Song of the Year honors went to Dan Navarro and Janiva Magness’ recording of “$20 Bill (for George Floyd) by the late singer-songwriter Tom Prasada-Rao. In accepting the award, Navarro (a singer-songwriter and voice actor perhaps best known for co-writing the hit song “We Belong”) noted that more than 100 artists recorded a version of Prasada-Rao’s song in 2020 “but because of the impact and the challenges of the pandemic, it never really had a proper release and we decided we would do something about that.“ Dedicating the award to Prasado-Rao, who died last year, Navarro said: “This is not just the song of the year; it’s the song of the century and the song of a lifetime.”

Here’s a link to view a video of Dan Navarro and Janiva Magness performing “$20 Bill (for George Floyd)”:
https://www.youtube.com/watch?v=SeHdq817B7Y

Susan Werner’s Halfway to Houston was named Album of the Year. A prolific and versatile singer-songwriter who accompanies herself on both guitar and piano and is known for her sassy wit and classy Midwest charm, Werner was unable to be in Montreal to accept the award and sent a short video, while fellow singer-songwriter Dar Williams picked up the award on her behalf.

In addition to these FAI member-voted awards – which were open to recordings released between October 1, 2023 and September 30, 2024 – a number of special awards and honors were presented.

The People’s Voice Award recognizing an artist who embraces social and political commentary in his/her songs was presented to Gina Chavez, an Austin, Texas-based singer-songwriter who has helped to amplify the voices of the marginalized.

The River Roads Festival received The Clearwater Award, honoring a festival that — like its Pete Seeger-founded namesake –- exhibits sound leadership in environmental stewardship and sustainable event production. A one-day event presented by Dar Williams and held in Easthampton, Massachusetts for the past two years, the next River Roads Festival is set for July 5 at Heuser Park in King of Prussia, Pennsylvania. Williams said that she was “so excited” to accept the award. She noted that, like Seeger was, she is a resident of New York’s Hudson Valley and recalled being on Conan O’Brien’s late-night TV talk show with him in 1998. Said Williams: “Music is an incredible force … The culture around the music can be a powerful vehicle for justice.”

The Rising tide Award, which is bestowed on an emerging artist/act of an age, went to OKAN, a female-led, Afro-Cuban roots and jazz duo.

Spirit of Folk Awards recognizing people and organizations actively engaged in the promotion and preservation of folk music were presented to Annie Capps, Innu Nikamu festival, Tom Power, and Alice Randall. Capps is a Michigan-based singer-songwriter and a longtime leader with Folk Alliance Region Midwest (FARM), who has served as both its board president and conference director. Innu Nikamu is a Quebec-based festival of Indigenous music and culture that has taken place for more than 30 years. Power, best known as the host of CBC Radio One’s Q program, is also a musician who performs and records with The Dardanelles, a Canadian folk band. Randall is a hit-making country music songwriter who has been a trailblazer in folk and country music. She’s also a college lecturer and the author of My Black Country, which she describes as both a memoir and a history.

“I owe my sanity to folk music,” said Randall in accepting the award. “In My Black Country, I tell the story of climbing out of the hell of being raped by holding on to the sound of John Prine singing “Angel From Montgomery.” Prine’s label, Oh Boy! Records, also released a collection of songs entitled My Black Country. Randall noted that her book “is about the Black folk, including Black folk musicians, who made country country.”

2025 Lifetime Achievement Award recipients included the folk-rock duo Indigo Girls (whose eponymous debut album won a Grammy Award for Best Contemporary Folk Recording 35 years ago), the late Black Appalachian musician Lesley Riddle, and the global roots magazine Songlines. During the awards show, singer-songwriters Rose Cousins and Mary Bragg performed “Galileo,” one of the Indigo Girls’ hit songs, in tribute to the duo, while Black indigenous Canadian singer-songwriter Julian Taylor performed “Red River Blues” in tribute to Riddle.

Accepting the Legacy Lifetime Achievement Award on behalf of Riddle, who died in 1980 at age 75, Randall referred to him as a founder of country music and a practitioner of folk who collected and taught the Carter Family a lot of songs. “Tonight, Folk Alliance corrects an almost 100 year-old wrong” by recognizing him.

“We need folk music now more than ever,” said the Indigo Girls’ Emily Saliers in a pre-recorded video. “This Folk Alliance is a group that honors diversity, equity, inclusion, and access for all. Folk music is the music of truth telling. Amy [Ray] and I are, especially in this time, particularly honored to accept this award.” Echoing her sentiments, Ray urged folks to “Please stand up with us and make your voices heard in these times … Day by day, song by song, we can make this world a better place.”

Accepting a Lifetime Achievement Award on behalf of Songlines, James Anderson-Hanney, its publisher, said: “I think we’re the last world music magazine on the planet.” The UK-based, glossy bimonthly that comes with CD is currently celebrating its 25th anniversary.Leading Quebecois folk ensemble Le Vent Du Nord, a 2023 Songlines award recipient, performed in honor of the magazine.

Five Inducted Into Folk Radio Hall of Fame

Eight years ago, Folk Alliance International established a Folk Radio Hall of Fame in order to recognize folk DJs and music directors for the vital role that they play by sharing the music with their listeners. Wanda Fischer, Longtime host of The Hudson River Sampler on WAMC Radio in Albany, New York and herself an inductee in the Hall of Fame, recognized this year’s inductees, while a video featuring visuals and information about them was also screened. The 2025 inductees include Taylor Caffery, Matthew Finch, Archie Fisher, MarySue Twohy, and Chuck Wentworth.

Taylor Caffery, a native of New Orleans, Louisiana, has been the host Hootenanny Power of WRKF Public Radio in Baton Rouge, LA since it began airing in 1981. He’s also been recognized with WRKF’s Founder’s Award (2022) and with the Kari Estrin Founding President’s Award during the 2024 Southeast Regional Folk Alliance (SERFA) Conference.

Matthew Finch, who left our world unexpectedly in July 2024, was a beloved figure in New Mexico’s music scene, who devoted more than 20 years to KUNM in Albuquerque as its music director, and as a tireless advocate for local musicians. Through the programs Ear to the Ground and Studio 55, he created platforms for regional artists to share their music, showcasing live performances and celebrating the diversity of the state’s music community.

Archie Fisher hosted BBC Radio Scotland’s award-winning Traveling Folk program for 27 years – promoting artists and musicians of the folksong revival throughout the British Isles. A talented artist in his own right, he also hosted studio sessions and interviews with such notable American and Canadian artists as Joan Baez, Judy Collins, David Francey, and James Keelaghan. Queen Elizabeth II presented him with a MBE in 2006 for his services to music.

MarySue Twohy is a program director at SiriusXM, who currently manages The Village, its folk channel, among others. She conducts artist interviews and produces a wide array of radio programs. Formerly an artist herself, she moved into broadcasting by hosting a two-hour program 20 years ago and quickly rose to PD. She also served on the FAI board of directors for seven years and continues to serve on national music committees, and to participate in conference panels and as a songwriting contest judge.

Chuck Wentworth, who passed away last year, was a revered figure on the New England music scene – best known for his long-standing contributions as both a radio show host and a festival producer. He began hosting a folk radio show on WRIU-FM, the college radio station at the University of Rhode Island, while he was a student and Traditions aired for 38 years. He also served as the station’s folk and roots music director and expanded its folk programming from one show to five nights a week. Wentworth was also the founder and producer of the Rhythm & Roots Festival, a three-day music and dance festival in Rhode Island.

[Here’s a link to view the International Folk Music Awards Show, which also was livestreamed via YouTube and was available for viewing via Folk Alley and NPR Music: https://www.youtube.com/watch?v=RVE29BZ6fBg

The International Folk Music Awards was just one part, albeit an important one, of the 37th annual Folk Alliance International Conference that extended from February 19-23 and drew nearly 2,500 attendees. In addition to more than 2,700 showcases featuring more than 700 acts (including 183 juried official showcases plus many more showcases extending into the early morning hours), the conference included a keynote conversation with Allison Russell and Ann Powers [see below], Black American Music and International Indigenous Music Summits, a one-day legal summit, 45 panel discussions and workshops, a number of affinity and peer group sessions, six film screenings and discussions, lobby jams, meetings of FAI’s regional affiliates, a town hall meeting on P2 Visas – Working Through Parity at the Canada/US Border, a popular Meet the Folk DJs session, morning yoga, an exhibit hall, agent-presenter speed networking sessions, and lots of other networking opportunities.

Artist & Activist Allison Russell Engages in Keynote Conversation with Music Journalist Anne Powers

Allison Russell — a widely acclaimed singer-songwriter, multi-instrumentalist, producer and activist –- returned to her hometown to engage in an hour-long keynote conversation with Anne Powers, a critic and correspondent for NPR Music. A soulful, Nashville, Tennessee-based, Montreal-born Scottish Grenadian Canadian, Russell is the recipient of more than a dozen awards. These include a Grammy Award for Best American Roots Music Performance for Eve Was Black,” a single off of her sophomore solo recording, Returner released in September 2023), Juno Awards for Contemporary Album of the Year (for her solo debut, Outside Child – 2022) and Music Video of the Year (for “Demons,” 2024), six UK Americana Music Awards, four Canadian Folk Music Awards, and two Americana Music Honors & Awards. In 2022, Folk Alliance International members voted Russell’s solo debut as Album of the Year and her as Artist of the Year. Outside Child was also named Contemporary album of the Year in the 2022 Canadian Folk Music Awards, while she was named Songwriter of the Year and New/Emerging Artist of the Year in recognition of the emotion-laden album featuring 11 original songs “about resilience and survival, transcendence and the redemptive power of art, community, connection, and chosen family.”

Russell has previously spoken of the abuse and trauma that she faced in her youth and the major role that music has played in helping her to overcome it .In her conversation with Powers, she recalled how, at age 15, while unhoused, she slept in the pews at a church just a few blocks from Le Sheraton Centre.

Asked about her latest album, 2023’s The Returner, she noted how she had been a challenged, broken yet brave girl. “”We come from long, broken lines of survivors. We’re all miracles. We’re all returners. We are all overcoming things.”

Much of her on-stage conversation with Powers focused on her recent portrayal of Persephone in Anais Mitchell’s award-winning Broadway musical, Hadestown. Russell noted that it was her first professional acting role and that she had not acted since performing in a Shakespearean play while in high school.

Sharing her reflections on Hadestown just days after she concluded her 50-week run as Persephone and in keeping with the “Illuminate” theme of the conference, she said: Persephone is Hades’ only source of light, of illumination in the underworld. She was the light in his life.”

Playing a mythic goddess in this time took on new connotations, she acknowledged, citing “the current fear-mongering administration in Washington” and “the bigotry and bias that can really harm communities.”

Referring to herself as “a geriatric millennial,” Russell said: “When I came up 24 years ago, there weren’t too many others who looked liked me.” Acknowledging that “our [folk] community is growing more diverse,” she spoke of being a curator during the 2021 Newport Folk Festival tasked with featuring Black and Black & queer women and their allies in the center of a 90-minute set focused on roots and revolution. ”What could be more beautiful than to be conscious, to be mindful [woke],” said Russell, noting that she’s “a queer woman who somehow married a white man with a guitar.”

Prior to embarking on her solo career, Russell was a co-founder of Our Native Daughters and Birds of Chicago and was part of Po’ Girl.

[Here’s a link to view a video recording of the keynote conversation: https://www.youtube.com/watch?v=U_ne2-baY8g.]

Folk Alliance International (folk.org) is a nonprofit organization that aims to serve, strengthen, and engage the global folk music community through preservation, presentation and promotion.

A list of winners in the Grammy Awards’ American Roots Music Field follows, while the complete list of Grammy Award recipients may be found at grammy.com.

Best Folk Album: Revealer – Madison Cunningham

Best American Roots Performance: “Stompin’ Ground” – Aaron Neville With The Dirty Dozen Brass Band

Best American Roots Song: “Just Like That” – Bonnie Raitt, songwriter (Bonnie Raitt)

Best Americana Album: In These Silent Days – Brandi Carlile

Best Bluegrass Album: Crooked Tree – Molly Tuttle & Golden Highway

Best Traditional Blues Album: Get On Board – Taj Mahal & Ry Cooder

Best Contemporary Blues Album: Brother Johnny – Edgar Winter

Best Regional Roots Music Album: Live At The 2022 New Orleans Jazz & Heritage Festival – Ranky Tanky

Best Americana Performance: “Made Up Mind” – Bonnie Raitt

Bonnie Raitt also was the winner of the coveted Song of the Year award for “Just Like That” in the general field, while Brandi Carlile was recognized for Best Rock Performance for “Broken Homes” and Best Rock Song (“Broken Homes”) along with her co-writers Phil Hanseroth and Tim Hanseroth. Also of possible interest to AcousticMusicScene.com readers: Willie Nelson received Grammy Awards for Best Country Solo Performance (“Live Forever”) and Best Country Album (A Beautiful Time), while Wilco’s Yankee Hotel Foxtrot (20th Anniversary Super Deluxe Edition) was named Best Historical Album.

The Recording Academy (grammy.com) represents the voices of performers, songwriters, producers, engineers, and all music professionals. Dedicated to ensuring the recording arts remain a thriving part of our shared cultural heritage, the Recording Academy honors music’s history while investing in its future through the GRAMMY Museum, advocates on behalf of music creators, supports music people in times of need through MusiCares, and celebrates artistic excellence through the GRAMMY Awards.

Janis Ian, Molly Tuttle, Aoife O’Donovan, and Anais Mitchell Named 2023 International Folk Music Award Winners

A few nights prior to the Grammy Awards, Molly Tuttle & The Golden Highway’s Crooked Tree was named Album of the Year in the International Folk Music Awards presented by Folk Alliance International on the opening night of its annual conference in Kansas City, Missouri. In addition to winning the Grammy Award for Best Bluegrass album, Tuttle was among the nominees for Best New Artist.

Although she did not win any of the three Grammy Awards for which she was nominated, Aoife O’Donovan – who also is part of the trio I’m With Her (with Sara Watkins and Sarah Jarosz) and formerly co-founded and fronted the string band Crooked Still – shared the International Folk Music Awards’ Song of the Year honors with Anais Mitchell. O’Donovan was recognized for “B61,” while Mitchell, who created the hit Broadway musical Hadestown, was recognized for “Bright Star.”

Here’s a link to view the official video for Aoife O’Donovan’s “B61” and a link to view the official video for Anais Mitchell’s “Bright Star.”

Janis Ian was named Artist of the Year. The singer-songwriter best known for her early hits “Society’s Child” and “At 17,” also was a recipient of an Elaine Weissman Lifetime Achievement Award (Living) — along with the late Josh White (Legacy) and Oh Boy Records (Business/Academic). Ian was present in Kansas City to accept the award and share some remarks, while Josh White, Jr. accepted the award on behalf of his father – the most popular and influential Black folk singer of the 1930s and 1940s. Fiona Prine and her son accepted the award on behalf of their late husband/father John Prine, the revered, Grammy Award-winning singer-songwriter and label co-founder. Following their remarks, Iris DeMent (who previously sang with Prine) and The Milk Carton Boys performed a couple of Prine’s songs.

In addition to the album, song and artist of the year awards that were voted on by FAI members, a number of other International Folk Music Awards were presented.

Singer-Songwriter Alisa Amador, a winner of NPR Music’s prestigious Tiny Desk Contest, was the recipient of the Rising Tide Award that was launched in 2021 to celebrate a new generation (under 30) artist who inspires others by embodying the values and ideals of the folk community through his/her creative work, community role, and public voice.

The Clearwater Award recognizing a festival that prioritizes environmental stewardship and demonstrates public leadership in sustainable event production was presented to the Shambala Festival — a four-day contemporary performing arts festival in Northamptonshire, England.

The People’s Voice Award was bestowed upon Leyla McCalla for unabashedly embracing social and political commentary in her creative work and career. The New Orleans-based artist, who grew up as part of a Haitian family in New York, is a multi-instrumentalist and composer. Besides being a solo artist, she has been a member of the Carolina Chocolate Drops and Our Native Daughters.

A recording of the International Folk Music Awards show appears on Folk Alliance International’s YouTube channel. Here’s a direct link to it.

Founded in 1999, Folk Alliance International (folk.org) is a nonprofit organization that aims to serve, strengthen, and engage the global folk music community through preservation, presentation and promotion.

Editor’s Note: As a Folk Alliance International board member (2014-2023), it was my pleasure to present a Spirit of Folk Award to Steve Edge, a veteran folk DJ on CITR and longtime concert & festival presenter in Vancouver, Canada. Other Spirit of Folk Award recipients included Amy Reitnouer Jacobs (the executive director of The Bluegrass Situation and a former FAI board president), Marcy Marxer (a multi-Grammy Award nominee and recipient, along with her partner Cathy Fink), Adrian Sabogal (a musician, producer, researcher, and founder of Marimbea – an organization dedicated to the well-being of the Afro-Colombian communities from Colombia’s South Pacific coast), and Pat Mitchell Worley (the longtime co-host of the syndicated roots radio show Beale Street Caravan, as well as the president and CEO of the Memphis-based Soulsville Foundation that seeks to perpetuate the soul of Stax Records).

[Winners of the Americana Music Association’s member-voted awards, shown above (l.-r.): John Prine, Brandi Carlile, I’m With Her, The War and Treaty, and Chris Eldridge. Composite image courtesy of the Americana Music Association ]

Singer-Songwriter John Prine was the big winner in The 2019 Americana Honors & Awards that were presented on Wednesday, September 11 at the historic Ryman Auditorium in Nashville, Tennessee. His 2019 release, The Tree of Forgiveness, was named Album of the Year, while “Summer’s End” was voted Song of the Year.

An internationally acclaimed singer-songwriter, Prine has been touring and plying his craft for nearly 50 years. The Tree of Forgiveness is his first collection of new material since his Grammy-winning 2005 release, Fair and Square. It was the most-played album on folk radio during 2018 and also featured the year’s top song (“Knockin’ On You Screen Door”), according to charts compiled from radio playlists submitted to FOLKDJ-L, an electronic discussion forum for DJs and others in all folk-based music on the radio. Prine also was nominated for three Grammy Awards in the American Roots Music field last year — including Best Americana Album and Best American Roots Song (for both “Knockin’ On Your Screen Door” and “Summer’s End).”

Produced by Dave Cobb, Prine’s The Tree of Forgiveness bested two other Cobb –produced albums – Amanda Shires’ To the Sunset and Lori McKenna’s The Tree – as well as British newcomer Yola’s Walk Through Fire, produced by Dan Auerbach.

“Summer’s End, –which Prine co-wrote with Pat McLaughlin– took top song honors over “By Degrees” by Mark Erelli, “Mockingbird” by Ruston Kelly, and “People Get Old” by Lori McKenna (who also was among the artists featured on Erelli’s song).

Artist of the Year honors went to Brandi Carlile, a folk-rock and Americana singer-songwriter, who also was the big winner in the American Roots Music Field during the 61st annual Grammy Awards presented by the Recording Academy in February at which her eighth album, By The Way, I Forgive You, was named Best Americana Album, while one of its tracks (“The Joke”) was named both Best American Roots Performance and Best American Roots Song. Carlile also is part of a newly-formed group called The Highwomen.

I’m With Her — the up-and-coming female Americana-folk trio comprised of Sarah Jarosz, Aoife O’Donovan and Sara Watkins –- was voted Duo/Group of the Year. Named as Emerging Act of the Year was The War and Treaty, the husband-and-wife duo of Michael and Tanya Trotter, who initially wowed folks when they filled in for Buddy Miller (who produced their album, Healing Tide) during the 2017 Americana Music Festival & Conference at Nashville’s Cannery Ballroom. In accepting the award on 9-11, the duo paid tribute to everyone suffering with post-traumatic stress disorder (PTSD). The custom-designed award for Instrumentalist of the Year was presented to Chris Eldridge, a guitarist and member of Punch Brothers, who also was a founding member of the bluegrass group The Infamous Stringdusters.

The recipients of the new Legacy of Americana Award, presented in partnership with the National Museum of African-American Music that is slated to open next year in Nashville, were Rhiannon Giddens and the late Frank Johnson. Giddens, honored for her “unstinting devotion to African-American folk tradition” currently performs solo as a powerhouse vocalist and as part of Our Native Daughters, a group of four female African-American artists that was among the nominees for Duo/Group of the Year. Formerly a founding member of the Grammy Award-winning Carolina Chocolate Drops, Giddens also accepted the award for Jackson. In doing so, she referred to him as “an inextricable part of American music [whose] legacy I carry and will, God willing, pass on in my time.”

AMERICANAFEST, which began Sept. 10, continues through Sept. 15. Filled with daytime panel discussions and seminars and evenings chock-full of artist showcases at venues throughout the Music City, the annual event attracts several thousand artists, music industry professionals and fans.

Established in 1999, the Americana Music Association is a professional not-for-profit trade association whose mission is to advocate for the authentic voice of American roots music around the world. For more information, visit www.americanamusic.org.

With nods for Album of the Year (A Sailor’s Guide to Earth), Artist of the Year and Song of the Year (“All Around You”), Sturgill Simpson has the most nominations for this year’s American Honors and Awards. The Kentucky-bred and Nashville-based singer-songwriter was previously honored as Emerging Artist of the Year in 2014 and Artist of the Year in 2015, while his “Turtles All The Way Down” was named Song of the Year in 2015. A Sailor’s Guide to Earth, his third studio album and first major label release, received the Grammy Award for Best Country Album earlier this year, while Simpson was named International Artist of the Year in the UK American Awards. Rodney Crowell, Drive-By Truckers and Lori McKenna each were nominated in two of the six AMA member-voted awards categories.

Here’s a listing of the nominees:

Album of the Year
American Band – Drive-By Truckers
Close Ties – Rodney Crowell
Freedom Highway – Rhiannon Giddens
The Navigator – Hurray for the Riff Raff
A Sailor’s Guide to Earth – Sturgill Simpson

Artist of the Year
Jason Isbell
John Prine
Lori McKenna
Margo Price
Sturgill Simpson

Duo/Group of the Year
Billy Bragg & Joe Henry
Drive-By Truckers
Marty Stuart & His Fabulous Superlatives
The Lumineers

Emerging Artist of the Year
Aaron Lee Tasjan
Amanda Shires
Brent Cobb
Sam Outlaw

Song of the Year
“All Around You” – Sturgill Simpson
“It Ain’t Over Yet” – Rodney Crowell (with Rosanne Cash and John Paul White)
“To Be Without You” – Ryan Adams
“Wreck You” – Lori McKenna (co-written with Felix McTeigue)

Instrumentalist of the Year
Spencer Collum, Jr.
Jen Gunderman
Courtney Hartman
Charlie Sexton

In addition to these six Americana Music Association member-voted awards, Lifetime Achievement Awards will be presented to Van Morrison (Songwriter), Robert Cray (Performance), Hi Rhythm Section (Instrumentalist), Iris DeMent (Trailblazer), Graham Nash (Spirit of Americana/Free Speech in Music), and Larry Sloven and Bruce Bromberg for Hightone Records (Executive).

AmericanaFest, which extends from September 12-17, is expected to draw several thousand artists, industry professionals and fans for plenty of learning and networking opportunities during days filled with panel discussions and seminars and evenings chock-full of artist showcases at venues throughout the Music City.

Established in 1999, the Americana Music Association is a professional trade association whose mission is to advocate for the authentic voice of American Roots Music throughout the world. For more information, visit www.americanamusic.org.

Intended for musicians, songwriters, composers, artist advocates, managers, label and other music industry people, entertainment lawyers, policymakers and social media mavens, the Summit will explore a range of issues at the intersection of music, technology, policy and law. The Future of Music Coalition was established in 2000, in part to provide a forum for discussion of these issues. The national nonprofit education, research and advocacy organization has hosted annual policy summits, policy days and other programs in the nation’s capital and elsewhere around the U.S.

Among the panelists at the summit in Washington will be singer-songwriters and independent recording artists Nicole Atkins, Erin McKeown and Jill Sobule. In addition to panel discussions, keynotes and breakout sessions, there will be opportunities for networking as Mailchimp hosts a cocktail party on Friday night and NPR Music’s All Songs Considered hosts a listening party on Saturday night. A welcome dinner at a Vietnamese restaurant and DC area music showcase in nearby Arlington, VA precedes the summit.

For more information on the Future of Music Coalition and to register for the summit, visit www.futureofmusic.org.