Song of the Year honors went to Dan Navarro and Janiva Magness’ recording of “$20 Bill (for George Floyd) by the late singer-songwriter Tom Prasada-Rao. In accepting the award, Navarro (a singer-songwriter and voice actor perhaps best known for co-writing the hit song “We Belong”) noted that more than 100 artists recorded a version of Prasada-Rao’s song in 2020 “but because of the impact and the challenges of the pandemic, it never really had a proper release and we decided we would do something about that.“ Dedicating the award to Prasado-Rao, who died last year, Navarro said: “This is not just the song of the year; it’s the song of the century and the song of a lifetime.”

Here’s a link to view a video of Dan Navarro and Janiva Magness performing “$20 Bill (for George Floyd)”:
https://www.youtube.com/watch?v=SeHdq817B7Y

Susan Werner’s Halfway to Houston was named Album of the Year. A prolific and versatile singer-songwriter who accompanies herself on both guitar and piano and is known for her sassy wit and classy Midwest charm, Werner was unable to be in Montreal to accept the award and sent a short video, while fellow singer-songwriter Dar Williams picked up the award on her behalf.

In addition to these FAI member-voted awards – which were open to recordings released between October 1, 2023 and September 30, 2024 – a number of special awards and honors were presented.

The People’s Voice Award recognizing an artist who embraces social and political commentary in his/her songs was presented to Gina Chavez, an Austin, Texas-based singer-songwriter who has helped to amplify the voices of the marginalized.

The River Roads Festival received The Clearwater Award, honoring a festival that — like its Pete Seeger-founded namesake –- exhibits sound leadership in environmental stewardship and sustainable event production. A one-day event presented by Dar Williams and held in Easthampton, Massachusetts for the past two years, the next River Roads Festival is set for July 5 at Heuser Park in King of Prussia, Pennsylvania. Williams said that she was “so excited” to accept the award. She noted that, like Seeger was, she is a resident of New York’s Hudson Valley and recalled being on Conan O’Brien’s late-night TV talk show with him in 1998. Said Williams: “Music is an incredible force … The culture around the music can be a powerful vehicle for justice.”

The Rising tide Award, which is bestowed on an emerging artist/act of an age, went to OKAN, a female-led, Afro-Cuban roots and jazz duo.

Spirit of Folk Awards recognizing people and organizations actively engaged in the promotion and preservation of folk music were presented to Annie Capps, Innu Nikamu festival, Tom Power, and Alice Randall. Capps is a Michigan-based singer-songwriter and a longtime leader with Folk Alliance Region Midwest (FARM), who has served as both its board president and conference director. Innu Nikamu is a Quebec-based festival of Indigenous music and culture that has taken place for more than 30 years. Power, best known as the host of CBC Radio One’s Q program, is also a musician who performs and records with The Dardanelles, a Canadian folk band. Randall is a hit-making country music songwriter who has been a trailblazer in folk and country music. She’s also a college lecturer and the author of My Black Country, which she describes as both a memoir and a history.

“I owe my sanity to folk music,” said Randall in accepting the award. “In My Black Country, I tell the story of climbing out of the hell of being raped by holding on to the sound of John Prine singing “Angel From Montgomery.” Prine’s label, Oh Boy! Records, also released a collection of songs entitled My Black Country. Randall noted that her book “is about the Black folk, including Black folk musicians, who made country country.”

2025 Lifetime Achievement Award recipients included the folk-rock duo Indigo Girls (whose eponymous debut album won a Grammy Award for Best Contemporary Folk Recording 35 years ago), the late Black Appalachian musician Lesley Riddle, and the global roots magazine Songlines. During the awards show, singer-songwriters Rose Cousins and Mary Bragg performed “Galileo,” one of the Indigo Girls’ hit songs, in tribute to the duo, while Black indigenous Canadian singer-songwriter Julian Taylor performed “Red River Blues” in tribute to Riddle.

Accepting the Legacy Lifetime Achievement Award on behalf of Riddle, who died in 1980 at age 75, Randall referred to him as a founder of country music and a practitioner of folk who collected and taught the Carter Family a lot of songs. “Tonight, Folk Alliance corrects an almost 100 year-old wrong” by recognizing him.

“We need folk music now more than ever,” said the Indigo Girls’ Emily Saliers in a pre-recorded video. “This Folk Alliance is a group that honors diversity, equity, inclusion, and access for all. Folk music is the music of truth telling. Amy [Ray] and I are, especially in this time, particularly honored to accept this award.” Echoing her sentiments, Ray urged folks to “Please stand up with us and make your voices heard in these times … Day by day, song by song, we can make this world a better place.”

Accepting a Lifetime Achievement Award on behalf of Songlines, James Anderson-Hanney, its publisher, said: “I think we’re the last world music magazine on the planet.” The UK-based, glossy bimonthly that comes with CD is currently celebrating its 25th anniversary.Leading Quebecois folk ensemble Le Vent Du Nord, a 2023 Songlines award recipient, performed in honor of the magazine.

Five Inducted Into Folk Radio Hall of Fame

Eight years ago, Folk Alliance International established a Folk Radio Hall of Fame in order to recognize folk DJs and music directors for the vital role that they play by sharing the music with their listeners. Wanda Fischer, Longtime host of The Hudson River Sampler on WAMC Radio in Albany, New York and herself an inductee in the Hall of Fame, recognized this year’s inductees, while a video featuring visuals and information about them was also screened. The 2025 inductees include Taylor Caffery, Matthew Finch, Archie Fisher, MarySue Twohy, and Chuck Wentworth.

Taylor Caffery, a native of New Orleans, Louisiana, has been the host Hootenanny Power of WRKF Public Radio in Baton Rouge, LA since it began airing in 1981. He’s also been recognized with WRKF’s Founder’s Award (2022) and with the Kari Estrin Founding President’s Award during the 2024 Southeast Regional Folk Alliance (SERFA) Conference.

Matthew Finch, who left our world unexpectedly in July 2024, was a beloved figure in New Mexico’s music scene, who devoted more than 20 years to KUNM in Albuquerque as its music director, and as a tireless advocate for local musicians. Through the programs Ear to the Ground and Studio 55, he created platforms for regional artists to share their music, showcasing live performances and celebrating the diversity of the state’s music community.

Archie Fisher hosted BBC Radio Scotland’s award-winning Traveling Folk program for 27 years – promoting artists and musicians of the folksong revival throughout the British Isles. A talented artist in his own right, he also hosted studio sessions and interviews with such notable American and Canadian artists as Joan Baez, Judy Collins, David Francey, and James Keelaghan. Queen Elizabeth II presented him with a MBE in 2006 for his services to music.

MarySue Twohy is a program director at SiriusXM, who currently manages The Village, its folk channel, among others. She conducts artist interviews and produces a wide array of radio programs. Formerly an artist herself, she moved into broadcasting by hosting a two-hour program 20 years ago and quickly rose to PD. She also served on the FAI board of directors for seven years and continues to serve on national music committees, and to participate in conference panels and as a songwriting contest judge.

Chuck Wentworth, who passed away last year, was a revered figure on the New England music scene – best known for his long-standing contributions as both a radio show host and a festival producer. He began hosting a folk radio show on WRIU-FM, the college radio station at the University of Rhode Island, while he was a student and Traditions aired for 38 years. He also served as the station’s folk and roots music director and expanded its folk programming from one show to five nights a week. Wentworth was also the founder and producer of the Rhythm & Roots Festival, a three-day music and dance festival in Rhode Island.

[Here’s a link to view the International Folk Music Awards Show, which also was livestreamed via YouTube and was available for viewing via Folk Alley and NPR Music: https://www.youtube.com/watch?v=RVE29BZ6fBg

The International Folk Music Awards was just one part, albeit an important one, of the 37th annual Folk Alliance International Conference that extended from February 19-23 and drew nearly 2,500 attendees. In addition to more than 2,700 showcases featuring more than 700 acts (including 183 juried official showcases plus many more showcases extending into the early morning hours), the conference included a keynote conversation with Allison Russell and Ann Powers [see below], Black American Music and International Indigenous Music Summits, a one-day legal summit, 45 panel discussions and workshops, a number of affinity and peer group sessions, six film screenings and discussions, lobby jams, meetings of FAI’s regional affiliates, a town hall meeting on P2 Visas – Working Through Parity at the Canada/US Border, a popular Meet the Folk DJs session, morning yoga, an exhibit hall, agent-presenter speed networking sessions, and lots of other networking opportunities.

Artist & Activist Allison Russell Engages in Keynote Conversation with Music Journalist Anne Powers

Allison Russell — a widely acclaimed singer-songwriter, multi-instrumentalist, producer and activist –- returned to her hometown to engage in an hour-long keynote conversation with Anne Powers, a critic and correspondent for NPR Music. A soulful, Nashville, Tennessee-based, Montreal-born Scottish Grenadian Canadian, Russell is the recipient of more than a dozen awards. These include a Grammy Award for Best American Roots Music Performance for Eve Was Black,” a single off of her sophomore solo recording, Returner released in September 2023), Juno Awards for Contemporary Album of the Year (for her solo debut, Outside Child – 2022) and Music Video of the Year (for “Demons,” 2024), six UK Americana Music Awards, four Canadian Folk Music Awards, and two Americana Music Honors & Awards. In 2022, Folk Alliance International members voted Russell’s solo debut as Album of the Year and her as Artist of the Year. Outside Child was also named Contemporary album of the Year in the 2022 Canadian Folk Music Awards, while she was named Songwriter of the Year and New/Emerging Artist of the Year in recognition of the emotion-laden album featuring 11 original songs “about resilience and survival, transcendence and the redemptive power of art, community, connection, and chosen family.”

Russell has previously spoken of the abuse and trauma that she faced in her youth and the major role that music has played in helping her to overcome it .In her conversation with Powers, she recalled how, at age 15, while unhoused, she slept in the pews at a church just a few blocks from Le Sheraton Centre.

Asked about her latest album, 2023’s The Returner, she noted how she had been a challenged, broken yet brave girl. “”We come from long, broken lines of survivors. We’re all miracles. We’re all returners. We are all overcoming things.”

Much of her on-stage conversation with Powers focused on her recent portrayal of Persephone in Anais Mitchell’s award-winning Broadway musical, Hadestown. Russell noted that it was her first professional acting role and that she had not acted since performing in a Shakespearean play while in high school.

Sharing her reflections on Hadestown just days after she concluded her 50-week run as Persephone and in keeping with the “Illuminate” theme of the conference, she said: Persephone is Hades’ only source of light, of illumination in the underworld. She was the light in his life.”

Playing a mythic goddess in this time took on new connotations, she acknowledged, citing “the current fear-mongering administration in Washington” and “the bigotry and bias that can really harm communities.”

Referring to herself as “a geriatric millennial,” Russell said: “When I came up 24 years ago, there weren’t too many others who looked liked me.” Acknowledging that “our [folk] community is growing more diverse,” she spoke of being a curator during the 2021 Newport Folk Festival tasked with featuring Black and Black & queer women and their allies in the center of a 90-minute set focused on roots and revolution. ”What could be more beautiful than to be conscious, to be mindful [woke],” said Russell, noting that she’s “a queer woman who somehow married a white man with a guitar.”

Prior to embarking on her solo career, Russell was a co-founder of Our Native Daughters and Birds of Chicago and was part of Po’ Girl.

[Here’s a link to view a video recording of the keynote conversation: https://www.youtube.com/watch?v=U_ne2-baY8g.]

Folk Alliance International (folk.org) is a nonprofit organization that aims to serve, strengthen, and engage the global folk music community through preservation, presentation and promotion.

Chosen to present 30-minute sets on full-production stages with lighting and sound before presenters, agents, managers, media, artists, and other music professionals during the music business conference were Adrian + Meredith, Afrikana Soul Sister, Alice Hasen & The Blaze, Alicia Toner, Alysha Brilla, Amy Lavere, Amy Speace, Andrea Von Kampen, Angelique Francis, Anna Ekborg, Anya Hinkle featuring Billy Cardine, Aysanabee, Bailey Bigger, Barnaby Bright, Ben Sures, Berk Jodoin, Bobby Alu, Brad Reid Quartet, Brek, Bruce Molsky, Bruno Capinan, Buffalo Rose, Canyoon City, Cary Morin Duo, Casii Stephan, Celeigh Cardinal, Charly Lowry, Charm of Finches, Chatham Rabbits, Damoizeaux, Dan Navarro, Delbert Anderson Trio, Digawolf, Dom Flemons, Elexa Dawson, Eljuri, Emily Nenni, Emma Langford, Ernest Aines, Falls, Fanny Lumsden, Cathy Fink & Marcy Marxer with Chao Tian Flagship Romance, Fortunate Ones, Fourwinds, Gangar, Genevieve Racette, Gina Chavez, Gordie McKeeman and His Rhythm Boys, Hanne Kah, Harry Manx, Heather Pierson Duo, Holly Arrowsmith, Humbird, Ian Sherwood, Iona Fyfe, Jack Klatt, Jaimee Harris, Jake Blount, Jancie Jo Lee, Jason Lang: Homage to Penny Lang, Jennifer Knapp, Jenny Mitchell, JigJam, Jim and Sam, Jim Stevens, Jobi Riccio, Joe Jencks, Joy Clark, Karan Casey, Kelley Hunt, Kellie Loder, Kitty MacFarlane, Kris Drever, Lady Nade, Larry & Joe, Le Diable a Cinq, Le Winston Band, Les Arrivants, Les Hay Babies, Les Rats D’Swompe, Les Tireux D’Roches, Little Misty,Lon, Los Arcos Hermanos Pena, Matthew Fowler, Melisande [Electrotrad], Memphissippi Sounds, Mike Biggar, Missy Raines & Allegheny, Monique Clare, My Son the Hurricane, Nadia Larcher with Ensemble Iberica, Nani (Noam Vazana), Nat Myers, Nefesh Mountain, Nigel Wearne, Northern Resonance, Okcello, Ordinary Elephant, Oshima Brothers, Phoebe Hunt, Pipo Romero, Queen Esther, Quote the Raven, Rainbow Girls, Raine Hamilton String Trio, Rakish, Ray Bonneville, Rev. Robert B. Jones, Ron Artis II, Royal Wood, Rum Ragged, Sawyer Fredericks, Seth Walker, Shane Hennessy, Shane Pendergast, Silver Wolf Band, Siomha, So Long Seven, Sophie Lukacs, Spence LaJoye, Steve Poltz, Sussex, Suzie Ungerleider, Talibah Safiya, Talisk, Taylor Rae, , Terra Spencer, The Arcadian Wild, The Armagh Rhymers, The Black Feathers, The Brother Brothers, The Burney Sisters, The Contenders The Faux Paws, The Fretless, The Heart Collectors, The Henry Girls, The Magpies, The McDades, The Rough & Tumble, The Small Glories, Tish Hinojosa, Twin Flames, Veronica Valerio, Waahli, and Wallis Bird.

Besides the juried official showcases and lots of private showcases, there will be a wide array of workshops and panel discussions, mentoring and peer sessions, keynoters, the International Folk Music Awards, a large exhibit hall, receptions and networking opportunities galore.

The theme of the 2023 conference, the world’s largest gathering of the folk music industry and community, is Facing the Future: Sustainability in Folk Music. “As we emerge from the survival mindset of the early 2020s, our attention turns to the horizon and the challenges – and opportunities – that lie ahead for our industry and community,” according to the Kansas city-based nonprofit organization that aims to serve, strengthen and engage the global folk music community through preservation, presentation and promotion. “Together, we’ll explore the intersection of individual excellence and collective strength and work to understand what must be dismantled and what must be built.”

For more information on Folk Alliance International and its annual conference, for which the advanced registration deadline is October 31, visit folk.org.

Editor’s Note: I am a member of the the Folk Alliance International board of directors but was not involved in the selection of official showcase artists.

96 acoustic, folk, roots, traditional, and world music artists from 14 countries are taking part in what could be the largest online matchmaking of musicians ever undertaken, according to Sounds Australia, a founding partner with Showcase Scotland Expo and Canada’s East Coast Music Association (ECMA), along with 11 other export organizations and showcase events.

Breaking artists/acts into a new territory or country can be a challenging process during the best of times and is even more difficult now. As envisioned by its founders, the Global Music Match program is designed as a unique response to the limitations imposed on the music industry – particularly the live music sector – at this time. It makes use of one of the only available platforms – social media and peer-to-peer collaboration – to increase networks, exposure and audiences for export-ready artists internationally – helping to lay the groundwork for future international touring opportunities.

The Global Music Match program (globalmusicmatch.com, hashtag #globalmusicmatch) will also support participating artists to enhance and improve their social media and interviewing activity, as well as encourage cross-border collaboration by connecting musicians from around the world, according to Folk Alliance International, a Kansas City-MO-based nonprofit organization that is also taking part in the new initiative.

Participating artists have been grouped into 16 teams, and no two acts from the same country are paired together. Aided by music industry coaches, one artist/band from each country will introduce another artist /band from their team to their social media followers each week to cross-promote each other’s music and careers to their respective audiences, until all of the artists have been presented.

“I’m so incredibly excited to be participating in this groundbreaking global initiative,” said Lisa Schwartz, festival & artistic director for the Philadelphia Folk Festival and president of the Folk Alliance International board of directors. She is coaching a team comprised of MariTe K from Italy, Cemelesal from Taiwan, Riley Pierce from Australia, RURA from Scotland, Lady Nade from England, and 9Bach from Wales. “What an incredible way to make new friends, invite new fans, and use music as the connective tissue,” she added. Schwartz urges people to “follow #globalmusicmatch and discover new artists and their music, and see firsthand how we can all be together even when forced to be apart.”

Matthews is one of six Folk Alliance International (FAI) alumni artists based in the U.S. who have been selected and placed on different global teams. The others are Sean Ardoin. Calvin Arsenia, Gina Chavez, Charlie Lowry, and SaulPaul. FAI aims to serve, strengthen, and engage the global folk music community through preservation, presentation and promotion.

In addition to ECMA, FAI, Showcase Scotland Expo, and Sounds Australia, Global Music Match is supported by the following export organizations: Catalan Arts (Spain), English Folk Expo, FOCUS Wales, LUCfest Taiwan, Music Estonia, Music Finland, Music Norway, Puglia Sounds (Italy), and Spectacle vivant Bretagne (Brittany, France).

Among the notable artists slated to perform during the festival are Balsam Range, Beausoleil avec Michael Doucet, David Bromberg Quintet, Joe Crookston, Jeff Daniels, Mary Gauthier, John Gorka, Patty Griffin, Eileen Ivers, Christine Lavin, Martha Redbone, Tom Paxton and The DonJuans, Riders in the Sky, The Seldom Scene, The Slambovian Circus of Dreams, Alexis P. Suter Ministers of Sound, Tempest, Trout Fishing in America, and Molly Tuttle.

A number of talented Canadian artists are also on the bill — including Melanie Brulee, Matthew Byrne, Elage Diouf, Earle and Coffin, Jay Gilday, Terence Jack, David Myles, Benjamin Dakota Rogers, Dana Sipos, and The Small Glories. From the UK are Scottish folk-roots rockers Skerryvore (my favorite new musical discovery during the 2018 Folk Alliance International Conference) and Gloucestershire duo The Black Feathers. Limerick, Ireland’s Hermitage Green makes its Philadelphia Folk Festival debut, as do Australian singer-songwriter Tom West and Tuvan throat singers Alash.

Also of note are Michigan-based band The Accidentals (named among Yahoo Music’s 10 Bands to Watch” in 2017), Washington, DC area-based singer-songwriter Crys Matthews (grand prize winner of the 2018 NewSong Music Competition and winner of the People’s Music Network’s Social Justice Songs Contest at the 2017 Northeast Regional; Folk Alliance Conference), Austin, Texas-based singer-songwriter Matt The Electrician, and rollicking, high-energy folk-rockers Scott Wolfson and Other Heroes.

Among the up-and-coming local touring artists who will showcase their talents during the festival are April Mae & the June Bugs, Michael Braunfeld, Meghan Cary & Analog Gypsies, Orion Freeman, Marion Halliday & Trickster Sister, Aaron Nathans & Michael G. Ronstadt, and Brittany Tranbaugh. A Friday morning album release celebration for Kicking Down Doors and Tin Bird Choir will take place on the Camp Stage.

As the names above suggest, the Philadelphia Folk Festival features an eclectic mix of traditional and contemporary music that stretches the boundaries of folk, helping to broaden its appeal and reach a new generation of listeners. National and international touring artists of note as well as emerging ones are on the bill.

In partnership with the Northeast Regional Folk Alliance (NERFA), a regional affiliate of Folk Alliance International, the festival will also showcase the talents of three up-and-coming young artists/acts –the previously mentioned Benjamin Dakota Rogers and Earle and Coffin, as well as Lula Wiles, a female Americana trio recently singed to Smithsonian Folkways Recordings– during a NERFA Presents Young Folk song swap on Saturday morning.

In addition to musical performances and workshops on eight stages – including an accordion workshop, contra dancing with Groovemama, a Martin Guitar Jam, and a late Sunday afternoon Klezmer dance party — there will be an array of children’s activities in the shady Dulcimer Grove – including craft-making and performances by The Give & Take Jugglers and a number of children- and family-oriented artists. As in years past, many artisans will display and sell their creations in an open-air juried crafts area.

There’s also a festival within the festival for those who opt to camp onsite and enjoy some late-night musical revelry. The 40-acre campground – chock-a-block with tents — is home to a unique late-night scene, with singing by campfires and jamming into the early morning hours. David Dye, host of the syndicated World Café radio program, will host a special Thursday night concert on the Camp Stage — featuring multi-ethnic Latin pop songstress Gina Chavez, contemporary blues guitarist and singer-songwriter Toranzo Cannon, and Scots folk band Talisk — exclusively for all-festival camping ticket holders.

Both day and full-festival passes are available for purchase. Children under 12 will be admitted free with an adult, while discounted tickets are available for youth, ages 12-17

For more information about the Philadelphia Folk Festival and to order tickets, visit www.pfs.org/philadelphia-folk-festival/.

Editor’s Note: As president of the NERFA board of directors, I have the honor and pleasure of hosting the “NERFA Presents Young Folk” showcase on Saturday morning, Aug. 18, at 11 a.m.