Doyle Lawson & Quicksilver – AcousticMusicScene.com

Barry Poss, Co-Founder of Sugar Hill Records, 1945-2025

Michael Kornfeld — Mon, 19 May 2025 15:17:14 +0000

Barry Poss, co-founder and longtime owner of Sugar Hill Records –- an influential independent label whose roster included numerous notable bluegrass, Americana, old-time and roots music artists –- died on May 13, 2025. He was 79 and had been battling cancer for years.

Barry Poss, who co-founded and led Sugar Hill Records for many years, died on may 13, 2025.

Born on September 7, 1945, the Brantford, Ontario (Canada) native, whose family moved to Toronto in the mid-1950s, Poss relocated to North Carolina in 1968 to pursue graduate studies in sociology at Duke University as a James B. Duke Graduate Fellow after graduating from Toronto’s York University. While still a student at Duke, he became enamored with the clawhammer banjo and began learning it from a number of traditional, old-time musicians. That, coupled with his attendance at the Union Grove Fiddler Convention about two hours west of the university’s Durham campus, helped to spur Poss to take his life in a different direction.

Poss frequently acknowledged that he didn’t have a very conventional career path. “I used to joke that I had the perfect qualifications for being in the music business,” Poss once wrote. “I had no business training; in fact, no formal music background either but I teach Sociology of deviant Behavior.”

After graduating from Duke, he took a position with County Records in Floyd, Virginia. Poss and its owner, Dave Freeman, launched Sugar Hill Records in 1978, embracing what Poss called “contemporary music grounded in traditional music roots.” A self-described “wayward academic in an entrepreneurial role,” Poss assumed full control of the label in 1980, and moved it to Durham. He operated the label from there until its sale to Welk Music Group 20 years later. He became the group’s chairman in 2002. It’s now part of Concord Music, which also owns Rounder Records.

Among the many artists of note who recorded for Sugar Hill Records during Poss’ tenure were Pat Alger, Byron Berline, Ronnie Bowman, Sam Bush, Guy Clark, Mike Cross, Rodney Crowell, Jerry Douglas, Sara Evans, Cathy Fink, Butch Hancock, Hot Rize, The Infamous Stringdusters, Chris Hillman, Wanda Jackson, Sarah Jarosz, Robert Earl Keen, Doyle Lawson & Quicksilver, Lonesome River Band, Lyle Lovett, Nashville Bluegrass Band, Nickel Creek, Tim O’Brien, Dolly Parton, Dirk Powell, The Red Clay Ramblers, Peter Rowan, Ricky Skaggs, Darrell Scott, Marty Stuart, Bryan Sutton, Chris Thile, Townes Van Zandt, Doc Watson, and Jesse Winchester.

“The identity peg for Sugar Hill is having that traditional connection to contemporary music,” Poss Told Blue ridge Outdoors in 2008. “Some have taken to describing a ‘Sugar Hill Sound,” but I am not going to try to define that. To me, it’s what connect Doc Watson to Chris Thile, ricky skaggs to Guy Clark, Townes Van Zandt to dolly Parton. They all exhibit a rootedness in their contemporary expressions of music. I like it because the music comes from a place. It’s not prefabricated or manufactured.”

Douglas and Skaggs had been part of a bluegrass group called Boone Creek, whose One Way Track album was Sugar Hill’s first release in 1978. In a May 18 Facebook post, Douglas wrote of Poss: “His dream was to have a label that mirrored the same idea as Sam Phillips and his famous Sun label, which catered to a specific audience and created a new genre, Rockabilly Plus. Barry knew an audience was there for a specific form of music (bluegrass) and there were certain bands who could grow that audience and the music would evolve with the growth of that audience.”

Douglas, who also produced a number of recordings for Sugar Hill Records, noted that he and Poss were “very close friends. Confidants really. He was like my wingman and brother at any event we collided with. We would spend hours talking about the direction of the music and the parameters he wanted his label to maintain no matter the current climate.” Poss was also godfather to Douglas’ daughter Nola. “Barry loved my family, and Jill and I, along with our children, will forever press his memory closer to our hearts.”

In addition to spending many years at the helm of Sugar Hill Records, Poss was a founding board member of the Bluegrass Hall of Fame & Museum in Owensboro, Kentucky and helped to launch the International Bluegrass Music Association (IBMA).

“Barry Poss was not just a champion of roots music and the artists that made it, but he was instrumental in the founding of our organization,” Ken White, IBMA’s executive director, said in a statement. “For that and so much more, we will always be grateful.”

Poss was a recipient of the IBMA’s Distinguished Achievement Award in 1998. The Americana Music Association also honored him with its Lifetime Achievement Award in 2006 in recognition of Sugar Hill’s pivotal role in both preserving and reinvigorating traditional music, while he was inducted into the Oak Ridge Music Hall of Fame in 2023.

Closer to home, Poss also served on the boards of the Carolina Theater, the Center for Documentary Studies at Duke University, MerleFest, the North Carolina, Folklife Institute, and WUNC-FM.

While many artists and others have shared tributes to Poss since his passing, for his part Poss once said: “It’s the artists who make the music to which I’m the most indebted. They had something important to say. They needed to be heard. And I wanted to be part of their creative lives – because it mattered.”

Nominees Announced for 2020 IBMA Awards

Michael Kornfeld — Sat, 27 Jun 2020 15:56:22 +0000

Nominees have been named in 17 categories for the 2020 IBMA Bluegrass Music Awards. On June 26, the International Bluegrass Music Association also announced the 2020 inductees into the Bluegrass Music Hall Of Fame and a number of Distinguished Achievement Awards recipients.

An awards show is usually the centerpiece of the IBMA’s annual five-day World of Bluegrass, which is considered the genre’s annual industry gathering and family reunion. It has taken place in Raleigh, NC since 2013. However, concerns surrounding the COVID-19 pandemic recently prompted the association for the global bluegrass community to shift to online presentation of its professional development seminars and artist showcases in September. THE IBMA has not yet announced how and when the awards will be presented.

Nominees for the IBMA’s coveted Entertainer of the Year Award include Balsam Range, Billy Strings, Del McCoury Band, Doyle Lawson & Quicksilver, Sister Sadie, and Special Consensus Each is also nominated in other categories.

Balsam Range, a five-member acoustic ensemble that previously won this award in 2014 and 2018, takes its name from a majestic mountain range that surrounds part of its home county in western North Carolina, where the Smokies meet the Blue Ridge. Formed in 2007, Balsam Range has received more than a dozen other IBMA honors – including the 2017 and 2013 Album of the Year awards for Mountain Voodoo and Papertown, respectively. Besides its nod for Entertainer of the Year, Balsam Range is also in the running for /also received nominations for Vocal Group of the Year and Gospel Recording of the Year (“Angel Too Soon’).

Billy Strings is a 27 year-old genre-bending flatpicker who hails from Lansing, Michigan but now calls Nashville home. Named IBMA Guitarist and New Artist of the Year last September, he is also a nominee for Album (Home), Instrumental Recording (“Guitar Peace”) and Guitar Player of the Year in 2020.

Led by a Grand Ole Opry member and nine-time IBMA Entertainer of the Year, the Del McCoury Band took home the a2019 IBMA Award for Album of the Year (Del McCoury Still Sings Bluegrass). While the band vies to be named Entertainer of the Year again, Del is among the nominees for Male Vocalist of the Year and is also featured on Jason Barie’s “I’m So Lonesome I Could Cry,” which is in the running for Collaborative Recording of the Year. His son, Ronnie McCoury, is nominated for Mandolin Player of the Year.

Doyle Lawson & Quicksilver is a traditional bluegrass & southern gospel group fronted by a 76 year-old Tennessee native and International Bluegrass Hall of Famer who has been playing mandolin and singing professionally for nearly 60 years. Launched in 1979, the group is up for five other awards besides Entertainer of the Year. These include Vocal Group, Song (“Living Like There’s No Tomorrow”), Album (Live in Prague, Czech Republic), Instrumental Recording (“Shenandoah Breakdown”), and Gospel Recording (“I’m Going to Heaven”) of the Year.

Sister Sadie

Sister Sadie, the reining IBMA Vocal Group of the year, is also in the running to retain that distinction. The female quarter features five-time IBMA Female Vocalist of the Year Dale Ann Bradley (who is again nominated in that category), Fiddle Player of the Year nominee Deannie Richardson, and Banjo Player of the Year nominee Gena Britt, and mandolin player and past female vocalist nominee Tina Adair. Bradley is also nominated for Gospel Recording of the Year (“Because He Loved Me”), while Britt shares a nomination for Collaborative Recording of the Year (“On and On”) with Brooke Aldridge, a three-time IBMA Female Vocalist of the Year.

Special Consensus has been performing as a band for four decades. Five-time IBMA award-winners and two-time Grammy nominees, the quartet is led by banjo player Greg Cahill, an IBMA Distinguished Achievement Award recipient who also is a former IBMA president and board chair. The band received the 2018 IBMA Album of the Year award for Rivers & Roads and also was honored for Instrumental Recorded Performance of the Year. Its latest release, Chicago Barn Dance, is in the running for Album of the Year, while its title track is also nominated for both Song and Collaborative Recording of the Year.

Other artists receiving multiple awards nominations include Brooke Aldridge, Appalachian Road Show, Blue Highway, Becky Buller, Sam Bush, Michael Cleveland, Mile Twelve, Po’ Ramblin’ Boy, Missy Raines (eight-time IBMA Bass Player of the Year), and Molly Tuttle.

The nominees for these awards were selected by the professional membership of the IBMA, which is comprised of artists, songwriters, label personnel, radio hosts, event producers, managers and agents, publicists, studio engineers, associations, manufacturers, retailers, and others who work in the bluegrass industry. IBMA members also will vote to determine the winners.

The complete list of nominees in 17 categories as determined by votes cast by IBMA’s professional members follows.

Entertainer Of The Year

Balsam Range (Photo: David Simchock)

• Balsam Range
• Billy Strings
• Del McCoury Band
• Doyle Lawson & Quicksilver
• Sister Sadie
• Special Consensus

Vocal Group Of The Year
• Balsam Range
• Blue Highway
• Doyle Lawson & Quicksilver
• Russell Moore & IIIrd Tyme Out
• Sister Sadie

Instrumental Group Of The Year
• Michael Cleveland & Flamekeeper
• Mile Twelve
• Ricky Skaggs & Kentucky Thunder
• Sam Bush Band
• The Travelin’ McCourys

New Artist Of The Year
• Appalachian Road Show
• Carolina Blue
• High Fidelity
• Merle Monroe
• Mile Twelve

Song Of The Year
• “Both Ends Of The Train” – Blue Highway (artist), Tim Stafford/Steve Gulley (writers), Rounder Records, Blue Highway (producers)
• “Chicago Barn Dance” – Special Consensus (artist), Becky Buller/Missy Raines/Alison Brown (writers), Compass Records, Alison Brown (producer)
• “Haggard” – The Grascals (artist), Harley Allen (writers), Mountain Home Music Company, The Grascals (producers)
• “Hickory, Walnut & Pine” – The Po’ Ramblin’ Boys (artist), Slaid Cleaves/Nathan Hamilton (writer), Rounder Records, Dave Maggar (producer)
• “Living Like There’s No Tomorrow” – Doyle Lawson & Quicksilver (artist), Jim McBride/Roger Alan Murrah (writer), Billy Blue Records, Doyle Lawson and Rosta Capek (producers)

Album Of The Year
• Chicago Barn Dance – Special Consensus (artist), Compass Records, Alison Brown (producer)
• Home – Billy Strings (artist), Rounder Records, Glenn Brown (producer)
• Live In Prague, Czech Republic – Doyle Lawson & Quicksilver (artist), Billy Blue Records, Doyle Lawson and Rosta Capek (producers)
• New Moon Over My Shoulder – Larry Sparks (artist), Rebel Records, Larry Sparks (producer)
• Tall Fiddler – Michael Cleveland (artist), Compass Records, Jeff White, Michael Cleveland, and Sean Sullivan (producers)
• Toil, Tears & Trouble – The Po’ Ramblin’ Boys (artist), Rounder Records, Dave Maggard (producer)
• Tribulation – Appalachian Road Show (artist), Billy Blue Records, Jim VanCleve, Barry Abernathy, and Appalachian Road Show (producers)

Gospel Recording Of The Year
• “Angel Too Soon” – Balsam Range (artist), Balsam Range (producer), Mountain Home Music Company (label)
• “Because He Loved Me” – Dale Ann Bradley (artist), Dale Ann Bradley (producer), Pinecastle Records (label)
• “Gonna Rise And Shine” – Alan Bibey & Grasstowne (artist), Mark Hodges (producer), Mountain Fever Records (label)
• “I’m Going To Heaven” – Doyle Lawson & Quicksilver (artist), Doyle Lawson and Rosta Capek (producer), Billy Blue Records (label)
• “Little Black Train” – Appalachian Road Show (artist), Barry Abernathy, Darrell Webb, and Ben Isaacs (producer), Billy Blue Records (label)

Instrumental Recording Of The Year
• “Tall Fiddler” – Michael Cleveland (artist), Jeff White, Michael Cleveland, and Sean Sullivan (producers), Compass Records (label)
• “Shenandoah Breakdown” – Doyle Lawson & Quicksilver (artist), Doyle Lawson and Rosta Capek (producer), Billy Blue Records (label)
• “Soldier’s Joy” – Jesse McReynolds with Michael Cleveland (artist), Jesse McReynolds (producer), Pinecastle Records (label)
• “The Appalachian Road” – Appalachian Road Show (artist), Jim VanCleve, Barry Abernathy, and Appalachian Road Show (producer), Billy Blue Records (label)
• “Guitar Peace” – Billy Strings (artist), Glenn Brown (producer), Rounder Records (label)

Collaborative Recording Of The Year
• “Chicago Barn Dance” – Special Consensus (artist), Alison Brown (producer), Compass Records (label)
• “I’m So Lonesome I Could Cr”y – Jason Barie featuring Del McCoury & Paul William (artists), Jason Barie (producer), Billy Blue Records (label)
• “Tall Fiddler” – Michael Cleveland with Tommy Emmanuel (artist), Jeff White, Michael Cleveland, and Sean Sullivan (producers), Compass Records (label)
• “The Barber’s Fiddle” – Becky Buller with Shawn Camp, Jason Carter, Laurie Lewis, Kati Penn, Sam Bush, Michael Cleveland, Johnny Warren, Stuart Duncan, Deanie Richardson, Bronwyn Keith-Hynes, Jason Barie, Fred Carpenter, Tyler Andal, Nate Lee, Dan Boner, Brian Christianson, and Laura Orshaw (artists), Stephen Mougin (producer), Dark Shadow Recording (label)
• “On and On” – Gena Britt with Brooke Aldridge (artists), Gena Britt (producer), Pinecastle Records (label)

Male Vocalist Of The Year
• Ronnie Bowman
• Del McCoury
• Russell Moore
• Danny Paisley
• Larry Sparks

Female Vocalist Of The Year
• Brooke Aldridge
• Dale Ann Bradley
• Amanda Smith
• Molly Tuttle
• Rhonda Vincent

Instrumental Performers Of The Year

Banjo
• Kristin Scott Benson
• Gena Britt
• Gina Furtado
• Ned Luberecki
• Scott Vestal

Bass
• Barry Bales
• Mike Bub
• Todd Phillips
• Missy Raines
• Marshall Wilborn

Fiddle
• Becky Buller
• Jason Carter
• Michael Cleveland
• Stuart Duncan
• Deanie Richardson

Resophonic Guitar
• Jerry Douglas
• Andy Hall
• Rob Ickes
• Phil Leadbetter
• Justin Moses

Guitar
• Trey Hensley
• Billy Strings
• Bryan Sutton
• Molly Tuttle
• Jake Workman

Mandolin
• Alan Bibey
• Jesse Brok
• Sam Bush
• Sierra Hull
• Ronnie McCoury

In addition, the IBMA has announced three new inductees into International Bluegrass Music Hall of Fame and seven people who will receive its Distinguished Achievement Award:

2020 Hall Of Fame Inductees
• New Grass Revival
• The Johnson Mountain Boys
• J.T. Gray

2020 Distinguished Achievement Award Recipients
• Norman & Judy Adams
• Daryl & Phyllis Adkins
• Darol Anger
• Wayne Rice
• Jack Tottle

Nominees Named for 2017 Grammy Awards

Michael Kornfeld — Wed, 07 Dec 2016 20:18:37 +0000

Nominees in 84 categories have been named for the 59th Annual Grammy Awards to be presented by The Recording Academy on Sunday, February 12, 2017. Of particular interest to readers of AcousticMusicScene.com are the nominees for awards in the American Roots Music Field that will likely be presented prior to the live broadcast airing on CBS television stations that evening from the Staples Center in Los Angeles.

Lori McKenna (Facebook profile photo)

Lori McKenna leads the nominees in the American Roots Music Field with three nominations. The Massachusetts-based singer-songwriter is up for Best American Roots Music Performance and Best American Roots Song for “Wreck You,” while her July 2016 release, The Bird & The Rifle, her 10th studio album, is among five nominated for Best Americana Album. The CD’s ten original tracks include “Humble and Kind.” Country music superstar Tim McGraw’s recording of McKenna’s song topped the Billboard Hot Country Songs chart earlier this year, and “Humble & Kind” is in contention for Best Country Song. McKenna co-wrote the 2016 Grammy Award-winning Best Country Song, “Girl Crazy,” which was a huge hit for Little Big Town. A 2015 and 2016 CMA Song of the Year winner (for “Girl Crazy” and “Humble and Kind”), McKenna also has penned songs that have been covered by such notable artists as Sara Evans, Faith Hill, Hunter Hayes, Alison Krauss and Keith Urban.

Here’s a list of the nominees for Grammy Awards in the American Roots Music Field:

Best American Roots Performance:

“Ain’t No Man” — The Avett Brothers
“Mother’s Children Have A Hard Time” — Blind Boys Of Alabama
“Factory Girl” — Rhiannon Giddens
“House Of Mercy” — Sarah Jarosz
“Wreck You” — Lori McKenna

Best American Roots Song:

“Alabama At Night” — Robbie Fulks, songwriter (Robbie Fulks)
“City Lights” — Jack White, songwriter (Jack White)
“Gulfstream” — Eric Adcock & Roddie Romero, songwriters (Roddie Romero And The Hub City All-Stars)
“Kid Sister” — Vince Gill, songwriter (The Time Jumpers)
“Wreck You” — Lori McKenna & Felix McTeigue, songwriters (Lori McKenna)

Best Americana Album:

True Sadness — The Avett Brothers
This Is Where I Live — William Bell
The Cedar Creek Sessions — Kris Kristofferson
The Bird & The Rifle — Lori McKenna
Kid Sister — The Time Jumpers

Best Bluegrass Album:

Original Traditional — Blue Highway
Burden Bearer — Doyle Lawson & Quicksilver
The Hazel Sessions — Laurie Lewis & The Right Hands
North And South — Claire Lynch
Coming Home — O’Connor Band With Mark O’Connor

Best Traditional Blues Album:

Can’t Shake The Feeling — Lurrie Bell
Live At The Greek Theatre — Joe Bonamassa
Blues & Ballads (A Folksinger’s Songbook: Volumes I & II) — Luther Dickinson
The Soul of Jimmie Rodgers — Vasti Jackson
Porcupine Meat — Bobby Rush

Best Contemporary Blues Album:

The Last Days Of Oakland — Fantastic Negrito
Love Wins Again — Janiva Magness
Bloodline — Kenny Neal
Give It Back To You — The Record Company
Everybody Wants A Piece — Joe Louis Walker

Best Folk Album:

Silver Skies Blue — Judy Collins & Ari Hest
Upland Stories — Robbie Fulks
Factory Girl — Rhiannon Giddens
Weighted Mind — Sierra Hull
Undercurrent — Sarah Jarosz

Best Regional Roots Music Album:

Broken Promised Land — Barry Jean Ancelet & Sam Broussard
It’s A Cree Thing — Northern Cree
E Walea — Kalani Pe’a
Gulfstream — Roddie Romero And The Hub City All-Stars
I Wanna Sing Right: Rediscovering Lomax In The Evangeline Country — (Various Artists)

Also of note: Among the nominees for Best Historical Album is The Cutting Edge 1965-1966: The Bootleg Series, Vol. 12 (Collector’s Edition). This Columbia Legacy release is a set of recordings by Bob Dylan comprised primarily of previously unreleased session demos and outtakes from recording sessions for his albums Blonde on Blonde, Bringing It All Back Home and Highway 61 Revisited.

Grammy Awards Nominees Named

Michael Kornfeld — Tue, 08 Dec 2015 15:55:21 +0000

Nominees in 83 categories have been named for the 58th Annual Grammy Awards to be presented by The Recording Academy on Monday, February 15, 2016. Of particular interest to readers of AcousticMusicScene.com are the nominees for awards in the American Roots Music Field that will be presented prior to the live broadcast airing on CBS television stations that evening from the Staples Center in Los Angeles. Those nominees, by category, are:

Best American Roots Performance

And Am I Born To Die – Bela Fleck & Abigail Washburn
Track from Bela Fleck & Abigail Washburn (Rounder)

Born To Play Guitar – Buddy Guy
Track from Born To Play Guitar (RCA/Silvertone)

City Of Our Lady – The Milk Carton Kids
Track from Monterey (Anti)

Julep – Punch Brothers
Track from The Phosphorescent Blues (Nonesuch)

See That Grave Is Kept Clean – Mavis Staples
Track from Your Good Fortune (Anti)

Best American Roots Song

All Night Long – Raul Malo, songwriter (The Mavericks)
Track from Mono (The Valory Music Co.)

The Cost Of Living – Don Henley & Stan Lynch, songwriters (Don Henley & Merle Haggard)
Track from Cass County (Capitol Records)

Julep – Chris Eldridge, Paul Kowert, Noam Pikelny, Chris Thile & Gabe Witcher, songwriters (Punch Brothers)
Track from The Phosphorescent Blues (Nonesuch)

The Traveling Kind – Chris Chisel, Rodney Crowell & Emmylou Harris, songwriters
(Emmylou Harris & Rodney Crowell)
Track from The Traveling Kind (Nonesuch)

24 Frames – Jason Isbell
Track from Something More Than Free (Southeastern Records)

Best Americana Album

The Firewatcher’s Daughter – Brandi Carlile (ATO Records)

The Traveling Kind – Emmylou Harris & Rodney Crowell (Nonesuch)

Something More Than Free – Jason Isbell (Southeastern Records)

Mono – The Mavericks (The Valory Music Co.)

The Phosphorescent Blues –Punch Brothers (Nonesuch)

Best Bluegrass Album

Pocket Full Of Keys – Dale Ann Bradley (Pinecastle Records)

Before The Sun Goes Down – Rob Ickes & Trey Hensley (Compass Records Group)

In Session – Doyle Lawson & Quicksilver (Mountain Home Music Company)

Man Of Constant Sorrow – Ralph Stanley & Friends (Red River Entertainment)

The Muscle Shoals Recordings – The Steeldrivers (Rounder)

Best Blues Album

Descendants Of Hill Country – Cedric Burnside Project (Self)

Outskirts Of Love – Shemekia Copeland (Alligator Records)

Born To Play Guitar – Buddy Guy (RCA Records/Silvertone Records)

Worthy – Bettye LaVette (Cherry Red)

Muddy Waters 100 – John Primer & Various Artists (Raisin Music Records)

Best Folk Album

Wood, Wire & Words – Norman Blake (Plectrafone Records)

Béla Fleck And Abigail Washburn – Bela Fleck & Abigail Washburn (Rounder)

Tomorrow Is My Turn – Rhiannon Giddens (Nonesuch)

Servant Of Love – Patty Griffin (PGM)

Didn’t He Ramble – Glen Hansard (Anti)

Best Regional Roots Music Album

Go Go Juice – Jon Cleary (FHQ Records)

La La La La – Natalie Ai Kamauu (Keko Records)

Kawaiokalena – Keali’I Reichel (Punahele Productions)

Get Ready – The Revelers (Self)

Generations – Windwalker And The MCW (MCW Productions)

Among the nominees for the coveted Song of the Year award is Lori McKenna (with co-writers Hillary Lindsay and Liz Rose) for “Girl Crazy,” recorded by country artists Little Big Town (Capitol Records). “Girl Crazy” also received nods for for Best Country Song, along with Hayes Carll’s “Chances Are” (recorded by Lee Ann Womack on Sugar Hill Records), and for Best Country Duo/Group Performance, along with labelmates Diercks Bentley, Charles Kelly and Eric Paslay’s “The Driver,” among others.

Wilco’s Star Wars is In the running for Alternative Album of the Year, while Janis Ian and Jean Smart’s Patience and Sarah (Isabel Miller) is among the nominees for Best Spoken Word Album, and James Taylor’s Before This World is up for Best Pop album.

Among the nominees for Best Album Notes are:

Folksongs Of Another America: Field Recordings From The Upper Midwest, 1937-1946
James P. Leary, album notes writer (Various Artists) on
Dust-To-Digital/University of Wisconsin Press

Lead Belly: The Smithsonian Folkways Collection
Jeff Place, album notes writer (Lead Belly) on Smithsonian Folkways Recordings

Love Has Many Faces: A Quartet, A Ballet, Waiting To Be Danced
Joni Mitchell, album notes writer (Joni Mitchell) on Rhino

Nominees for Best Historical Album include:

The Basement Tapes Complete: The Bootleg Series Vol. 11
Steve Berkowitz, Jan Haust & Jeff Rosen, compilation producers; Peter J. Moore, mastering engineer (Bob Dylan And The Band) on Columbia/Legacy

The Complete Concert By The Sea
Geri Allen, Jocelyn Arem & Steve Rosenthal, compilation producers; Jessica Thompson, mastering engineer (Erroll Garner) on Columbia/Legacy

Native North America (Vol. 1): Aboriginal Folk, Rock, And Country 1966–1985
Kevin Howes, compilation producer; Greg Mindorff, mastering engineer (Various Artists) on
Light In The Attic Records

Parchman Farm: Photographs And Field Recordings, 1947–1959
Steven Lance Ledbetter & Nathan Salsburg, compilation producers; Michael Graves, mastering engineer (Various Artists) on Dust-To-Digital

Songs My Mother Taught Me
Mark Puryear, compilation producer; Pete Reiniger, mastering engineer (Fannie Lou Hamer) on
Smithsonian Folkways Recordings