Song of the Year honors went to Dan Navarro and Janiva Magness’ recording of “$20 Bill (for George Floyd) by the late singer-songwriter Tom Prasada-Rao. In accepting the award, Navarro (a singer-songwriter and voice actor perhaps best known for co-writing the hit song “We Belong”) noted that more than 100 artists recorded a version of Prasada-Rao’s song in 2020 “but because of the impact and the challenges of the pandemic, it never really had a proper release and we decided we would do something about that.“ Dedicating the award to Prasado-Rao, who died last year, Navarro said: “This is not just the song of the year; it’s the song of the century and the song of a lifetime.”

Here’s a link to view a video of Dan Navarro and Janiva Magness performing “$20 Bill (for George Floyd)”:
https://www.youtube.com/watch?v=SeHdq817B7Y

Susan Werner’s Halfway to Houston was named Album of the Year. A prolific and versatile singer-songwriter who accompanies herself on both guitar and piano and is known for her sassy wit and classy Midwest charm, Werner was unable to be in Montreal to accept the award and sent a short video, while fellow singer-songwriter Dar Williams picked up the award on her behalf.

In addition to these FAI member-voted awards – which were open to recordings released between October 1, 2023 and September 30, 2024 – a number of special awards and honors were presented.

The People’s Voice Award recognizing an artist who embraces social and political commentary in his/her songs was presented to Gina Chavez, an Austin, Texas-based singer-songwriter who has helped to amplify the voices of the marginalized.

The River Roads Festival received The Clearwater Award, honoring a festival that — like its Pete Seeger-founded namesake –- exhibits sound leadership in environmental stewardship and sustainable event production. A one-day event presented by Dar Williams and held in Easthampton, Massachusetts for the past two years, the next River Roads Festival is set for July 5 at Heuser Park in King of Prussia, Pennsylvania. Williams said that she was “so excited” to accept the award. She noted that, like Seeger was, she is a resident of New York’s Hudson Valley and recalled being on Conan O’Brien’s late-night TV talk show with him in 1998. Said Williams: “Music is an incredible force … The culture around the music can be a powerful vehicle for justice.”

The Rising tide Award, which is bestowed on an emerging artist/act of an age, went to OKAN, a female-led, Afro-Cuban roots and jazz duo.

Spirit of Folk Awards recognizing people and organizations actively engaged in the promotion and preservation of folk music were presented to Annie Capps, Innu Nikamu festival, Tom Power, and Alice Randall. Capps is a Michigan-based singer-songwriter and a longtime leader with Folk Alliance Region Midwest (FARM), who has served as both its board president and conference director. Innu Nikamu is a Quebec-based festival of Indigenous music and culture that has taken place for more than 30 years. Power, best known as the host of CBC Radio One’s Q program, is also a musician who performs and records with The Dardanelles, a Canadian folk band. Randall is a hit-making country music songwriter who has been a trailblazer in folk and country music. She’s also a college lecturer and the author of My Black Country, which she describes as both a memoir and a history.

“I owe my sanity to folk music,” said Randall in accepting the award. “In My Black Country, I tell the story of climbing out of the hell of being raped by holding on to the sound of John Prine singing “Angel From Montgomery.” Prine’s label, Oh Boy! Records, also released a collection of songs entitled My Black Country. Randall noted that her book “is about the Black folk, including Black folk musicians, who made country country.”

2025 Lifetime Achievement Award recipients included the folk-rock duo Indigo Girls (whose eponymous debut album won a Grammy Award for Best Contemporary Folk Recording 35 years ago), the late Black Appalachian musician Lesley Riddle, and the global roots magazine Songlines. During the awards show, singer-songwriters Rose Cousins and Mary Bragg performed “Galileo,” one of the Indigo Girls’ hit songs, in tribute to the duo, while Black indigenous Canadian singer-songwriter Julian Taylor performed “Red River Blues” in tribute to Riddle.

Accepting the Legacy Lifetime Achievement Award on behalf of Riddle, who died in 1980 at age 75, Randall referred to him as a founder of country music and a practitioner of folk who collected and taught the Carter Family a lot of songs. “Tonight, Folk Alliance corrects an almost 100 year-old wrong” by recognizing him.

“We need folk music now more than ever,” said the Indigo Girls’ Emily Saliers in a pre-recorded video. “This Folk Alliance is a group that honors diversity, equity, inclusion, and access for all. Folk music is the music of truth telling. Amy [Ray] and I are, especially in this time, particularly honored to accept this award.” Echoing her sentiments, Ray urged folks to “Please stand up with us and make your voices heard in these times … Day by day, song by song, we can make this world a better place.”

Accepting a Lifetime Achievement Award on behalf of Songlines, James Anderson-Hanney, its publisher, said: “I think we’re the last world music magazine on the planet.” The UK-based, glossy bimonthly that comes with CD is currently celebrating its 25th anniversary.Leading Quebecois folk ensemble Le Vent Du Nord, a 2023 Songlines award recipient, performed in honor of the magazine.

Five Inducted Into Folk Radio Hall of Fame

Eight years ago, Folk Alliance International established a Folk Radio Hall of Fame in order to recognize folk DJs and music directors for the vital role that they play by sharing the music with their listeners. Wanda Fischer, Longtime host of The Hudson River Sampler on WAMC Radio in Albany, New York and herself an inductee in the Hall of Fame, recognized this year’s inductees, while a video featuring visuals and information about them was also screened. The 2025 inductees include Taylor Caffery, Matthew Finch, Archie Fisher, MarySue Twohy, and Chuck Wentworth.

Taylor Caffery, a native of New Orleans, Louisiana, has been the host Hootenanny Power of WRKF Public Radio in Baton Rouge, LA since it began airing in 1981. He’s also been recognized with WRKF’s Founder’s Award (2022) and with the Kari Estrin Founding President’s Award during the 2024 Southeast Regional Folk Alliance (SERFA) Conference.

Matthew Finch, who left our world unexpectedly in July 2024, was a beloved figure in New Mexico’s music scene, who devoted more than 20 years to KUNM in Albuquerque as its music director, and as a tireless advocate for local musicians. Through the programs Ear to the Ground and Studio 55, he created platforms for regional artists to share their music, showcasing live performances and celebrating the diversity of the state’s music community.

Archie Fisher hosted BBC Radio Scotland’s award-winning Traveling Folk program for 27 years – promoting artists and musicians of the folksong revival throughout the British Isles. A talented artist in his own right, he also hosted studio sessions and interviews with such notable American and Canadian artists as Joan Baez, Judy Collins, David Francey, and James Keelaghan. Queen Elizabeth II presented him with a MBE in 2006 for his services to music.

MarySue Twohy is a program director at SiriusXM, who currently manages The Village, its folk channel, among others. She conducts artist interviews and produces a wide array of radio programs. Formerly an artist herself, she moved into broadcasting by hosting a two-hour program 20 years ago and quickly rose to PD. She also served on the FAI board of directors for seven years and continues to serve on national music committees, and to participate in conference panels and as a songwriting contest judge.

Chuck Wentworth, who passed away last year, was a revered figure on the New England music scene – best known for his long-standing contributions as both a radio show host and a festival producer. He began hosting a folk radio show on WRIU-FM, the college radio station at the University of Rhode Island, while he was a student and Traditions aired for 38 years. He also served as the station’s folk and roots music director and expanded its folk programming from one show to five nights a week. Wentworth was also the founder and producer of the Rhythm & Roots Festival, a three-day music and dance festival in Rhode Island.

[Here’s a link to view the International Folk Music Awards Show, which also was livestreamed via YouTube and was available for viewing via Folk Alley and NPR Music: https://www.youtube.com/watch?v=RVE29BZ6fBg

The International Folk Music Awards was just one part, albeit an important one, of the 37th annual Folk Alliance International Conference that extended from February 19-23 and drew nearly 2,500 attendees. In addition to more than 2,700 showcases featuring more than 700 acts (including 183 juried official showcases plus many more showcases extending into the early morning hours), the conference included a keynote conversation with Allison Russell and Ann Powers [see below], Black American Music and International Indigenous Music Summits, a one-day legal summit, 45 panel discussions and workshops, a number of affinity and peer group sessions, six film screenings and discussions, lobby jams, meetings of FAI’s regional affiliates, a town hall meeting on P2 Visas – Working Through Parity at the Canada/US Border, a popular Meet the Folk DJs session, morning yoga, an exhibit hall, agent-presenter speed networking sessions, and lots of other networking opportunities.

Artist & Activist Allison Russell Engages in Keynote Conversation with Music Journalist Anne Powers

Allison Russell — a widely acclaimed singer-songwriter, multi-instrumentalist, producer and activist –- returned to her hometown to engage in an hour-long keynote conversation with Anne Powers, a critic and correspondent for NPR Music. A soulful, Nashville, Tennessee-based, Montreal-born Scottish Grenadian Canadian, Russell is the recipient of more than a dozen awards. These include a Grammy Award for Best American Roots Music Performance for Eve Was Black,” a single off of her sophomore solo recording, Returner released in September 2023), Juno Awards for Contemporary Album of the Year (for her solo debut, Outside Child – 2022) and Music Video of the Year (for “Demons,” 2024), six UK Americana Music Awards, four Canadian Folk Music Awards, and two Americana Music Honors & Awards. In 2022, Folk Alliance International members voted Russell’s solo debut as Album of the Year and her as Artist of the Year. Outside Child was also named Contemporary album of the Year in the 2022 Canadian Folk Music Awards, while she was named Songwriter of the Year and New/Emerging Artist of the Year in recognition of the emotion-laden album featuring 11 original songs “about resilience and survival, transcendence and the redemptive power of art, community, connection, and chosen family.”

Russell has previously spoken of the abuse and trauma that she faced in her youth and the major role that music has played in helping her to overcome it .In her conversation with Powers, she recalled how, at age 15, while unhoused, she slept in the pews at a church just a few blocks from Le Sheraton Centre.

Asked about her latest album, 2023’s The Returner, she noted how she had been a challenged, broken yet brave girl. “”We come from long, broken lines of survivors. We’re all miracles. We’re all returners. We are all overcoming things.”

Much of her on-stage conversation with Powers focused on her recent portrayal of Persephone in Anais Mitchell’s award-winning Broadway musical, Hadestown. Russell noted that it was her first professional acting role and that she had not acted since performing in a Shakespearean play while in high school.

Sharing her reflections on Hadestown just days after she concluded her 50-week run as Persephone and in keeping with the “Illuminate” theme of the conference, she said: Persephone is Hades’ only source of light, of illumination in the underworld. She was the light in his life.”

Playing a mythic goddess in this time took on new connotations, she acknowledged, citing “the current fear-mongering administration in Washington” and “the bigotry and bias that can really harm communities.”

Referring to herself as “a geriatric millennial,” Russell said: “When I came up 24 years ago, there weren’t too many others who looked liked me.” Acknowledging that “our [folk] community is growing more diverse,” she spoke of being a curator during the 2021 Newport Folk Festival tasked with featuring Black and Black & queer women and their allies in the center of a 90-minute set focused on roots and revolution. ”What could be more beautiful than to be conscious, to be mindful [woke],” said Russell, noting that she’s “a queer woman who somehow married a white man with a guitar.”

Prior to embarking on her solo career, Russell was a co-founder of Our Native Daughters and Birds of Chicago and was part of Po’ Girl.

[Here’s a link to view a video recording of the keynote conversation: https://www.youtube.com/watch?v=U_ne2-baY8g.]

Folk Alliance International (folk.org) is a nonprofit organization that aims to serve, strengthen, and engage the global folk music community through preservation, presentation and promotion.

Lisa Bastoni (Northampton, MA), Liv Greene (Washington, DC), Scott Mulvahill (Nashville, TN), Daniel Neihoff (Paducah, KY), D.b. Rielly (New York, NY), and Aaron Smith (Harrison, AR), will each perform 20-minute sets during a Grassy Hill Kerrville New Folk Winners concert at the festival on Sunday afternoon, June 2, and will receive cash honorariums and other prizes. They were selected as 2019 New Folk Winners by songwriters Joe Crookston, Ellis Delaney and Rebecca Loebe who served as judges. More than 500 songwriters had initially submitted entries.

Established in 1972 at the urging of Peter Yarrow, the Kerrville New Folk Concerts have become a highlight of the annual festival that is geared towards singer-songwriters of various musical styles. It is the longest continuously running festival of its kind in North America.

“New Folk is our way of finding new, exciting, excellent songwriters from around the world,” said Dalis Allen, producer of the Kerrville Folk Festival. “Our line-up every year is full of artists who have remained a part of the festival long after their first introduction in the competition.”

Kerrville, completing its 48th year, extends through Sunday, June 9. Besides concerts each evening, Kerrville features “Ballad Tree” song-sharing sessions, late-night and afternoon song circles and jam sessions at various campsites, concerts and activities for children, organized canoe and kayak trips on the Guadelupe River and Hill Country bike rides, a professional development program for teachers, as well as a three-day songwriters school and instrumental workshops. For more information, visit www.kerrville-music.com. A listing of all of this year’s New Folk Finalists was included in a previously posted article: https://acousticmusicscene.com/2019/04/16/2019-kerrville-new-folk-finalists-announced/

Justin Farren is Top Winner in Songwriter Serenade

Neihoff was also among the winners in the 13th annual Songwriter Serenade that took place on May 4 in Moravia, TX. First-Place honors in that competition went to Justin Farren, a Sacramento, California-based singer-songwriter, who was also a 2016 Kerrville New Folk Winner and is one of the “Most Wanted to Return” artists at this summer’s upcoming Falcon Ridge Folk Festival in Hillsdale, NY, following audience voting after last year’s Grassy Hill Emerging Artists Showcase. He was chosen from among 15 semi-finalists in the Songwriter Serenade by a panel of judges who evaluated them based on lyrics (imagery, story, creativity, and originality), melody (structure, phrasing, and rhythm), and performing ability (vocals, musicianship), as well as stage presence/audience rapport.

Taking second through seventh place, respectively, were Scott White, Wyatt Espalin, Daniel Neihoff, Kyle Donovan, Kora Feder, and Scott Marin. In eighth through 15th – in alphabetical order – were Hilary Adamson, Helene Cronin, Teghan Devon, 
Jackson Emmer, Claudia Gibson, 
Keith Larsen, 
John Statz, and
Alicia Stockman. Prize monies were awarded to all of the finalists.

Singer-songwriters Mary Bragg (last year’s first-place winner), Susan Gibson and Walt Wilkins judged the Songwriter Serenade.

There are no fees to enter the competition in which songwriters will be evaluated based on lyrics (imagery, story, creativity, and originality), melody (structure, phrasing, and rhythm), and performing ability (vocals, musicianship). Stage presence/audience rapport also will be taken into consideration during the semifinals and finals in May. Tickets for the event, to be emceed by singer-songwriter Ken Gaines, are available to the public for $15.

Online entry forms, along with complete contest rules and additional information, may be found at www.songwriterserenade.com. Songwriters are expected to fill out the form and attach four songs in .mp3 format, along with titles and lyrics. All submitted songs must have been written and/or copyrighted within the last three years and each must not exceed five minutes in length. Those songwriters selected as semifinalists will be notified by April 6. Singer-songwriters Mary Bragg (last year’s first-place winner), Susan Gibson and Walt Wilkins will judge the competition.

Songwriter Serenade was established in 2007 to provide performing songwriters with a platform to showcase their skills before their peers, a panel of esteemed judges and an enthusiastic crowd of music lovers. Sponsors of this year’s competition include Berkalin Records, Blue Rock Studio, The Bugle Boy, Callisto Culinary, Folk Alliance International, Majek Vineyard & Winery, The Moravia Store, Olive View Ranch, and TR Ranch.

The Songwriter Serenade win for Mary Bragg came one year to the official release date of her fourth and latest studio album, Lucky Strike. Bragg was named the winner in the country category of the 2017 Merlefest Chris Austin Songwriter Contest for the album’s title track, a co-write with Liz Poston. Last year, the small-town Swainsboro, Georgia native also was a finalist in the prestigious Kerrville New Folk and Telluride Troubadour competitions.

Second- to seventh-place winners in the Songwriter Serenade Competition were, respectively: Mia Rose Lynne (Cross Plains, TN), Clint Alphin (Nashville, TN), Heather Styka (Chicago, IL), Brian Pounds (Austin, TX), Renee Wahl (Nashville, TN), and Chad Richard (Orange, TX). The other semifinalists (in alphabetical order) were Edan Archer (Nashville, TN), Jordi Baizan (Houston, TX), Daniel Boling (Albuquerque, NM), Charles Bryant (Pasadena, TX), Jackson Emmer (Carbondale, CO), Dan Johnson (Fort Worth, TX), Rich Krueger (Evergreen Park, IL), and Jodee Lewis (Chicago, IL).

The Songwriter Serenade is an annual competition that was established in 2007 to provide performing songwriters with a platform to showcase their skills before their peers, a panel of esteemed judges, and an appreciative audience of Americana, folk and roots music lovers. Songwriters had to submit three-four songs in .mp3 format that were written and/or copyrighted within the last three years. They were evaluated based on lyrics (imagery, story, creativity, and originality), melody (structure, phrasing, and rhythm), and performing ability (vocals, musicianship). Stage presence and audience rapport also were taken into consideration during the semifinal and final rounds.

Clint Alphin (Nashville, TN), Edan Archer (Nashville, TN), Jordi Baizan (Houston, TX), Daniel Boling (Albuquerque, NM), Mary Bragg (Nashville, TN), Charles Bryant (Pasadena, TX), Jackson Emmer (Carbondale, CO), Dan Johnson (Fort Worth, TX), Rich Krueger (Evergreen Park, IL), Jodee Lewis (Chicago, IL), Mia Rose Lynne (Cross Plains, TN), Brian Pounds (Austin, TX), Chad Richard (Orange, TX), Heather Styka (Chicago, IL), and Renee Wahl (Nashville, TN) were selected as semifinalists by a panel of judges comprised of songwriters Susan Gibson, Phoebe Hunt (a previous Songwriter Serenade winner) and Walt Wilkins.

There were no fees to enter the annual competition that was established in 2007 to provide performing songwriters with a platform to showcase their skills before their peers, a panel of esteemed judges, and an appreciative audience of Americana, folk and roots music lovers. Songwriters had to submit three-four songs in .mp3 format that were written and/or copyrighted within the last three years. They were evaluated based on lyrics (imagery, story, creativity, and originality), melody (structure, phrasing, and rhythm), and performing ability (vocals, musicianship). Stage presence/audience rapport also will be taken into consideration.

Each of the 15 semifinalists will perform two songs before the judges and an audience from 11 a.m. to 2 p.m. Following an hour-long lunch break, seven selected finalists will perform one different original song between 3 and 4 p.m. Prize money will be awarded to all participants immediately after the finals, while an awards ceremony is slated for 4:30 p.m. Public tickets for the event are available for $10 and may be purchased online at www.songwriterserenade.com, where more information also may be found.

In addition to prize money, the first-place winner will open a concert featuring the three judges that evening at The Bugle Boy in La Grange, TX. Gibson, Hunt and Wilkins – along with Gurf Morlix –also will conduct a songwriting workshop on Sunday, May 6.

South Florida Folk Festival Features a Singer-Songwriter Competition

Since its inception 20 years ago, the festival has been a combination of music fest, family reunion, community gathering, and weekend musical retreat. In addition to the festival’s headliners, a number of Florida-based musicians and other national touring acts are slated to perform. These include Ellen Bukstel, Kate Callahan (Connecticut State Troubadour), Caroline Cotter & Michael Thomas Howard, Jerry DeMeo, Jacob Johnson, Tom Lyman (all the way from Budapest, Hungary), Rod MacDonald, Laurie McClain, Danielle Miraglia, New Middle Class, Angela Parrish, Bill & Eli Perras, Roy Schneider & Kim Mayfield, Doug Spears, Twangtown Paramours, Mare Wakefield & Nomad, and Laura Zucker, among others. Some of the performing artists also will lead workshops, while there also will be a jam area for those who enjoy playing traditional folk and other acoustic styles of music.

Kicking-off the weekend’s musical festivities on Saturday, Jan. 16, from 11:30 a.m. to 1:30 p.m., will be the 12 finalists in the festival’s singer-songwriter competition, each of whom will perform two songs. They are Bear & Robert (Jacksonville, FL), Randy Brown (Mineola, TX), Nigel Egg (Minneapolis, MN), Lauren Heintz (Winter Park, FL), Sonya Heller (Calicoon Center, NY), Judy Kass (Tarrytown, NY), Leah Kaufman (Raleigh, NC), Claudia Nygaard (Nashville, TN), Cecilia St. King (Delray Beach, FL), Kray Van Kirk (Arcata, CA), Joe Virga (Cape Coral, FL), and Joel Zoss (West Palm Beach, FL).

Three winners selected by a panel of judges will each receive the Vic Heyman Songwriting Award – a $200 cash prize and an invitation to perform at the 2019 festival – as will 2017 winners Jane Fallon (Brookline, NH), Amber Ikeman (Bozeman, MT) and Austin MacRae (Ithaca, NY) at this event. In addition, all winners and finalists may be afforded the opportunity to perform ‘in-the-round’ during the festival’s second day, on Sunday, Jan. 14.

The annual songwriting competition is co-presented by Reba Heyman. Along with her late husband, Vic, Reba has been an integral part of the folk community in South Florida and nationally for many years. The couple has been known for decades for their generous financial backing of folk festivals and artists. They formerly ran a concert series in Rockville, Maryland known as Vic’s Music Corner, have established a scholarship fund for artists, and served on the boards of several music festivals.

For more information on the festival, which is co-sponsored by Sea Turtle Oversight Protection (STOP), and to order tickets in advance, visit www.southfloridafolkfest.com.

30A Songwriters Festival Features More Than 175 Performing Artists

Now in its ninth year, the 30A Songwriters Festival is set for Friday-Monday, Jan. 12-15. More than 175 artists are slated to perform at two-dozen venues and locations along the Florida Gulf Coast’s scenic Highway 30A in Walton County.

These artists and more will perform at amphitheaters, town halls, restaurants, theaters, bars and covered patios — with capacities ranging from intimate indoor venues that can seat 75 people to outdoor settings that can accommodate a few thousand.

“The 30A Songwriters Festival is one of the most diverse songwriters festivals I’ve ever been to,” says Shawn Mullins, who also will showcase his talents. “The wide range of songwriters performing, the great crowds, the unique venues, and the beautiful location all make for an incredible experience.”

Festival weekend passes, beginning at $280, can be purchased online at www.30asongwritersfestival.com, where you’ll also find more information on the festival, its performers and venues – including a complete schedule when it’s available. Tickets may also be purchased in-person at the Cultural Arts Alliance’s office in Santa Rosa Beach, The Foster Gallery in Grand Boulevard, and at Central Square Records in Seaside.

NPR’s Folk Alley, a multimedia music service produced by WKSU in Ohio, will be on site throughout the weekend, interviewing artists and filming and recording performances. The Sessions from the 30A Songwriters Festival will later air on the syndicated Folk Alley radio show and also will be archived at www.folkalley.com.

Established in 1972 at the urging of Peter Yarrow, the Kerrville New Folk Concerts have become a highlight of the annual festival that is geared towards singer-songwriters of various musical styles and is the longest continuously running festival of its kind in North America. Being named as a New Folk Winner is regarded as a very prestigious honor.

“It’s a great honor to be selected — first as a finalist and then as one of the six winners of this year’s contest,” said Kilgour. “Some of my favorite songwriters of all time have been New Folk finalists and winners, It’s pretty incredible to be included in that long and impressive list. I’m grateful for the time spent here at Kerrville amongst folks who share the deep love of a good song.”

Amy Speace, who served as one of the judges, along with fellow singer-songwriters Dan Navarro and Jeff Black, reflected on her experience of being both a two-time New Folk judge and a former finalist in the competition:

“Although those of us creating the art can wax negative on these things — ‘songwriting for sport, ick’ — in the end, the truth is without these contests many of us would not be here. New Folk at Kerrville is a beautiful example of integrating a ‘contest’ with a welcoming key to a kingdom of community. As a former New Folk Finalist who has judged twice, I can see if from both sides. I was thrilled to be a finalist. I was disappointed to not win, but a year later I was playing the Main Stage and realized I wouldn’t have been offered the gig without being seen in the contest, win or lose.

As a judge, I met Robby Hecht who has become a friend and a cowriter; maybe of one of my favorite songs I’ve ever had the pleasure of being a part of – ‘The Sea & The Shore.’ And one of my co-Finalists in 2006 (who won) was Jud Caswell, who co-wrote ‘The Weight of the World’ with me. So I may have lost the contest, but I think what I won far outweighs that disappointment. Kerrville keeps giving gifts and they get deeper each time I return.”

In impromptu remarks at a gathering of New Folk Finalists and Winners at the Rouse House New Folk Camp, where many of the finalists stayed in tents and shared songs over bagels on the two mornings preceding their showcase performances, Speace lauded hosts Lindsay Lee and Deb Rouse for being so welcoming to New Folk Finalists over the years. “They have set up New Folk Central — creating a space for these 32 to create family, so that the experience is less competitive and more collaborative.”

Speace also reflected on how, as festival producer Dalis Allen gave the New Folk Finalists a pep talk prior to their taking the stage, she observed that while it was a songwriting contest on the surface, it “was really a wide-swinging gate of entry into a communion with Tribe and an invitation to Mission.” She recalled standing next to her fellow judges – “veterans of song and stage and the art of creating a living out of music, feeling the rumbles of Spirit move through me, the beginnings of new songs and the rekindling love of Why I Do This.” Looking into the eager and nervous eyes of the finalists, she remembered her own jitters 11 years ago, and said she was moved to tears.

“I am deeply grateful to have spent this past weekend listening to 64 songs sung by 32 songwriters. I am re-inspired, humbled and honored to have shared the experience with my fellow judges who pored over every verse and chorus with cradling care and consideration of the deep importance of this small thing we do. And I am grateful for Dalis, for getting to see her big wide smile so often in the last few days, for dancing with her backstage, and for her thoughtfulness and care taking of an extraordinary place where, every May and June, for 18 days, people of all shapes, sizes, ages, religions, nationalities, genders, coffee preferences, and late night temperaments gather in Kerrville Texas in the simple and beautiful belief that a song could change the world.”

The 46th annual Kerrville Folk Festival extends through Sunday, June 12. In addition to concerts each evening, Kerrville features “Ballad Tree” song-sharing sessions, late-night and afternoon song circles and jam sessions at various campsites, concerts and activities for children, organized canoe trips on the Guadelupe River and Hill Country bike rides, a professional development program for teachers, as well as a three-day songwriters school and instrumental workshops. For more information, visit www.kerrville-music.com.

Editor’s Note: Although I have been writing about the Grassy Hill New Folk Competition since the inception of AcousticMusicScene.com in 2007, I was a first-time attendee at the Kerrville Folk festival last month and am so glad that my five days with this wonderful community included two afternoons of performances by the New Folk Finalists, as well as a bittersweet but beautiful musical tribute to Jimmy LaFave, who was to have been a festival headliner but passed away shortly before it started. I’m delighted to have been able to hear, meet and re-connect with so many talented singer-songwriters. I also express my appreciation to Dalis, Lindsay and Deb, as well as to Ken Gaines, who welcomed me to pitch my tent at Camp Stupid and to my friends Brian and Pam Kalinec for their gracious hospitality during my extended visit to Texas.

A listing of all of this year’s New Folk Finalists was included in a previously posted article. In addition to the winners mentioned in the article above, the finalists included Andy Baker (Gobles, MI), Emily Barnes (Johnsonburg, NJ), Arlon Bennett (Tappan, NY), Robin Bienemann (Oak Park, IL), Mary Bragg (Nashville, TN), John John Brown (Winter Garden, FL), Lyndy Butler (Hurricane, UT), Shawn Byrne (Nashville, TN), Jefferson Clay (San Antonio, TX), Wendy Colonna (Buda, TX), Teresa Eggerston Cooke (Park City, UT), Teghan Devon (Myersville, MD), Kelly Hoppenjans (Nashville, TN), Isaac Hoskins (Denton, TX), Hadley Kennary (Nashville, TN), Martin Kerr (Edmonton, Alberta), Eleanor Kleiner & Elie Brangbour – The Whispering Tree (Beacon, NY), Rich Krueger (Evergreen Park, IL), Catherine Miles & Jay Mafale – The YaYas (Centerport, NY), ordinary elephant (Livingston, TX), Angela Parrish (North Hollywood, CA), Chris Petersen (Cedar City, UT), Brian Pounds (Austin, TX), Ben Shannon (Pittsburgh, PA), and Dana Sipos (Guelph, Ontario).

Scheduled to perform (in order of performance) at the Threadgill Theater on the Quiet Valley Ranch Campgrounds in the Texas Hill Country on Saturday, May 27, from 1-4 p.m., are Hadley Kennary (Nashville, TN), ordinary elephant (Livingston, TX), Wendy Colonna (Buda, TX), John John Brown (Winter Garden, FL), Letitia VanSant (Baltimore, MD), Catherine Miles & Jay Mafale – The YaYas (Greenlawn, NY), Arlon Bennett (Tappan, NY), Heather Styka (Addison, IL), Lyndy Butler (Hurricane, UT), Chris Moyse (Nashville, TN), Chris Petersen (Cedar City, UT), Jefferson Clay (San Antonio, TX), Ingrid Graudins (Nashville, TN), Emily Barnes (Johnsonburg, NJ), Ben Shannon (Pittsburgh, PA), and Robin Bienemann (Oak Park, IL).

New Folk Finalists slated to perform on Sunday afternoon, May 28, include Shawn Byrne (Nashville, TN), Rachael Kilgour (Duluth, MN), Eleanor Kleiner & Elie Brangbour – The Whispering Tree (Beacon, NY), Teresa Eggerston Cooke (Park City, UT), Isaac Hoskins (Denton, TX), Mary Bragg (Nashville, TN), Rich Krueger (Evergreen Park, IL), Teghan Devon (Myersville, MD), Kelly Hoppenjans (Nashville, TN), Dana Sipos (Guelph, Ontario), Martin Kerr (Edmonton, Alberta), Angela Parrish (North Hollywood, CA), Brian Pounds (Austin, TX), Andy Baker (Gobles, MI), and Winona Wilde (Bridgenorth, Ontario).

Named as alternates were Mila Maring-Sims (Alto Pass, IL), Alicia Viani (Bend, OR), Ben Bedford (Springfield, IL), Eric Stucky (Montrose, CO), Randy Palmer (Amarillo, TX), Wyatt Easterling (Chapel Hill, NC), Kevin T. Hale (Westlake Village, CA), and Jenny Reynolds (Austin, TX).

After performing, six songwriters will be selected as 2017 New Folk Winners by noted songwriters Amy Speace, Dan Navarro and Jeff Black, who are serving as judges. The six, to be announced during the evening concert on May 28, will receive cash honorariums and other prizes, as well as the opportunity to return the following weekend to each perform 20-minute sets during a Grassy Hill Kerrville New Folk Winners concert at the festival on Sunday afternoon, June 4.

Established in 1972 at the urging of Peter Yarrow, the Kerrville New Folk Concerts have become a highlight of the annual festival that is geared towards singer-songwriters of various musical styles and is the longest continuously running festival of its kind in North America. Being named as a New Folk Winner is regarded as a very prestigious honor.

In addition to concerts each evening, Kerrville features “Ballad Tree” song-sharing sessions, campfire jam sessions, concerts and activities for children, organized canoe and kayak trips on the Guadelupe River and Hill Country bike rides, a Young Artists Performance Incubator, a professional development program for teachers, as well as a three-day songwriters school and instrumental workshops. The festival runs for 18 straight days – Thursday, May 25– Sunday, June 11. For a complete schedule and additional information, visit www.kerrville-music.com.

Each of the finalists will perform two original songs during a preliminary round at the free Elks Park Stage in downtown Telluride on Thursday, June 17, beginning at noon. Then the top five finalists will each perform two different original songs during a final round the following afternoon. The Troubadour winner performs a 15-minute set on the festival’s main stage on Saturday evening, June 20.

The finalists — recognized on the basis of the quality of their songs’ composition, vocal delivery and the overall performance — are Clint Alphin (Spring Hill, TN), Mary Bragg (Nashville, TN), Maria Brosgol (Albany, NY), Caitlin Canty (Pittsford, VT), Rob Drabkin (Denver, CO), Rachael Kilgour (Duluth, MN), Brennan Mackey (Denver, CO), Ryan Pickop (Fayetteville, AR), Carter Sampson (Oklahoma, OK) and Hadley Kennary (Nashville, TN). Connor Garvey (Portland, ME) and Wyatt Espalin (Hiawassee, GA) were named as first and second alternates, respectively, from among the more than 300 entries received.

Other artists slated to perform during this year’s Telluride Bluegrass Festival include Sam Bush Band, John Butler Trio, Cooder – White – Skaggs, Brett Dennen, Jerry Douglas Band, Robert Ellis, Bela Fleck & Abigail Washburn, Rhiannon Giddens, Greensky Bluegrass, Hot Rize, Robert Earl Keen, Lake Street Drive, Leftover Salmon, Kacey Musgroves, Noam Pikelny & Stuart Duncan, Punch Brothers, Peter Rowan’s Twang an’ Groove, Steep Canyon Rangers, Chris Thile & Edgar Meyer, Trampled By Turtles, Trout Steak Revival, Rhonda Vincent & The Rage, and Yonder Mountain String Band, among others. A Telluride Band Contest is also slated. The roots-oriented music festival takes place amid Colorado’s rugged San Juan Mountains and coincides with the Summer Solstice.

Fort Collins, CO-based folk-rock singer-songwriter Michael Kirkpatrick was the winner of the 2014 Telluride Troubadour competition. Previous winners of the competitions, which has been held in conjunction with the Telluride Bluegrass Festival since 1991, include Larry Good (1991), Cosy Sheridan (1992), Dan Sheridan (1993), Catie Curtis (1994), LJ Booth (1995), Michael Lille (1996), Jonathan Kingham (1997), Eugene Ruffolo (1998), Libby Kirkpatrick (1999), Mary Coppin (2000), Kris Delmhorst (2001), Deb Talan (2002), Rachel Davis (2003), Brian Joseph (2004), Keith Greeninger (2005), Nels Andrews (2006), Gregory Alan Isakov (2007), Nathan Moore (2008), Mitch Barrett (2009), Robby Hecht (2010), Matt Harlan (2011), Reed Waddle (2012), and Reed Turner (2013).

More information on the festival and the Telluride Troubadour Competition can be found at www.bluegrass.com/telluride.

The newest of the five regional affiliates of Folk Alliance International, SERFA (www.serfa.org) seeks to promote, develop and celebrate the diverse heritage of roots and indigenous music, dance, storytelling and related arts in the southeastern United States. Its annual conference is a primary means of doing that. This is the fifth consecutive year that it is being held at the same location — a beautiful and tranquil spot nestled in the Blue Ridge Mountains.

“SERFA provides an annual gathering, a place to gather each year at the same time and often at the same place to connect and reconnect, to celebrate and mourn, to feel that special sense of community and solidarity, of mutual concern and respect, that those who practice a trade, a craft, an art recognize in each other,” says Si Kahn, a renowned folksinger, songwriter, author and community activist who will have a major presence this year. He describes the conference as “a family reunion that reminds us we are not alone, that we have not just a common trade, but a common purpose; and that together we can raise our voices not just in song, but in the hope of a better, kinder and more just world.”

The conference opens with lunch on Thursday, followed by an opening reception, workshops, group mentor sessions, dinner, three-hours of official showcases and nearly three-and-one-half-hours of late-night guerilla showcases. It concludes on Sunday morning with breakfast and SERFA’s annual general meeting. For those opting to arrive early for the conference, there also will be a buffet dinner, a one-woman show: Precious Memories by Kahn and featuring Sue Massek, and a two-hour informal open mic on Wednesday evening, May 13.

Honoring Folks for Outstanding Contributions to Music and Culture in the Southeast

Special guests at this year’s conference include Kahn, Alice Gerrard and the founders of Rounder Records (Ken Irwin, Bill Nowlin, Marian Leighton Levy) – all of whom will share the second annual Kari Estrin Founding President’s Award for Outstanding Contributions to Music and Culture in the Southeast, to be presented on Friday afternoon. In addition, they will take part in a 90-minute “Wisdom of the Elders” panel discussion moderated by Art Menius on Saturday.

Gerrard is one of the pioneering women in bluegrass and old-time music. Rounder Records, a leading American roots music label founded in 1970 and acquired by the Concord Music Group in 2010, has released more than 3,000 albums in such genres as bluegrass, Americana, Cajun and Zydeco, folk, singer-songwriter, and children’s music. Rounder also has been in the forefront of the preservation and re-release of historic recordings by the likes of Woody Guthrie, Lead Belly, the Carter Family, Jimmie Rodgers, and Mississippi John Hurt, as well as a number of anthologies from the Library of Congress and the Alan Lomax Collection.

(The inaugural award was presented last year to The Highlander Research and Education Center, which serves as a catalyst for grassroots organizing and movement building in Appalachia and the South and integrates music with social change.)

“That’s very similar to what SERFA has done. It’s become a place where musicians who are just starting out can connect as equals with artists who, like Alice Gerrard, have been working at this time-honored trade for 60 years a and more.”

Kahn also will lead a “Music Can Make a Difference” workshop and participate in a “Theater for Folk Musicians” workshop during the conference. Singer-songwriter Tish Hinojosa will speak on “From Major to Indie;” Tim Grimm and Jim Photoglo will conduct songwriting workshops; and Cosy Sheridan will lead a performance master class. Graphic design and imaging, harmony, “The Herstory of Oppression and Resistance in Appalachia,” international touring, performance rights organizations (PROs), and sound are among the other workshop topics. A series of group and one-on-one mentoring sessions also are on the conference agenda, as are participatory instrumental and dance clinics.

Artists to Showcase Their Talents on Thursday, Friday and Saturday Nights

The following artists and bands present official showcases on Thursday, Friday and Saturday nights following dinner: The Barrel Jumpers, Bobtown, Mary Bragg, Shawna Caspi, The Early Mays, Angela Easterling, Wyatt Easterling, Kala Farnham, Tim Grimm, Tish Hinojosa, Kaia Kater, Paddy Mills, Danielle Miraglia, The Misty Mountain String Band, Zoe Mulford, Matt Nakoa, Jim Photoglo, Bruce Piephoff, Jefferson Ross, Sheltered Turtle, Cosy Sheridan, Underhill Rose, Dan Weber, The Yes Team, and Zoe & Cloyd. Nothing else is scheduled during these showcases, which are also open to the local community. Persons not registered for the conference can attend these juried showcases for $10 each night or $25 for all three nights (cash only). Tickets will be available on-site at the Assembly Inn Convocation Hall.

Following the official showcases, eight meeting rooms will be abuzz with late-night guerilla showcases that extend until 2 a.m. AcousticMusicScene.com, which has had a presence at the SERFA Conference for the past four years, will host late-night showcases on Thursday, May 13, overnight in Room 230. These will take the form of song swaps.

AcousticMusicScene.com showcase schedule:

10:40: Sharon Goldman, Bev Grant
11:00: Si Kahn Sing-along with Kari Estrin
11:30: Rob Lytle, Kipyn Martin and Paddy Mills
12:00: Mary Bragg, Shawna Caspi and Matt Nakoa
12:30: Redneck Mimosa: Todd Hoke, Carmody & Carver
1:00: Harmonic Convergence: The Early Mays and Underhill Rose
1:30: Blues & Roots: Lorraine Conard, Danielle Miraglia, Jon Shain

Editor’s Note: In addition to hosting an AcousticMusicScene.com showcase, I will be part of a concert and festival presenters panel discussion and will join Lorraine Conard in a group mentoring session on Performers and Presenters Partnering in Promotion. I’ll also offer some one-on-one mentoring on public relations, strategic communications, artist bios and one-sheets, website content and social media, and other topics of interest to artists and presenters.