Poss frequently acknowledged that he didn’t have a very conventional career path. “I used to joke that I had the perfect qualifications for being in the music business,” Poss once wrote. “I had no business training; in fact, no formal music background either but I teach Sociology of deviant Behavior.”

After graduating from Duke, he took a position with County Records in Floyd, Virginia. Poss and its owner, Dave Freeman, launched Sugar Hill Records in 1978, embracing what Poss called “contemporary music grounded in traditional music roots.” A self-described “wayward academic in an entrepreneurial role,” Poss assumed full control of the label in 1980, and moved it to Durham. He operated the label from there until its sale to Welk Music Group 20 years later. He became the group’s chairman in 2002. It’s now part of Concord Music, which also owns Rounder Records.

Among the many artists of note who recorded for Sugar Hill Records during Poss’ tenure were Pat Alger, Byron Berline, Ronnie Bowman, Sam Bush, Guy Clark, Mike Cross, Rodney Crowell, Jerry Douglas, Sara Evans, Cathy Fink, Butch Hancock, Hot Rize, The Infamous Stringdusters, Chris Hillman, Wanda Jackson, Sarah Jarosz, Robert Earl Keen, Doyle Lawson & Quicksilver, Lonesome River Band, Lyle Lovett, Nashville Bluegrass Band, Nickel Creek, Tim O’Brien, Dolly Parton, Dirk Powell, The Red Clay Ramblers, Peter Rowan, Ricky Skaggs, Darrell Scott, Marty Stuart, Bryan Sutton, Chris Thile, Townes Van Zandt, Doc Watson, and Jesse Winchester.

“The identity peg for Sugar Hill is having that traditional connection to contemporary music,” Poss Told Blue ridge Outdoors in 2008. “Some have taken to describing a ‘Sugar Hill Sound,” but I am not going to try to define that. To me, it’s what connect Doc Watson to Chris Thile, ricky skaggs to Guy Clark, Townes Van Zandt to dolly Parton. They all exhibit a rootedness in their contemporary expressions of music. I like it because the music comes from a place. It’s not prefabricated or manufactured.”

Douglas and Skaggs had been part of a bluegrass group called Boone Creek, whose One Way Track album was Sugar Hill’s first release in 1978. In a May 18 Facebook post, Douglas wrote of Poss: “His dream was to have a label that mirrored the same idea as Sam Phillips and his famous Sun label, which catered to a specific audience and created a new genre, Rockabilly Plus. Barry knew an audience was there for a specific form of music (bluegrass) and there were certain bands who could grow that audience and the music would evolve with the growth of that audience.”

Douglas, who also produced a number of recordings for Sugar Hill Records, noted that he and Poss were “very close friends. Confidants really. He was like my wingman and brother at any event we collided with. We would spend hours talking about the direction of the music and the parameters he wanted his label to maintain no matter the current climate.” Poss was also godfather to Douglas’ daughter Nola. “Barry loved my family, and Jill and I, along with our children, will forever press his memory closer to our hearts.”

In addition to spending many years at the helm of Sugar Hill Records, Poss was a founding board member of the Bluegrass Hall of Fame & Museum in Owensboro, Kentucky and helped to launch the International Bluegrass Music Association (IBMA).

“Barry Poss was not just a champion of roots music and the artists that made it, but he was instrumental in the founding of our organization,” Ken White, IBMA’s executive director, said in a statement. “For that and so much more, we will always be grateful.”

Poss was a recipient of the IBMA’s Distinguished Achievement Award in 1998. The Americana Music Association also honored him with its Lifetime Achievement Award in 2006 in recognition of Sugar Hill’s pivotal role in both preserving and reinvigorating traditional music, while he was inducted into the Oak Ridge Music Hall of Fame in 2023.

Closer to home, Poss also served on the boards of the Carolina Theater, the Center for Documentary Studies at Duke University, MerleFest, the North Carolina, Folklife Institute, and WUNC-FM.

While many artists and others have shared tributes to Poss since his passing, for his part Poss once said: “It’s the artists who make the music to which I’m the most indebted. They had something important to say. They needed to be heard. And I wanted to be part of their creative lives – because it mattered.”

The awards show – hosted by artists Ronnie Bowman and Dan Tyminki – was a highlight of the IBMA’s week-long World of Bluegrass. The show took place at the Duke Energy Center for the Performing Arts in Raleigh North Carolina and also was broadcast on SiriusXM’s Bluegrass Junction and streamed via Facebook Live (as was the July 26 awards nominees announcement that was previously reported on by AcousticMusicScene.com.).

A Lansing. Michigan-born and Nashville, Tennessee-based genre-bending flatpicker and singer, Billy Strings received the Grammy Award for Best Bluegrass Album (Home) last year and was named Pollstar’s Breakthrough Artist of the Pandemic. He was previously honored as both Guitar Player and New Artist of the Year in the 2019 IBMA Bluegrass Music Awards and was named Guitar Player of the Year again in 2021.

[Here’s a link to view the official video for Billy Strings’ recording of “Red Daisy”:
https://www.youtube.com/watch?v=bmqr0GqnQoE.]

Billy Strings beat out Del McCoury Band, Po’ Ramblin Boys, Sister Sadie, and Molly Tuttle & Golden Highway for the coveted Entertainer of the Year award. Like him, McCoury, a Bluegrass Hall of Fame member, and Sister Sadie are previous recipients of the award. McCoury was named Male Vocalist of the Year, while Tuttle was honored as Female Vocalist of the Year.

The IBMA Bluegrass Music Awards are voted on by the professional membership of the International Bluegrass Music Association (ibma.org), a nonprofit music organization that connects, educates, and empowers bluegrass professionals and enthusiasts, honoring tradition and encouraging innovation in the bluegrass community worldwide.

A complete list of award winners appears below, along with brief information about three Bluegrass Music Hall of Fame inductees.

Entertainer of the Year: Billy Strings
Vocal Group of the Year: Doyle Lawson & Quicksilver
Instrumental Group of the Year: Béla Fleck’s My Bluegrass Heart
New Artist of the Year: Rick Faris
Song of the Year: “Red Daisy”
Artist: Billy Strings, Songwriters: Jarrod Walker/Christian Ward
Label: Rounder Records, Producers: Jonathan Wilson/Billy Strings
Album of the Year: My Bluegrass Heart, Artist: Béla Fleck
Label: Renew Records, Producer: Béla Fleck
Gospel Recording of the Year: “In the Sweet By and By”
Artist: Dolly Parton with Carl Jackson, Larry Cordle, Bradley Walker, and Jerry Salley
Songwriters: S. Fillmore Bennett/Joseph Webster, Label: Billy Blue Records
Producer: Jerry Salley
Instrumental Recording of the Year: “Vertigo”
Artist: Béla Fleck featuring Sam Bush, Stuart Duncan, Edgar Meyer, and Bryan Sutton
Songwriter: Béla Fleck, Label: Renew Records, Producer: Béla Fleck
Collaborative Recording of the Year: “In the Sweet By and By”
Artist: Dolly Parton with Carl Jackson, Larry Cordle, Bradley Walker, and Jerry Salley
Songwriters: S. Fillmore Bennett/Joseph Webster, Label: Billy Blue Records, Producer: Jerry Salley
Male Vocalist of the Year: Del McCoury
Female Vocalist of the Year: Molly Tuttle
Banjo Player of the Year: Béla FleckBass Player of the Year: Jason Moore
Fiddle Player of the Year: Bronwyn Keith-Hynes
Resophonic Guitar Player of the Year: Justin Moses
Guitar Player of the Year: Cody Kilby
Mandolin Player of the Year: Sierra Hull

Norman Blake, the late Paul “Moon” Mullins, and Peter Rowan were inducted into the Bluegrass Music Hall of Fame during the awards show. Blake is a multi-instrumentalist and vocalist and a Grammy and Country Music Association Album of the Year award–winner whose prolific music career spans more than six decades. Paul “Moon” Mullins was a broadcast pioneer and recording artist whose work brought bluegrass music to tens of thousands in Ohio and beyond. Peter Rowan is a Grammy Award-winning singer-songwriter and renaissance musician who has been performing for nearly 60 years.

The IBMA Bluegrass Music Awards Show is the centerpiece of World of Bluegrass Week that extends through October 1 in North Carolina’s capital city. IBMA World of Bluegrass also featured a September 27-29 business conference (replete with a wide array of professional development programming, sponsored artist showcases and late-night hospitality functions, and plenty of networking and relationship-building opportunities), the IBMA Bluegrass Ramble (a series of official showcases in downtown Raleigh and the Raleigh Convention Center), and the two-day IBMA Bluegrass Live! festival, September 30-October 1, that draws throngs of music lovers to downtown Raleigh to enjoy more than 100 acts on different stages set up along Fayetteville Street –- from the state capitol to the Duke Performing Arts Center.

Considered the genre’s annual industry gathering and family reunion. IBMA’s annual World of Bluegrass week has taken place in Raleigh since 2013 – apart from 2020 when the trade and professional association for the global bluegrass community shifted to online presentation of its professional development seminars, artist showcases and awards in light of concerns surrounding the Covid-19 pandemic.

Awards are voted on by the professional membership of the International Bluegrass Music Association (IBMA), a nonprofit professional music organization that connects, educates, and empowers bluegrass professionals and enthusiasts, honoring tradition and encouraging innovation in the bluegrass community worldwide. Award recipients will be named during the IBMA Bluegrass Music Awards Show on Thursday night, September 29, 2022 at the Duke Energy Center for the Performing Arts in Raleigh, North Carolina. The awards show — a highlight of the IBMA’s World of Bluegrass — will also be broadcast on SiriusXM’s Bluegrass Junction and streamed via Facebook Live (as was the July 26 awards nominees announcement).

A complete list of nominees appears below, along with information about three Bluegrass Music Hall of Fame inductees, five Distinguished Achievement Awards recipient, and the first recipient of the IBMA International Band Performance Grant.

Entertainer of the Year: Billy Strings, The Del McCoury Band. Po Ramblin’ Boys, Sister Sadie, Molly Tuttle & Golden Highway

Vocal Group of the Year: Balsam Range, Blue Highway, Doyle Lawson & Quicksilver,
Del McCoury Band, Sister Sadie

Instrumental Group of the Year: Billy Strings, Michael Cleveland & Flamekeeper,
Béla Fleck’s My Bluegrass Heart, The Travelin’ McCourys, Molly Tuttle & Golden Highway

New Artist of the Year: Rick Faris, Fireside Collective, Laura Orshaw, Jaelee Roberts,
Tray Wellington

Song of the Year:

“Blink of an Eye”
Artist: Danny Paisley & The Southern Grass
Songwriter: Robert Amos
Label: Pinecastle Records
Producers: Bobby Lundy/Danny Paisley/Ryan Paisley/Wes Easter

“Deep River”
Artist: Rick Faris
Songwriter: Rick Faris/Brink Brinkman
Label: Dark Shadow Recording
Producer: Stephen Mougin

“I’ll Take the Lonesome Every Time”
Artist: Doyle Lawson & Quicksilver
Songwriters: Glen Duncan/Jerry Salley
Label: Billy Blue Records
Producer: Doyle Lawson

“Red Daisy”
Artist: Billy Strings
Songwriters: Jarrod Walker/Christian Ward
Label: Rounder Records
Producers: Jonathan Wilson/Billy Strings

“Riding the Chief”
Artist: Chris Jones & The Night Drivers
Songwriter: Chris Jones/Thomm Jutz
Label: Mountain Home
Producer: Chris Jones

Album of the Year:

Bluegrass Troubadour
Artist: Danny Paisley & The Southern Grass
Label: Pinecastle Records
Producer: Wes Easter

Crooked Tree
Artist: Molly Tuttle & Golden Highway
Label: Nonesuch Records
Producers: Molly Tuttle/Jerry Douglas

My Bluegrass Heart
Artist: Béla Fleck
Label: Renew Records
Producer: Béla Fleck

Never Slow Down
Artist: Po’ Ramblin’ Boys
Label: Smithsonian Folkways
Producers: Po’ Ramblin’ Boys/Dave Maggard

Renewal
Artist: Billy Strings
Label: Rounder Records
Producers: Jonathan Wilson/Billy Strings

Gospel Recording of the Year:

“A Little More Faith in Jesus”
Artist: Doyle Lawson & Quicksilver
Songwriters: Jerry Cole/Doyle Lawson
Label: Billy Blue Records
Producer: Doyle Lawson

“He’s Gettin’ Me Ready”
Artist: Darin & Brooke Aldridge with The Oak Ridge Boys
Songwriter: Jimmy Fortune
Label: Billy Blue Records
Producers: Darin Aldridge/Mark Fain

“In the End”
Artist: Dale Ann Bradley
Songwriter: Jill Gilliam
Label: Pinecastle Records
Producer: Dale Ann Bradley

“In the Sweet By and By”
Artist: Dolly Parton with Carl Jackson, Larry Cordle, Bradley Walker, and Jerry Salley
Songwriters: S. Fillmore Bennett/Joseph Webster
Label: Billy Blue Records
Producer: Jerry Salley

“See You on the Other Side”
Artist: Rick Faris featuring Sam Bush
Songwriter: Rick Faris/Rick Lang
Label: Dark Shadow Recording
Producer: Stephen Mougin

“Traveling the Highway Home”
Artist: The Grascals
Songwriters: Frankie Bailes/Walter Bailes
Label: Mountain Home
Producer: The Rascals

Instrumental Recording of the Year:

“EMD”
Artist: Scott Vestal – Bluegrass 2022
Songwriter: David Grisman
Label: Pinecastle Records
Producer: Scott Vestal

“Happy Go Lucky”
Artist: Doyle Lawson & Alan Bibey
Songwriter: Doyle Lawson
Label: Billy Blue Records
Producer: Doyle Lawson

“Ice Bridges”
Artist: Billy Strings
Songwriter: William Apostol
Label: Rounder Records
Producer: Jonathan Wilson/Billy Strings

“Orange Blossom Breakdown”
Artist: Mike Compton
Songwriter: Bill Monroe
Label: Taterbug Records
Producer: Mark Howard

“Vertigo”
Artist: Béla Fleck featuring Sam Bush, Stuart Duncan, Edgar Meyer, and Bryan Sutton
Songwriter: Béla Fleck
Label: Renew Records
Producer: Béla Fleck

Collaborative Recording of the Year:

“Blackbird”
Artist: Special Consensus with Amanda Smith, Dale Ann Bradley, Rob Ickes, and Alison Brown
Songwriter: J.P. Cormier
Label: Compass Records
Producer: Alison Brown

“East Bound and Down”
Artist: Po’ Ramblin’ Boys featuring Jason Carter & Bronwyn Keith-Hynes
Songwriters: Jerry Reed/Dick Feller
Label: Sound Biscuit Productions
Producer: The Po’ Rambling’ Boys/Dave Haggard

“Honky Tonk Nights”
Artist: Del McCoury Band featuring Vince Gill
Songwriter: Mike O’Reilly
Label: McCoury Music
Producer: Del McCoury/Ronnie McCoy

“In the Sweet By and By”
Artist: Dolly Parton with Carl Jackson, Larry Cordle, Bradley Walker, and Jerry Salley
Songwriters: S. Fillmore Bennett/Joseph Webster
Label: Billy Blue Records
Producer: Jerry Salley

“One By One”
Artist: Dale Ann Bradley with Danny Paisley
Songwriter: Jim Anglin/Jack Anglin/Johnny Wright
Label: Pinecastle Records
Producer: Dale Ann Bradley

Male Vocalist of the Year: Greg Blake, Rick Faris, Del McCoury, Danny Paisley, Larry Sparks

Female Vocalist of the Year: Brooke Aldridge, Dale Ann Bradley, Sierra Hull, Molly Tuttle, Rhonda Vincent

Banjo Player of the Year: Gena Britt, Bela Fleck, Rob McCoury, Kristin Scott Benson, Scott Vestal

Bass Player of the Year: Mike Bub, Jason Moore, Missy Raines, Mark Schatz, Vickie Vaughn

Fiddle Player of the Year: Jason Carter, Michael Cleveland, Stuart Duncan, Bronwyn Keith-Hynes. Beanie Richardson

Resophonic Guitar Player of the Year: Jerry Douglas, Andy Hall, Rob Ickes, Phil Leadbetter, Justin Moses

Guitar Player of the Year: Billy Strings, Trey Hensley, Cody Kilby, Bryan Sutton, Molly Tuttle

Mandolin Player of the Year: Alan Bibey, Jesse Brock, Sam Bush, Sierra Hull, Ronnie McCoury

Inductions into the Bluegrass Music Hall of Fame are also set to take place during the IBMA Bluegrass Music Awards Show. Slated for induction are multi-instrumentalist and vocalist Norman Blake, a Grammy and Country Music Association Album of the Year award –winner whose prolific music career spans more than six decades; Paul “Moon” Mullins, a broadcast pioneer and recording artist whose work brought bluegrass music to tens of thousands in Ohio and beyond; and Grammy Award-winning singer-songwriter and renaissance musician Peter Rowan who has been performing for nearly 60 years.

Five Distinguished Achievement Awards Will Also Be Presented

2022 marks the 50th anniversary of the release of the seminal album – Will the Circle be Unbroken.[/caption]Five organizations and individuals will receive Distinguished Achievement Awards in recognition of their significant contributions to the genre. The five, who will be recognized and presented with plaques during a luncheon at the IBMA business conference, are flatpicking innovator Dan Crary, cutting-edge roots music organization Freshgrass Foundation, revered banjo creator and musician Steve Huber, the legendary Nitty Gritty Dirt Band (in celebration of the 50th anniversary of the landmark Will the Circle Be Unbroken album, and online education leaders Peghead Nation.

The IBMA Bluegrass Music Awards Show is the centerpiece of World of Bluegrass Week that is slated for September 27-October 1 in North Carolina’s capital city. IBMA World of Bluegrass also features a September 27-29 business conference (replete with a wide array of professional development programming, sponsored artist showcases and late-night hospitality functions, and plenty of networking and relationship-building opportunities), the IBMA Bluegrass Ramble (a series of official showcases in downtown Raleigh and the Raleigh Convention Center), and the two-day IBMA Bluegrass Live! festival, September 30-October 1, that draws throngs of music lovers to downtown Raleigh to enjoy more than 100 acts on different stages set up along Fayetteville Street –- from the state capitol to the Duke Performing Arts Center.
Considered the genre’s annual industry gathering and family reunion. IBMA’s annual World of Bluegrass week has taken place in Raleigh since 2013 – apart from 2020 when the trade and professional association for the global bluegrass community shifted to online presentation of its professional development seminars, artist showcases and awards in light of concerns surrounding the Covid-19 pandemic.

Estonian Group Curly Strings Awarded IBMA’s First International Band Performance Grant

New for 2022, IBMA recently named the first recipient of its International Band Performance Grant. Curly Strings, an Estonia-based four-piece ensemble, was selected via a competitive process and will be featured as a part of this year’s IBMA World of Bluegrass. The band achieved mainstream recognition and success in its home country — winning national music awards and being the top selling artists in music stores for more than a year. Combining the familiar with the unfamiliar, Curly Strings its unique Baltic take to the acoustic music world.

IBMA (ibma.org) seeks to facilitate the growth and development of the bluegrass community – for professionals and enthusiasts who share a passion for the music.

Earlier this month, AcousticMusicScene.com published an article entitled Bluegrass Ramble and Songwriter Showcase Artists Chosen for IBMA World of Bluegrass.

Chris Thile, one of the younger artists whom Rice influenced, expressed his thoughts on social media: “I’m beyond heartbroken to hear about the passing of Tony Rice. No one has had a more profound impact on my musical world. His playing, singing, writing, and arranging broke the bluegrass mold and will eternally attest to the fact that music can take you anywhere, from anywhere.”

Born in Danville, Virginia on June 8, 1951, Rice moved with his family to Los Angeles, California as a very young child. It was there that he first became acquainted with the bluegrass music scene – along with his brothers Larry, Wyatt and Ronnie, with whom he also performed during his career. Initially a mandolin player, Rice turned to the guitar and developed his own flatpicking style that melded elements of acoustic jazz, traditional country and folk with bluegrass.

In addition to playing with J.D. Crowe & The New South in the 1970s, Rice performed with the David Grisman Quintet, the Bluegrass Album Band, Tony Rice Unit (whose 1979 release, Manzanita, is widely considered to be his seminal recorded work), and Rice, Hillman & Pedersen (with brother Larry Rice, ex-Byrd Chris Hillman and Herb Pedersen). Besides Skaggs, Rice also collaborated with such artists as Norman Blake, Bela Fleck, Jerry Garcia, and Peter Rowan over the years. A Grammy Award-winner for Best Country Instrumental Performance for The New South’s “Fireball” in 1983, Rice was also the recipient of a bevy of awards from the International Bluegrass Music Association (IBMA), including its highest honor – induction into the Bluegrass Music Hall of Fame in 2013.

It was during the IBMA’s 2013 awards show in Raleigh, North Carolina that Rice last publicly performed on guitar. Arthritis and lateral epiconylitis (tennis elbow) had made playing his Martin D-28 both difficult and painful. Some 20 years earlier, a diagnosis of muscle-tension dysphonia, a vocal chord condition, prompted him to give up singing.

In addition to performing and recording music, Rice made instructional audiotapes beginning in the late 1970s. Happy Traum, who produced and recorded those tapes for his company, Homespun Tapes, hailed Rice as “indisputably, the most gifted and influential acoustic guitarist of our time.” In a post on his Facebook page, Traum, himself a noted guitarist and folksinger, wrote that Rice “was a genius of the flat-pick style, with an unmistakable touch, impeccable taste and incredible tone. In addition, Tony was a fine singer. He was able to bridge the gap between traditional country, bluegrass, folk and acoustic jazz styles with alacrity.”

Tony Rice will surely be missed, but his musical influence will be felt for years to come.

A Massachusetts native, Keith was born in Boston in December 1939 and graduated from Amherst College in 1961. During his youth, he played with a few Dixieland bands before acquiring an interest in folk music through listening to Pete Seeger and Earl Scruggs, among others. Inspired by them and eager to play fiddle tunes on the banjo, he began developing his own picking style. He and fellow Amherst student Jim Rooney teamed up in the late 1950s to play on campus and at local coffeehouses and also partnered in launching the Connecticut Folklore Society. Keith was a member of Bill Monroe’s Bluegrass Boys for a short while in the early 1960s. During that brief stint of recording and performing, Keith left an indelible mark on banjo playing, while his melodic style – a variation on the then-popular “Scruggs style” that would later become known as “Keith style” – has influenced many banjoists.

Shortly after leaving the Bluegrass boys, Keith joined and spent four years with the Jim Kweskin Jug Band. He later played with Ian and Sylvia before moving to Woodstock, New York in 1970 and playing with Jonathan Edwards for a year. During the 1970s, he recorded for Rounder Records and also played with Judy Collins and was part of the Woodstock Mountain Revue. In the years since then, he also performed with Muleskinner (featuring David Grisman, Peter Rowan and Clarence White) and Tony Trischka, among others.

Keith also is credited with designing a specialized type of banjo tuning peg — now known as Keith Pegs — that enables players to change quickly from one open tuning to another. His invention – which he continued to market and manufacture through his Beacon Banjo Company (now run by his son, Martin) until his death –was an improvement over a previous design by Earl Scruggs.

Speaking during the awards show, Douglas said: “This is unbelievable fun, and we’re going to keep doing it.”

The Tar Heel State’s own Balsam Range, last year’s Entertainer of the Year and previous winner for Album and Song of the Year, was honored as Vocal Group of the Year, while its “Moon Over Memphis” was named Song of the Year. The acoustic quintet’s Tim Surrett was named Bass Player of the Year.

During the show, Balsam Range performed another one of its songs “Stacking Up The Rocks,” a cappella. Other performers included Flatt Lonesome, the Gibson Brothers (hosts of the event), The Del McCoury Band and Hot Rize.

Alison Krauss joined singer-guitarist Larry Sparks and his band, the Lonesome Ramblers, on a medley of his signature songs after inducting him into the International Bluegrass Music Hall of Fame. Sparks recently released a new album to mark his 50th year in bluegrass music. Also inducted into the Hall of Fame was banjoist Bill Keith – whom Bill Monroe had hailed as the first banjo player who could play banjo songs in a fiddle style and with a fiddler’s virtuosity. Musician and author Jim Rooney and fellow banjo player Alan Munde sang Keith’s praises in inducting him, while banjoist Noam Pikelny – a founding member of the Punch Brothers and last year’s Album and Banjo Player of the Year winner — played Keith’s tune “Beating Around the Bush” in tribute.

The 26th Annual International Bluegrass Music Awards is the centerpiece of the International Bluegrass Music Association (IBMA)’s five-day World of Bluegrass event that continues through Saturday, Oct. 3, with the Wide Open Bluegrass festival featuring free and ticketed events. Awards were voted on by the professional membership of the IBMA (www.ibma.org), the trade association for the global bluegrass music community. Prior to the evening awards show, winners of five 2015 Distinguished Achievement Awards were recognized.

A listing of all the award winners appears below.

2015 International Bluegrass Music Awards

Entertainer of the Year: The Earls of Leicester
Female Vocalist of the Year: Rhonda Vincent
Male Vocalist of the Year: Shawn Camp
Vocal Group of the Year: Balsam Range
Instrumental Group of the Year: The Earls of Leicester
Song of the Year: “Moon Over Memphis,” Balsam Range
Album of the Year: The Earls of Leicester, The Earls of Leicester (produced by Jerry Douglas)
Gospel Recorded Performance of the Year: “Who Will Sing for Me,” the Earls of Leicester
Instrumental Recorded Performance of the Year: “The Three Bells,” Jerry Douglas, Mike Auldridge, Rob Ickes
Emerging Artist of the Year: Becky Buller
Recorded Event of the Year: “Southern Flavor,” Becky Buller with Peter Rowan, Michael Feagan, Buddy Spicher, Ernie Sykes, Roland White and Blake Williams
Bluegrass Songwriter of the Year: Becky Buller
Banjo Player of the Year: Rob McCoury
Bass Player of the Year: Tim Surrett
Dobro Player of the Year: Jerry Douglas
Fiddle Player of the Year: Michael Cleveland
Guitar Player of the Year: Bryan Sutton
Mandolin Player of the Year: Jesse Brock

Inductees into the Bluegrass Hall of Fame: Bill Keith and Larry Sparks
Distinguished Achievement Awards: Alison Brown, Murphy Henry, the International Bluegrass Music Museum, “Bashful Brother” Oswald Kirby and Steve Martin

Each of the finalists will perform two original songs during a preliminary round at the free Elks Park Stage in downtown Telluride on Thursday, June 17, beginning at noon. Then the top five finalists will each perform two different original songs during a final round the following afternoon. The Troubadour winner performs a 15-minute set on the festival’s main stage on Saturday evening, June 20.

The finalists — recognized on the basis of the quality of their songs’ composition, vocal delivery and the overall performance — are Clint Alphin (Spring Hill, TN), Mary Bragg (Nashville, TN), Maria Brosgol (Albany, NY), Caitlin Canty (Pittsford, VT), Rob Drabkin (Denver, CO), Rachael Kilgour (Duluth, MN), Brennan Mackey (Denver, CO), Ryan Pickop (Fayetteville, AR), Carter Sampson (Oklahoma, OK) and Hadley Kennary (Nashville, TN). Connor Garvey (Portland, ME) and Wyatt Espalin (Hiawassee, GA) were named as first and second alternates, respectively, from among the more than 300 entries received.

Other artists slated to perform during this year’s Telluride Bluegrass Festival include Sam Bush Band, John Butler Trio, Cooder – White – Skaggs, Brett Dennen, Jerry Douglas Band, Robert Ellis, Bela Fleck & Abigail Washburn, Rhiannon Giddens, Greensky Bluegrass, Hot Rize, Robert Earl Keen, Lake Street Drive, Leftover Salmon, Kacey Musgroves, Noam Pikelny & Stuart Duncan, Punch Brothers, Peter Rowan’s Twang an’ Groove, Steep Canyon Rangers, Chris Thile & Edgar Meyer, Trampled By Turtles, Trout Steak Revival, Rhonda Vincent & The Rage, and Yonder Mountain String Band, among others. A Telluride Band Contest is also slated. The roots-oriented music festival takes place amid Colorado’s rugged San Juan Mountains and coincides with the Summer Solstice.

Fort Collins, CO-based folk-rock singer-songwriter Michael Kirkpatrick was the winner of the 2014 Telluride Troubadour competition. Previous winners of the competitions, which has been held in conjunction with the Telluride Bluegrass Festival since 1991, include Larry Good (1991), Cosy Sheridan (1992), Dan Sheridan (1993), Catie Curtis (1994), LJ Booth (1995), Michael Lille (1996), Jonathan Kingham (1997), Eugene Ruffolo (1998), Libby Kirkpatrick (1999), Mary Coppin (2000), Kris Delmhorst (2001), Deb Talan (2002), Rachel Davis (2003), Brian Joseph (2004), Keith Greeninger (2005), Nels Andrews (2006), Gregory Alan Isakov (2007), Nathan Moore (2008), Mitch Barrett (2009), Robby Hecht (2010), Matt Harlan (2011), Reed Waddle (2012), and Reed Turner (2013).

More information on the festival and the Telluride Troubadour Competition can be found at www.bluegrass.com/telluride.

Although Old Settler’s has grown in popularity over the years, it retains a more casual and laid-back down-home Texas vibe than a couple of other notable Austin area music festivals. Among the diverse array of talented performers on the 2014 lineup are Big Head Todd & The Monsters, The Black Lillies, Oscar-winning actor Jeff Bridges & The Abiders, The Deadly Gentlemen, The Del McCoury Band, Della Mae, Donna The Buffalo, Elephant Revival, John Fullbright, Gaelic Storm, The Gibson Brothers, Sarah Jarosz, Lake Street Dive, Parker Millsap, North Mississippi Allstars, Tim O’Brien and Darrell Scott, Robert Randolph & the Family Band, Peter Rowan, Bob Schneider, Shinyribs, Shovels & Rope, Ralph Stanley & His Clinch Mountain Boys, and more.

In addition to concerts on four stages, there will be workshops, sing-a-longs and impromptu jam sessions, a youth talent competition and children’s activities, a market area featuring arts and crafts, specialty foods and craft brews, and lots of tasty barbecue.

Discounted admission wristbands are available online until March 31. For more information and to buy tickets, visit www.oldsettlersmusicfest.org or call 888-512-SHOW.

Brothers Eric and Leigh Gibson, along with their band, also won two other awards – being named Vocal Group of the Year and taking Song of the Year honors for “They Called It Music,” the title track of their latest album on Compass Records. Eric Gibson also was named Songwriter of the Year. The Gibson Brothers had garnered a collective eight nominations, individually and as an ensemble, last month.

Balsam Range, a western North Carolina-based band that received seven collective nominations, took home the Album of the Year trophy for Papertown. The Boxcars, who had six nods, were named Instrumental Group of the Year. Balsam Ridge band member Buddy Melton was part of a larger group – including Terry Baucom, Sam Bush, Jerry Douglas, Wyatt Rice and Steve Bryant – that won the Recorded Event of the Year award for “What I’ll Do.” Junior Sisk and Claire Lynch were named male and female vocalists of the year, respectively. The Emerging Artist of the Year Award went to Della Mae. Tony Rice and Paul Warren were the 2013 inductees into the Bluegrass Music Hall of Fame. Rice was inducted by two of his musical collaborators, Peter Rowan and Sam Bush. He also performed with his son Wyatt, Bush, Jerry Douglass, Ricky Skaggs and others.

The IBMA Awards Show – which was broadcast live on Sirius XM Satellite Radio (Bluegrass Junction) and syndicated to more than 300 U.S. markets and 14 foreign networks — is considered the centerpiece of the trade association’s annual World of Bluegrass music week, Sept. 24-28.

After a long stint in Nashville beginning in 2005, the IBMA partnered with The Greater Raleigh Convention & Visitors Bureau, PineCone – The Piedmont Council of Traditional Music, the City of Raleigh, and a local organizing committee to have the event in North Carolina’s capital city for the next several years.

Other award winners include:

Gospel Recorded Performance: “Beulah Land” – Marty Raybon
Instrumental Recorded Performance: “Foggy Mountain Rock” – Tom Adams, Dan Tyminski, Ron Stewart, Dennis Crouch, Clay Hess (a song from a tribute album to Earl Scruggs)
Banjo Player of the Year: Mike Munford
Bass Player of the Year: Barry Bales
Fiddle Player of the Year: Jason Carter
Dobro Player of the Year: Rob Ickes (his 15th win in that category)
Guitar Player of the Year: Bryan Sutton
Mandolin Player of the Year: Adam Steffey (member of The Boxcars)

Old Settler’s has a more casual and laid-back vibe and may not draw as many people or as much attention as SXSW or the Austin City Limits and Kerrville music festivals, but it certainly does feature a diverse array of talented performers Among those on the 2013 lineup are Carolina Chocolate Drops, Jerry Douglas, The Dunwells, Fred Eaglesmith, Justin Townes Earle, Elephant Revival, Michael Franti, The Gourds, Terri Hendrix, James Hunter, Leftover Salmon, Del McCoury Band, Russell Moore & IIIrd Tyme Out, Peter Rowan’s Twang an’ Groove, Martin Sexton, and Son Volt.

In addition to concerts on several stages, there will be workshops, sing-a-longs and campground –stage jam sessions, a youth talent competition and children’s activities, a market area featuring arts and crafts, specialty foods and brews, and lots of tasty barbecue.

Discounted admission wristbands are available online through April 6. For more information and to buy tickets, visit www.oldsettlersmusicfest.org or call 888-512-SHOW.