Billy Strings, who turns 29 on Oct. 3, grew up playing traditional bluegrass with his dad. In the years since, he has been among the artists who have helped to expand the boundaries of the genre, widening its appeal. His latest album, Renewal, features 16 songs (mostly originals), that while primarily acoustic, transcends bluegrass via incorporating elements of jam band, psychedelic music, classic rock, and even heavy metal.

Awards are voted on by the professional membership of the International Bluegrass Music Association (IBMA), a nonprofit music organization that connects, educates, and empowers bluegrass professionals and enthusiasts, honoring tradition and encouraging innovation in the bluegrass community worldwide (ibma.org).

A complete list of winners in 17 categories appears below, while information about the three previously announced Bluegrass Music Hall of Fame inductees (acclaimed artist Alison Krauss, trailblazing bandleader and banjoist Lynn Morris and early bluegrass influencers the Stoneman Family) and five Distinguished Achievement Awards recipients, as well as a listing of all the category nominees can be found at https://acousticmusicscene.com/2021/07/21/ibma-bluegrass-music-awards-nominees-named/.

Entertainer of the Year:

Billy Strings

Vocal Group of the Year

Sister Sadie

Instrumental Group of the Year

Appalachian Road Show

New Artist of the Year

Appalachian Road Show

Song of the Year

“Richest Man”
Artist: Balsam Range
Songwriters: Jim Beavers/Jimmy Yeary/Connie Harrington
Producer: Balsam Range
Label: Mountain Home Music Company

Album of the Year

Industrial Strength Bluegrass: Southwestern Ohio’s Musical Legacy
Artist: Various Artists
Producer: Joe Mullins
Label: Smithsonian Folkways Recordings

Gospel Recording of the Year (Tie)

“After Awhile”
Artist: Dale Ann Bradley
Songwriter: Public Domain
Producer: Dale Ann Bradley
Label: Pinecastle Records

“In the Resurrection Morning”
Artists: Sacred Reunion featuring Doyle Lawson, Vince Gill, Barry Abernathy, Tim Stafford, Mark Wheeler, Jim VanCleve, Phil Leadbetter, Jason Moore
Songwriter: Mark Wheeler
Producers: Barry Abernathy, Jim VanCleve, Dottie Leonard Miller
Label: Billy Blue Records

Instrumental Recording of the Year

“Ground Speed”
Artists: Kristin Scott Benson, Skip Cherryholmes, Jeremy Garrett, Kevin Kehrberg, Darren Nicholson
Songwriter: Earl Scruggs
Producer: Jon Weisberger
Label: Mountain Home Music Company

Collaborative Recording of the Year

“White Line Fever”
Artists: Bobby Osborne with Tim O’Brien, Trey Hensley, Sierra Hull, Stuart Duncan, Todd Phillips, Alison Brown
Songwriters: Merle Haggard/Jeff Tweedy
Producers: Alison Brown, Garry West
Label: Compass Records

Female Vocalist of the Year

Dale Ann Bradley

Male Vocalist of the Year (Tie)

Del McCoury
Danny Paisley

Banjo Player of the Year

Scott Vestal

Bass Player of the Year

Missy Raines

Fiddle Player of the Year

Bronwyn Keith-Hynes

Resophonic Guitar Player of the Year

Justin Moses

Guitar Player of the Year

Billy Strings

Mandolin Player of the Year

Sierra Hull

Besides its nomination for Best American Roots Music Performance for “Colors,” Black Pumas is also is nominated for two of the top Grammy Awards. The deluxe edition of the Austin, Texas-based psychedelic soul band’s eponymous debut album is among the nominees for Album of the Year, while “Colors” is up for Record of the Year. In addition to her nomination for Best American Roots Music Performance for “Short And Sweet,” singer-songwriter Brittany Howard, who formerly fronted Alabama Shakes, was nominated for Best Rock Performance and Best Rock Song (“Stay High”), Best Alternative Music Album (for her solo debut, Jaime) and Best R & B Performance (“Goat Head”).

Here’s a list of the nominees in the American Roots Music Field that were announced Nov. 24 during a first-ever livestream on Grammy.com:

Best American Roots Performance

• Colors (Black Pumas)
• Deep In Love (Bonny Light Horseman)
• Short And Sweet (Brittany Howard)
• I’ll Be Gone (Norah Jones & Mavis Staples)
• I Remember Everything (John Prine)

Best American Roots Song – a songwriter(s) award

• “Cabin” – Laura Rogers & Lydia Rogers, songwriters (The Secret Sisters)
• “Ceiling to the Floor” – Sierra Hull & Kai Welch, songwriters (Sierra Hull)
• ”Hometown” – Sarah Jarosz, songwriter (Sarah Jarosz)
• “I Remember Everything” – Pat McLaughlin & John Prine, songwriters (John Prine)
• “Man Without A Soul” – Tom Overby & Lucinda Williams, songwriters (Lucinda Williams)

Best Americana Album

• Old Flowers (Courtney Marie Andrews)
• Terms Of Surrender (Hiss Golden Messenger)
• World On The Ground (Sarah Jarosz)
• El Dorado (Marcus King)
• Good Souls Better Angels (Lucinda Williams)

Best Bluegrass Album

• Man On Fire (Danny Barnes)
• To Live In Two Worlds, Vol. 1 (Thomas Jutz)
• North Carolina Songbook (Steep Canyon Rangers)
• Home (Billy Strings)
• The John Hartford Fiddle Tune Project, Vol. 1 (Various Artists)

Best Traditional Blues Album

• All My Dues Are Paid (Frank Bey)
• You Make Me Feel (Don Bryant)
• That’s What I Heard (Robert Cray Band)
• Cypress Grove (Jimmy “Duck” Holmes)
• Rawer Than Raw (Bobby Rush)

Best Contemporary Blues Album

• Have You Lost Your Mind Yet? (Fantastic Negrito)
• Live At The Paramount (Ruthie Foster Big Band)
• The Juice (G. Love)
• Blackbirds (Bettye LaVette)
• Up And Rolling (North Mississippi Allstars)

Best Folk Album

• Bonny Light Horseman (Bonny Light Horseman)
• Thanks For The Dance (Leonard Cohen)
• Song For Our Daughter (Laura Marling)
• Saturn Return (The Secret Sisters)
• All The Good Times (Gillian Welch & David Rawlings)

52. Best Regional Roots Music Album

• My Relatives: Nikso’Kowaiks Pow-Wow Songs Recorded Live at Fort Collins (Black Lodge Singers)
• Cameron Dupuy And The Cajun Troubadours (Cameron Dupuy And The Cajun Troubadours)
• Lovely Sunrise (Nā Wai ʽEhā)
• Atmosphere (New Orleans Nightcrawlers)
• A Tribute To Al Berard (Sweet Cecilia)

Also of note: folk-rock and Americana singer-songwriter Brandi Carlile — who was the big winner in the American Roots Music Field during the 61st annual Grammy Awards in February 2019 with Grammy Awards for Best Americana Album, Best American Roots Performance and Best American Roots Song — is in the running for Grammys for Best Song Written for Visual Media (“Carried Me With You” for Onward, co-written with Phil and Tim Hanseroth) and Best Country Song (“Crowded Table” for The Highwomen), co-written with bandmates Natalie Hemby and Lori McKenna. Hemby is also nominated in that category with co-writers Luke Dick and Miranda Lambert for “Bluebird,” recorded by Lambert on Wildcard, which is among the nominees for Best Country Album. Other nominees that may be of particular interest to AcousticMusicScene.com readers include Bela Fleck, whose Throw Down Your Heart: The Complete Africa Sessions” is nominated for Best Historical Album; Alastair Moock and Friends, whose Be A Pain: An Album for Young (and Old) Leaders is vying for Best Children’s Music Album; Grace Potter, whose “Daylight” is in the running for Best Rock Performance; and James Taylor, whose American Standard is up for Best Traditional Pop Vocal Album. Nominees for Producer of the Year include Dave Cobb, who produced albums for Lori McKenna (The Balladeer), The Highwomen (The Highwomen), John Prine (I Remember Everything), Jason Isbell and The 400 Unit (Reunion), and William Prince (The Spark), among others. Linda Ronstadt: The Sound of My Voice is nominated in the Best Music Film category.

Lawrence Azerrad and Jeff Tweedy, art directors for Wilco’s Ode To Joy, are in the running for Best Boxed or Special Limited Edition Package. Brittany Howard’s aforementioned album, Jaime, is among the nominees for Best Engineered Album – non-classical (Brian Everett, engineer and mastering engineer) as are Sierra Hull’s 25 Trips (Shani Gandhi and Gary Paczosa, engineers; Adam Grover, mastering engineer) and Katie Pruitt’s Expectations (Gary Paczosa and Mike Robinson, engineers, Paul Blakemore, mastering engineer).

NITO’s founding members and the more than 50 others who have since joined the organization “need and want to be assured that our voices are heard in Washington.” Its 14 founding small independent businesses (Entourage Talent, Ground Control Touring, High Road Touring, Leave Home Booking, Madison House, Mongrel Music, New Frontier Touring, Panache Booking, Partisan Arts, Pinnacle Entertainment, Sound Talent Group, Skyline Artists Agency, TKO, and The Kurland Agency) alone currently represent approximately 2,000 artists, according to the news release. “In 2019, collectively, more than 40,000 concerts were booked by NITO’s members across the U.S. with over 12.5 million tickets sold, generating in excess of half-a-billion dollars in gross ticket sales annually. The additional financial impact of these performances on surrounding communities is over $1 billion.”

“As owners of our individual entertainment businesses, we have given our all and more to our firms,” says Nadia Prescher, co-founder of Madison House, an artist management and booking agency. “Our small businesses are self-funded and independent, but nonetheless have a significant economic impact on the many who rely on our work. My fellow NITO co-founders and members are calling on the independent human spirit that all like-minded self-starters can get behind. We are focused on government support and reform during this economic crisis, while building an environment where entertainment entrepreneurs can discuss their common goals and stand together in unity.”

Among the artists on Madison House’s roster are 10,000 Maniacs, The Alternate Routes, Matt Andersen, Brooke Annibale, Chris Barron, Carbon Leaf, Jesse Cook, Laura Cortese & The Dance Cards, Alan Doyle, The East Pointers, Eddie From Ohio, Dom Flemons, Freddy & Francine, Katie Herzig, Lucy Kaplansky, Stephen Kellogg, Terra Lightfoot, Ryan Montbleau, Willie Nile, Glen Phillips, Steve Poltz, Willy Porter, Rainbow Girls, Rising Appalachia, Richard Shindell, and Vienna Teng.

Talent agents who represent artists and negotiate the live performance aspect of their careers are NITO’s primary focus. However, the organization “welcomes a broader coalition of the live music ecosystem beyond independent talent agencies — including U.S.-based small businesses and majority owner-operated independent management companies,’ according to its news release. U.S.-based artists, crew, and others engaged in live touring also are welcome to join as non-dues-paying associate members.

“NITO stands with the artists and all of those who make up the world of live performances,” says Frank Riley, founder of High Road Touring. “It’s a fully integrated world, that is reliant on and supportive of one another, as no one can productively and successfully navigate this environment on their own. When all things come together in the best way, these shows and this music bring joy and happiness in an otherwise troublesome and dangerous world.”

High Road Touring books such artists as Alabama Shakes, Sam Amidon, Joan Baez, Larry Campbell & Teresa Williams, Hayes Carll, Cowboy Junkies, The Deep Dark Woods, Jerry Douglas, The Earls of Leicester, Tommy Emmanuel, Jay Farrar, Mary Gauthier, Patty Griffin, The Handsome Family, Emmylou Harris, Joe Henry, Indigo Girls, Pokey LaFarge, The Low Anthem, Aimee Mann, James McMurtry, Tift Merritt, Michaela Anne, Buddy Miller, Parker Millsap, John Moreland, Shawn Mullins, Graham Nash, Over The Rhine, Nathaniel Rateliff, Shovels & Rope, They Might Be Giants, Richard Thompson, Jeff Tweedy, Suzanne Vega, Violent Femmes, Wilco, Lucinda Williams, and George Winston.

“Artists were among the first to suffer from the results of the pandemic and will be among the last to recover,” maintains Harvey Mason, Jr., chairman and interim president/CEO of The Recording Academy. “As citizens turn to music during these troubled times, it demonstrates that music makers must survive and thrive. We look forward to working with NITO as partners in improving the lives of artists.”