Awards are voted on by the professional membership of the International Bluegrass Music Association (IBMA), a nonprofit professional music organization that connects, educates, and empowers bluegrass professionals and enthusiasts, honoring tradition and encouraging innovation in the bluegrass community worldwide. Award recipients will be named during the IBMA Bluegrass Music Awards Show on Thursday night, September 29, 2022 at the Duke Energy Center for the Performing Arts in Raleigh, North Carolina. The awards show — a highlight of the IBMA’s World of Bluegrass — will also be broadcast on SiriusXM’s Bluegrass Junction and streamed via Facebook Live (as was the July 26 awards nominees announcement).

A complete list of nominees appears below, along with information about three Bluegrass Music Hall of Fame inductees, five Distinguished Achievement Awards recipient, and the first recipient of the IBMA International Band Performance Grant.

Entertainer of the Year: Billy Strings, The Del McCoury Band. Po Ramblin’ Boys, Sister Sadie, Molly Tuttle & Golden Highway

Vocal Group of the Year: Balsam Range, Blue Highway, Doyle Lawson & Quicksilver,
Del McCoury Band, Sister Sadie

Instrumental Group of the Year: Billy Strings, Michael Cleveland & Flamekeeper,
Béla Fleck’s My Bluegrass Heart, The Travelin’ McCourys, Molly Tuttle & Golden Highway

New Artist of the Year: Rick Faris, Fireside Collective, Laura Orshaw, Jaelee Roberts,
Tray Wellington

Song of the Year:

“Blink of an Eye”
Artist: Danny Paisley & The Southern Grass
Songwriter: Robert Amos
Label: Pinecastle Records
Producers: Bobby Lundy/Danny Paisley/Ryan Paisley/Wes Easter

“Deep River”
Artist: Rick Faris
Songwriter: Rick Faris/Brink Brinkman
Label: Dark Shadow Recording
Producer: Stephen Mougin

“I’ll Take the Lonesome Every Time”
Artist: Doyle Lawson & Quicksilver
Songwriters: Glen Duncan/Jerry Salley
Label: Billy Blue Records
Producer: Doyle Lawson

“Red Daisy”
Artist: Billy Strings
Songwriters: Jarrod Walker/Christian Ward
Label: Rounder Records
Producers: Jonathan Wilson/Billy Strings

“Riding the Chief”
Artist: Chris Jones & The Night Drivers
Songwriter: Chris Jones/Thomm Jutz
Label: Mountain Home
Producer: Chris Jones

Album of the Year:

Bluegrass Troubadour
Artist: Danny Paisley & The Southern Grass
Label: Pinecastle Records
Producer: Wes Easter

Crooked Tree
Artist: Molly Tuttle & Golden Highway
Label: Nonesuch Records
Producers: Molly Tuttle/Jerry Douglas

My Bluegrass Heart
Artist: Béla Fleck
Label: Renew Records
Producer: Béla Fleck

Never Slow Down
Artist: Po’ Ramblin’ Boys
Label: Smithsonian Folkways
Producers: Po’ Ramblin’ Boys/Dave Maggard

Renewal
Artist: Billy Strings
Label: Rounder Records
Producers: Jonathan Wilson/Billy Strings

Gospel Recording of the Year:

“A Little More Faith in Jesus”
Artist: Doyle Lawson & Quicksilver
Songwriters: Jerry Cole/Doyle Lawson
Label: Billy Blue Records
Producer: Doyle Lawson

“He’s Gettin’ Me Ready”
Artist: Darin & Brooke Aldridge with The Oak Ridge Boys
Songwriter: Jimmy Fortune
Label: Billy Blue Records
Producers: Darin Aldridge/Mark Fain

“In the End”
Artist: Dale Ann Bradley
Songwriter: Jill Gilliam
Label: Pinecastle Records
Producer: Dale Ann Bradley

“In the Sweet By and By”
Artist: Dolly Parton with Carl Jackson, Larry Cordle, Bradley Walker, and Jerry Salley
Songwriters: S. Fillmore Bennett/Joseph Webster
Label: Billy Blue Records
Producer: Jerry Salley

“See You on the Other Side”
Artist: Rick Faris featuring Sam Bush
Songwriter: Rick Faris/Rick Lang
Label: Dark Shadow Recording
Producer: Stephen Mougin

“Traveling the Highway Home”
Artist: The Grascals
Songwriters: Frankie Bailes/Walter Bailes
Label: Mountain Home
Producer: The Rascals

Instrumental Recording of the Year:

“EMD”
Artist: Scott Vestal – Bluegrass 2022
Songwriter: David Grisman
Label: Pinecastle Records
Producer: Scott Vestal

“Happy Go Lucky”
Artist: Doyle Lawson & Alan Bibey
Songwriter: Doyle Lawson
Label: Billy Blue Records
Producer: Doyle Lawson

“Ice Bridges”
Artist: Billy Strings
Songwriter: William Apostol
Label: Rounder Records
Producer: Jonathan Wilson/Billy Strings

“Orange Blossom Breakdown”
Artist: Mike Compton
Songwriter: Bill Monroe
Label: Taterbug Records
Producer: Mark Howard

“Vertigo”
Artist: Béla Fleck featuring Sam Bush, Stuart Duncan, Edgar Meyer, and Bryan Sutton
Songwriter: Béla Fleck
Label: Renew Records
Producer: Béla Fleck

Collaborative Recording of the Year:

“Blackbird”
Artist: Special Consensus with Amanda Smith, Dale Ann Bradley, Rob Ickes, and Alison Brown
Songwriter: J.P. Cormier
Label: Compass Records
Producer: Alison Brown

“East Bound and Down”
Artist: Po’ Ramblin’ Boys featuring Jason Carter & Bronwyn Keith-Hynes
Songwriters: Jerry Reed/Dick Feller
Label: Sound Biscuit Productions
Producer: The Po’ Rambling’ Boys/Dave Haggard

“Honky Tonk Nights”
Artist: Del McCoury Band featuring Vince Gill
Songwriter: Mike O’Reilly
Label: McCoury Music
Producer: Del McCoury/Ronnie McCoy

“In the Sweet By and By”
Artist: Dolly Parton with Carl Jackson, Larry Cordle, Bradley Walker, and Jerry Salley
Songwriters: S. Fillmore Bennett/Joseph Webster
Label: Billy Blue Records
Producer: Jerry Salley

“One By One”
Artist: Dale Ann Bradley with Danny Paisley
Songwriter: Jim Anglin/Jack Anglin/Johnny Wright
Label: Pinecastle Records
Producer: Dale Ann Bradley

Male Vocalist of the Year: Greg Blake, Rick Faris, Del McCoury, Danny Paisley, Larry Sparks

Female Vocalist of the Year: Brooke Aldridge, Dale Ann Bradley, Sierra Hull, Molly Tuttle, Rhonda Vincent

Banjo Player of the Year: Gena Britt, Bela Fleck, Rob McCoury, Kristin Scott Benson, Scott Vestal

Bass Player of the Year: Mike Bub, Jason Moore, Missy Raines, Mark Schatz, Vickie Vaughn

Fiddle Player of the Year: Jason Carter, Michael Cleveland, Stuart Duncan, Bronwyn Keith-Hynes. Beanie Richardson

Resophonic Guitar Player of the Year: Jerry Douglas, Andy Hall, Rob Ickes, Phil Leadbetter, Justin Moses

Guitar Player of the Year: Billy Strings, Trey Hensley, Cody Kilby, Bryan Sutton, Molly Tuttle

Mandolin Player of the Year: Alan Bibey, Jesse Brock, Sam Bush, Sierra Hull, Ronnie McCoury

Inductions into the Bluegrass Music Hall of Fame are also set to take place during the IBMA Bluegrass Music Awards Show. Slated for induction are multi-instrumentalist and vocalist Norman Blake, a Grammy and Country Music Association Album of the Year award –winner whose prolific music career spans more than six decades; Paul “Moon” Mullins, a broadcast pioneer and recording artist whose work brought bluegrass music to tens of thousands in Ohio and beyond; and Grammy Award-winning singer-songwriter and renaissance musician Peter Rowan who has been performing for nearly 60 years.

Five Distinguished Achievement Awards Will Also Be Presented

2022 marks the 50th anniversary of the release of the seminal album – Will the Circle be Unbroken.[/caption]Five organizations and individuals will receive Distinguished Achievement Awards in recognition of their significant contributions to the genre. The five, who will be recognized and presented with plaques during a luncheon at the IBMA business conference, are flatpicking innovator Dan Crary, cutting-edge roots music organization Freshgrass Foundation, revered banjo creator and musician Steve Huber, the legendary Nitty Gritty Dirt Band (in celebration of the 50th anniversary of the landmark Will the Circle Be Unbroken album, and online education leaders Peghead Nation.

The IBMA Bluegrass Music Awards Show is the centerpiece of World of Bluegrass Week that is slated for September 27-October 1 in North Carolina’s capital city. IBMA World of Bluegrass also features a September 27-29 business conference (replete with a wide array of professional development programming, sponsored artist showcases and late-night hospitality functions, and plenty of networking and relationship-building opportunities), the IBMA Bluegrass Ramble (a series of official showcases in downtown Raleigh and the Raleigh Convention Center), and the two-day IBMA Bluegrass Live! festival, September 30-October 1, that draws throngs of music lovers to downtown Raleigh to enjoy more than 100 acts on different stages set up along Fayetteville Street –- from the state capitol to the Duke Performing Arts Center.
Considered the genre’s annual industry gathering and family reunion. IBMA’s annual World of Bluegrass week has taken place in Raleigh since 2013 – apart from 2020 when the trade and professional association for the global bluegrass community shifted to online presentation of its professional development seminars, artist showcases and awards in light of concerns surrounding the Covid-19 pandemic.

Estonian Group Curly Strings Awarded IBMA’s First International Band Performance Grant

New for 2022, IBMA recently named the first recipient of its International Band Performance Grant. Curly Strings, an Estonia-based four-piece ensemble, was selected via a competitive process and will be featured as a part of this year’s IBMA World of Bluegrass. The band achieved mainstream recognition and success in its home country — winning national music awards and being the top selling artists in music stores for more than a year. Combining the familiar with the unfamiliar, Curly Strings its unique Baltic take to the acoustic music world.

IBMA (ibma.org) seeks to facilitate the growth and development of the bluegrass community – for professionals and enthusiasts who share a passion for the music.

Earlier this month, AcousticMusicScene.com published an article entitled Bluegrass Ramble and Songwriter Showcase Artists Chosen for IBMA World of Bluegrass.

A North Carolina native, Scruggs grew up in a small rural community in Cleveland County, where he was surrounded by music. His father played the fiddle and banjo, while his mother played the organ in church and several of his brothers and sisters played both banjo and guitar. He began playing the banjo as a youngster, when his parents reportedly bought him one for $10, and played before his first audience at age 6. Scruggs once wrote that “Probably no other family enjoyed music and singing more than we did. The banjo stayed in my mind most of the time, if I was playing with friends or working on the farm.”

Indeed, he was widely regarded as a master of the banjo for nearly 70 years. Scruggs, then 21, joined the “Father of Bluegrass” Bill Monroe’s Blue Grass Boys in late 1945 as its banjo player and stayed with the band until 1948, when he and guitarist, Lester Flatt, left to form the Foggy Mountain Boys – later known by the simple moniker Flatt and Scruggs.

“Scruggs devised a new style of three-fingered picking [enabling one to play a song’s melody and rhythm simultaneously] that created an immediate sensation in the 1940s and became one of the defining characteristics of bluegrass music,” said Wayne Martin, folklife director of the North Carolina Arts Council, which honored Scruggs with its North Carolina Heritage Award in 1996. “He brought an extraordinarily high level of creativity, precision and artistry to banjo playing and, through his long recording and touring career, carried the instrument to the forefront of American roots music. He transformed banjo playing and, in the process, transformed American popular culture.” For his part, Scruggs said at the time: “My music came up from the soil of North Carolina, and I have been blessed that people in all parts of the world enjoy it.”

Scruggs is, perhaps, best known for two songs: Paul Henning’s “The Ballad of Jed Clampett,” which he, Flatt and singer Jerry Scoggins recorded in the fall of 1962 as the theme song for the popular American TV series The Beverly Hillbillies (Flatt and Scruggs appeared in several episodes of the show as family friends of the zany Clampetts); and “Foggy Mountain Breakdown,” his own 1969 Grammy Award-winning instrumental that can be heard during the chase sequences in the movie Bonnie and Clyde. He won a second Grammy Award for a 2001 recording of the same song that also featured Steve Martin (who has called Scruggs his inspiration) on second banjo and several other musical luminaries. His 2001 album, Earl Scruggs and Friends, (his first release in 17 years) featured musical collaborations with such diverse artists as Elton John, Melissa Etheridge, John Fogarty, Don Henley, Sting and Dwight Yoakam — revealing that his influence extended far beyond bluegrass circles. Indeed, Scruggs helped bridge both generations and genres.

Here’s a link to a video of Earl Scruggs and Steve Martin performing “Foggy Mountain Breakdown:”

http://www.youtube.com/watch?v=icMTVV5Lwaw

After parting ways with Flatt earlier in 1969, Scruggs became one of the select few bluegrass or country-western artists to embrace the anti-war movement and played “Foggy Mountain Breakdown” during the Moratorium to End the War in Vietnam rally in Washington, D.C. Following his split with Flatt, he formed the Earl Scruggs Revue with his three sons – Gary, Randy and Steve; the group blended bluegrass with more contemporary music and helped give rise to country rock. Scruggs also collaborated with The Nitty Gritty Dirt Band on its landmark 1972 album Will The Circle Be Unbroken.

Through the years, Scruggs, who was equally at home at a folk festival or at the Grand Ole Opry, received numerous awards and honors. In addition to four Grammy Awards — the latter two for playing on an all-star recording of “Same Old Train” (1998) and “Earl’s Breakdown” with the Dirt Band (2004) — the Country Music Hall of Famer was awarded a National Heritage Fellowship and a National Medal of Arts. He was in the International Bluegrass Hall of Honor’s inaugural class of 1991 and received lifetime achievement awards from Folk Alliance and the National Academy of Recording Arts and Sciences (which runs the Grammy Awards), as well as a star on the Hollywood Walk of Fame.

Scruggs was predeceased by his wife and manager, Louise, as well as his youngest son, Steve.