ Celtic Thunder) and the Jen Chapin Trio featuring the soulful urban folk singer-songwriter, her husband Stephan Crump on acoustic bass, and Jamie Fox on electric guitar.

January 6: Isle of Klezbos, a swinging all-female Klezmer sextet shared a bill and some members with the octet Metropolitan Klezmer (now celebrating its silver anniversary) as they performed some vintage instrumentals and Yiddish songs during Sunday brunch at City Winery. Although I enjoyed this last year, I skipped it this time. I also missed singer-songwriter Ellis Paul’s short early morning “Hero In You” showcase, during which he presented 15-minutes of excerpts from an award-winning educational program for children based on his CD and book of the same name that inspires youngsters to dream big.

I enjoyed several showcases that were part of Celebrate Our FOLK at Connolly’s Pub – Restaurant (Connolly’s Klub 45). The highlights were Kaia Kater and Kittel & Co.

Fronted by Jeremy Kittel — a virtuosic violinist, fiddler and composer — Kittel & Co. is an acoustic trio/string band with folk and jazz sensibilities whose sound also has Celtic, bluegrass and classical influences. Its recent release, Whorls, debuted at #1 on the Billboard bluegrass chart, while Kittel’s piece “Chrysalis” is among the nominees for a Grammy Award for Best Instrumental Composition.

Also on the bill were singer-songwriter Ashley Davis, Making Movies (a Kansas City, MO-based band whose music defies easy categorization and whose set I missed, although I’ve previously seen the band at a Folk Alliance International conference held in its hometown), and the previously mentioned Socks in the Frying Pan.

Later in the evening, Kater shared a bill at Rockwood Music Hall as part of Quicksilver Productions, Lost Buffalo Artists & Smithsonian Folkways Present: The Women of Folkways with label mates The Bright Siders (featuring singer-songwriter and percussive dancer Kristin Andreassen – formerly of Uncle Earl – and Brooklyn-based child psychiatrist Dr. Kari Groff who create music that helps children and families have meaningful conversations about emotions) and Lula Wiles (a Boston–based, harmonious trio made up of Isa Burke, Eleanor Buckland, and Mali Obamsawin, whose Smithsonian Folkways debut, What Will We Do, is released Jan. 25 and who I had the pleasure of introducing at a couple of festivals).

Among the artists showcasing their talents at the New York Hilton in the evening were The Everly Set: Sean Altman and Jack Skuller Celebrate The Everly Brothers and Sultans of String, award-winning genre-bending world music instrumentalists from Toronto. Vanaver Caravan, a troupe of dancers and musicians, presented nearly half an hour of excerpts from Turn Turn Turn Turn, a show featuring more than 20 of Pete Seeger’s most celebrated songs and timed to coincide with the centenary of the late folk icon’s birth. Li, who describes his music as urban folk, did not impress this writer, while a Folk Legends showcase featuring two former members of The Kingston Trio was cancelled due to illness.

Also during the conference, Sage Artists shared excerpts of Call Mr. Robeson: A Life, With Songs, while cast members from Lonesome Traveler: The Concert performed short musical excerpts from the show, along with narration that helps tell the story of American folk and folk-rock music from Woody Guthrie to Bob Dylan and beyond. Artists in various other musical genres also showcased their talents, while comedy, dance and theatrical showcases also were part of the mix.

Since there were no folk or roots music showcases of note on January 7, and the conference closed with a plenary session on the morning of January 8, I did not venture into NYC those days.

About the Association of Performing Arts Professionals (APAP)

Based in Washington, DC, APAP is a nonprofit national service, advocacy and membership organization dedicated to developing and supporting a robust performing arts presenting field and the professionals who work within it. The next APAP Conference is set for Jan. 10-14, 2020 in New York City. More information on the organization may be found on its website: www.apap365.org.

The theme for 2018 was trans.ACT and focused on the transformative power of the arts. The conference’s plenary sessions explored the role and responsibility of the performing arts in our world today and the impact of trans-disciplinary thinking and partnerships that are breaking new ground in both the arts and the world beyond.

Showcases of Note Took Place at the Host Hotel and at Venues Around New York City

Showcases took place both at the New York Hilton Midtown, the conference hotel, and at venues throughout Manhattan. A few also were set in other New York City boroughs and beyond.

January 12:

January 13:

During the evening, I enjoyed extended sets of music by Jim Messina (of Loggins & Messina, Poco and Buffalo Springfield fame) and Grammy Award-winning southwest Louisiana-based Cajun band Beausoleil avec Michel Doucet at Iridium, a Manhattan nightclub that primarily features jazz artists. Back at the hotel late that night, I also enjoyed a short showcase by the vocal group Estonian Voices.

January 14:

January 15:

Other folk and roots artists who showcased their talents during the APAP Conference included The Abrams Brothers, vocals and harp duo Addi & Jacq, multi-instrumentalists Andes Manta, contemporary folk trio A Band Called Honalee, Russian folk ensemble Barnya, young Irish tenor Emmet Cahill (who is also a member of Celtic Thunder), Colombian-Panamanian roots duo Calle Sur, The Everly Set (Sean Altman and Jack Skuller), guitarist Vicki Genfan, seven-sibling act The Hunts, Georgian polyphonic choir Iberi, Quebec’s Melisande [Electrotrad], Guy Mendilow Ensemble, Mojo & the Bayou Gypsies, accordionist and composer-singer Sam Reider, eclectic roots ensemble Upstate Rubdown, Ottawa Valley fiddler April Verch and her band, and Yemen Blues. Randy Noojin presented 15-minute excerpts from Hard Travelin’ with Woody, his one-man multimedia show featuring the music and artwork of Woody Guthrie, as well as Seeger — A multimedia solo show featuring the music of Pete Seeger. Sage Artists shared excerpts of Call Mr. Robeson: A Life, With Songs.” Cast members from Lonesome Traveler: The Concert also performed short musical excerpts from the show, along with narration that helps tell the story of American folk and folk-rock music from Woody Guthrie to Bob Dylan and beyond. Artists in various other musical genres also showcased their talents, while comedy, dance and theatrical showcases also were part of the mx.

Artists who Hosted Showcases Offer Their Reflections

Jayme Stone notes that he started curating a showcase at last year’s APAP Conference “to create a space for independent roots/world music artists to have their music heard by performing arts center directors and festival programmers. My goal was to make the cost slightly more affordable for artists and to create an opportunity for underrepresented artists to have a seat at the table. Most of the artists at our showcase do not have agents, which is rare at this conference.”

“Attending the conference has proven to have a profound impact on my touring career,” says Clay Ross, who fronts both Matuto and Ranky Tanky and produced the Global Routes Music Showcase with Stone. Noting that he’s been attending APAP conferences for the past seven years, Ross told AcousticMusicScene.com: “It’s given me the opportunity to connect with presenters, agents, managers, and other industry professionals around the world.” Those connections have helped prompt bookings for his bands at a number of prestigious Americana, roots and jazz venues and festivals.

“As an artist, I think it’s really important to understand the various perspectives, challenges and concerns associated with all sides of the business,” Ross continued. “By hanging around at conferences like APAP and forging relationships across the field, you start to see more clearly how your talents and interests might best align with potential partners. You start to understand that you don’t need to be everything to everyone, but can instead find your own comfortable niche. “

Waldman continues, “Going to APAP, we’re more apt to find jobs that pay $2,500, $5,000 and up.” While acknowledging that nothing is guaranteed, he believes that “by offering this particular roots music showcase evening, I’m nudging the odds in my favor. It’s an investment I’ve been happy to make.”

“Because I attend so many [conferences], I don’t feel stressed thinking it’s now or never. I see people I’ve met in prior years [and those] I’ve never met before. If some jobs come my way, great — but it doesn’t have to be the result of a particular conference or showcase. It’s invariably the result of attending as many of these conferences as I can.” He maintains that presenters who attend APAP conferences tend to have more experience in the field, access to bigger budgets, and are just so inundated with pitches from artists and their agents that they are virtually impossible to reach by email or phone. “But at a conference there’s the chance to actually meet someone which means if I do have reason to send an email or make a phone call, there’s a much greater chance of having the email returned or the call taken.”

WAVELENGTHS World Music Pre-Conference Features An Inspirational Keynote

Among several arts-related forums that preceded the conference was a two-day WAVELENGTHS World Music Pre-Conference featuring a keynote, panel discussions, workshops, and an artist pitch session co-produced by music PR firm Rock Paper Scissors in cooperation with GlobalFEST.

Keynoting WAVELENGTHS was Emel Mathlouthi, a Tunisian singer-songwriter whose songs played a major role in Arab Spring and led to her being called “the voice of the Tunisian revolution.” She offered heartfelt comments and inspiring thoughts as she spoke of the role of the artist in turbulent times and the importance of empathy.

Here’s a link to a video of Emel performing her song “ Kelmti Horra “(“My Word is Free”) during the 2015 Nobel Peace Prize Concert:

https://www.youtube.com/watch?v=wJ79iEfus8E

“For me, art has always been very powerful in connecting us…[and] in opening doors, [and in transcending] barriers and limits,” she said. “We’re all coming from the same place, and we all have a heart … Art is an international language. I really wanted to convey that,” she continued, noting her collaborations with musicians from other parts of the world. Until recently, Emel, who cites Joan Baez among her influences, has primarily written and sung music in Arabic, and some of her songs contain messages that transcend politics.

She advocates for the elimination of ethnic and political silos that have been used to pigeonhole and minimize artists’ cross-cultural appeal and expressing her personal desire to appeal to people based on her humanity, rather than feel like just an ethnic or political artist. “We’re reaching times where all the concepts have to change and allow all the artists who are coming from the world music sphere to be able to explore themselves and go beyond any preconceived notions,” she declared. While acknowledging that she has a conscience and a point of view, and expressing pride in the social impact that her music has had in helping to energize the movement for change in the Arab world, she concluded: “At the end of the day, I’m an artist, a musician, a singer.”

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About the Association of Performing Arts Professionals (APAP)

A Washington, DC-based nonprofit –- previously known as the Association of Performing Arts Presenters until changing its name last year — APAP is a national service, advocacy and membership organization dedicated to developing and supporting a robust performing arts presenting field and the professionals who work within it.

“As artists and arts makers, we must embrace our role to engage in the constant and dynamic societal transformation that we are a part of by acknowledging it, reflecting it, discussing it, and leading it,” says Mario Garcia Durham, APAP’s president and CEO. “Our strength as an industry lies in our ability to create, produce, present, share and stimulate audiences everywhere with works that both embrace and acknowledge our differences and increase our understanding of one another.”

The next APAP Conference in New York is set for January 4-8, 2019. More information on the organization may be found on its website: www.apap365.org.

More than 100 artists and acts are slated to perform during the festival. These include David Amram, Eric Andersen, Baile An Salsa, Sam Baker, Larry Campbell & Teresa Williams, Laura Cortese & The Dance Cards, Cry Cry Cry (featuring Lucy Kaplansky, Richard Shindell and Dar Williams), Skip Denenberg, Brian Dunne, Samantha Fish, John Flynn, Bella Hardy, Sierra Hull, The Infamous Stringdusters, David Jacobs-Strain & Bob Beach, The Kennedys, Laura Love Duo, Heather Maloney, John McCutcheon, Tift Merritt, Molsky’s Mountain Drifters, Graham Nash, Old Crow Medicine Show, Corin Raymond, RUNA, Son of Town Hall, Spirit Wing, Spuyten Duyvil, Taj Mo: The Taj Mahal & Keb’ Mo’ Band, Ken Tizzard, Susan Werner, and Toronto-based duo The Young Novelists.

Among the notable up-and-coming local touring artists who will showcase their talents during the festival are Ben Arnold and the 48 Hour Orchestra, Michael Braunfeld, The End of America, Ladybird, Man About A Horse, Mist Covered Mountains, Andrea Nardello, No Good Sister, and Katherine Rondeau & The Show.

As the names above suggest, the Philadelphia Folk Festival features an eclectic mix of traditional and contemporary music that stretches the boundaries of folk, helping to broaden its appeal and reach a new generation of listeners. Both notable national and international touring artists and emerging ones are on the bill.

In partnership with the Northeast Regional Folk Alliance (NERFA), a regional affiliate of Folk Alliance International, the festival will also showcase the talents of three up-and-coming young artists — Jeremy Aaron, Quentin Callewaert and Sara Chodak — during a NERFA Presents Young Folk song swap on Saturday morning. (Aaron also plays fiddle with the Hudson Valley, New York-based Americana-roots band, Spuyten Duyvil, during the festival.)

In addition to musical performances and workshops on eight stages – including contradancing with Groovemama, a Martin Guitar Jam and an old time & bluegrass jam — there will be an array of children’s activities in the shady Dulcimer Grove – including craft-making and performances by The Give & Take Jugglers and such children- and family-oriented artists as the husband-and-wife duo Two of a Kind. As in years past, many artisans will display and sell their creations in an open-air juried crafts area.

There’s also a festival within the festival for those who opt to camp onsite and enjoy some late-night musical revelry. The 40-acre campground – chock-a-block with tents — is home to a unique late-night scene, with singing by campfires and jamming into the early morning hours. David Dye, host of the syndicated World Café radio program, will host a special Thursday night concert on the Camp Stage –featuring Kentucky-based singer-songwriter Joan Shelley, Brooklyn, NY’s The National Reserve, and Toronto rock duo Whitehorse — exclusively for all-festival camping ticket holders.

Both day and full-festival passes are available, with ticket prices starting at $65 for a single-day. Children under 12 will be admitted free with an adult, while discounted tickets are available for youth, ages 12-17.

For more information about the Philadelphia Folk Festival and to order tickets, visit
www.pfs.org//Philadelphia-folk-festival/. A festival app also has been developed for use on smartphones before and during the festival.

Editor’s Note: As president of the Northeast Regional Folk Alliance (NERFA) board of directors, I have the honor and pleasure of hosting the “NERFA Presents Young Folk” showcase on Saturday morning, Aug. 19, at 11 a.m. Cheryl Prashker, my predecessor at NERFA and percussionist with the Celtic roots group Runa, will join me.

Now in its 46th year, Clearwater’s Great Hudson River Revival is slated for Saturday-Sunday, June 20-21, at Croton Point Park in Croton-on-Hudson in New York’s Hudson Valley. A wide array of music, dance, storytelling and family-oriented programming will take place on seven sustainably powered stages.

Produced by and benefiting the Hudson River Sloop Clearwater, Inc., a nonprofit member-supported organization launched by Pete Seeger and others to preserve and protect the Hudson River and its tributaries, the festival celebrates environmental activism and education and supports its efforts on behalf of the environment and social justice and keeping the sloop Clearwater afloat. Besides lots of music, the festival features a Green Living Expo, riverfront activities, environmental workshops and exhibits, and booths run by educational and activist organizations. For an extra fee, visitors will be afforded opportunities to sail the Hudson on the Clearwater, a world-renowned floating classroom and symbol of effective grassroots action. A juried Handcrafters’ Village and a participatory Circle of Song are also on the docket. For more information and to purchase tickets, visit www.clearwaterfestival.org.

The 35th Annual Old Songs Festival takes place June 26-28 at Altamont Fairgrounds in Altamont, approximately 10 miles west of Albany. Produced by Old Songs, Inc., a nonprofit organization based in the New York State Capitol Region that seeks to keep traditional music and dance alive through the festival, as well as monthly concerts, dances and educational programs, this festival features a variety of folk, Celtic and world music.

A very participatory event, the Old Songs Festival includes more than 120 workshops, classes, sessions and performances. Attendees also are afforded opportunities to take part in “sacred harp” or shape-note singing, choral harmony singing and open mics, as well as lots of festival performer-led and impromptu jam sessions. The relaxed, family-friendly festival also features a dedicated children’s area, as well as a wide array of artisans, vendors and food.

Individual day tickets and all-festival tickets (with or without camping) are available at the gate. For more information, visit www.oldsongs.org/festival.

Lucinda Williams will headline the fifth annual American Roots Music Festival at Caramoor, a family friendly celebration of acoustic music, on Saturday, June 27. Set on 90 acres of gardens and Italianate architecture in Katonah, Westchester County, NY – 40 miles northeast of New York City — the Caramoor Center for Music and the Arts is well known for its summer music festivals. AcousticMusicScene.com is delighted to again be a Cultural Partner of the festival and will have a presence there.

Opening for Williams in the evening program beginning at 7:30 p.m. will up-and-coming Oklahoma-based singer-songwriter Parker Millsap. Artists slated to perform during the afternoon (12-6 p.m.) include Kristin Andreassen Band, Larry Campbell & Teresa Williams, Jessy Carolina & The Hot Mess, Mason Porter, Cole Quest and the City Pickers, Spuyten Duyvil, Matt Turk, and Walkabout Clearwater Chorus. Also scheduled is a social music hour — an old-time music workshop featuring some of the artists mentioned above and patterned after one that Spuyten Duyvil’s Mark Miller has led here and at other music festivals. Folks attending it are encouraged to bring their instruments or just gather round to learn about several old-time musicians and sing their songs.

“Caramoor is a nature paradise and the music takes place in several locations on the grounds so that folks can experience some of the environmental beauty as well,” says Maggi Landau, the festival organizer. She notes that during the daytime artists will be performing acoustic, unplugged sets in the Sunken Garden – “a quiet grove with the audience sitting on the ground literally at the feet of the artist” – as well as on the larger Friends Field. The evening concert featuring Lucinda Williams will take place inside the Venetian Theater for which there is reserved seating.

Daytime only tickets (excluding the evening performances) and full-festival tickets, (including reserved seating for the evening concert) may be ordered by calling (914) 232-1252 or visiting www.caramoor.org.

Attendees are advised to bring their own chairs/blankets for the daytime performances. Although limited food and beverages will be available for purchase, folks also can bring their own and enjoy picnicking on Caramoor’s spacious lawns.

The second annual Rockland-Bergen Music Festival takes place Saturday-Sunday, June 27 -28, at German Masonic Park, 120 Western Highway in Tappan. Gates open at 10 a.m., while music extends from 11 a.m.-7:30 p.m. each night, rain or shine. Artists slated to perform over the weekend include Aztec Two-Step, Arlon Bennett Band, Bluebirds of Paradise, Jen Chapin, Tom Chapin Trio, Shawn Colvin, Guy Davis with Professor Louie, KJ Denhert, festival presenter Joe D’Urso & Stone Caravan, John Eddie, Steve Forbert Jeffrey Gaines, Spook Handy, Garland Jeffreys, David Johansen, The Levins, James Maddock, Willie Nile, John Sebastian, Frank Tedesso, The The Band Band, and many others. For more information, visit www.rocklandmusicfestival.com.

AcousticMusicScene.com Hosts Mid-Summer Song Swaps at Huntington, Falcon Ridge Folk Festivals

And mark your calendars for these two upcoming festivals at which AcousticMusicScene.com will host pre-arranged unplugged song swaps: Huntington Folk Festival (Sunday, July 26 in Huntington) and Falcon Ridge Folk Festival (July 31-Aug. 2, with a pre-fest day July 30 in Hillsdale).

The free event, co-presented by the Folk Music Society of Huntington and the Huntington Arts Council, is part of the 50th Annual Huntington Summer Arts Festival produced by the town of Huntington, presented by the Huntington Arts Council, and sponsored in part by the New York State Council for the arts, the County of Suffolk and Canon U.S.A. More information, including a detailed schedule, will be posted on AcousticMusicScene.com next month, as well as on www.fmsh.org.

AcousticMusicScene.com will also host late-night song swaps under a big tent at Pirate Camp during the 27th Annual Falcon Ridge Folk Festival, July 31-Aug. 2 (with a music-filled pre-fest day on July 30). One of the Northeast’s most popular music festivals, Falcon Ridge takes place at Dodd’s Farm on Route 7D in Hillsdale, NY, located in the foothills of the Berkshires, near the tri-state corner of New York, Connecticut and Massachusetts.

Falcon Ridge features dozens of artists performing on several stages, a dance tent, children’s music and activities, and a wide array of crafts, food and other vendors. Among the artists performing this year will be Ray Bonneville, Brother Sun, Judy Collins, The Duhks, Ellis, IlyAIMY, Martyn Joseph, Jay Mankita, Nerissa & Katrina Nields, Pesky J. Nixon, Jim Photoglo, June Rich, Garnet Rogers, Roosevelt Dime, The Slambovian Circus of Dreams, Ralph Sweet, Annie Wenz, Susan Werner, George Marshall with Wild Asparagus, and the 2014 Emerging Artists Showcase performers voted “Most Wanted to Return”: Caitlyn Canty, Matt Nakoa, Hayley Reardon and Jean Rohe.

One of the true highlights of the Falcon Ridge Folk Festival – for those who opt to camp on-site and stay up through the early morning hours – are the impromptu jams, after-hours song circles and unplugged mini-showcases that help foster a sense of “folk” community and provide a different kind of festival experience.

2015 marks the fourth year that AcousticMusicScene.com will partner with Pirate Camp, which was informally launched by Stuart Kabak and the late Jack Hardy more than a decade ago to provide a warm and welcoming haven for sharing music, food and camaraderie. Prior to 2012, AcousticMusicScene.com had for many years joined with Tribes Hill, a lower Hudson Valley-based nonprofit organization uniting musicians and their patrons, in hosting late-night music under a big white tent.

More information about Falcon Ridge and the AcousticMusicScene.com tent @ Pirate Camp will be posted in coming weeks.

Hailed as “the dean of American folk DJs” by the Philadelphia Daily News and “the godfather of American folk” by the Philadelphia Inquirer, Shay has hosted and produced weekly folk radio shows in Philadelphia since 1962.

Prior to moving to the University of Pennsylvania-based non-commercial station WXPN in 1995, Gene Shay had hosted and produced The Folk Show on a succession of Philadelphia area radio stations – including WHAT-FM, WDAS-FM, WMMR-FM, WIDQ-FM and WHYY-FM. A weekly two-hour version of the show has also streamed on FolkAlley.com for the past several years, while Shay was also formerly featured on XM Satellite Radio’s The Village.

Shay, who worked for a number of commercial advertising agencies over the years, was first exposed to broadcasting at Armed Forces Radio while stationed outside Frankfurt, Germany. He joined Philadelphia radio network WHAT in 1962 –producing its jazz show before taking the helm of its folk music show.

A charter board member of the North American Folk Music & Dance Alliance (now Folk Alliance International), Shay was also both a steering committee member and coordinator of workshops for the annual Northeast Regional Folk Alliance (NERFA) Conference. He has served on the boards of the Philadelphia Folksong Society and The American Composers Forum and is a voting member of the board of governors of the National Academy of Recording Arts and Sciences (NARAS) in Philadelphia. Shay has also been a board member for the Philadelphia Music Alliance, which inducted him into the Philadelphia Music Walk of Fame in October 2013.

Here’s a link to a seven-minute video by Steve Ramm of highlights from the Walk of Fame induction:

Gala Tribute Concert and Celebration Slated for March 1

For nearly two decades, Shay has also been a member of the board of directors for Sing Out!, a nonprofit organization that publishes a quarterly folk music magazine, song collections, sound recordings, folk music books and directories. On Sunday afternoon, March 1, Sing Out! will regale him on the occasion of his retirement and impending 80th birthday. A star-studded concert is set for 3 p.m. at The First Unitarian Church of Philadelphia. David Dye, host of “World Café” emcees the special event that will feature performances by Tom Paxton, Janis Ian, SONiA, Silk City, Kim & Reggie Harris, John Flynn, Julie Gold, and Full Frontal Folk, among others. Dye, whose nationally syndicated radio program originates from the studios of WXPN, has said he “learned more about music from Gene Shay than any other source.” An intimate meet-and-greet reception with Shay and the performing artists will follow the concert (for those with patron tickets).

For more information and to order tickets, click on this link .

A Few Reflections on Gene Shay

“I can’t think of a person who has been more influential or key to folk music in the region,” says Mark Moss, executive director and editor of Sing Out!, calling Shay “the gateway drug to my life’s passion and work, and one helluva great guy.” While acknowledging that he will miss hearing Shay on the radio, Moss notes: “The fruits of his years on the air are and will be all around us for years to come. Gene Shay ‘is’ folk music in Philadelphia.”

Sharing Moss’ sentiments, Lisa Schwartz, president of the Philadelphia Folksong Society, who has known Shay personally and professionally for some 40 years, told AcousticMusicScene.com:

“It’s hard to imagine turning on the radio and not hearing Gene’s mellifluous voice, especially on a Sunday night. He has this amazing quality to completely disarm someone and make [him or her] feel completely and totally comfortable. Musicians love him because he genuinely appreciates them and their music — and because he’s just such a love.

There is no one who comes close to having Gene’s grasp of folk music. He’s an expert and a genius at recognizing great talent. We have Gene to thank for introducing us to some of the best music that’s ever been made. On a personal level, I feel honored and blessed to call him my friend. He and his lovely wife Gloria attended my wedding and he was one of the first people we told we engaged.” [Lisa’s husband proposed to her at the Philadelphia Folk Festival in 2007.]

Reflecting on Shay, Cheryl Prashker, president of NERFA, noted that he has been active with the organization since its first conference 21 years ago. “He has been very instrumental in putting together our conference workshops, not to mention coming up with all their witty titles,” she said. “For many years, Gene hosted a showcase called “Midnight at the Marquis” in which he featured many of his favorite new artists. He is also loved for hosting a ‘covers only’ party in his room on the Saturday night of the conference. We are truly very lucky to have him.”

Prashker expressed regrets that she can’t be at the March 1 gala tribute to Shay since RUNA, the Celtic roots ensemble for which she is the percussionist, will be on tour elsewhere. “As a performer, I have had the absolute privilege of appearing on Gene’s show many times with various artists,” said Prashker, “from my initial appearance with my New York- based group CC Railroad in 2000 to many of the singer songwriters you have heard over the years to my current group.” She described each visit as “special to me, since I knew I was in the room with a true giant in our community. I tried never to take that for granted. He always knew what questions to ask and always made the artist feel welcome and at home and as if we were the special ones.”

As in years past, this year’s schedule includes a wealth of talented performers, many of them performing in song-swap style workshops with folks whom they may have never even met, making for unique musical pairings. It also poses a dilemma of choices that will prompt attendees to consider running from one stage to another nearby one to catch certain artists.

In addition to the music, some 90-artisans and arts and crafts vendors will set up booths along the streets, as well as inside the Whaling Museum.

Admission to the festival is quite affordable at $25 for the weekend or $20 for one-day. Children under 12 will be admitted free with an adult.

While in New Bedford, you also can enjoy fresh seafood and sample tasty cuisine at one of the whaling city’s many Portuguese restaurants. Parking is free at the municipal garage.

For more information and to see complete schedules for the weekend, visit www.newbedfordfolkfestivalcom.