Poss frequently acknowledged that he didn’t have a very conventional career path. “I used to joke that I had the perfect qualifications for being in the music business,” Poss once wrote. “I had no business training; in fact, no formal music background either but I teach Sociology of deviant Behavior.”

After graduating from Duke, he took a position with County Records in Floyd, Virginia. Poss and its owner, Dave Freeman, launched Sugar Hill Records in 1978, embracing what Poss called “contemporary music grounded in traditional music roots.” A self-described “wayward academic in an entrepreneurial role,” Poss assumed full control of the label in 1980, and moved it to Durham. He operated the label from there until its sale to Welk Music Group 20 years later. He became the group’s chairman in 2002. It’s now part of Concord Music, which also owns Rounder Records.

Among the many artists of note who recorded for Sugar Hill Records during Poss’ tenure were Pat Alger, Byron Berline, Ronnie Bowman, Sam Bush, Guy Clark, Mike Cross, Rodney Crowell, Jerry Douglas, Sara Evans, Cathy Fink, Butch Hancock, Hot Rize, The Infamous Stringdusters, Chris Hillman, Wanda Jackson, Sarah Jarosz, Robert Earl Keen, Doyle Lawson & Quicksilver, Lonesome River Band, Lyle Lovett, Nashville Bluegrass Band, Nickel Creek, Tim O’Brien, Dolly Parton, Dirk Powell, The Red Clay Ramblers, Peter Rowan, Ricky Skaggs, Darrell Scott, Marty Stuart, Bryan Sutton, Chris Thile, Townes Van Zandt, Doc Watson, and Jesse Winchester.

“The identity peg for Sugar Hill is having that traditional connection to contemporary music,” Poss Told Blue ridge Outdoors in 2008. “Some have taken to describing a ‘Sugar Hill Sound,” but I am not going to try to define that. To me, it’s what connect Doc Watson to Chris Thile, ricky skaggs to Guy Clark, Townes Van Zandt to dolly Parton. They all exhibit a rootedness in their contemporary expressions of music. I like it because the music comes from a place. It’s not prefabricated or manufactured.”

Douglas and Skaggs had been part of a bluegrass group called Boone Creek, whose One Way Track album was Sugar Hill’s first release in 1978. In a May 18 Facebook post, Douglas wrote of Poss: “His dream was to have a label that mirrored the same idea as Sam Phillips and his famous Sun label, which catered to a specific audience and created a new genre, Rockabilly Plus. Barry knew an audience was there for a specific form of music (bluegrass) and there were certain bands who could grow that audience and the music would evolve with the growth of that audience.”

Douglas, who also produced a number of recordings for Sugar Hill Records, noted that he and Poss were “very close friends. Confidants really. He was like my wingman and brother at any event we collided with. We would spend hours talking about the direction of the music and the parameters he wanted his label to maintain no matter the current climate.” Poss was also godfather to Douglas’ daughter Nola. “Barry loved my family, and Jill and I, along with our children, will forever press his memory closer to our hearts.”

In addition to spending many years at the helm of Sugar Hill Records, Poss was a founding board member of the Bluegrass Hall of Fame & Museum in Owensboro, Kentucky and helped to launch the International Bluegrass Music Association (IBMA).

“Barry Poss was not just a champion of roots music and the artists that made it, but he was instrumental in the founding of our organization,” Ken White, IBMA’s executive director, said in a statement. “For that and so much more, we will always be grateful.”

Poss was a recipient of the IBMA’s Distinguished Achievement Award in 1998. The Americana Music Association also honored him with its Lifetime Achievement Award in 2006 in recognition of Sugar Hill’s pivotal role in both preserving and reinvigorating traditional music, while he was inducted into the Oak Ridge Music Hall of Fame in 2023.

Closer to home, Poss also served on the boards of the Carolina Theater, the Center for Documentary Studies at Duke University, MerleFest, the North Carolina, Folklife Institute, and WUNC-FM.

While many artists and others have shared tributes to Poss since his passing, for his part Poss once said: “It’s the artists who make the music to which I’m the most indebted. They had something important to say. They needed to be heard. And I wanted to be part of their creative lives – because it mattered.”

The awards show – hosted by artists Ronnie Bowman and Dan Tyminki – was a highlight of the IBMA’s week-long World of Bluegrass. The show took place at the Duke Energy Center for the Performing Arts in Raleigh North Carolina and also was broadcast on SiriusXM’s Bluegrass Junction and streamed via Facebook Live (as was the July 26 awards nominees announcement that was previously reported on by AcousticMusicScene.com.).

A Lansing. Michigan-born and Nashville, Tennessee-based genre-bending flatpicker and singer, Billy Strings received the Grammy Award for Best Bluegrass Album (Home) last year and was named Pollstar’s Breakthrough Artist of the Pandemic. He was previously honored as both Guitar Player and New Artist of the Year in the 2019 IBMA Bluegrass Music Awards and was named Guitar Player of the Year again in 2021.

[Here’s a link to view the official video for Billy Strings’ recording of “Red Daisy”:
https://www.youtube.com/watch?v=bmqr0GqnQoE.]

Billy Strings beat out Del McCoury Band, Po’ Ramblin Boys, Sister Sadie, and Molly Tuttle & Golden Highway for the coveted Entertainer of the Year award. Like him, McCoury, a Bluegrass Hall of Fame member, and Sister Sadie are previous recipients of the award. McCoury was named Male Vocalist of the Year, while Tuttle was honored as Female Vocalist of the Year.

The IBMA Bluegrass Music Awards are voted on by the professional membership of the International Bluegrass Music Association (ibma.org), a nonprofit music organization that connects, educates, and empowers bluegrass professionals and enthusiasts, honoring tradition and encouraging innovation in the bluegrass community worldwide.

A complete list of award winners appears below, along with brief information about three Bluegrass Music Hall of Fame inductees.

Entertainer of the Year: Billy Strings
Vocal Group of the Year: Doyle Lawson & Quicksilver
Instrumental Group of the Year: Béla Fleck’s My Bluegrass Heart
New Artist of the Year: Rick Faris
Song of the Year: “Red Daisy”
Artist: Billy Strings, Songwriters: Jarrod Walker/Christian Ward
Label: Rounder Records, Producers: Jonathan Wilson/Billy Strings
Album of the Year: My Bluegrass Heart, Artist: Béla Fleck
Label: Renew Records, Producer: Béla Fleck
Gospel Recording of the Year: “In the Sweet By and By”
Artist: Dolly Parton with Carl Jackson, Larry Cordle, Bradley Walker, and Jerry Salley
Songwriters: S. Fillmore Bennett/Joseph Webster, Label: Billy Blue Records
Producer: Jerry Salley
Instrumental Recording of the Year: “Vertigo”
Artist: Béla Fleck featuring Sam Bush, Stuart Duncan, Edgar Meyer, and Bryan Sutton
Songwriter: Béla Fleck, Label: Renew Records, Producer: Béla Fleck
Collaborative Recording of the Year: “In the Sweet By and By”
Artist: Dolly Parton with Carl Jackson, Larry Cordle, Bradley Walker, and Jerry Salley
Songwriters: S. Fillmore Bennett/Joseph Webster, Label: Billy Blue Records, Producer: Jerry Salley
Male Vocalist of the Year: Del McCoury
Female Vocalist of the Year: Molly Tuttle
Banjo Player of the Year: Béla FleckBass Player of the Year: Jason Moore
Fiddle Player of the Year: Bronwyn Keith-Hynes
Resophonic Guitar Player of the Year: Justin Moses
Guitar Player of the Year: Cody Kilby
Mandolin Player of the Year: Sierra Hull

Norman Blake, the late Paul “Moon” Mullins, and Peter Rowan were inducted into the Bluegrass Music Hall of Fame during the awards show. Blake is a multi-instrumentalist and vocalist and a Grammy and Country Music Association Album of the Year award–winner whose prolific music career spans more than six decades. Paul “Moon” Mullins was a broadcast pioneer and recording artist whose work brought bluegrass music to tens of thousands in Ohio and beyond. Peter Rowan is a Grammy Award-winning singer-songwriter and renaissance musician who has been performing for nearly 60 years.

The IBMA Bluegrass Music Awards Show is the centerpiece of World of Bluegrass Week that extends through October 1 in North Carolina’s capital city. IBMA World of Bluegrass also featured a September 27-29 business conference (replete with a wide array of professional development programming, sponsored artist showcases and late-night hospitality functions, and plenty of networking and relationship-building opportunities), the IBMA Bluegrass Ramble (a series of official showcases in downtown Raleigh and the Raleigh Convention Center), and the two-day IBMA Bluegrass Live! festival, September 30-October 1, that draws throngs of music lovers to downtown Raleigh to enjoy more than 100 acts on different stages set up along Fayetteville Street –- from the state capitol to the Duke Performing Arts Center.

Considered the genre’s annual industry gathering and family reunion. IBMA’s annual World of Bluegrass week has taken place in Raleigh since 2013 – apart from 2020 when the trade and professional association for the global bluegrass community shifted to online presentation of its professional development seminars, artist showcases and awards in light of concerns surrounding the Covid-19 pandemic.

Tickets for the tour – including dates in Nashville (April 18 and 19), New York City (April 29), Boston (May 1), Washington DC (May 3 and 4, sold out), Chicago (May 9) and Oakland, CA (May 19) – go on sale Feb. 7. Nickel Creek also is slated to perform during the Telluride Bluegrass Festival in Colorado, June 19-22. More tour dates may be added.

Here’s a link to a video of Nickel Creek performing “Destination” off its forthcoming album:

Nickel Creek was launched in 1989 by bluegrass child prodigies Chris Thile (mandolin and vocals), Sara Watkins (fiddle and vocals), both then eight, and Sara’s older brother Sean Watkins (guitar and vocals), who was 11 at the time. Thereafter, the band released five studio albums and one compilation recording — 2006’s Reasons Why (The Very Best) — and earned popular and critical acclaim. Time magazine dubbed the trio “music innovators for the new millennium” following the release of its self-titled debut album in 2000, while its 2002 follow-up, This Side, won a Grammy Award for Best Contemporary Folk Album.

Although the trio initially followed a bluegrass orientation, Nickel Creek evolved into an acoustic outfit with a wide array of musical influences — prompting USA Today to note “This acoustic trio moves farther and farther from anything Bill Monroe would have recognized as bluegrass.” Yet, Nickel Creek helped to stir renewed interest in bluegrass and acoustic music and appealed to millions of fans – including many young people.

Besides performing and recording as a band, Nickel Creek’s members also had been engaged in solo and other collaborative projects which they pursued even more during the trio’s seven-year hiatus. All three plan to continue to do so.

Chris Thile, a multi-instrumentalist and composer who delves in bluegrass as well as other musical genres – including folk, country, classical and jazz – was among 23 people in various fields who were awarded “Genius” grants last year from the John D. and Catherine T. MacArthur Foundation in recognition of having “shown extraordinary originality and dedication in their creative pursuits and a marked capacity for self-direction.”

Thile, who won the national mandolin championship at the Walnut Valley Festival in Winfield, Kansas at the ripe old age of 12, released his first solo album of mostly original composition, Leading Off, the following year. In 1997, at age 16, he won both a Grammy Award for Best Bluegrass Album and an International Bluegrass Music Award for album of the Year for True Life Blues: The Songs of Bill Monroe. He later won an International Bluegrass Music Award for Mandolinist of the Year (2001).

Over the years, Thile has released a number of solo albums and also has teamed up with such notable artists as mandolin player and multi-instrumentalist Mike Marshall, bassist Edgar Meyer (whom he has cited as one of his biggest musical influences), and cellist Yo-Yo-Ma. He recorded a well-received, Grammy Award-winning album entitled The Goat Rodeo Sessions with Yo-Yo Ma, Meyer and noted fiddle player Stuart Duncan; duo albums with Meyer and with guitarist Michael Daves; and has appeared on albums by such artists as Diercks Bentley, The Dixie Chicks, Scottish songbird Julie Fowlis, Sarah Jarosz, Dolly Parton, and Kate Rusby. His latest musical collaboration, Punch Brothers, sprung out of the How to Grow a Band, which he formed in 2006 and which also is the title of an independent documentary film that portrays Thile as he leaves the very popular Nickel Creek and launches an artistically ambitious new band. The five-member Punch Brothers has toured extensively, has released three albums and an EP, and is featured on the official soundtrack recording for the Coen brothers’ film Inside Llewyn Davis.

Sara Watkins, who has held an informal residency at the Los Angeles nightclub Largo, along with her brother Sean, actively pursued a solo career while Nickel Creek was on hiatus. Her self-titled debut album, produced by Led Zeppelin’s John Paul Jones, was released by Nonesuch Records in 2009.

In the span of three years between it and her sophomore release, Sun Midnight Sun, she toured internationally both as a solo artist and as a guest fiddle player and vocalist with The Decemberists. She also has performed with Works Progress Administration, did a short tour of England and Scotland in with Jerry Douglas and Aly Bain, opened for and played with Jackson Browne during his 2012 acoustic winter tour (Browne also appears on Sun Midnight Sun), and toured with Donavan Frankenreiter, Robert Earl Keen and Tift Merritt as well. She also joined Garrison Keillor on his nationwide Summer Love performance tours and guest-hosted for him on A Prairie Home Companion. Sara also has accompanied her brother on two of his three solo albums.

You Are Not Alone
Mavis Staples
(Anti-)

Best Bluegrass Album

Mountain Stage II
Patty Loveless
(Saguaro Road)

Best Country Instrumental Performance

“Hummingbird”
(from Ghost Train: The Studio B Sessions)
Marty Stuart
(Sugar Hill Records)

Best Traditional Folk Album

Genuine Negro Jig
Carolina Chocolate Drops
(Nonesuch)

Best Contemporary Folk Album

God Willin’ & the Creek Don’t Rise
Ray LaMontagne and The Pariah Dogs
(RCA Records)

Best Traditional World Music Album

Ali and Toumani
Ali Farka Toure & Toumani Diabate
(World Circuit/Nonesuch)

Best Contemporary World Music Album

Throw Down Your Heart, African Sessions Part 2: Unreleased Tracks
Bela Fleck
(Acoustic Planet Records)

Best Traditional Blues Album

Joined At The Hip
Pinetop Perkins & Willy “Big Eyes” Smith
(Telarc)

Best Musical Album for Children

Tomorrow’s Children
Pete Seeger with the Rivertown Kids and Friends
(Appleseed)

Best Hawaiian Music Album

Huana Ke Aloha
Tia Carrere
(Daniel Ho Creations)

Best Native American Music Album

2010 Gathering of Nations Pow Wow: A Spirit’s Dance
Various Artists
(Gathering of Nations Records)

Best Tejano Album

Recuerdeos
Little Joe & La Famila
(TDI Records)

Best Zydeco or Cajun Music Album

Zydeco Junkie
Chubby Carrier and The Bayou Swamp Band
(Swampadelic Records)

Best Compilation Soundtrack Album

Crazy Heart
Various Artists
Stephen Bruton & T Bone Burnett, producers
(New West Records)

Best Song Written for Motion Picture, TV or Other Visual Media

“The Weary Kind” (from Crazy Heart)
Ryan Bingham and T Bone Burnett, songwriters
(New West Records)

Ray LaMontagne also was among the nominees for Song of the Year for “Beg, Steal or Borrow,” off the RCA album God Willin’ & the Creek Don’t Rise. Among the Best New Artist nominees were Mumford & Sons, who, along with The Avett Brothers, joined Bob Dylan in singing “Maggie’s Farm” during the Grammy Awards telecast. Also during the telecast, Norah Jones, John Mayer and Keith Urban paid tribute to Dolly Parton with their rendition of “Jolene.”

A complete list of winners and nominees in all 109 categories currently appears at www.grammy.com.