Bluegrass Sings Paxton is a multi-artist collection of a dozen select songs penned by Paxton and performed by a wide array of bluegrass singers and pickers assembled by producers Cathy Fink and Jon Weisberger. “I Can’t Help But Wonder (Where I’m Bound)” is the album’s lead-off track. Other Paxton songs on the Mountain Home Music recording – seven of which were among September’s most-played songs on folk radio — include current IBMA Male Vocalist of the Year Greg Blake’s rendition of “Leaving London,” previous three-time IBMA Male Vocalist Award recipient Danny Paisley’s take on the classic “Ramblin’ Boy,“ and past IBMA Female Vocalist of the Year Claire Lynch’s rendition of “I Give You the Morning.” Sister Sadie’s interpretation of “The Last Thing On My Mind” closes out the album, which also features selections, old an new, recorded by Laurie Lewis (Central Square”), Bluegrass Hall of Famer Alice Gerrard (“The Things I Notice Now”), Grammy Award-winner Tim O’Brien (“You Took Me In,” a new gospel-tinged song co-written by Paxton, O’Brien and bandmate Jan Fabricius), Cathy Fink & Marcy Marxer (“All I Want”), Aaron Burdett of The Steep Canyon Rangers (“The Same River Twice”), Chris Jones (“The Last Hobo”), and Sav Sankaran (“Looking for the Moon”).

[Here’s a link to enjoy a five-minute video featuring Tom Paxton discussing Bluegrass Sings Paxton and its songs, along with a few musical excerpts:
https://www.youtube.com/watch?v=EUU8haC-nmU.]

House of Hamill, a self-described upcycled Celtic folk band, was the most played artist on folk radio for a second consecutive month – this time tying with singer-songwriter Kate McDonnell. Featuring Rose Baldino (fiddle and vocals), Brian Buchanan (fiddle, vocals and guitar), and Caroline Browning (bass, mandolin and piano), House of Hamill is a Pennsylvania-based, nationally touring trio that has performed at music festivals and established folk venues. Its fourth full-length release, Wildfire, topped the folk album charts in August, while its rendition of Jimmy Webb’s “The Highwayman” was that month’s top song. House of Hamill’s tight vocal harmonies, sophisticated instrumental arrangements, and acoustic pop sensibilities are evident on Wildfire. Like its live shows and previous releases, the album features a mix of original numbers, modern takes on centuries-old folk ballads, and choice covers. Recorded in a cabin in the Blue Ridge Mountains near Asheville, North Carolina, Wildfire also features House of Hamill’s original song “Banks of the Brandywine.” An ode to folklore that surrounds a notorious location on the Brandywine River in Chester County, PA, the song was recently selected as the grand-prize winner in the folk category of the John Lennon Songwriting Contest – 2024 Session 1.

[Here’s a link to listen to the title track of House of Hamill’s new album, Wildfire:
https://www.youtube.com/watch?v=grwhwUutYiA.]

Kate McDonnell is an award-winning singer-songwriter, as well as a gifted guitarist with a propensity to play the instrument differently than most. According to her official bio, she taught herself how to play the guitar, strung for a right-handed player, left-handed “upside down and backwards,” using her stronger right hand for chording and ignoring the customary positioning of the guitar strings. Part of a musically-inclined family, McDonnell began writing her own songs in 1989 and gained recognition in the early 1990s as both a Kerrville New Folk finalist and a finalist in the Grassy Hill Emerging Artist Showcase at the Falcon Ridge Folk Festival, as well as being voted the #1 singer-songwriter in a New Haven (Connecticut) Advocate readers’ poll following the release of her-self-produced debut album, Broken Bones. Since then, she has earned much critical acclaim and praise from such noted songwriters as Jonathan Edwards and the late Bill Staines, recorded five more albums, and toured internationally. Although she took a hiatus from performing for a decade to focus on working as a child therapist in day treatment programs, residential programs, and inner city schools, McDonnell never gave up songwriting. She returned to the studio in 2020 to record her fifth album, Ballad of a Bad Girl. Her sixth album, Trapeze, was released in September. It features 14 songs that she wrote over the past three years.

[Here’s a link to enjoy a recent video of Kate McDonnell performing her song “Pretty Good Day”: https://www.youtube.com/watch?v=_nUfNS26c6k.]

The September 2024 top albums, songs and artists charts are based on 10,787 airplays reported on 362 playlists submitted by 101 different folk DJs. The number of reported spins is shown below in parentheses.

Folk Alliance International (folk.org) is a nonprofit organization that aims to serve, strengthen, and engage the global folk music community through preservation, presentation and promotion.

Top Albums of September 2024

1.Bluegrass Sings Paxton by Various Artists (124)
2. Labor Day: A Tribute to Hardworking People Everywhere by Si Kahn and
George Mann (103)
3. Trapeze by Kate McDonnell (58)
4. Wildfire by House of Hamill (56)
5. From China to Appalachia by Cathy Fink, Marcy Marxer and Chao Tian (53)
6. The Legend of Sugarbelly by Guy Davis (52)
7. Ten Good Sermons by Eugene Ruffolo (51)
8. Manos Pan Americanos by Larry and Joe (45)
8. Boarding Windows in Paradise by Rebecca Frazier (45)
10. Everything Must Go by Donal Hinely (44)
11. Back to the Light by Heather Pierson (43)
12. Woodland by Gillian Welch and David Rawlings (33)
12. The Set by Jerry Douglas (33)
14. The American Dream by Amy Speace (31)
14. Bloom Where You Fall by Hana Zara (31)
16. Dan Tyminski: Live From the Ryman by Dan Tyminski (30)
17. Carved in the Bark by Nick Carter (29)
17. A Prosperous Gale by Open the Door for Three (29)
19. Blessed by the West by Sarah Pierce (28)
19. Heart on a Wire by Carolyn Shulman (28)
19. Now, O Now by Rakish (28)
22. Terra Madre by Beppe Gambetta (27)
23. Earl Jam by Tony Trischka (26)
24. Willie Watson by Willie Watson (25)
25. Live at Steelstacks by River Drivers (24)
26. City of Glass by Aj Lee and Blue Summit (23)
27. “The Great Northwest by Steve Lundquist (22)
28. The First Day of December by Ivan Strunin (21)
29. Harbortowne by Jim Patton and Sherry Brokus (20)
29. Lessen the Blue by Larry Folk (20)
31. The Light Years by The Magnolia Janes (19)
32. Blame It on Eve by Shemekia Copeland (18)
33. The Unspeakable Milo Binder by Milo Binder (17)
33. The Two of Us by Janie Rothfield and Allan Carr (17)
33. Thus Spoke the Fool by Pony Bradshaw (17)
33. Bluegrass Tracks by Andy Statman (17)
33. Weird Wild Wonderful by Emily Hicks (17)
33. Quiet Town by Mindy Smith (17)
33. Hanging at the Luna Star by Lou Dominguez (17)
40. Wasted Luck by Tiffany Williams and Dalton Mills (16)
40. Goldenrod by Teni Rane (16)
40. One of These Days by Cris Jacobs (16)
40. Trail of Flowers by Sierra Ferrell (16)
44. Soliloquy by Craig Bickhardt (15)
44. Long Way Home by Ray Lamontagne (15)
46. Driven to Drive by Joe Ely (14)
47. Phthalo Blue by Andrew Marlin (13)
47. Polaroid Lovers by Sarah Jarosz (13)
47. More Than a Whisper: Celebrating the Music of Nanci Griffith by
Various Artists (13)
50. Western Chill by Robert Earl Keen (12)
50. Diamond Days by Brooks Williams (12)
50. Daylight Savings Time by Steve Forbert (12)
50. The Price of Happiness by Miranda Hardy (12)
50. “weet Critters by Caleb Caudle (12)
50. Trees by Laurie Lewis (12)
50. Atlantic Sounds by Miscellany of Folk (12)
50. 20 by The Grascals (12)

Top Songs of September 2024

1. “I Can’t Help but Wonder (Where I’m Bound)” by Tom Paxton and Della Mae (27)
2. “I Give You the Morning” by Claire Lynch (17)
3. “Canaan” by Danny Schmidt (16)
4. “The Old Labor Hall” by Joe Jencks (13)
5. “Banks of the Brandywine” by House of Hamill (12)
5. “The Same River Twice” by Aaron Burdett (12)
5. “The American Dream” by Amy Speace (12)
5. “Central Square” by Laurie Lewis (12)
5. “Something You Got” by Jerry Douglas (12)
10. “You Took Me In” by Tim O’Brien (11)
10. “Ramblin’ Boy” by Danny Paisley (11)
10. “It Takes All Kinds” by Mark Stepakoff (11)
10. “Everything Must Go” by Donal Hinely (11)
10. “Up Here in the Mountains” by Heather Pierson (11)
10. “The Last Thing on My Mind” by Sister Sadie (11)
16. “Back to the Light” by Heather Pierson (10)
16. “A World Minus One” by Eugene Ruffolo (10)
16. “Wildfire” by House of Hamill (10)
19. “Long Way to Harlan” by Si Kahn and Laurie Lewis (9)
19. “The Things I Notice Now” by Alice Gerrard (9)
19. “High on a Mountain” by Cathy Fink, Marcy Marxer and Chao Tian (9)
19. “Gone Gonna Rise Again” by Michael Johnathon and Odetta (9)
19. “Late Bloomer” by Eugene Ruffolo (9)
19. “Back When Times Were Hard” by Si Kahn (9)
19. “No Child Should Ever Go Hungry” by Tret Fure (9)
19. “Pretty Good Day” by Kate McDonnell (9)
19. “Beautiful You” by Tom Prasada-Rao (9)
19. “Ain’t That Me and You” by Nick Carter (9)
19. “What’s Gonna Become of Me” by Jerron Paxton (9)
19. “Lawrence Jones” by Kathy Mattea (9)

Top Artists of September 2024

1. Kate McDonnell (60)
1. House of Hamill (60)
3. Highwaymen (55)
4. Guy Davis (54)
5. Cathy Fink, Marcy Marxer and Chao Tian (53)
6. Eugene Ruffolo (51)
7. Heather Pierson (48)
8. Donal Hinely (47)
9. Larry and Joe (45)
9. Rebecca Frazier (45)
11. Bob Dylan (39)
11. Amy Speace (39)
13. Jerry Douglas (38)
14. Gillian Welch and David Rawlings (36)
15. Laurie Lewis (34)
16. Hana Zara (31)
16. Open the Door for Three (31)
16. Rakish (31)
19. Dan Tyminski (30)
19. Tony Trischka (30)
21. John McCutcheon (29)
21. Leonard Cohen (29)
21. Nick Carter (29)
21. Beppe Gambetta (29)
25. Willie Watson (28)
25. Carolyn Shulman (28)
25. Sarah Pierce (28)
28. Tom Paxton and Della Mae (27)
28. Willie Nelson (27)
28. Tim O’Brien (27)
31. River Drivers (26)
31. Si Kahn (26)
31. Danny Schmidt (26)
34. John Gorka (24)
34. Dar Williams (24)
34. Joe Jencks (24)
37. Aj Lee and Blue Summit (23)
37. Nanci Griffith (23)
37. Joni Mitchell (23)
37. Tim Grimm (23)

Billy Strings, who turns 29 on Oct. 3, grew up playing traditional bluegrass with his dad. In the years since, he has been among the artists who have helped to expand the boundaries of the genre, widening its appeal. His latest album, Renewal, features 16 songs (mostly originals), that while primarily acoustic, transcends bluegrass via incorporating elements of jam band, psychedelic music, classic rock, and even heavy metal.

Awards are voted on by the professional membership of the International Bluegrass Music Association (IBMA), a nonprofit music organization that connects, educates, and empowers bluegrass professionals and enthusiasts, honoring tradition and encouraging innovation in the bluegrass community worldwide (ibma.org).

A complete list of winners in 17 categories appears below, while information about the three previously announced Bluegrass Music Hall of Fame inductees (acclaimed artist Alison Krauss, trailblazing bandleader and banjoist Lynn Morris and early bluegrass influencers the Stoneman Family) and five Distinguished Achievement Awards recipients, as well as a listing of all the category nominees can be found at https://acousticmusicscene.com/2021/07/21/ibma-bluegrass-music-awards-nominees-named/.

Entertainer of the Year:

Billy Strings

Vocal Group of the Year

Sister Sadie

Instrumental Group of the Year

Appalachian Road Show

New Artist of the Year

Appalachian Road Show

Song of the Year

“Richest Man”
Artist: Balsam Range
Songwriters: Jim Beavers/Jimmy Yeary/Connie Harrington
Producer: Balsam Range
Label: Mountain Home Music Company

Album of the Year

Industrial Strength Bluegrass: Southwestern Ohio’s Musical Legacy
Artist: Various Artists
Producer: Joe Mullins
Label: Smithsonian Folkways Recordings

Gospel Recording of the Year (Tie)

“After Awhile”
Artist: Dale Ann Bradley
Songwriter: Public Domain
Producer: Dale Ann Bradley
Label: Pinecastle Records

“In the Resurrection Morning”
Artists: Sacred Reunion featuring Doyle Lawson, Vince Gill, Barry Abernathy, Tim Stafford, Mark Wheeler, Jim VanCleve, Phil Leadbetter, Jason Moore
Songwriter: Mark Wheeler
Producers: Barry Abernathy, Jim VanCleve, Dottie Leonard Miller
Label: Billy Blue Records

Instrumental Recording of the Year

“Ground Speed”
Artists: Kristin Scott Benson, Skip Cherryholmes, Jeremy Garrett, Kevin Kehrberg, Darren Nicholson
Songwriter: Earl Scruggs
Producer: Jon Weisberger
Label: Mountain Home Music Company

Collaborative Recording of the Year

“White Line Fever”
Artists: Bobby Osborne with Tim O’Brien, Trey Hensley, Sierra Hull, Stuart Duncan, Todd Phillips, Alison Brown
Songwriters: Merle Haggard/Jeff Tweedy
Producers: Alison Brown, Garry West
Label: Compass Records

Female Vocalist of the Year

Dale Ann Bradley

Male Vocalist of the Year (Tie)

Del McCoury
Danny Paisley

Banjo Player of the Year

Scott Vestal

Bass Player of the Year

Missy Raines

Fiddle Player of the Year

Bronwyn Keith-Hynes

Resophonic Guitar Player of the Year

Justin Moses

Guitar Player of the Year

Billy Strings

Mandolin Player of the Year

Sierra Hull

“We are so thankful and a little overwhelmed,” says Joe Mullins, the bandleader and banjo player. “To be included in the Entertainer of the Year category alongside some of our heroes and bands we’re huge fans of, was very humbling. To receive the award from our peers provides us with great encouragement and inspiration. What a wonderful blessing!”

Last year’s Song of the Year winners for “If I’d Have Wrote That Song” and 2012 IBMA Emerging Artists of the Year, Joe Mullins & The Radio Ramblers also shared the 2019 award for Collaborative Recording of the Year with guest artist, Grand Ole Opry member and nine-time IBMA Entertainer of the Year Del McCoury for “The Guitar Song.” The Del McCoury Band took home the award for Album of the Year for Del McCoury Still Sings Bluegrass.

Joining the group as first-time winners in their respective categories were Sister Sadie (Vocal Group of the Year), Billy Strings (Guitar Player of the Year and New Artist of he Year) and Alan Bibey (Mandolin Player of the Year).

The complete list of award winners in 17 categories voted on by IBMA’s professional members follows:

Entertainer of the Year: Joe Mullins & The Radio Ramblers
Vocal Group of the Year: Sister Sadie
Instrumental Group of the Year: Michael Cleveland & Flamekeeper (its fifth win in his category)
Song of the Year: “Thunder Dan” – Sideline (artist), Josh Manning (writer), Tim Surrett (producer), Mountain Home Music Company (label)
Album of the Year: Del McCoury Still Sings Bluegrass – Del McCoury Band (artist), Del and Ronnie McCoury (producers), McCoury Music (label). This marks the band’s second win in this category.
Gospel Recording of the Year: “Gonna Sing, Gonna Shout” – Claire Lynch (artist), Jerry Salley (producer), Billy Blue Records (label)
Instrumental Recording of the Year: “Darlin’ Pal(s) of Mine” – Missy Raines with Alison Brown, Mike Bub, and Todd Phillips (artist), Alison Brown (producer), Compass Records (label)
New Artist of the Year: Billy Strings
Collaborative Recording of the Year: “The Guitar Song” – Joe Mullins & The Radio Ramblers with Del McCoury (artists), Joe Mullins (producer), Jerry Salley (associate producer), Billy Blue (label)
Female Vocalist of the Year: Brooke Aldridge (her third win in this category)
Male Vocalist of the Year: Russell Moore (his sixth win in this category)
Banjo Player of the Year: Kristin Scott Benson (her fifth win in this category)
Bass Player of the Year: Missy Raines (her eighth win in this category)
Resophonic Guitar Player of the Year: Phil Leadbetter (his third win in this category)
Fiddle Player of the Year: Michael Cleveland (his 12th win in this category)
Guitar Player of the Year: Billy Strings
Mandolin Player of the Year: Alan Bibey

Here’s a link to view the official video for Sideline’s “Thunder Dan,” the Song of the Year:
https://www.youtube.com/watch?v=lWrdtE-jKQs

These IBMA Industry Awards also were presented on Sept. 26:

Broadcaster of the Year: Michelle Lee
Event of the Year: Blueberry Bluegrass Festival in Stony Plain, Alberta, Canada
Liner Notes of the Year: Epilogue: A Tribute to John Duffey, Akira Otsuka, Dudley Connell, Jeff Place, and Katy Daley
Graphic Designer of the Year: Michael Armistead
Writer of the Year: David Morris
Songwriter of the Year: Jerry Salley
Sound Engineer of the Year: Ben Surratt
Distinguished Achievement Awards: Katy Daley, Mickey Gamble, Dan Hays, Allen Mills, and Moonshiner

In addition, Mike Auldridge, Bill Emerson and The Kentucky Colonels were formally inducted into the Bluegrass Music Hall of Fame during the awards ceremony that was co-hosted by McCoury and Jim Lauderdale.

The International Bluegrass Music Awards Show was a centerpiece of the International Bluegrass Music Association (IBMA)’s annual five-day World of bluegrass, the genre’s annual industry gathering and family reunion. Held in Raleigh for the seventh consecutive year, World of Bluegrass also featured a wide array of professional development seminars, meetings and forums, artist showcases and late-night hospitality functions, an exhibit hall, plenty of networking and relationship-building opportunities, and the Wide Open Bluegrass Festival.

Best American Roots Performance

And Am I Born To Die – Bela Fleck & Abigail Washburn
Track from Bela Fleck & Abigail Washburn (Rounder)

Born To Play Guitar – Buddy Guy
Track from Born To Play Guitar (RCA/Silvertone)

City Of Our Lady – The Milk Carton Kids
Track from Monterey (Anti)

Julep – Punch Brothers
Track from The Phosphorescent Blues (Nonesuch)

See That Grave Is Kept Clean – Mavis Staples
Track from Your Good Fortune (Anti)

Best American Roots Song

All Night Long – Raul Malo, songwriter (The Mavericks)
Track from Mono (The Valory Music Co.)

The Cost Of Living – Don Henley & Stan Lynch, songwriters (Don Henley & Merle Haggard)
Track from Cass County (Capitol Records)

Julep – Chris Eldridge, Paul Kowert, Noam Pikelny, Chris Thile & Gabe Witcher, songwriters (Punch Brothers)
Track from The Phosphorescent Blues (Nonesuch)

The Traveling Kind – Chris Chisel, Rodney Crowell & Emmylou Harris, songwriters
(Emmylou Harris & Rodney Crowell)
Track from The Traveling Kind (Nonesuch)

24 Frames – Jason Isbell
Track from Something More Than Free (Southeastern Records)

Best Americana Album

The Firewatcher’s Daughter – Brandi Carlile (ATO Records)

The Traveling Kind – Emmylou Harris & Rodney Crowell (Nonesuch)

Something More Than Free – Jason Isbell (Southeastern Records)

Mono – The Mavericks (The Valory Music Co.)

The Phosphorescent Blues –Punch Brothers (Nonesuch)

Best Bluegrass Album

Pocket Full Of Keys – Dale Ann Bradley (Pinecastle Records)

Before The Sun Goes Down – Rob Ickes & Trey Hensley (Compass Records Group)

In Session – Doyle Lawson & Quicksilver (Mountain Home Music Company)

Man Of Constant Sorrow – Ralph Stanley & Friends (Red River Entertainment)

The Muscle Shoals Recordings – The Steeldrivers (Rounder)

Best Blues Album

Descendants Of Hill Country – Cedric Burnside Project (Self)

Outskirts Of Love – Shemekia Copeland (Alligator Records)

Born To Play Guitar – Buddy Guy (RCA Records/Silvertone Records)

Worthy – Bettye LaVette (Cherry Red)

Muddy Waters 100 – John Primer & Various Artists (Raisin Music Records)

Best Folk Album

Wood, Wire & Words – Norman Blake (Plectrafone Records)

Béla Fleck And Abigail Washburn – Bela Fleck & Abigail Washburn (Rounder)

Tomorrow Is My Turn – Rhiannon Giddens (Nonesuch)

Servant Of Love – Patty Griffin (PGM)

Didn’t He Ramble – Glen Hansard (Anti)

Best Regional Roots Music Album

Go Go Juice – Jon Cleary (FHQ Records)

La La La La – Natalie Ai Kamauu (Keko Records)

Kawaiokalena – Keali’I Reichel (Punahele Productions)

Get Ready – The Revelers (Self)

Generations – Windwalker And The MCW (MCW Productions)

Among the nominees for the coveted Song of the Year award is Lori McKenna (with co-writers Hillary Lindsay and Liz Rose) for “Girl Crazy,” recorded by country artists Little Big Town (Capitol Records). “Girl Crazy” also received nods for for Best Country Song, along with Hayes Carll’s “Chances Are” (recorded by Lee Ann Womack on Sugar Hill Records), and for Best Country Duo/Group Performance, along with labelmates Diercks Bentley, Charles Kelly and Eric Paslay’s “The Driver,” among others.

Wilco’s Star Wars is In the running for Alternative Album of the Year, while Janis Ian and Jean Smart’s Patience and Sarah (Isabel Miller) is among the nominees for Best Spoken Word Album, and James Taylor’s Before This World is up for Best Pop album.

Among the nominees for Best Album Notes are:

Folksongs Of Another America: Field Recordings From The Upper Midwest, 1937-1946
James P. Leary, album notes writer (Various Artists) on
Dust-To-Digital/University of Wisconsin Press

Lead Belly: The Smithsonian Folkways Collection
Jeff Place, album notes writer (Lead Belly) on Smithsonian Folkways Recordings

Love Has Many Faces: A Quartet, A Ballet, Waiting To Be Danced
Joni Mitchell, album notes writer (Joni Mitchell) on Rhino

Nominees for Best Historical Album include:

The Basement Tapes Complete: The Bootleg Series Vol. 11
Steve Berkowitz, Jan Haust & Jeff Rosen, compilation producers; Peter J. Moore, mastering engineer (Bob Dylan And The Band) on Columbia/Legacy

The Complete Concert By The Sea
Geri Allen, Jocelyn Arem & Steve Rosenthal, compilation producers; Jessica Thompson, mastering engineer (Erroll Garner) on Columbia/Legacy

Native North America (Vol. 1): Aboriginal Folk, Rock, And Country 1966–1985
Kevin Howes, compilation producer; Greg Mindorff, mastering engineer (Various Artists) on
Light In The Attic Records

Parchman Farm: Photographs And Field Recordings, 1947–1959
Steven Lance Ledbetter & Nathan Salsburg, compilation producers; Michael Graves, mastering engineer (Various Artists) on Dust-To-Digital

Songs My Mother Taught Me
Mark Puryear, compilation producer; Pete Reiniger, mastering engineer (Fannie Lou Hamer) on
Smithsonian Folkways Recordings

The global performing arts marketplace and conference featured more than 1000 artist showcases (music, theatre, dance, comedy and more), a large EXPO Hall with nearly 400 exhibitors, daily plenary sessions and keynote speakers, and a wide array of professional development workshops and forums. It is hosted by APAP, a Washington, D.C.-based national service, advocacy and membership organization dedicated to developing and supporting a robust performing arts presenters field and the professionals who work within it. 9Last year’s APAP Conference featured a professional development session on Presenting Bluegrass: Engaging New Audiences. An article on that is archived on AcousticMusicScene.com and may be viewed by clicking on this link:

From the moment Balsam Range kicked off its showcase at the New York Hilton, the conference’s host hotel, with “Moon Over Memphis,” it seemed clear that the group that has headlined concert halls, theaters and festivals throughout North America since its formation eight years ago was doing just that.

Commenting on the accolades and success that Balsam Range has achieved to date, Tim Surrett (bass and dobro) said: “It’s amazing. We would have laughed if you would have told us eight years ago that this would happen.” Surrett, who also co-founded the Mountain Home Music Company (the label for which Balsam Range records) noted that although the group’s members all hail from the same county and live just 15 minutes from each other in western North Carolina, they had been playing in different bands and touring all over the world. “We just got together to pick a little.” The group takes its name from a mountain range in NC’s Smoky Mountain region.

The Depue Brothers Band, Matuto, and Mipso mixed things up a bit during their respective showcases. The DePue Brothers Band perform what they call “Grassical” music – fusing bluegrass and classical, along with elements of jazz, blues and rock. Matuto is a New York City-based ensemble fronted by guitarist Clay Ross. The band plays what it calls Brazilian bluegrass — a lively and very danceable blend of northeastern Brazil’s infectious folkloric rhythms and rootsy Americana (including bluegrass, swampy Louisiana two-steps and spirituals). Besides Ross on guitar and vocals, Matuto features violin, accordion, bass, drums and various Brazilian percussive instruments. The band has been an international musical ambassador through American Music Abroad – a partnership between American Voices and the U.S. Department of State’s Bureau of Educational and Cultural Affairs. Mipso, which bills itself as North Carolina’s renegade traditionalists performing ‘dark holler pop,’ is comprised of four recent college graduates – three of whom grew up with the bluegrass tradition but who, along with their fiddler, give it a little bit of a twist. The quartet’s sound is a blend of bluegrass, contemporary country, folk, gospel and pop.

Bluegrass Sampler Platter Showcase Provides Some Tasty Morsels

The Gibson Brothers, Sierra Hull, Tim O’Brien, Bryan Sutton and The Travelin’ McCourys were part of an extended four-hour Bluegrass Sampler Platter showcase that drew a large crowd (not limited to APAP attendees) to Manhattan’s City Winery.

Opening the show, top-notch guitarist Bryan Sutton, who hails from the mountains of western North Carolina near Asheville, exclaimed: “It sort of feels like a New York City on Sunday night – a place where I don’t have to worry and don’t have to hurry.” Sutton showed off the guitar chops and intricate finger-play that have earned him much critical acclaim and numerous awards (including a Grammy and being named three times as IBMA Guitarist of the Year). Although best known for his flat-picked acoustic guitar playing, Sutton also played banjo on a couple of numbers – while Rob McCoury joined him on banjo on another.

Next up was Sierra Hull, a classy young mandolinist with a beautiful, crystalline voice. Accompanied by Ethan Jodziewicz on stand-up bass, she moved effortlessly between instrumentals and songs during her set. Now in her early 20s, Hull has gravitated more towards the singer-songwriter side of Americana roots music from the more traditional bluegrass of her teen years – although her repertoire reflects a wide range of musical styles. Like Matuto, she was an international cultural ambassador last year through the American Music Abroad program sponsored by the U.S. Department of State.

Hailed in bluegrass music circles for their tight vocal harmonies, The Gibson Brothers have received numerous International Bluegrass Music Awards – including Entertainer of the Year (2012 and 2013) and Vocal Group of the Year (2011 and 2013). Although guitar-playing brothers Eric and Leigh Gibson perform a lot of original material with band-mates Mike Barber (bass), Jesse Brock (mandolin) and Clayton Campbell (fiddle), their set was heavily sprinkled with renditions of songs by such other notable brother acts as The Everly Brothers, The Louvin Brothers (whom Leigh calls “kind of the gold standard of brother acts in terms of country music”) and the Monroe brothers. The Gibson Brothers signed to Rounder Records last summer and their first release for the label, Brotherhood, due out in February, pays homage to the brother acts that have inspired them since growing up on a diary farm in upstate New York.

Tim O’Brien has been a key player on the American roots music scene for years. An acclaimed singer-songwriter and multi-instrumentalist, the Grammy Award-winner and two-time IBMA Male Vocalist of the Year also has had his songs recorded by numerous other artists. But this was his night to shine, and so he did – primarily on guitar and vocals. Noted mandolinist, clarinetist and composer Andy Statman joined him for a few songs from a new Superstring Theory album featuring The Andy Statman Trio with O’Brien and fiddler Michael Cleveland. A lightning-fast-paced number featuring dueling mandolins was among the set’s highlights.

The Travelin’ McCourys – featuring the sons of Del McCoury and their band-mates – closed out the evening with a varied set of music that ranged from songs with four-part harmonies and a high & lonesome sound to more straight-ahead bluegrass and break-neck speed instrumentals during which each player was afforded an opportunity to lead. Enhancing the sound throughout the set was Bryan Sutton on guitar, while all of the evening’s artists were invited on stage to close out the night with a little pickin’ party.

Steve Martin & Edie Brickell were nominated for Best American Roots Song for the title track of their Rounder release, Love Has Come for You, which also is in the running for Best Americana Album. Martin previously received a Grammy Award for Best Bluegrass Album in 2010 for The Crow: New Songs for the Five-String Banjo.

Below is a listing of the nominees, by category, in the American Roots Music Field.

Best American Roots Song

“Build Me Up From Bones” – Sarah Jarosz (Sugar Hill Records)
“Invisible” – Steve Earle (New West Records)
“Keep Your Dirty Lights On” – Tim O’Brien and Darrell Scott (from Memories and Moments on Full Skies Records)
“Love Has Come For You” – Edie Brickell & Steve Martin (from Love Has Come for You on Rounder)
“Shrimp Po-Boy, Dressed” – Allen Toussaint (from Songbook on Rounder)

Best Americana Album

Old Yellow Moon – Emmylou Harris & Rodney Crowell (Nonesuch Records)
Love Has Come For You – Steve Martin & Edie Brickell (Rounder)
Buddy and Jim – Buddy Miller and Jim Lauderdale (New West Records)
One True Vine – Mavis Staples (Anti Records)
Songbook – Allen Toussaint (Rounder)

Best Bluegrass Album

It’s Just A Road – The Boxcars (Mountain Home Music Company)
Brothers of the Highway – Dailey & Vincent (Rounder)
This World Oft Can Be – Della Mae (Rounder)
Three Chords and the Truth – James King (Rounder)
The Streets of Baltimore – Del McCoury Band (McCoury Music)

Best Blues Album

Remembering Little Walter – Billy Boy Arnold, Charlie Musselwhite, Mark Hummel, Sugar Ray Norcia & James Harman (Blind Pig Records)
Cotton Mouth Man – James Cotton (Alligator)
Get Up! – Ben Harper with Charlie Musselwhite (Stax)
Seesaw – Beth Hart & Joe Bonamassa (J & R Adventures)
Down in Louisiana – Bobby Rush (Deep Rush Records)
Bobby Rush

Best Folk Album

My Favorite Picture of You – Guy Clark (Dualtone)
Sweetheart of the Sun – The Greencards (Darling Street Records)
Build Me Up From Bones – Sarah Jarosz (Sugar Hill Records)
The Ash & Clay – The Milk Carton Kids (Anti Records)
They All Played For Us: Arhoolie Records 50th Anniversary Celebration – Various Artists –Arhoolie Records

Best Regional Roots Music Album

The Life & Times Of…The Hot 8 Brass Band – Hot 8 Brass Band (Tru Thoughts)
Hula Ku’I – Kahulanu (Palm Records)
Le Fou – Zachary Richard (Avalanche Productions)
Dockside Sessions – Terrance Simien & The Zydeco Experience (Musicmatters Records)
Apache Blessing & Crown Dance Songs – Joe Tahonnie Jr. (Cool Runnings Music)

In addition, living folk music icon Pete Seeger is among the nominees for Best Spoken Word Album (for The Storm King), while The Civil Wars were nominated in the Best Country Duo/Group Performance category for “From This Valley.” The East Nashville, Tennessee-based singer-songwriter duo of Joy Williams and John Paul White took home two Grammy Awards in 2012 for Best Folk Album of the Year (for its debut album, Barton Hollow) and Best Country Duo/Group Performance for that album’s title track.

Nominees for Best Children’s Album include Elizabeth Mitchell & You Are My Flower for Blue Clouds, Beth Nielsen Chapman for The Mighty Sky, Justin Roberts for Recess, Alastair Moock & Friends for Singing Our Way Through: Songs for the World’s Bravest Kids, and Jennifer Gasoi for Throw a Penny in the Wishing Well.

The Grammy Awards are presented by the National Academy of Recording Arts and Sciences, also known as The Recording Academy. A complete list of nominees in all 82 categories appears online at www.grammy.com.

The nominations were announced on Dec. 5. Rootsy British band Mumford & Sons is among the top nominees with nods for Album of the Year, Best Americana Album and Best Rock Performance.

Of particular interest to readers of AcousticMusicScene.com are the nominees in the American Roots Music Field. The number of award categories in the field was reduced last year as part of a restructuring across all genres and fields by the National Academy of Recording Arts and Sciences, also known as The Recording Academy.

The nominees, by category, are:

Best Folk Album

Leaving Eden
Carolina Chocolate Drops [Nonesuch]

Election Special
Ry Cooder [Perro Verde/Nonesuch]

Hambone’s Meditations
Luther Dickinson [Songs of the South]

The Goat Road Sessions
Yo-Yo Ma, Stuart Duncan, Edgar Meyer & Chris Thile
[Sony Classical]

This One’s for Him: A Tribute to Guy Clark
Various Artists
Shawn Camp & Tamara Saviano, producers
[Icehouse Music]

Best Americana Album

The Carpenter
The Avett Brothers [Universal Republic]

From The Ground Up
John Fullbright [Blue Dirt Records]

The Lumineers
The Lumineers [Dualtone Music Group]

Babel
Mumford & Sons [Glassnote]

Slipstream
Bonnie Raitt
[Redwing Records]

Best Bluegrass Album

The Gospel Side of Dailey & Vincent
Dailey & Vincent [Rounder]

Life Finds a Way
The Grascals [Mountain Home Music Company]

Beat the Devil and Carry a Rail
Noam Pikelny [Compass Records]

Scratch Gravel Road
Special Consensus [Compass Records]

Nobody Knows You
Step Canyon Rangers [Rounder]

Best Blues Album

33 1/3
Shemekia Copeland [Telarc International]

Locked Down
Dr. John [Nonesuch]

Let It Burn
Ruthie Foster [Blue Corn Music]

And Still I Rise
Heritage Blues Orchestra [Raisin’ Music]

Bring It on Home
Joan Osborne [Saguaro Road]

Best Regional Roots Music Album

Malama Ko Aloha (Keep Your Love)
Keola Beamer [‘Ohe Records]

Shi Keyah – Songs for the People
Radmilla Cody [Canyon Records]

Pilialoha
Weldon Kekauoha [‘Ohelo Records]

Nothin’ But the Best
Corey Ledet with Anthony Dopsie, Dwayne Dopsie and Andre Thierry
[Corey Ledet]

The Band Courtbouillon
Wayne Toups, Steve Riley & Wilson Savoy
[Valcour Records]

In addition to Mumford & Sons’ sophomore release, Babel, receiving nods for Album of the Year and Best Americana Album, one of its tracks, “I Will Wait,” is among the nominated songs in the Best Rock Performance category. Fellow Best Americana Album nominees The Lumineers also received a nod for Best New Artist. East Nashville, TN-based singer-songwriter duo The Civil Wars, this year’s Grammy Award winners for Best Folk Album and Best Country Duo/Group Performance, were again nominated for Best Country Duo/Group Performance – this time with Taylor Swift for “Safe & Sound.” Multiple Grammy Award winner Alison Kraus was nominated in the same category, along with country legend Don Williams, for “I Just Came Here for the Music.”

The Recording Academy also recognized the music of Woody Guthrie, whose 100th birthday was marked this year. Little Seed: Songs for Children by Woody Guthrie [Smithsonian Folkways Recordings], as performed by Elizabeth Mitchell, is among the nominees for Best Children’s Album. Smithsonian Folkways’ Woody at 100: The Woody Guthrie Centennial Collection received nods for Best Boxed or Special Limited Edition Package and Best Historical Album.

Also nominated in the Best Historical Album category is Old-Time Smoky Mountain Music: 34 Historic Songs, Ballads and Instrumentals Recorded in The Great Smoky Mountains by “Song Catcher” Joseph S Hall, a Great Smoky Mountains Association recording featuring various artists. Stephen Wade is among the nominees for Best Album Notes for Banjo Diary: Lessons from Tradition [Smithsonian Folkways].

Besides being nominated for Best Folk Album, The Goat Radio Sessions featuring Yo-Yo Ma, Stuart Duncan, Edgar Meyer and Chris Thile [Sony Classical], received a nod for Best Engineered Album, Non-Classical.

A complete list of nominees in all categories appears online at www.grammy.com.