His latest album, Come Around, was recorded last fall and features 11 original songs – largely meditations on life and love — plus a cover of the traditional blues classic “In My Time of Dyin’.” Lutes co-produced the album with longtime collaborator Rob MacDonald – with whom he is also in a duo and part of the roots ensemble Sussex. Featuring backing vocals by Annabelle Chvostek, Come Around is Lutes’ eighth studio release since 2000. His previous recording, 2017’s Walk in the Dark, was named Album of the Year by Blues and Roots Radio, while 2013’s The Bravest Birds topped the EuroAmericana Charts and spent seven months in the Roots Music Report Top 10. Other artists have recorded several of Lutes’ songs.

Here’s a link to enjoy a video of Lutes performing “Knives,” the opening track on Come Around: https://www.youtube.com/watch?v=qu9m7gOQrY4

Allison Russell is a soulful Nashville-based, Montreal-born Scottish Grenadian Canadian singer-songwriter, poet, multi-instrumentalist, producer, and activist who is also a co-founder of Our Native Daughters and Birds of Chicago and was part of Po’ Girl. She is in the running for Contemporary Album of the Year, English Songwriter of the Year, New/Emerging Artist of the Year, and the Oliver Schroer Pushing the Boundaries Award in recognition of her debut solo album, Outside Child.

Wrought with emotion, its 11 original songs are “about resilience and survival, transcendence and the redemptive power of art, community, connection, and chosen family,” says Russell, who faced abuse and trauma during her youth that music has helped her to overcome. She showcased her talents and also served as the weekend closing curator at the 63rd annual Newport Folk Festival this summer.

Here’s a link to view the official video for Russell’s song “Nightflyer,” the first single off Outside Child: https://www.youtube.com/watch?v=RNJgwj8d9eo

The Canadian Folk Music Awards were established in 2005 to bring greater exposure to the breadth and depth of Canadian folk music, celebrating and promoting it in all its forms. This year’s nominees span the country from Whitehorse, Yukon to Cambellton, New Brunswick, and from Banff, Alberta to Halifax, Nova Scotia. They were chosen for each category via two-stage jury process. More than 100 jurors, locatedacross Canada and representing all of its official provinces, territories and languages determine the recipients in each category.

A complete list of 2022 Canadian Folk Music Awards nominees follows, while more information may be found online at folkawards.ca.

Children’s Album of the Year / Album jeunesse de l’année

• Campfire Time! by/par Peter Lenton aka Peter Puffin’s Whale Tales (AB)
• Falling in Africa by/par Garth Prince (AB)
• Believe in Your Magic by/par Penny Pom Pom (BC)
• Heart Parade by/par Splash’N Boots (ON)
• Think About the Wild by/par Remy Rodden (YT)

Contemporary Album of the Year / Album contemporain de l’année

• XO, 1945 by/par Ryland Moranz (AB)
• All This Time Running by/par Craig Cardiff (ON)
• Solar Powered Too by/par Rick Fines (ON)
• Voyageur In Song by/par David Leask (ON)
• Outside Child by/par Allison Russell (QC)
• À l’ouest du réel by/par Reney Ray (QC)
• Come Around by/par Rob Lutes (QC)
• Encounter by/par BEYRIES (QC)

Contemporary Singer of the Year / Chanteur contemporain de l’année

• Kelly Bado for/pour Hey Terre (MB)
• Terra Spencer for/pour Chasing Rabbits (NS)
• Craig Cardiff for/pour All This Time Running (ON)
• Denise Flack for/pour Good Water (ON)
• Rob Lutes for/pour Come Around (QC)

English Songwriter(s) / Auteur compositeur(s) anglophone

• Scott Cook for/pour Tangle of Souls (AB)
• Noah Reid for/pour Gemini (ON)
• Rick Fines for/pour Solar Powered Too (ON)
• Allison Russell for/pour Outside Child (QC)
• Ian Tamblyn for/pour A Longing for Innocence (QC)
• Rob Lutes for/pour Come Around (QC)

Ensemble of the Year / Groupe de l’année

• The Hello Darlins for/pour Go By Feel (AB)
• The Fugitives for/pour Trench Songs (BC)
• Elliott BROOD for/pour Keeper (ON)
• OKAN for/pour Espiral (ON)
• Whitehorse for/pour Modern Love (ON)

French Songwriter(s) of the Year / Auteur-compositeur(s) francophone de l’année

• Émilie Landry for/pour Arroser les fleurs (NB)
• Anne-Sophie Doré-Coulombe for/pour Nos maisons (QC)
• Flavie Léger-Roy for/pour Les trous dans les coeurs (QC)
• Guillaume Beaulac for/pour Guillaume Beaulac (QC)
• Reney Ray for/pour À l’ouest du réel (QC)

Global Roots Album of the Year/ Album traditions du monde de l’année
(Note: This replaces the World Album of the Year.)

• El Currucha by/par Eliana Cuevas (feat. Aquiles Báez) (ON)
• Espiral by/par OKAN (ON)
• Songs From Home by/par Polky (ON)
• VelkomBak by/par Gypsy Kumbia Orchestra (QC)
• Wutiko by/par Elage Diouf (QC)

Indigenous Songwriter(s) of the Year / Auteur compositeur(s) autochtone de l’année

• Phyllis Sinclair for/pour Ghost Bones (AB)
• Morgan Toney for/pour First Flight (NS)
• David Laronde for/pour I Know I Can Fly (ON)
• Chelsey June & Jaaji for/pour Omen (QC)
• Laura Niquay for/pour Waska Matisiwin (QC)

Instrumental Group of the Year / Groupe instrumental de l’année

• Amber & Zebulun for/pour South of North, East of West (ON)
• Shane Cook & The Woodchippers for/pour Be Here for a While (ON)
• Frank Evans & Ben Plotnick for/pour Madison Archives (ON)
• Bùmarang for/pour Echo Land (QC)
• Oktopus for/pour Créature (QC)

Instrumental Solo artist of the Year / Instrumentiste solo de l’année

• Adam Young for/pour Yearbook (NS)
• Maneli Jamal for/pour Soul Odyssey (ON)
• Cédric Dind-Lavoie for/pour Archives (QC)
• Dave Clarke for/pour The Healing Garden (QC)
• Olivier Demers for/pour À l’envers d’un monde (QC)

New/Emerging Artist(s) of the Year / Artiste(s) de la relève de l’année

• The Hello Darlins for/pour Go By Feel (AB)
• Oxlip for/pour Your Mother Was A Peacock (BC)
• Noah Reid for/pour Gemini (ON)
• Polky for/pour Songs From Home (ON)
• Allison Russell for/pour Outside Child (QC)
• David Lafleche for/pour Everyday Son (QC)

Oliver Schroer Pushing the Boundaries Award / Prix Innovation musicale Oliver Schroder

• Decoration Day for/pour Makeshift Future (ON)
• Speaker Face for/pour Crescent (ON)
• Briga for/pour Territoire (QC)
• Allison Russell for/pour Outside Child (QC)
• Cédric Dind-Lavoie for/pour Archives (QC)
• Rosier for/pour Légèrement (QC)

Producer(s) of the Year / Réalisateur(s) de l’année

• David Travers-Smith, Fernando Rosa, Annabelle Chvostek for/pour String of Pearls (ON)
• Luke Doucet, Melissa McClelland for/pour Modern Love (ON)
• Cédric Dind-Lavoie, Corne de brume for/pour Archives (QC)
• Quinn Bachand for/pour Légèrement (QC)
• Rob Lutes, Rob MacDonald for/pour Come Around (QC)

Single of the Year / Monoplage de l’année

• Still Waters by/par The Hello Darlins (feat. Matt Andersen) (AB)
• Never Mind The Weather by/par Big Little Lions (BC)
• Gospel First Nation by/par William Prince (MB)
• Everything Reminds Me by/par The Deep Dark Woods (NS)
• Yellow Snow by/par Andrea Bettger (NT)
• Elmira (Remix) by/par The East Pointers (feat. Lonely Kid) (PEI)
• Pontoise by/par Rosier (QC)
• The River by/par Loryn Taggart (QC)

Solo Artist of the Year / Artiste solo de l’année

• Dana Sipos for/pour The Astral Plane (BC)
• William Prince for/pour Gospel First Nation (MB)
• Laura Smith for/pour As Long As I’m Dreaming (NS)
• Maneli Jamal for/pour Soul Odyssey (ON)
• Rick Fines for/pour Solar Powered Too (ON)
• Alicia Toner for/pour Joan (PEI)

Traditional Album of the Year / Album traditionnel de l’année

• Kitchen Days by/par Braden Gates (AB)
• Alive by/par Fred Eaglesmith & Tif Ginn (ON)
• Be Here for a While by/par Shane Cook & The Woodchippers (ON)
• Le bonhomme Sept Heures / The Bonesetter by/par Grosse Isle (QC)
• Les sessions du Vices & Versa – 15th Anniversary by/par David Boulanger (QC)

Traditional Singer of the Year / Chanteur traditionnel de l’année

• Ray Schmidt for/pour Sold Out at the Ironwood (AB)
• Pat Chessell for/pour The Road Not Taken (BC)
• Ewelina Ferenc for/pour Songs From Home (ON)
• Nicolas Boulerice for/pour Maison de pierre – Confiné au voyages (QC)
• Sophie Lavoie for/pour Le bonhomme Sept Heures / The Bonesetter (QC)

Vocal Group of the Year / Groupe vocal de l’année

• The Fugitives for/pour Trench Songs (BC)
• The Gilberts for/pour Tell Me (NS)
• Whitehorse for/pour Modern Love (ON)
• Les Bouches Bées for/pour Les trous dans les coeurs (QC)
• Twin Flames for/pour Omen (QC)

Young Performer(s) of the Year / Jeune artiste(s) de l’année

• Paige Penney for/pour When All is Said and Done (NL)
• Isabella Samson for/pour If It’s Not Forever (NS)
• Hannah Thomas for/pour Christmas Don’t Be Late (ON)
• Irish Millie for/pour Thirteen (ON)
• The Broken Bridges for/pour The Porch Sessions (ON)

Sturgill Simpson’s Cuttin’ Grass Vol. 1 (The Butcher Shoppe Sessions), his first bluegrass project, was named Album of the Year. It’s one of two albums that he released in 2020 featuring bluegrass interpretations of songs from his early solo recordings, as well as with his former band Sunday Valley. To date, Simpson, a Kentucky-bred and Nashville-based singer-songwriter who is often compared to outlaw country artists, has released seven solo albums — including The Ballad of Dodd and Juliana just last month. He was previously honored as Emerging Artist of the Year in 2014, while his “Turtles All the Way Down” was named Song of the Year in the 2015 Americana Honors & Awards. A Sailor’s Guide to Earth, his third studio album, received a Grammy Award for Best Country Album in 2017, while Simpson was named International Artist of the Year in the UK Americana Awards that year.

Fiona Prine, widow of the late John Prine and president of Oh Boy Records, accepted the award for Song of the Year on behalf of the late internationally acclaimed and revered singer-songwriter, who died in April 2020 at the age of 73 from complications of the coronavirus (COVID-19) Prine was recognized for “I Remember Everything,” a co-write with Pat McLaughlin, which was the last original song that he recorded. Earlier this year, Prine, who toured and plied his craft for nearly 50 years, posthumously received a Grammy for Best American Roots Performance for “I Remember Everything” and shared the Grammy for Best American Roots Song with McLaughlin. Carlile performed the song during the Grammy Awards Show telecast in his honor and was joined by Margo Price and Amanda Shires (with whom she is part of The Highwomen, the all-female group that dominated last year’s awards) in doing so during the Americana Honors & Awards show.

Known for his well crafted, observant, often humorous story songs featuring indelible characters and vivid imagery, Prine was a 2003 Americana Lifetime Achievement honoree for songwriting. He was named Artist of the Year in 2020 and was the big winner in 2019’s Americana Honors & Awards. His 2019 release, The Tree of Forgiveness, was named Album of the Year, while “Summer’s End” was voted Song of the Year. Prine, who previously won Grammy Awards for two of his albums, also was honored by The Recording Academy with its Lifetime Achievement Award in 2020.

Black Pumas, an Austin, Texas-based psychedelic soul band, was named Group/Duo of the Year after having been voted Emerging Act of the Year in 2020. Actor Kiefer Sutherland accepted the award on the band’s behalf since its members were unable to attend. Charley Crockett, an Americana, blues and neo-country singer-songwriter from south Texas, who has released ten albums since 2015, accepted the Emerging Act of the Year Award, while Kristin Weber, a Nashville-based fiddler who has been touring worldwide and recording for 14 years, was honored as Instrumentalist of the Year.

Recognized as Lifetime Achievement Award honorees were the Fisk Jubilee Singers (Legacy of Americana Award), The Mavericks (Trailblazer Award), Keb Mo’ (Lifetime Achievement Award for Performance), Trina Shoemaker (Lifetime Achievement Award for Producer/Engineer), and ‘Queen of Memphis Soul’ Carla Thomas (Inspiration Award).

Musical highlights from the 20th Annual Americana Honors & Awards show will be featured on a special episode of Austin City Limits that is set to air on PBS television stations in February 2022.

AmericanaFest, which began Sept. 22 and continues through Sept. 25, is a festival and conference filled with daytime panel discussions and seminars and evenings chock-full of artist showcases at venues throughout the Music City. Established in 1999, the Americana Music Association is a professional not-for-profit trade association whose mission is to advocate for the authentic voice of American roots music around the world. Visit americanamusic.org for more information.

Awards are voted on by the professional membership of the International Bluegrass Music Association (IBMA), a nonprofit professional music organization that connects, educates, and empowers bluegrass professionals and enthusiasts, honoring tradition and encouraging innovation in the bluegrass community worldwide (ibma.org). Award recipients will be named during the IBMA Bluegrass Music Awards Show on Thursday night, September 30, 2021 at the Duke Energy Center for the Performing Arts in Raleigh, North Carolina. The awards show will also be broadcast on SiriusXM’s Bluegrass Junction at 7:30 p.m. EDT and streamed via Facebook Live (as was the July 20 awards nominees announcement)
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A complete list of nominees appears below, along with information about three Bluegrass Music Hall of Fame inductees and five Distinguished Achievement Awards recipients.

Entertainer of the Year:

Balsam Range
Billy Strings
Doyle Lawson & Quicksilver
The Del McCoury Band
The Po’ Ramblin’ Boys

Vocal Group of the Year:

Darin & Brooke Aldridge
Balsam Range
Blue Highway
Doyle Lawson & Quicksilver
Sister Sadie

Instrumental Group of the Year:

Appalachian Road Show
Billy Strings
Michael Cleveland & Flamekeeper
The Infamous Stringdusters
The Travelin’ McCourys

New Artist of the Year:

Appalachian Road Show
Carolina Blue
Gina Furtado Project
High Fidelity
Merle Monroe

Song of the Year:

“Banjo Player’s Blues”
Artist: High Fidelity
Songwriter: Charlie Monroe
Producers: Jeremy Stephens, Brad Benge
Label: Rebel Records

“Hitchhiking to California”
Artist: Alan Bibey & Grasstowne
Songwriters: Wes Golding/Alan Bibey/Jerry Salley
Producers: Jerry Salley, Ron Stewart, Dottie Leonard Miller
Label: Billy Blue Records

“Just Load the Wagon”
Artist: Junior Sisk
Songwriter: J.R. Satterwhite
Producers: Amanda Cook, Junior Sisk, Mark Hodges
Label: Mountain Fever Records

“Leaving on Her Mind”
Artist: Doyle Lawson & Quicksilver
Songwriter: Jack Clement
Producer: Rosta Capek
Label: Billy Blue Records

“Richest Man”
Artist: Balsam Range
Songwriters: Jim Beavers/Jimmy Yeary/Connie Harrington
Producer: Balsam Range
Label: Mountain Home Music Company

Album of the Year:

Bluegrass 2020
Artist: Scott Vestal, Patrick McAvinue, Cody Kilby, Dominick Leslie, Curtis Vestal
Producers: Scott Vestal, Ethan Burkhardt, Lonnie Lassiter
Label: Pinecastle Records

Distance and Time
Artist: Becky Buller
Producer: Stephen Mougin
Label: Dark Shadow Recording

Fall Like Rain
Artist: Justin Moses
Producer: Justin Moses
Label: Mountain Fever Records

Industrial Strength Bluegrass: Southwestern Ohio’s Musical Legacy
Artist: Various Artists
Producer: Joe Mullins
Label: Smithsonian Folkways Recordings

Load the Wagon
Artist: Junior Sisk
Producers: Amanda Cook, Junior Sisk, Mark Hodges
Label: Mountain Fever Records

Still Here
Artist: Steve Gulley & Tim Stafford
Producers: Steve Gulley, Tim Stafford
Label: Mountain Home Music Company

Gospel Recording of the Year:

“After Awhile”
Artist: Dale Ann Bradley
Songwriter: Public Domain
Producer: Dale Ann Bradley
Label: Pinecastle Records

“Grit and Grace”
Artist: Balsam Range
Songwriters: Ann Melton/Milan Miller/Beth Husband
Producer: Balsam Range
Label: Mountain Home Music Company

“Hear Jerusalem Calling”
Artist: Joe Mullins & The Radio Ramblers
Songwriters: Marty Stuart/Jerry Sullivan
Producers: Joe Mullins, Dottie Leonard Miller
Label: Billy Blue Records

“In the Resurrection Morning”
Artists: Sacred Reunion featuring Doyle Lawson, Vince Gill, Barry Abernathy, Tim Stafford, Mark Wheeler, Jim VanCleve, Phil Leadbetter, Jason Moore
Songwriter: Mark Wheeler
Producers: Barry Abernathy, Jim VanCleve, Dottie Leonard Miller
Label: Billy Blue Records

“When He Calls My Name”
Artist: Alan Bibey & Grasstowne
Songwriters: Alan Bibey/Ronnie Bowman
Producers: Alan Bibey & Grasstowne, Ron Stewart, Jerry Salley, Dottie Leonard Miller
Label: Billy Blue Records

Instrumental Recording of the Year:

“The Appalachian Road”
Artist: Appalachian Road Show
Songwriter: Jim VanCleve
Producers: Jim VanCleve, Barry Abernathy, Appalachian Road Show, Dottie Leonard Miller
Label: Billy Blue Records

“Foggy Mountain Chimes”
Artists: Scott Vestal, Patrick McAvinue, Cody Kilby, Dominick Leslie, Curtis Vestal
Songwriter: Earl Scruggs
Producer: Scott Vestal
Label: Pinecastle Records

“Ground Speed”
Artists: Kristin Scott Benson, Skip Cherryholmes, Jeremy Garrett, Kevin Kehrberg, Darren Nicholson
Songwriter: Earl Scruggs
Producer: Jon Weisberger
Label: Mountain Home Music Company

“Mountain Strings”
Artist: Sierra Hull
Songwriters: Frank Wakefield/Red Allen
Producer: Joe Mullins
Label: Smithsonian Folkways Recordings

“Taxland”
Artist: Justin Moses with Sierra Hull
Songwriter: Justin Moses
Producer: Justin Moses
Label: Mountain Fever Records

Collaborative Recording of the Year:

“Birmingham Jail”
Artists: Barry Abernathy with Vince Gill
Songwriter: Public Domain
Producers: Barry Abernathy, Jim VanCleve, Dottie Leonard Miller
Label: Billy Blue Records

“In the Resurrection Morning”
Artists: Sacred Reunion featuring Doyle Lawson, Vince Gill, Barry Abernathy, Tim Stafford, Mark Wheeler, Jim VanCleve, Phil Leadbetter, Jason Moore
Songwriter: Mark Wheeler
Producers: Barry Abernathy, Jim VanCleve, Dottie Leonard Miller
Label: Billy Blue Records

“My Baby’s Gone”
Artists: Justin Moses with Del McCoury
Songwriter: Dennis Linde
Producer: Justin Moses
Label: Mountain Fever Records

“Tears of Regret”
Artists: High Fidelity with Jesse McReynolds
Songwriters: Jesse McReynolds/Lucille Hutton
Producers: Jeremy Stephens, Corrina Rose Logston, Brad Benge
Label: Rebel Records

“White Line Fever”
Artists: Bobby Osborne with Tim O’Brien, Trey Hensley, Sierra Hull, Stuart Duncan, Todd Phillips, Alison Brown
Songwriters: Merle Haggard/Jeff Tweedy
Producers: Alison Brown, Garry West
Label: Compass Records

Male Vocalist of the Year:

Ronnie Bowman
Del McCoury
Danny Paisley
Junior Sisk
Larry Sparks

Female Vocalist of the Year:

Brooke Aldridge
Dale Ann Bradley
Sierra Hull
Molly Tuttle
Rhonda Vincent

Banjo Player of the Year:

Gena Britt
Gina Furtado
Rob McCoury
Kristin Scott Benson
Scott Vestal

Bass Player of the Year:

Mike Bub
Todd Phillips
Missy Raines
Mark Schatz
Marshall Wilborn

Fiddle Player of the Year:

Jason Carter
Michael Cleveland
Stuart Duncan
Bronwyn Keith-Hynes
Deanie Richardson

Resophonic Guitar Player of the Year:

Jerry Douglas
Andy Hall
Rob Ickes
Phil Leadbetter
Justin Moses

Guitar Player of the Year :

Trey Hensley
Billy Strings
Bryan Sutton
Molly Tuttle
Jake Workman

Mandolin Player of the Year:

Jesse Brock
Sam Bush
Sierra Hull
Ronnie McCoury
Tristan Scroggins

Alison Krauss, Lynn Morris, Stoneman Family to be Inducted into Bluegrass Music Hall of Fame

Inductions into the Bluegrass Music Hall of Fame are also set to take place during the IBMA Bluegrass Music Awards Show. Slated for induction are acclaimed artist Alison Krauss, trailblazing bandleader and banjoist Lynn Morris and early bluegrass influencers Stoneman Family. A winner of multiple Grammy Awards, a two-time IBMA Entertainer of the Year and four-time IBMA Female Vocalist of the Year; Krauss is the most commercially successful bluegrass-related artist since Flatt & Scruggs. Morris was named three times as IBMA ‘s Female Vocalist of the Year and was previously a two-time winner of the National Banjo Championship in Winfield, Kansas. She was also a recipient of an IBMA Distinguished Achievement Award in 2010. Stoneman Family, whose 1920s recordings have been equated by country music historians with those of the Carter Family (who also hailed from the Appalachian Mountains region of southwest Virginia), also received IBMA’s Distinguished Achievement Award in 2000.

Five Distinguished Achievement Awards Will Also Be Presented on Sept. 30

Five veteran bluegrass industry innovators will receive Distinguished Achievement Awards in recognition of their significant contributions to the genre this year. The five, who will be presented with plaques during a Sept. 30 luncheon at the IBMA business conference, are Nancy Cardwell Webster, Lee Michael Dempsey, Jaroslav Pruch, Cliff Waldron, and Stan Zdonik. Cardwell Webster has been a writer, educator, mentor, and formerly served as executive director of both the IBMA and its foundation. She was instrumental in developing such IBMA programs as Bluegrass in the Schools and Leadership Bluegrass. Dempsey, a mainstay at Bluegrass Country Radio, is a veteran Washington, DC area radio broadcaster who hosted a weekday afternoon contemporary bluegrass show daily on WAMU from 1982-2018 and was named IBMA Broadcaster of the Year in 1991. . He also has compiled Bluegrass Unlimited Magazine’s monthly National Bluegrass Survey for nearly 32 years. Pruch, a Czech luthier and performer who is viewed as one of the world’s finest contemporary banjo makers, has also helped to foster a love of bluegrass music in his native Czech Republic. Waldron was a performing musician for many years and was elected to the Society for the Preservation of Bluegrass Music of America’s Hall of Greats in 2004. Zdonik helped to form the Boston Bluegrass Union in 1976 and served as the all-volunteer nonprofit organization’s first president. He has also been an emcee for the Joe Val Bluegrass Festival, among others, and an IBMA board member.

The IBMA Bluegrass music Awards Show is the centerpiece of World of Bluegrass Week that is slated for September 28-October 2 in North Carolina’s capital city. IBMA World of Bluegrass also features a business conference (Sept. 28-30), the IBMA Bluegrass Ramble (a series of showcases taking place Sept. 28-30 in downtown Raleigh and the Raleigh Convention Center), and IBMA Bluegrass Live! (a two-day festival slated for Oct. 1-2). Considered the genre’s annual industry gathering and family reunion. IBMA’s annual World of Bluegrass week has taken place in Raleigh since 2013. Concerns surrounding the Covid-19 pandemic prompted the trade and professional association for the global bluegrass community to shift to online presentation of its professional development seminars, artist showcases and awards last fall.

Besides its nomination for Best American Roots Music Performance for “Colors,” Black Pumas is also is nominated for two of the top Grammy Awards. The deluxe edition of the Austin, Texas-based psychedelic soul band’s eponymous debut album is among the nominees for Album of the Year, while “Colors” is up for Record of the Year. In addition to her nomination for Best American Roots Music Performance for “Short And Sweet,” singer-songwriter Brittany Howard, who formerly fronted Alabama Shakes, was nominated for Best Rock Performance and Best Rock Song (“Stay High”), Best Alternative Music Album (for her solo debut, Jaime) and Best R & B Performance (“Goat Head”).

Here’s a list of the nominees in the American Roots Music Field that were announced Nov. 24 during a first-ever livestream on Grammy.com:

Best American Roots Performance

• Colors (Black Pumas)
• Deep In Love (Bonny Light Horseman)
• Short And Sweet (Brittany Howard)
• I’ll Be Gone (Norah Jones & Mavis Staples)
• I Remember Everything (John Prine)

Best American Roots Song – a songwriter(s) award

• “Cabin” – Laura Rogers & Lydia Rogers, songwriters (The Secret Sisters)
• “Ceiling to the Floor” – Sierra Hull & Kai Welch, songwriters (Sierra Hull)
• ”Hometown” – Sarah Jarosz, songwriter (Sarah Jarosz)
• “I Remember Everything” – Pat McLaughlin & John Prine, songwriters (John Prine)
• “Man Without A Soul” – Tom Overby & Lucinda Williams, songwriters (Lucinda Williams)

Best Americana Album

• Old Flowers (Courtney Marie Andrews)
• Terms Of Surrender (Hiss Golden Messenger)
• World On The Ground (Sarah Jarosz)
• El Dorado (Marcus King)
• Good Souls Better Angels (Lucinda Williams)

Best Bluegrass Album

• Man On Fire (Danny Barnes)
• To Live In Two Worlds, Vol. 1 (Thomas Jutz)
• North Carolina Songbook (Steep Canyon Rangers)
• Home (Billy Strings)
• The John Hartford Fiddle Tune Project, Vol. 1 (Various Artists)

Best Traditional Blues Album

• All My Dues Are Paid (Frank Bey)
• You Make Me Feel (Don Bryant)
• That’s What I Heard (Robert Cray Band)
• Cypress Grove (Jimmy “Duck” Holmes)
• Rawer Than Raw (Bobby Rush)

Best Contemporary Blues Album

• Have You Lost Your Mind Yet? (Fantastic Negrito)
• Live At The Paramount (Ruthie Foster Big Band)
• The Juice (G. Love)
• Blackbirds (Bettye LaVette)
• Up And Rolling (North Mississippi Allstars)

Best Folk Album

• Bonny Light Horseman (Bonny Light Horseman)
• Thanks For The Dance (Leonard Cohen)
• Song For Our Daughter (Laura Marling)
• Saturn Return (The Secret Sisters)
• All The Good Times (Gillian Welch & David Rawlings)

52. Best Regional Roots Music Album

• My Relatives: Nikso’Kowaiks Pow-Wow Songs Recorded Live at Fort Collins (Black Lodge Singers)
• Cameron Dupuy And The Cajun Troubadours (Cameron Dupuy And The Cajun Troubadours)
• Lovely Sunrise (Nā Wai ʽEhā)
• Atmosphere (New Orleans Nightcrawlers)
• A Tribute To Al Berard (Sweet Cecilia)

Also of note: folk-rock and Americana singer-songwriter Brandi Carlile — who was the big winner in the American Roots Music Field during the 61st annual Grammy Awards in February 2019 with Grammy Awards for Best Americana Album, Best American Roots Performance and Best American Roots Song — is in the running for Grammys for Best Song Written for Visual Media (“Carried Me With You” for Onward, co-written with Phil and Tim Hanseroth) and Best Country Song (“Crowded Table” for The Highwomen), co-written with bandmates Natalie Hemby and Lori McKenna. Hemby is also nominated in that category with co-writers Luke Dick and Miranda Lambert for “Bluebird,” recorded by Lambert on Wildcard, which is among the nominees for Best Country Album. Other nominees that may be of particular interest to AcousticMusicScene.com readers include Bela Fleck, whose Throw Down Your Heart: The Complete Africa Sessions” is nominated for Best Historical Album; Alastair Moock and Friends, whose Be A Pain: An Album for Young (and Old) Leaders is vying for Best Children’s Music Album; Grace Potter, whose “Daylight” is in the running for Best Rock Performance; and James Taylor, whose American Standard is up for Best Traditional Pop Vocal Album. Nominees for Producer of the Year include Dave Cobb, who produced albums for Lori McKenna (The Balladeer), The Highwomen (The Highwomen), John Prine (I Remember Everything), Jason Isbell and The 400 Unit (Reunion), and William Prince (The Spark), among others. Linda Ronstadt: The Sound of My Voice is nominated in the Best Music Film category.

Lawrence Azerrad and Jeff Tweedy, art directors for Wilco’s Ode To Joy, are in the running for Best Boxed or Special Limited Edition Package. Brittany Howard’s aforementioned album, Jaime, is among the nominees for Best Engineered Album – non-classical (Brian Everett, engineer and mastering engineer) as are Sierra Hull’s 25 Trips (Shani Gandhi and Gary Paczosa, engineers; Adam Grover, mastering engineer) and Katie Pruitt’s Expectations (Gary Paczosa and Mike Robinson, engineers, Paul Blakemore, mastering engineer).

Sara Bareilles, a singer-songwriter and actress, won the Grammy Award for Best American Roots Performance for “Saint Honesty,” a song co-written with Lori McKenna, that appears on Amidst the Chaos, Bareilles’ sixth studio album. Bareilles may be best known for having starred in and written songs for the Broadway musical Waitress.

Also in the running for Best American Roots Performance was the female trio I’m With Her, who took home the award for Best American Roots Song. Comprised of Sarah Jarosz, Aoife O’Donovan, and Sara Watkins — each of whom is a talented singer-songwriter and multi-instrumentalist in her own right — the harmonic trio was recognized for “Call My Name,” which they co-wrote.

To listen to “Call My Name,” click on the following link: https://www.youtube.com/watch?v=gRZWhfuI6dQ

Keb’ Mo’ — an American blues musician, singer-songwriter and previous Grammy Award winner – won the Grammy Award for Best Americana Album for Oklahoma.

Singer-Songwriter Patty Griffin, who was not in attendance, won the Grammy Award for Best Folk Album for her self-titled release. Griffin previously won a Grammy Award for Best Traditional Gospel Album in 2011 for Downtown Church.

Michael Cleveland, a Southern Indiana fiddler, won Best Bluegrass Album of the Year for Tall Fiddler. His previous release, Fiddler’s Dream, was nominated in the same category in 2017. During the weekend, the Louisville (Kentucky) Federation of Musicians Cleveland also honored Cleveland as its 2020 Musician of the Year. The International Bluegrass Music Association (IBMA) has named him as its Fiddle Player of the Year 12 times, while Michael Cleveland & Flamekeeper has been hailed as its Instrumental Group of the Year six times.

Here’s a link to a recording of Michael Cleveland performing “Tall Fiddler”: https://www.youtube.com/watch?v=Zcwx6AifG7Q

The Grammy Award for Best Traditional Blues album went to Delbert McClinton & Self-Made Men for Tall, Dark & Handsome, while Gary Clark Jr.’s This Land was named Best Contemporary Blues Album.

Charleston, South Carolina-based quintet Ranky Tanky — known for its jazz-inspired arrangements of the traditional Gullah music originated by the descendants of enslaved Africans of the southeastern Sea Islands and South Carolina’s Lowcountry — was recognized for Best Regional roots Album for Good Time.

On Saturday afternoon, Jan. 25, the Blues Foundation, Folk Alliance International and International Bluegrass Music Association (IBMA) co-hosted a celebration of nominees in the American Roots Music Field that featured performances by a number of them.

Among the other Grammy Award winners that may be of particular interest to AcousticMusicScene.com readers:

– On the eve of the sixth anniversary of American folk music icon Pete Seeger’s death, Pete Seeger: The Smithsonian Folkways Collection (Jeff Place and Robert Santelli, compilation producers) was named Best Historical Album.

– The Grammy Award for Best Musical Theater Album went to Hadestown (Anais Mitchell & Todd Sickafoose, producers; Anais Mitchell, composer & lyricist). Hadestown also was the big winner during the recent Tony Awards.

– Angelique Kidjo, a New York-based Beninese singer-songwriter, won the Grammy Award for Best World Music Album for Celia.

Although nominated for four Grammy Awards — Best American Roots Performance and Best American Roots Song for “Faraway Look” and Best Americana Album for Walk Through Fire, as well as Best New Artist – Yola, a 35 year-old rootsy British singer-songwriter, was shut out.

Yola, a 35 year-old rootsy British singer-songwriter who also was nominated for Best New Artist, received nods for Best American Roots Performance and Best American Roots Song for “Faraway Look” and Best Americana Album for Walk Through Fire. Her critically acclaimed debut solo album, released in February, was produced by Black Keys frontman Dan Auerbach (who is among the nominees for Producer of the Year). Yola showcased her talents at the Newport and Philadelphia Folk Festivals, SXSW, AmericanaFest, and Farm Aid, as well as such notable venues as the Hollywood Bowl during 2019.

Here are links to view the official video for “Yola’s “Faraway Look” and her performance of he song during the 2019 UK Americana Awards at which she was named UK Artist of the Year: https://www.youtube.com/watch?v=jWTwuQ3LeH4
https://www.youtube.com/watch?v=I0IZBHegbA4

I’m With Her is a female trio comprised of Sarah Jarosz, Aoife O’Donovan, and Sara Watkins – each of whom is a talented singer-songwriter and multi-instrumentalist in her own right. The harmonic trio is nominated for both Best American Roots Performance and Best American Roots Song for ‘Call My Name,” which they co-wrote.

To listen to “Call My Name,” click on the following link:https://youtube.com/watch?v=gRZWhfuI6dQ“> https://www.youtube.com/watch?v=gRZWhfuI6dQ

Here’s a list of the Grammy Award nominees in the American Roots Music Field:

Best American Roots Performance

Saint Honesty, Sara Bareilles
Father Mountain, Calexico and Iron & Wine
I’m On My Way, Rhiannon Giddens with Francesco Turrisi
Call My Name, I’m With Her
Faraway Look, Yola

Best American Roots Song

“Black Myself,” Amythyst Kiah, songwriter (Our Native Daughters)
“Call My Name,” Sarah Jarosz, Aoife O’Donovan & Sara Watkins, songwriters (I’m With Her)
“Crossing to Jerusalem,” Rosanne Cash & John Leventhal, songwriters (Rosanne Cash)
“Faraway Look,” Dan Auerbach, Yola Carter & Pat McLaughlin, songwriters (Yola)
“I Don’t Wanna Ride the Rails No More,” Vince Gill, songwriter (Vince Gill)

Best Americana Album
.
Years to Burn, Calexico and Iron & Wine
Who Are You Now, Madison Cunningham
Oklahoma, Keb’ Mo’
Tales of America, J.S. Ondara
Walk Through Fire, Yola

Best Bluegrass Album
.
Tall Fiddler, Michael Cleveland
Live in Prague, Czech Republic, Doyle Lawson & Quicksilver
Toil, Tears & Trouble, The Po’ Ramblin’ Boys
Royal Traveller, Missy Raines
If You Can’t Stand The Heat, Frank Solivan & Dirty Kitchen

Best Traditional Blues Album

Kingfish, Christone “Kingfish” Ingram
Tall, Dark & Handsome, Delbert McClinton & Self-Made Men
Sitting On Top of the Blues, Bobby Rush
Baby, Please Come Home, Jimmie Vaughan
Spectacular Class, Jontavious Willis

Best Contemporary Blues Album

This Land, Gary Clark Jr.
Venom & Faith, Larkin Poe
Brighter Days, Robert Randolph & The Family Band
Somebody Save Me, Sugaray Rayford
Keep On, Southern Avenue

Best Folk Album

My Finest Work Yet, Andrew Bird
Rearrange My Heart, Che Apalache
Patty Griffin, Patty Griffin
Evening Machines, Gregory Alan Isakov
Front Porch, Joy Williams

Best Regional Roots Music Album

Kalawai’anui, Amy Hānaiali’i
When It’s Cold – Cree Round Dance Songs, Northern Cree
Good Time, Ranky Tanky
Recorded Live at the 2019 New Orleans Jazz & Heritage Festival, Rebirth Brass Band
Hawaiian Lullaby, (Various Artists)

Also of note: Pete Seeger: The Smithsonian Folkways Collection is among the nominees for both Best Album Notes and Best Historical Album (Jeff Place and Robert Santelli, compilation producers). Among the five nominees for Best Musical Theater Album is Hadestown (Anais Mitchell & odd Sickafoose, producers; Anais Mitchell, composer & lyricist), while David Crosby – Remember My Name is in the running for Best Music – Film.

A number of booking agencies whose rosters include folk and roots artists were among the more than 300 exhibitors in the large EXPO Hall. The conference also featured networking opportunities galore, daily plenary sessions and keynote speakers, an awards ceremony, a town hall on the artist as activist, and a wide array of professional development workshops and forums.

The theme for 2019 was The Power of WE and highlighted the collective strength and the influence of the performing arts in the world. As Mario Garcia Durham, APAP’s president and CEO, noted in welcoming conference attendees: “At APAP, we celebrate both the impact of our work and the opportunity for each one of us to draw energy, ideas and inspiration from it. Our strength as an industry comes from the everyday efforts of individuals in this field, and our collective power – The Power of WE – that fuels us as performing arts professionals.”

Showcases of Note Took Place at the Host Hotel and at Venues Around New York City

More than 1,000 showcases (music, dance, theater, comedy, and more) took place both at the New York Hilton Midtown, the conference hotel, and at venues throughout Manhattan. A few also were set in other New York City boroughs.

January 4: As he has for the last two years, composer, banjoist and producer Jayme Stone curated an eclectic roots music showcase at the host hotel that extended from the late afternoon into the evening. Called the Secret Agents APAP Showcase, it featured a number of notable, primarily self-managed touring artists. As Stone told AcousticMusicScene.com last January, he sought “to create a space for independent roots/world music artists to have their music heard by performing arts center directors and festival programmers. My goal was to make the cost slightly more affordable for artists and to create an opportunity for underrepresented artists to have a seat at the table. Most of the artists at our showcase do not have agents, which is rare at this conference.”

Kicking off the musical festivities was Eleanor Dubinsky, a soulful NYC-based singer songwriter, and her ensemble. Although I’d seen and previously been impressed by Dubinsky’s singing and song stylings in solo and duo performances, having an ensemble backing her added a whole new dimension to her performance. Next up, Stone debuted his New Art-Pop Project. Among the artists joining him on that was Moira Smiley, herself a gifted songwriter and vocalist, who, accompanied by her group, VOCO, had her own short showcase immediately afterwards entitled The Voice is a Traveler.

“2019 was my first time at Wavelengths, and that was a revelation to experience the small, fierce like-minded group of people interested in traditional arts,” she said, expressing appreciation to the pre-conference’s organizers for screening her promo video for her The Voice Is A Traveler show. In my view, it was the best of a number of short videos and video clips screened. As for the Secret Agents Showcase, Smiley said: “I love [them] for their absolute weirdness of variety. It reminds you how many worlds of entertainment here are – some intersecting not-one-bit with your own! Yet we’re all here making our dough with these sights and sounds.”

Also part of the Secret Agents Showcase were Taarka, a Colorado-based adventurous Americana trio whose sound is a blend of bluegrass, folk, gypsy jazz, and soul; American samba band Os Clavelitos; the energetic Northeastern Brazilian party music of accordionist Rob Curto’s Forro For All; and the joyous Brazilian bluegrass sounds of Matuto (fronted by Clay Ross), among others.

The evening’s musical gumbo also included the jazzy Brazilian Americana sounds of Max Hatt & Edda Glass; Hen’s Teeth, a cross-continental duo with Janie Rothfield (Staunton, VA) and Nathan Bontrager (Cologne, Germany); DuoDuo Quartet comprised of percussive dancer Nic Gareiss with harpist Maeve Glichrist, plus cellist Natalie Haas (who frequently performs with Alasdair Fraser) with her husband-guitarist Yann Falquet (from the Quebecois folk group Genticorum) – all of whom have toured internationally for years; Jenna Moynihan & Mairi Chaimbeaul, a fiddle and harp duo; and Mark Kilianski & Nate Sabat featuring a guitarist and songwriter from the duo Hoot & Holler and the bassist and songwriter from Mile Twelve, a Boston-based bluegrass band. Each of the preceding artists (with the exception of Simien) also joined Waldman in kicking-off the evening’s musical festivities with renditions of “Cluck Old Hen.” A welcome and unexpected highlight of the evening was Waldman’s pairing of harpists Gilchrist and Chaimbeaul for a tune as a twin-harp interlude between sets.

Although some parts of the roots music variety show’s format have remained the same, “it’s always evolving, sometimes in subtle ways, sometimes a little more dramatically,” Waldman noted. “O stage, I’ll sometimes mention a quote I’ve learned as a writer: no surprise to writer, no surprise to reader, which means if a writer is surprised what he or she is writing, which happens, it’s almost guaranteed the reader will be surprised. I think that’s a good thing. It means extra energy. I try to bring that mindset to the show, and have actively encouraged collaborations, which brings an element of the unknown. If the musicians are not 100% sure what’s going to happen next, the audience won’t know either.”

The same lineup of artists who performed at Don’t Tell Mama also showcased their talents the previous night at Brooklyn’s Jalopy Theater. “One of the evolutions in the show was [that] we began booking Thursday night at the Jalopy Theater in Red Hook, which served not only as a public event (on Friday we only market to APAP attendees), but also as a run-through for Friday,” said Waldman.

While I was enjoying the music at Don’t Tell Mama, the Americana Music Association sponsored a showcase concert at Rockwood Music Hall on the Lower East Side featuring singer-songwriter Caitlin Canty with special guests Oshima Brothers, while Smithsonian Folkways recording artists Anna & Elizabeth (who have previously been part of Waldman’s roots music variety shows) shared their innovative, modern arrangements of old-time Appalachian music at Joe’s Pub; The Klezmatics played Irridium, a midtown jazz club; and the Seamus Egan Project (featuring one of the most influential artists in contemporary Irish music) showcased at the New York Hilton, as did Switchback, the Celtic and Americana duo of Brian Fitzgerald and Martin McCormick. A multimedia concert by Seamus Egan’s seminal band Solas was a highlight of a previous APAP Conference.

January 5: My Saturday afternoon is traditionally filled with Celtic showcases at the hotel, and it would have been this year had I not opted to remain on Long Island to emcee a concert that I’d helped to arrange. Among the artists who showcased their talents at the New York Hilton Midtown that day were ebullient New York-based jig-rockers The Prodigals and their alter egos Acoustic Micks; Cherish The Ladies, the all-female Irish band fronted by Joannie Madden; Philadelphia-based Celtic roots band RUNA; and the young Irish trad trio Socks in the Frying Pan (from County Clare), whom I saw the next day.

Also showcasing their talents at the hotel on Saturday afternoon were Banjo Nickaru & Western Scooches and Sam Reider & Human Hands. Natalia Zukerman performed excerpts from The Women Who Rode Away, a multimedia show melding her talents as a songwriter, painter and storyteller. William Florian, formerly of The New Christy Minstrels, presented a taste of Those Were The Days: The Spirit and the Songs of the 1960s.

Tamara Kater of Toronto, Ontario- based Mavens Music Management reports that the showcase was well attended, with more than 100 people in the audience – about half of whom had APAP connections. “APAP is always rewarding, especially with the concurrent content of Wavelengths and GlobalFEST,” said Kater. “It’s inspiring and rewarding to meet such an array of presenters and artists all in one place, within a few days. Seeing the venues of New York and so many performances in such a compact amount of time is always a brilliant way to start off the new year.”

Also that evening, booking agency Madison House hosted a showcase at City Winery featuring Canadian singer-songwriter Rose Cousins, American singer-songwriter Willie Nile, and Madagascar-born singer-songwriter ad environmental activist Razia Said. Down at Rockwood Music Hall, The Blue Dahlia featuring Dahlia Dumont, a Brooklyn gal now living in Paris, who pens and sings songs in both English and French, appeared. Among the artists who showcased their talents at New York Hilton were Emmet Cahill (star of PBS’ Celtic Thunder) and the Jen Chapin Trio featuring the soulful urban folk singer-songwriter, her husband Stephan Crump on acoustic bass, and Jamie Fox on electric guitar.

January 6: Isle of Klezbos, a swinging all-female Klezmer sextet shared a bill and some members with the octet Metropolitan Klezmer (now celebrating its silver anniversary) as they performed some vintage instrumentals and Yiddish songs during Sunday brunch at City Winery. Although I enjoyed this last year, I skipped it this time. I also missed singer-songwriter Ellis Paul’s short early morning “Hero In You” showcase, during which he presented 15-minutes of excerpts from an award-winning educational program for children based on his CD and book of the same name that inspires youngsters to dream big.

I enjoyed several showcases that were part of Celebrate Our FOLK at Connolly’s Pub – Restaurant (Connolly’s Klub 45). The highlights were Kaia Kater and Kittel & Co.

Fronted by Jeremy Kittel — a virtuosic violinist, fiddler and composer — Kittel & Co. is an acoustic trio/string band with folk and jazz sensibilities whose sound also has Celtic, bluegrass and classical influences. Its recent release, Whorls, debuted at #1 on the Billboard bluegrass chart, while Kittel’s piece “Chrysalis” is among the nominees for a Grammy Award for Best Instrumental Composition.

Also on the bill were singer-songwriter Ashley Davis, Making Movies (a Kansas City, MO-based band whose music defies easy categorization and whose set I missed, although I’ve previously seen the band at a Folk Alliance International conference held in its hometown), and the previously mentioned Socks in the Frying Pan.

Later in the evening, Kater shared a bill at Rockwood Music Hall as part of Quicksilver Productions, Lost Buffalo Artists & Smithsonian Folkways Present: The Women of Folkways with label mates The Bright Siders (featuring singer-songwriter and percussive dancer Kristin Andreassen – formerly of Uncle Earl – and Brooklyn-based child psychiatrist Dr. Kari Groff who create music that helps children and families have meaningful conversations about emotions) and Lula Wiles (a Boston–based, harmonious trio made up of Isa Burke, Eleanor Buckland, and Mali Obamsawin, whose Smithsonian Folkways debut, What Will We Do, is released Jan. 25 and who I had the pleasure of introducing at a couple of festivals).

Among the artists showcasing their talents at the New York Hilton in the evening were The Everly Set: Sean Altman and Jack Skuller Celebrate The Everly Brothers and Sultans of String, award-winning genre-bending world music instrumentalists from Toronto. Vanaver Caravan, a troupe of dancers and musicians, presented nearly half an hour of excerpts from Turn Turn Turn Turn, a show featuring more than 20 of Pete Seeger’s most celebrated songs and timed to coincide with the centenary of the late folk icon’s birth. Li, who describes his music as urban folk, did not impress this writer, while a Folk Legends showcase featuring two former members of The Kingston Trio was cancelled due to illness.

Also during the conference, Sage Artists shared excerpts of Call Mr. Robeson: A Life, With Songs, while cast members from Lonesome Traveler: The Concert performed short musical excerpts from the show, along with narration that helps tell the story of American folk and folk-rock music from Woody Guthrie to Bob Dylan and beyond. Artists in various other musical genres also showcased their talents, while comedy, dance and theatrical showcases also were part of the mix.

Since there were no folk or roots music showcases of note on January 7, and the conference closed with a plenary session on the morning of January 8, I did not venture into NYC those days.

About the Association of Performing Arts Professionals (APAP)

Based in Washington, DC, APAP is a nonprofit national service, advocacy and membership organization dedicated to developing and supporting a robust performing arts presenting field and the professionals who work within it. The next APAP Conference is set for Jan. 10-14, 2020 in New York City. More information on the organization may be found on its website: www.apap365.org.

Cockburn, a prolific Canadian singer-songwriter and pioneering guitarist, received his 13th Juno Award for Bone On Bone. The Ottawa, Ontario native, who won his first Juno in 1971, has released 33 albums during a career spanning five decades.

Themes of social justice permeate many of Cockburn’s songs, while he also has championed environmental and indigenous people’s issues. Last year, he received the inaugural People’s Voice Award during the International Folk Music Awards Show held in conjunction with the 2017 Folk Alliance International Conference in Kansas City, Missouri. He also was inducted into the Canadian Songwriters Hall of Fame last fall and was previously inducted into the Canadian Broadcast Hall of Fame (2002). Cockburn is the subject of a full-length feature documentary, Pacing the Cage, and penned a memoir, Rumours of Glory, that was published in 2014.

The Dead South was honored for its album, Illusion & Doubt. The Regina, Saskatchewan-based folk, bluegrass and alt. country ensemble has released three albums since forming in 2012. The group’s musical inspiration comes from an old-school feel that is combined with a punk influence, according to vocalist-guitarist Nate Hilts.

Medicine Songs by Buffy Sainte-Marie, a singer-songwriter and multi-instrumentalist known for her thought-provoking lyrics and her passionate advocacy for aboriginal people, was named Indigenous Music Album of the Year. In addition to a music career spanning more than 50 years, Sainte-Marie has been a social activist, educator and philanthropist and has sought to protect indigenous intellectual property and championed indigenous artists and performers. In recognition of those efforts, she received the Allan Waters Humanitarian Award during last year’s JUNO Awards ceremonies. Medicine Songs also was among this year’s nominees for Contemporary Roots Album of the Year.

A complete list of JUNO Awards winners can be found, along with additional information, on line at www.junoawards.ca.

Jason Isbell and The 400 Unit’s The Nashville Sound was named Best Americana Album, while “If We Were Vampires,” one of its original songs penned by Isbell, won the Grammy Award for Best American Roots Song. Isbell’s previous recording, Something More Than Fine, won the Grammy Award for Best Americana Album in 2016 and sported that year’s Best American Roots Song, ”24 Frames.” Also a six-time Americana Awards winner, the former Drive-By Trucker was previously named Artist of the Year and won Album and Song of the Year honors during the Americana Music Association’s 15th Annual Americana Honors & Awards Show in 2016. Last October, Isbell – who hails from Alabama and currently lives in Nashville, Tennessee – was named to be the official artist-in-residence at the Country Music Hall of Fame and Museum.

Singer-songwriter Aimee Mann’s Mental Illness won Best Folk Album. Her first new studio recording in five years, it marks a return for Mann to a slower and more acoustic sound – with the focus on acoustic guitar, piano, and, of course, her voice — after she rocked out more on her previous album, 2012’s Charmed. That recording had harkened back more toward her days as the lead vocalist for rockers ‘Til Tuesday in the late 1980s.

The Infamous Stringdusters feature Andy Hall (dobro), Andy Falco (guitar), Chris Pandolfi (banjo), Jeremy Garrett (fiddle), and Travis Book (double bass). Although the band has received a number of International Bluegrass Music Awards over the years, this marked its first Grammy win – having previously been among the nominees for Best Country Instrumental Performance in 2011. Released on Compass Records last January, Laws of Gravity is The Infamous Stringdusters’ seventh studio album and was recorded while the band was on tour.

Rhonda Vincent & The Rage have won a bevy of awards overs the years from the International Bluegrass Music Association (IBMA) and The Society for the Preservation of Bluegrass Music in America (SPBGMA). Hailed as the queen of bluegrass music, singer-songwriter and multi-instrumentalist Rhonda Vincent is an eight-time IBMA vocalist of the Year and multi-time SPBGMA Entertainer and Female Vocalist of the Year. Her bandmates include Hunter Berry (fiddle), Brent Burke (dobro). Mickey Harris (bass & vocals), Aaron McDaris (banjo), and Josh Williams (guitar & vocals).

Other Grammy Award winners in the American Roots Music Field include:

Best American Roots Performance: “Killer Diller Blues” (Alabama Shakes)

Best Traditional Blues Album: Blue & Lonesome (The Rolling Stones)

Best Contemporary Blues Album: TajMo (Taj Mahal and Keb’ Mo’)

Best Regional Roots Album: Kalenda (Lost Bayou Ramblers)

Outside of the American Roots Music Field, Chris Stapleton, a country music artist who has also garnered considerable folk and roots radio airplay, received Gammy Awards for both Best Country Song (“Broken Halos,” written with Mike Henderson0, Best Country album (From A Room; Volume 1) and Best Country Solo Performance (“Either Way”). A Kentucky-born singer-songwriter who formerly fronted The SteelDrivers, Stapleton has penned a number of songs that have topped the country music charts.

Americana Music Association, Folk Alliance International Hosted Pre-Grammy Events

On Saturday, Jan. 27, prior to the Grammy Awards, both the Americana Music Association and Folk Alliance International hosted celebratory events at popular NYC live music venues City Winery and Joe’s Pub, respectively. An Americanafest Pre-Grammy Salute to Emmylou Harris — who will be honored by The Recording Academy with a Lifetime Achievement Award later this year — was presented by the Americana Music Association and featured performances by Brandi Carlile, Mary Chapin Carpenter, Rodney Crowell, Steve Earle, Harris, Jack Ingram, Keb’ Mo’, and The Secret Sisters, among others. Hailing from northern Alabama, The Secret Sisters (Lydia and Laura Rogers) were among this year’s nominees for Best Folk Album and also shared their sisterly harmonies at Joe’s Pub during the afternoon, where Folk Alliance International honored past and present nominees in that category and other roots artists. Among the other artists at Joe’s Pub were Ashley Campbell (Glen’s daughter), Olivia Chaney of Ofa Rex (also a Best Folk album nominee), Rose Cousins (an award-winning Canadian singer-songwriter and the afternoon’s emcee), Michael Daves, bluesman Guy Davis (whose collaboration with Fabrizio Poggi on Sonny and Brownie’s Last Train earned a nomination for Best Traditional Blues Album), Anais Mitchell, and Dar Williams.

Americanafest is a six-day festival and conference celebrating American roots-inspired music that is put on by the Americana Music Association. Early registration is currently available for the next one that is set for Sept. 11-16 in Nashville and will feature educational panels and seminars, showcases at venues around the music city, and the annual Americana Honors & Awards Show. Established in 1999, the Americana Music Association is a professional trade association whose mission is to advocate for the authentic voice of American roots music throughout the world. For more information, visit www.americanamusic.org.

Folk Alliance International (www.folk.org) is a Kansas City, MO-based nonprofit organization that seeks to nurture, engage and empower the international folk music community – traditional and contemporary, amateur and professional – through education, advocacy and performance. It’s 30th annual conference is slated for Feb. 14-18, in Kansas City, MO, and will feature presentations by Mary Chapin Carpenter and Richard Thompson, the Louis Jay Meyers Music Camp, the International Folk Music Awards, the third annual Kansas City Folk Festival, artist showcases, workshops, panel discussions, film screenings, an exhibit hall, and more.

The theme for 2018 was trans.ACT and focused on the transformative power of the arts. The conference’s plenary sessions explored the role and responsibility of the performing arts in our world today and the impact of trans-disciplinary thinking and partnerships that are breaking new ground in both the arts and the world beyond.

Showcases of Note Took Place at the Host Hotel and at Venues Around New York City

Showcases took place both at the New York Hilton Midtown, the conference hotel, and at venues throughout Manhattan. A few also were set in other New York City boroughs and beyond.

January 12:

January 13:

During the evening, I enjoyed extended sets of music by Jim Messina (of Loggins & Messina, Poco and Buffalo Springfield fame) and Grammy Award-winning southwest Louisiana-based Cajun band Beausoleil avec Michel Doucet at Iridium, a Manhattan nightclub that primarily features jazz artists. Back at the hotel late that night, I also enjoyed a short showcase by the vocal group Estonian Voices.

January 14:

January 15:

Other folk and roots artists who showcased their talents during the APAP Conference included The Abrams Brothers, vocals and harp duo Addi & Jacq, multi-instrumentalists Andes Manta, contemporary folk trio A Band Called Honalee, Russian folk ensemble Barnya, young Irish tenor Emmet Cahill (who is also a member of Celtic Thunder), Colombian-Panamanian roots duo Calle Sur, The Everly Set (Sean Altman and Jack Skuller), guitarist Vicki Genfan, seven-sibling act The Hunts, Georgian polyphonic choir Iberi, Quebec’s Melisande [Electrotrad], Guy Mendilow Ensemble, Mojo & the Bayou Gypsies, accordionist and composer-singer Sam Reider, eclectic roots ensemble Upstate Rubdown, Ottawa Valley fiddler April Verch and her band, and Yemen Blues. Randy Noojin presented 15-minute excerpts from Hard Travelin’ with Woody, his one-man multimedia show featuring the music and artwork of Woody Guthrie, as well as Seeger — A multimedia solo show featuring the music of Pete Seeger. Sage Artists shared excerpts of Call Mr. Robeson: A Life, With Songs.” Cast members from Lonesome Traveler: The Concert also performed short musical excerpts from the show, along with narration that helps tell the story of American folk and folk-rock music from Woody Guthrie to Bob Dylan and beyond. Artists in various other musical genres also showcased their talents, while comedy, dance and theatrical showcases also were part of the mx.

Artists who Hosted Showcases Offer Their Reflections

Jayme Stone notes that he started curating a showcase at last year’s APAP Conference “to create a space for independent roots/world music artists to have their music heard by performing arts center directors and festival programmers. My goal was to make the cost slightly more affordable for artists and to create an opportunity for underrepresented artists to have a seat at the table. Most of the artists at our showcase do not have agents, which is rare at this conference.”

“Attending the conference has proven to have a profound impact on my touring career,” says Clay Ross, who fronts both Matuto and Ranky Tanky and produced the Global Routes Music Showcase with Stone. Noting that he’s been attending APAP conferences for the past seven years, Ross told AcousticMusicScene.com: “It’s given me the opportunity to connect with presenters, agents, managers, and other industry professionals around the world.” Those connections have helped prompt bookings for his bands at a number of prestigious Americana, roots and jazz venues and festivals.

“As an artist, I think it’s really important to understand the various perspectives, challenges and concerns associated with all sides of the business,” Ross continued. “By hanging around at conferences like APAP and forging relationships across the field, you start to see more clearly how your talents and interests might best align with potential partners. You start to understand that you don’t need to be everything to everyone, but can instead find your own comfortable niche. “

Waldman continues, “Going to APAP, we’re more apt to find jobs that pay $2,500, $5,000 and up.” While acknowledging that nothing is guaranteed, he believes that “by offering this particular roots music showcase evening, I’m nudging the odds in my favor. It’s an investment I’ve been happy to make.”

“Because I attend so many [conferences], I don’t feel stressed thinking it’s now or never. I see people I’ve met in prior years [and those] I’ve never met before. If some jobs come my way, great — but it doesn’t have to be the result of a particular conference or showcase. It’s invariably the result of attending as many of these conferences as I can.” He maintains that presenters who attend APAP conferences tend to have more experience in the field, access to bigger budgets, and are just so inundated with pitches from artists and their agents that they are virtually impossible to reach by email or phone. “But at a conference there’s the chance to actually meet someone which means if I do have reason to send an email or make a phone call, there’s a much greater chance of having the email returned or the call taken.”

WAVELENGTHS World Music Pre-Conference Features An Inspirational Keynote

Among several arts-related forums that preceded the conference was a two-day WAVELENGTHS World Music Pre-Conference featuring a keynote, panel discussions, workshops, and an artist pitch session co-produced by music PR firm Rock Paper Scissors in cooperation with GlobalFEST.

Keynoting WAVELENGTHS was Emel Mathlouthi, a Tunisian singer-songwriter whose songs played a major role in Arab Spring and led to her being called “the voice of the Tunisian revolution.” She offered heartfelt comments and inspiring thoughts as she spoke of the role of the artist in turbulent times and the importance of empathy.

Here’s a link to a video of Emel performing her song “ Kelmti Horra “(“My Word is Free”) during the 2015 Nobel Peace Prize Concert:

https://www.youtube.com/watch?v=wJ79iEfus8E

“For me, art has always been very powerful in connecting us…[and] in opening doors, [and in transcending] barriers and limits,” she said. “We’re all coming from the same place, and we all have a heart … Art is an international language. I really wanted to convey that,” she continued, noting her collaborations with musicians from other parts of the world. Until recently, Emel, who cites Joan Baez among her influences, has primarily written and sung music in Arabic, and some of her songs contain messages that transcend politics.

She advocates for the elimination of ethnic and political silos that have been used to pigeonhole and minimize artists’ cross-cultural appeal and expressing her personal desire to appeal to people based on her humanity, rather than feel like just an ethnic or political artist. “We’re reaching times where all the concepts have to change and allow all the artists who are coming from the world music sphere to be able to explore themselves and go beyond any preconceived notions,” she declared. While acknowledging that she has a conscience and a point of view, and expressing pride in the social impact that her music has had in helping to energize the movement for change in the Arab world, she concluded: “At the end of the day, I’m an artist, a musician, a singer.”

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About the Association of Performing Arts Professionals (APAP)

A Washington, DC-based nonprofit –- previously known as the Association of Performing Arts Presenters until changing its name last year — APAP is a national service, advocacy and membership organization dedicated to developing and supporting a robust performing arts presenting field and the professionals who work within it.

“As artists and arts makers, we must embrace our role to engage in the constant and dynamic societal transformation that we are a part of by acknowledging it, reflecting it, discussing it, and leading it,” says Mario Garcia Durham, APAP’s president and CEO. “Our strength as an industry lies in our ability to create, produce, present, share and stimulate audiences everywhere with works that both embrace and acknowledge our differences and increase our understanding of one another.”

The next APAP Conference in New York is set for January 4-8, 2019. More information on the organization may be found on its website: www.apap365.org.