Poss frequently acknowledged that he didn’t have a very conventional career path. “I used to joke that I had the perfect qualifications for being in the music business,” Poss once wrote. “I had no business training; in fact, no formal music background either but I teach Sociology of deviant Behavior.”

After graduating from Duke, he took a position with County Records in Floyd, Virginia. Poss and its owner, Dave Freeman, launched Sugar Hill Records in 1978, embracing what Poss called “contemporary music grounded in traditional music roots.” A self-described “wayward academic in an entrepreneurial role,” Poss assumed full control of the label in 1980, and moved it to Durham. He operated the label from there until its sale to Welk Music Group 20 years later. He became the group’s chairman in 2002. It’s now part of Concord Music, which also owns Rounder Records.

Among the many artists of note who recorded for Sugar Hill Records during Poss’ tenure were Pat Alger, Byron Berline, Ronnie Bowman, Sam Bush, Guy Clark, Mike Cross, Rodney Crowell, Jerry Douglas, Sara Evans, Cathy Fink, Butch Hancock, Hot Rize, The Infamous Stringdusters, Chris Hillman, Wanda Jackson, Sarah Jarosz, Robert Earl Keen, Doyle Lawson & Quicksilver, Lonesome River Band, Lyle Lovett, Nashville Bluegrass Band, Nickel Creek, Tim O’Brien, Dolly Parton, Dirk Powell, The Red Clay Ramblers, Peter Rowan, Ricky Skaggs, Darrell Scott, Marty Stuart, Bryan Sutton, Chris Thile, Townes Van Zandt, Doc Watson, and Jesse Winchester.

“The identity peg for Sugar Hill is having that traditional connection to contemporary music,” Poss Told Blue ridge Outdoors in 2008. “Some have taken to describing a ‘Sugar Hill Sound,” but I am not going to try to define that. To me, it’s what connect Doc Watson to Chris Thile, ricky skaggs to Guy Clark, Townes Van Zandt to dolly Parton. They all exhibit a rootedness in their contemporary expressions of music. I like it because the music comes from a place. It’s not prefabricated or manufactured.”

Douglas and Skaggs had been part of a bluegrass group called Boone Creek, whose One Way Track album was Sugar Hill’s first release in 1978. In a May 18 Facebook post, Douglas wrote of Poss: “His dream was to have a label that mirrored the same idea as Sam Phillips and his famous Sun label, which catered to a specific audience and created a new genre, Rockabilly Plus. Barry knew an audience was there for a specific form of music (bluegrass) and there were certain bands who could grow that audience and the music would evolve with the growth of that audience.”

Douglas, who also produced a number of recordings for Sugar Hill Records, noted that he and Poss were “very close friends. Confidants really. He was like my wingman and brother at any event we collided with. We would spend hours talking about the direction of the music and the parameters he wanted his label to maintain no matter the current climate.” Poss was also godfather to Douglas’ daughter Nola. “Barry loved my family, and Jill and I, along with our children, will forever press his memory closer to our hearts.”

In addition to spending many years at the helm of Sugar Hill Records, Poss was a founding board member of the Bluegrass Hall of Fame & Museum in Owensboro, Kentucky and helped to launch the International Bluegrass Music Association (IBMA).

“Barry Poss was not just a champion of roots music and the artists that made it, but he was instrumental in the founding of our organization,” Ken White, IBMA’s executive director, said in a statement. “For that and so much more, we will always be grateful.”

Poss was a recipient of the IBMA’s Distinguished Achievement Award in 1998. The Americana Music Association also honored him with its Lifetime Achievement Award in 2006 in recognition of Sugar Hill’s pivotal role in both preserving and reinvigorating traditional music, while he was inducted into the Oak Ridge Music Hall of Fame in 2023.

Closer to home, Poss also served on the boards of the Carolina Theater, the Center for Documentary Studies at Duke University, MerleFest, the North Carolina, Folklife Institute, and WUNC-FM.

While many artists and others have shared tributes to Poss since his passing, for his part Poss once said: “It’s the artists who make the music to which I’m the most indebted. They had something important to say. They needed to be heard. And I wanted to be part of their creative lives – because it mattered.”

The awards show – hosted by artists Ronnie Bowman and Dan Tyminki – was a highlight of the IBMA’s week-long World of Bluegrass. The show took place at the Duke Energy Center for the Performing Arts in Raleigh North Carolina and also was broadcast on SiriusXM’s Bluegrass Junction and streamed via Facebook Live (as was the July 26 awards nominees announcement that was previously reported on by AcousticMusicScene.com.).

A Lansing. Michigan-born and Nashville, Tennessee-based genre-bending flatpicker and singer, Billy Strings received the Grammy Award for Best Bluegrass Album (Home) last year and was named Pollstar’s Breakthrough Artist of the Pandemic. He was previously honored as both Guitar Player and New Artist of the Year in the 2019 IBMA Bluegrass Music Awards and was named Guitar Player of the Year again in 2021.

[Here’s a link to view the official video for Billy Strings’ recording of “Red Daisy”:
https://www.youtube.com/watch?v=bmqr0GqnQoE.]

Billy Strings beat out Del McCoury Band, Po’ Ramblin Boys, Sister Sadie, and Molly Tuttle & Golden Highway for the coveted Entertainer of the Year award. Like him, McCoury, a Bluegrass Hall of Fame member, and Sister Sadie are previous recipients of the award. McCoury was named Male Vocalist of the Year, while Tuttle was honored as Female Vocalist of the Year.

The IBMA Bluegrass Music Awards are voted on by the professional membership of the International Bluegrass Music Association (ibma.org), a nonprofit music organization that connects, educates, and empowers bluegrass professionals and enthusiasts, honoring tradition and encouraging innovation in the bluegrass community worldwide.

A complete list of award winners appears below, along with brief information about three Bluegrass Music Hall of Fame inductees.

Entertainer of the Year: Billy Strings
Vocal Group of the Year: Doyle Lawson & Quicksilver
Instrumental Group of the Year: Béla Fleck’s My Bluegrass Heart
New Artist of the Year: Rick Faris
Song of the Year: “Red Daisy”
Artist: Billy Strings, Songwriters: Jarrod Walker/Christian Ward
Label: Rounder Records, Producers: Jonathan Wilson/Billy Strings
Album of the Year: My Bluegrass Heart, Artist: Béla Fleck
Label: Renew Records, Producer: Béla Fleck
Gospel Recording of the Year: “In the Sweet By and By”
Artist: Dolly Parton with Carl Jackson, Larry Cordle, Bradley Walker, and Jerry Salley
Songwriters: S. Fillmore Bennett/Joseph Webster, Label: Billy Blue Records
Producer: Jerry Salley
Instrumental Recording of the Year: “Vertigo”
Artist: Béla Fleck featuring Sam Bush, Stuart Duncan, Edgar Meyer, and Bryan Sutton
Songwriter: Béla Fleck, Label: Renew Records, Producer: Béla Fleck
Collaborative Recording of the Year: “In the Sweet By and By”
Artist: Dolly Parton with Carl Jackson, Larry Cordle, Bradley Walker, and Jerry Salley
Songwriters: S. Fillmore Bennett/Joseph Webster, Label: Billy Blue Records, Producer: Jerry Salley
Male Vocalist of the Year: Del McCoury
Female Vocalist of the Year: Molly Tuttle
Banjo Player of the Year: Béla FleckBass Player of the Year: Jason Moore
Fiddle Player of the Year: Bronwyn Keith-Hynes
Resophonic Guitar Player of the Year: Justin Moses
Guitar Player of the Year: Cody Kilby
Mandolin Player of the Year: Sierra Hull

Norman Blake, the late Paul “Moon” Mullins, and Peter Rowan were inducted into the Bluegrass Music Hall of Fame during the awards show. Blake is a multi-instrumentalist and vocalist and a Grammy and Country Music Association Album of the Year award–winner whose prolific music career spans more than six decades. Paul “Moon” Mullins was a broadcast pioneer and recording artist whose work brought bluegrass music to tens of thousands in Ohio and beyond. Peter Rowan is a Grammy Award-winning singer-songwriter and renaissance musician who has been performing for nearly 60 years.

The IBMA Bluegrass Music Awards Show is the centerpiece of World of Bluegrass Week that extends through October 1 in North Carolina’s capital city. IBMA World of Bluegrass also featured a September 27-29 business conference (replete with a wide array of professional development programming, sponsored artist showcases and late-night hospitality functions, and plenty of networking and relationship-building opportunities), the IBMA Bluegrass Ramble (a series of official showcases in downtown Raleigh and the Raleigh Convention Center), and the two-day IBMA Bluegrass Live! festival, September 30-October 1, that draws throngs of music lovers to downtown Raleigh to enjoy more than 100 acts on different stages set up along Fayetteville Street –- from the state capitol to the Duke Performing Arts Center.

Considered the genre’s annual industry gathering and family reunion. IBMA’s annual World of Bluegrass week has taken place in Raleigh since 2013 – apart from 2020 when the trade and professional association for the global bluegrass community shifted to online presentation of its professional development seminars, artist showcases and awards in light of concerns surrounding the Covid-19 pandemic.

The Earls of Leicester, which also was the top winner in the 2015 International Bluegrass Music Awards, pay homage to the musical legacy of Lester Flatt and Earl Scruggs and their band, the Foggy Mountain Boys. Besides being named Entertainer of the Year again, the bluegrass supergroup’s bandleader, Jerry Douglas, was again named Dobro Player of the Year, while bandmate Barry Bales repeated as Bass Player of the Year and Charlie Cushman was named Banjo Player of the Year.

Last year, The Earls of Leicester also took home trophies for Album of the Year for its self-titled debut release, Instrumental Group of the Year and Gospel Recorded Performance of the Year, while member Shawn Camp was named Male Vocalist of the Year. Also in the group is Johnny Warren (fiddle).

Flatt Lonesome has been garnering considerable attention, accolades and radio airplay. Launched in 2011 by siblings Kelsi Robertson Harrigil (mandolin), Buddy Robertson (guitar), and Charli Robetrtson (fiddle), along with neighbor Dominic Illingworth (bass) and longtime friend Michael Stockton (dobro), and joined by Paul Harrigil (banjo) the following year, the band released its eponymous debut album in 2013.

During the awards show, members of Flatt Lonesome expressed thanks to their parents for teaching them how to sing. “We wouldn’t be Vocal Group of the Year without them,” said Charli Robertson, while twin brother Buddy remarked: “I’ve spent a lot of hours picking in the house with dad growing up and if it weren’t for him, I wouldn’t be who I am today.” Commenting on winning Album of the Year, older sister Kelsi Harrigill said: “This is our first album to have the majority of material to be all original and that is a huge deal to us. We want to pay tribute to those who came before us but we also want to show people what’s in our hearts…”

Earlier this year, Flatt Lonesome was named Best Overall Bluegrass Band and took home Album of the Year honors during the 42nd annual SPBGMA Awards.

A listing of all the award winners appears below.

2016 International Bluegrass Music Awards

Entertainer of the Year: The Earls of Leicester
Female Vocalist of the Year: Becky Buller
Male Vocalist of the Year: Danny Paisley
Vocal Group of the Year: Flatt Lonesome
Instrumental Group of the Year: Frank Solivan & Dirty Kitchen
Song of the Year: “You’re the One,” Flatt Lonesome
Album of the Year: Runaway Train, Flatt Lonesome
Gospel Recorded Performance of the Year: “All Dressed Up,” Joe Mullins and the Radio Ramblers
Instrumental Recorded Performance of the Year: “Fireball,” Special Consensus featuring Rob Ickes, Trey Hensley and Alison Brown
Emerging Artist of the Year: Mountain Faith
Recorded Event of the Year: Longneck Blues, Junior Sisk and Ronnie Bowman
Banjo Player of the Year: Charlie Cushman
Bass Player of the Year: Barry Bales
Dobro Player of the Year: Jerry Douglas
Fiddle Player of the Year: Becky Buller
Guitar Player of the Year: Bryan Sutton
Mandolin Player of the Year: Sierra Hull

Inductees into the Bluegrass Hall of Fame: Clarence White; the Rounder Founders: Ken Irwin, Marian Leighton Levy and Bill Nowlin

Distinguished Achievement Awards: Bluegrass Unlimited Magazine, Boston Bluegrass Union, SiriusXM Radio’s Bluegrass Junction, Bill Emerson, Jim Rooney


The International Bluegrass Awards Show was a centerpiece of the International Bluegrass Music Association (IBMA)’s five-day World of Bluegrass, which is considered the genre’s annual industry gathering and family reunion. Held in Raleigh for the fourth consecutive year, World of Bluegrass also featured a wide array of professional development seminars, meetings and forums, artist showcases and late-night hospitality functions, an exhibit hall, plenty of networking and relationship-building opportunities, and the Wide Open Bluegrass Music Festival.