Hailed as “The songwriter laureate of modern city folk” (The Boston Globe), Lucy Kaplansky is a New York City-based contemporary folk singer-songwriter with a luminous voice whose recordings frequently topped folk and Americana radio charts. The Lucy Story, her 10th album, is a collection of mostly unreleased tracks that form a retrospective /history of her musical life. It features songs performed in a variety of musical styles — both self-penned and ones by Richard Shindell, Robbie Robertson, Townes Van Zandt, John Lennon, Lyle Lovett and Jack Hardy, as well as demos and album outtakes, and live recordings with some of her favorite collaborators (Shawn Colvin, Shindell, and Dar Williams among them).

Kaplansky, who began singing at Chicago folk clubs as a teenager, moved to NYC after high school, where she performed frequently with Shawn Colvin on and around the Greenwich Village folk scene during the early to mid 1980s. Before leaving the music scene to pursue a doctorate in clinical psychology. After earning her degree, she worked with chronically mentally ill adults at a New York hospital as well as in private practice. However, she continued to sing and was frequently asked to add harmony vocals to albums by friends including Colvin and Nanci Griffith and film soundtracks with Griffith and Suzanne Vega. Her voice could also be heard on Chevrolet’s popular “The Heartbeat of America” commercial jingle. She left her career as a psychologist in the 1990s after signing with Red House Records, which released her critically acclaimed debut album, The Tide (primarily produced by Colvin) in 1994. She signed with a booking agency and began touring extensively.

In addition to her solo recordings and tours since, Kaplansky has frequently collaborated with other singer-songwriters on recording projects and concert tours over the years. She joined with Shindell and Dar Williams in 1998 to form the folk trio Cry Cry Cry, recorded some of their favorite songs written by other songwriters, and toured nationally in support of it – as they did in 2017-2018 to celebrate its 20th anniversary. She and Shindell have also contributed harmony vocals to most of each other’s albums, recorded an album as The Pine Hill Project, and have frequently shared concert stages. In 2010, Kaplansky, John Gorka and Eliza Gilkyson teamed up to record an album as Red Horse on which they performed each other’s songs. The album topped the folk radio charts for several months that year. Kaplansky has also been part of a recurring On A Winter’s Night Tour with Gorka, Cliff Eberhardt and Patty Larkin.

“Which Side Are You On?” is a reworked and updated version of the famed folk and labor song originally penned Florence Reece in 1931. Artists for Action is an international folk supergroup comprised of 16 artists who teamed up to raise their voices in response to the global rise of far-right politics and the resurgence of fascism. Initially recorded in September 2022 and recently re-released, the track features Black Umfalosi (Zimbabwe), Ray Bonneville (Canada), Bruce Cockburn (Canada), Chris Corrigan (Canada), Guy Davis (U.S.), Ani DiFranco (U.S.), Maria Dunn (Canada), Adam Hill (Canada), Bob Jensen (Canada), James Keelaghan (Canada), Richard Knox (Canada), Lucy MacNeil (Canada), Tony McManus (Scotland/Canada), Moulettes (England), Oysterband (England), Richard Perso (Australia), Heather Rankin (Canada), Martin Simpson (England), and Jon Weaver (Canada).

Although the project’s primary goal is conveying its message and raising people’s consciousness, rather than raising funds, proceeds from the single – for which none of the artists were paid — will be donated to a registered charity in aid of Ukraine. For more information, visit whichsideareyouon.ca.

The March 2025 top albums, songs and artists charts are based on 11.385 airplays reported on 382 playlists submitted by 103 different folk DJs. The number of reported spins is shown below in parentheses.

Folk Alliance International (folk.org) is a nonprofit organization that aims to serve, strengthen, and engage the global folk music community through preservation, presentation and promotion.

Top Albums of March 2025

1. The Lucy Story: Unreleased and Rare Tracks 1976-2023 by Lucy Kaplansky (94)
2. All I Got and Gone by Chris Walz (78)
3. Maybe New Mexico by Helene Cronin (76)
4. Alice Howe and Freebo (Live) by Alice Howe and Freebo (74)
5. So Much I Still Don’t See by Sam Robbins (58)
5. A Tip Toe High Wire by Sierra Hull (58)
7. Foxes in the Snow by Jason Isbell (52)
8. Remains to Be Scene by The Seldom Scene (49)
9. Field of Stars by John McCutcheon (46)
10. I Made It This Far by Deborah Holland (45)
11. Reclamation by Crys Matthews(43)
12. The Monkey in the Crown by HuDost (42)
13. Looking for the Thread by Mary Chapin Carpenter, Julie Fowlis, Karine Polwert (38)
14. Be Real With Me by Chatham Rabbits (37)
14. Daggomit by Max Wareham (37)
16. Beneath Your Skin by Kim Beggs (35)
17. I’m From Here by Rob Siegel (31)
17. Burnished by Amelia Hogan (31)
19. Arcadia by Alison Krauss and Union Station (28)
20. The Wind Will Change Again by The Twangtown Paramours (26)
21. Dear Meadowlark by The Wildwoods (25)
22. We Were Wood by Barry Oreck and Friends (24)
23. Spirits by The Devil Makes Three (23)
24. The Boy From Bluegrass by The Boy From Bluegrass (22)
25. Exploding Star by Heather Maloney (20)
25. Dark Country by Gary Louris (20)
25. Some Kind of Truth by Kora Feder (20)
25. To Fly So Low by Leo DiSanto (20)
29. Glimmer by Carol Crittenden (19)
30. Take It Easy Greasy by Jim Brewer (17)
30. Winterbirds by Boreal (17)
30. Gold in Your Pocket by Caleb Klauder and Reeb Willms (17)
33. Sea Salt and Sawdust by Marian Mastrorilli (16)
34. The Purple Bird by Bonnie Prince’ Billy (15)
34. Life Is a Wonder by Kevin Whalen (15)
36. Waiting for Inspiration by Socks in the Frying Pan (14)
36. Racing Down the Valley by Sam Bergquist (14)
36. Paris by Louise Coombe (14)
36. Face the Day by Will Branch (14)
36. Silver Rounds by Olivia Wolf (14)
36. Hear My Call by Cristina Vane (14)
36. Songs of a Younger Man by Michael Melia (14)
36. Life Is Just a Vapor by Paul Thorn (14)
36. Cher Reve by Miss Tess (14)
45. Julia Belle: The John Hartford Fiddle Tune Project, Vol. 2 by Various Artists (13)
45. Porcelain Angel by Rees Shad (13)
45. The Empathist by Stephen Fearing (13)
45. Besos Kisses by Colleen Kattau (13)
45. Cold Feet by Mark Freeman (13)
45. Peace With a Lion by David Lindes (13)
45. Red Camel Collective by Red Camel Collective (13)

Top Songs of March 2025

1. “Which Side Are You On?” by Artists for Action (30)
2. “Elephant” by Annie Gallup (23)
3. “Home by Bearna” by Amelia Hogan (22)
4. “Maybe New Mexico” by Helene Cronin (21)
5.”Come Out of My Blues” by Sierra Hull (19)
6. “Onward Through the Fog (America Is Bleeding)” by Rob Siegel (15)
6. “You Are Not God” by Emma’s Revolution (15)
8. “Piles of Sand” by Sam Robbins (14)
9. “Circling the Drain” by Deborah Holland (13)
9. “Wind Behind the Rain” by Jason Isbell (13)
9. “Man at the Crossroads” by The Seldom Scene (13)
12. “Fields of Athenry” by Carol Crittenden (12)
12. “Bury Me” by Jason Isbell (12)
12. “Granite Mills” by Alison Krauss and Union Station (12)
12. “Hard Times Come Again No More” by Chris Walz (12)
12. “Blue Ridge Mountain Blues” by Chris Walz (12)
17. “Dangerous Women” by Colleen Kattau (11)
17. “What a Little Love Can Do” by Sam Robbins (11)
17. “Angel From Montgomery” by Alice Howe and Freebo (11)
20. “Twilight” by Alice Howe and Freebo (10)
20. “Delia” by Chris Walz (10)
22. “Forget Me Not” by Lucy Kaplansky (9)
22. “Mother Tongue” by Jean Rohe and Sean Kiely (9)
22. “Copperhill” by Helene Cronin (9)
22. “Thankful (Thanksgiving (2023)” by Deborah Holland (9)
22. “Alabama Bound” by Chris Walz (9)
22. “Big Fish, Small Pond” by Chatham Rabbits (9)
22. “We Won’t Let It Die (Without a Fight)” by Len Seligman (9)

Top Artists of March 2025

1. Lucy Kaplansky (99)
2. Chris Walz (78)
3. Helene Cronin (77)
4. Alice Howe and Freebo (74)
5. John McCutcheon (63)
6. Sierra Hull (59)
7. Sam Robbins (58)
8. The Seldom Scene (55)
9. Jason Isbell (52)
10. Crys Matthews (51)
11. Deborah Holland (47)
12. Bob Dylan (45)
13. HuDost (44)
14. Amelia Hogan (38)
14. Mary Chapin Carpenter, Julie Fowlis, Karine Polwert (38)
16. Max Wareham (37)
16. Chatham Rabbits (37)
18. Kim Beggs (36)
19. Alison Krauss and Union Station (34)
20. Rob Siegel (31)
21. Artists for Action (30)
22. Jesse Colin Young (29)
23. The Twangtown Paramours (27)
23. Tim Grimm (27)
25. Chuck Brodsky (26)
26. Guy Clark (25)
26. Joni Mitchell (25)
26. The Wildwoods (25)
29. Barry Oreck and Friends (24)
29. Joan Baez (24)
31. Eliza Gilkyson (23)
31. The Boy From Bluegrass (23)
31. Annie Gallup (23)
31. The Devil Makes Three (23)
31. John Prine (23)
36. Emma’s Revolution (22)
37. Heather Maloney (21)
37. Colleen Kattau (21)
37. Gary Louris (21)
37. Karan Casey (21)

Song of the Year honors went to Dan Navarro and Janiva Magness’ recording of “$20 Bill (for George Floyd) by the late singer-songwriter Tom Prasada-Rao. In accepting the award, Navarro (a singer-songwriter and voice actor perhaps best known for co-writing the hit song “We Belong”) noted that more than 100 artists recorded a version of Prasada-Rao’s song in 2020 “but because of the impact and the challenges of the pandemic, it never really had a proper release and we decided we would do something about that.“ Dedicating the award to Prasado-Rao, who died last year, Navarro said: “This is not just the song of the year; it’s the song of the century and the song of a lifetime.”

Here’s a link to view a video of Dan Navarro and Janiva Magness performing “$20 Bill (for George Floyd)”:
https://www.youtube.com/watch?v=SeHdq817B7Y

Susan Werner’s Halfway to Houston was named Album of the Year. A prolific and versatile singer-songwriter who accompanies herself on both guitar and piano and is known for her sassy wit and classy Midwest charm, Werner was unable to be in Montreal to accept the award and sent a short video, while fellow singer-songwriter Dar Williams picked up the award on her behalf.

In addition to these FAI member-voted awards – which were open to recordings released between October 1, 2023 and September 30, 2024 – a number of special awards and honors were presented.

The People’s Voice Award recognizing an artist who embraces social and political commentary in his/her songs was presented to Gina Chavez, an Austin, Texas-based singer-songwriter who has helped to amplify the voices of the marginalized.

The River Roads Festival received The Clearwater Award, honoring a festival that — like its Pete Seeger-founded namesake –- exhibits sound leadership in environmental stewardship and sustainable event production. A one-day event presented by Dar Williams and held in Easthampton, Massachusetts for the past two years, the next River Roads Festival is set for July 5 at Heuser Park in King of Prussia, Pennsylvania. Williams said that she was “so excited” to accept the award. She noted that, like Seeger was, she is a resident of New York’s Hudson Valley and recalled being on Conan O’Brien’s late-night TV talk show with him in 1998. Said Williams: “Music is an incredible force … The culture around the music can be a powerful vehicle for justice.”

The Rising tide Award, which is bestowed on an emerging artist/act of an age, went to OKAN, a female-led, Afro-Cuban roots and jazz duo.

Spirit of Folk Awards recognizing people and organizations actively engaged in the promotion and preservation of folk music were presented to Annie Capps, Innu Nikamu festival, Tom Power, and Alice Randall. Capps is a Michigan-based singer-songwriter and a longtime leader with Folk Alliance Region Midwest (FARM), who has served as both its board president and conference director. Innu Nikamu is a Quebec-based festival of Indigenous music and culture that has taken place for more than 30 years. Power, best known as the host of CBC Radio One’s Q program, is also a musician who performs and records with The Dardanelles, a Canadian folk band. Randall is a hit-making country music songwriter who has been a trailblazer in folk and country music. She’s also a college lecturer and the author of My Black Country, which she describes as both a memoir and a history.

“I owe my sanity to folk music,” said Randall in accepting the award. “In My Black Country, I tell the story of climbing out of the hell of being raped by holding on to the sound of John Prine singing “Angel From Montgomery.” Prine’s label, Oh Boy! Records, also released a collection of songs entitled My Black Country. Randall noted that her book “is about the Black folk, including Black folk musicians, who made country country.”

2025 Lifetime Achievement Award recipients included the folk-rock duo Indigo Girls (whose eponymous debut album won a Grammy Award for Best Contemporary Folk Recording 35 years ago), the late Black Appalachian musician Lesley Riddle, and the global roots magazine Songlines. During the awards show, singer-songwriters Rose Cousins and Mary Bragg performed “Galileo,” one of the Indigo Girls’ hit songs, in tribute to the duo, while Black indigenous Canadian singer-songwriter Julian Taylor performed “Red River Blues” in tribute to Riddle.

Accepting the Legacy Lifetime Achievement Award on behalf of Riddle, who died in 1980 at age 75, Randall referred to him as a founder of country music and a practitioner of folk who collected and taught the Carter Family a lot of songs. “Tonight, Folk Alliance corrects an almost 100 year-old wrong” by recognizing him.

“We need folk music now more than ever,” said the Indigo Girls’ Emily Saliers in a pre-recorded video. “This Folk Alliance is a group that honors diversity, equity, inclusion, and access for all. Folk music is the music of truth telling. Amy [Ray] and I are, especially in this time, particularly honored to accept this award.” Echoing her sentiments, Ray urged folks to “Please stand up with us and make your voices heard in these times … Day by day, song by song, we can make this world a better place.”

Accepting a Lifetime Achievement Award on behalf of Songlines, James Anderson-Hanney, its publisher, said: “I think we’re the last world music magazine on the planet.” The UK-based, glossy bimonthly that comes with CD is currently celebrating its 25th anniversary.Leading Quebecois folk ensemble Le Vent Du Nord, a 2023 Songlines award recipient, performed in honor of the magazine.

Five Inducted Into Folk Radio Hall of Fame

Eight years ago, Folk Alliance International established a Folk Radio Hall of Fame in order to recognize folk DJs and music directors for the vital role that they play by sharing the music with their listeners. Wanda Fischer, Longtime host of The Hudson River Sampler on WAMC Radio in Albany, New York and herself an inductee in the Hall of Fame, recognized this year’s inductees, while a video featuring visuals and information about them was also screened. The 2025 inductees include Taylor Caffery, Matthew Finch, Archie Fisher, MarySue Twohy, and Chuck Wentworth.

Taylor Caffery, a native of New Orleans, Louisiana, has been the host Hootenanny Power of WRKF Public Radio in Baton Rouge, LA since it began airing in 1981. He’s also been recognized with WRKF’s Founder’s Award (2022) and with the Kari Estrin Founding President’s Award during the 2024 Southeast Regional Folk Alliance (SERFA) Conference.

Matthew Finch, who left our world unexpectedly in July 2024, was a beloved figure in New Mexico’s music scene, who devoted more than 20 years to KUNM in Albuquerque as its music director, and as a tireless advocate for local musicians. Through the programs Ear to the Ground and Studio 55, he created platforms for regional artists to share their music, showcasing live performances and celebrating the diversity of the state’s music community.

Archie Fisher hosted BBC Radio Scotland’s award-winning Traveling Folk program for 27 years – promoting artists and musicians of the folksong revival throughout the British Isles. A talented artist in his own right, he also hosted studio sessions and interviews with such notable American and Canadian artists as Joan Baez, Judy Collins, David Francey, and James Keelaghan. Queen Elizabeth II presented him with a MBE in 2006 for his services to music.

MarySue Twohy is a program director at SiriusXM, who currently manages The Village, its folk channel, among others. She conducts artist interviews and produces a wide array of radio programs. Formerly an artist herself, she moved into broadcasting by hosting a two-hour program 20 years ago and quickly rose to PD. She also served on the FAI board of directors for seven years and continues to serve on national music committees, and to participate in conference panels and as a songwriting contest judge.

Chuck Wentworth, who passed away last year, was a revered figure on the New England music scene – best known for his long-standing contributions as both a radio show host and a festival producer. He began hosting a folk radio show on WRIU-FM, the college radio station at the University of Rhode Island, while he was a student and Traditions aired for 38 years. He also served as the station’s folk and roots music director and expanded its folk programming from one show to five nights a week. Wentworth was also the founder and producer of the Rhythm & Roots Festival, a three-day music and dance festival in Rhode Island.

[Here’s a link to view the International Folk Music Awards Show, which also was livestreamed via YouTube and was available for viewing via Folk Alley and NPR Music: https://www.youtube.com/watch?v=RVE29BZ6fBg

The International Folk Music Awards was just one part, albeit an important one, of the 37th annual Folk Alliance International Conference that extended from February 19-23 and drew nearly 2,500 attendees. In addition to more than 2,700 showcases featuring more than 700 acts (including 183 juried official showcases plus many more showcases extending into the early morning hours), the conference included a keynote conversation with Allison Russell and Ann Powers [see below], Black American Music and International Indigenous Music Summits, a one-day legal summit, 45 panel discussions and workshops, a number of affinity and peer group sessions, six film screenings and discussions, lobby jams, meetings of FAI’s regional affiliates, a town hall meeting on P2 Visas – Working Through Parity at the Canada/US Border, a popular Meet the Folk DJs session, morning yoga, an exhibit hall, agent-presenter speed networking sessions, and lots of other networking opportunities.

Artist & Activist Allison Russell Engages in Keynote Conversation with Music Journalist Anne Powers

Allison Russell — a widely acclaimed singer-songwriter, multi-instrumentalist, producer and activist –- returned to her hometown to engage in an hour-long keynote conversation with Anne Powers, a critic and correspondent for NPR Music. A soulful, Nashville, Tennessee-based, Montreal-born Scottish Grenadian Canadian, Russell is the recipient of more than a dozen awards. These include a Grammy Award for Best American Roots Music Performance for Eve Was Black,” a single off of her sophomore solo recording, Returner released in September 2023), Juno Awards for Contemporary Album of the Year (for her solo debut, Outside Child – 2022) and Music Video of the Year (for “Demons,” 2024), six UK Americana Music Awards, four Canadian Folk Music Awards, and two Americana Music Honors & Awards. In 2022, Folk Alliance International members voted Russell’s solo debut as Album of the Year and her as Artist of the Year. Outside Child was also named Contemporary album of the Year in the 2022 Canadian Folk Music Awards, while she was named Songwriter of the Year and New/Emerging Artist of the Year in recognition of the emotion-laden album featuring 11 original songs “about resilience and survival, transcendence and the redemptive power of art, community, connection, and chosen family.”

Russell has previously spoken of the abuse and trauma that she faced in her youth and the major role that music has played in helping her to overcome it .In her conversation with Powers, she recalled how, at age 15, while unhoused, she slept in the pews at a church just a few blocks from Le Sheraton Centre.

Asked about her latest album, 2023’s The Returner, she noted how she had been a challenged, broken yet brave girl. “”We come from long, broken lines of survivors. We’re all miracles. We’re all returners. We are all overcoming things.”

Much of her on-stage conversation with Powers focused on her recent portrayal of Persephone in Anais Mitchell’s award-winning Broadway musical, Hadestown. Russell noted that it was her first professional acting role and that she had not acted since performing in a Shakespearean play while in high school.

Sharing her reflections on Hadestown just days after she concluded her 50-week run as Persephone and in keeping with the “Illuminate” theme of the conference, she said: Persephone is Hades’ only source of light, of illumination in the underworld. She was the light in his life.”

Playing a mythic goddess in this time took on new connotations, she acknowledged, citing “the current fear-mongering administration in Washington” and “the bigotry and bias that can really harm communities.”

Referring to herself as “a geriatric millennial,” Russell said: “When I came up 24 years ago, there weren’t too many others who looked liked me.” Acknowledging that “our [folk] community is growing more diverse,” she spoke of being a curator during the 2021 Newport Folk Festival tasked with featuring Black and Black & queer women and their allies in the center of a 90-minute set focused on roots and revolution. ”What could be more beautiful than to be conscious, to be mindful [woke],” said Russell, noting that she’s “a queer woman who somehow married a white man with a guitar.”

Prior to embarking on her solo career, Russell was a co-founder of Our Native Daughters and Birds of Chicago and was part of Po’ Girl.

[Here’s a link to view a video recording of the keynote conversation: https://www.youtube.com/watch?v=U_ne2-baY8g.]

Folk Alliance International (folk.org) is a nonprofit organization that aims to serve, strengthen, and engage the global folk music community through preservation, presentation and promotion.

Neal grew up in Connecticut and loves getting back up to New England. “I’m really looking forward to spending some time in Vermont, which is so beautiful in the summertime. I love that the folks at SolarFest focus their attention on renewable energy and sustainable, healthy living, all very important things that I am so excited to learn more about, and be a part of! I’m also so excited to bring the guys from the band Pretty Saro along with me to play as my backing band for the show.” She anticipates it being “a really fun and special time.”

Since graduating from Berklee College of Music in 2019, Neal has released two albums featuring her original songs. Also a finalist in the prestigious Kerrville New Folk Competition this year, Neal is delighted that Pretty Saro, an acoustic roots trio from Boston, Massachusetts, will join her when she performs at SolarFest.

Here’s a link to enjoy a video of Neal performing “Emily,” one of the two songs that she submitted to the SolarFest Songwriter Showcase judges: https://youtu.be/OpiQZgfFSQA.

Named as showcase finalists were Narissa Bond (Houston, TX), J.M. Clifford (Brooklyn, NY), Frank Critelli (New Haven, CT), and Carolann Solebello (Brooklyn, NY).

As previously reported on AcousticMusicScene.com, the SolarFest Singer-Songwriter Showcase was free to enter and open to all artists who write and perform original music and are not currently signed to a major recording label. Entries were evaluated based on composition (music and lyrics), vocal and instrumental delivery, and overall live performance.

Launched in 1995, SolarFest — slated for July 15-16 this year — aims to connect people, the arts, ideas and technology, fostering partnerships and activism to create a vibrant present and a sustainable future. “In addition to workshops and great information on renewable energy, SolarFest has been the home to diverse and exciting music,” says singer-songwriter Phil Henry, a festival organizer. Among the more than 20 artists and acts who will showcase their talents during this year’s festival are Dar Williams, House of Hamill, HuDost, Lara Herscovitch & the Philosopher Kings, Pamela Means, Louise Mosrie Coombe, and the Falcon Ridge Folk Festival “Most Wanted” Preview Tour featuring Phil Henry, Grace Morrison, Sam Robbins, and Erin Ash Sullivan. Henry, Herscovitch and Mosrie Coombe are previous SolarFest Singer-Songwriter Showcase winners. More information on SolarFest may be found at solarfest.org.

Entries, which are due by May 15, will be evaluated based on composition (music and lyrics), vocal and instrumental delivery, and overall live performance. Judging will be done prior to the festival – with one winner and four finalists invited to perform on the festival’s solar-powered main stage on Saturday, July 15. Cash prizes will also be awarded — $300 for the winner and $75 or the finalists — while the winner will be invited to perform a full set at next year’s festival.

May 15 is the deadline to submit applications online via the use of a Google Form [https://docs.google.com/forms/d/e/1FAIpQLSdxnBHBQY1YyxFP2hB4m8sDHcGWTudPcySNtCvlXndZFJYzww/viewform]. All entries must include links to two live performance videos, a brief bio, and a link to the artist’s website.

Launched in 1995, SolarFest aims to connect people, the arts, ideas and technology, fostering partnerships and activism to create a vibrant present and a sustainable future. “In addition to workshops and great information on renewable energy, SolarFest has been the home to diverse and exciting music,” says singer-songwriter Phil Henry, a festival organizer. Among the more than 20 artists and acts who will showcase their talents during this year’s festival are Dar Williams, House of Hamill, HuDost, Lara Herscovitch & the Philosopher Kings, Pamela Means, Louise Mosrie Coombe, and the Falcon Ridge Folk Festival “Most Wanted” Preview Tour featuring Phil Henry, Grace Morrison, Sam Robbins, and Erin Ash Sullivan. Henry, Herscovitch and Mosrie Coombe are previous SolarFest Singer-Songwriter Showcase winners.

“The Singer-Songwriter Showcase gives up-and-coming singer-songwriters an opportunity to stand and deliver original music on a beautiful stage with stellar production,” Henry told AcousticMusicScene.com. “For me, being selected and winning SolarFest was a critical acknowledgement that was so important early in my career.”

More information on SolarFest and its Singer-Songwriter Showcase may be found at solarfest.org.

NERFA (nerfa.org) is one of five North American regional affiliates of Folk Alliance International, a nonprofit organization that aims to serve, strengthen and engage the global folk music community through preservation, presentation and promotion — and the only one to host its annual conference both in-person and online this year. Southwest Regional Folk Alliance (SWRFA) and Folk Alliance Region Midwest (FARM) held in-person conferences in September and October, respectively, while Southeast Regional Folk Alliance (SERFA) held its 2022 conference in the spring and Folk Alliance Region-West opted not to host one this year.

As in years past, the NERFA conference will feature several jam-packed days and nights of music showcases, song swaps and jam sessions; open mics; one-on-one mentoring and peer group sessions; an exhibit hall; keynote speakers, awards; a community meeting; an open-sing; and lots of informal conversation and networking. The conference is designed to help attendees forge connections and build community, while also providing learning and performance opportunities that can help enhance their professional and personal lives.

Unlike previous NERFA conferences, all of the events will not take place in one location. While the Berkeley Oceanfront Hotel will be home to much of the in-person conference, Formal Showcases will be held at The Stone Pony — a venerable music club located just a few minutes away from it. NERFA Awards will also be presented there, as will two of the conference’s three nightly keynote addresses.

Artists Showcase Their Talents at The Stone Pony, the Host Hotel and Online

The juried formal showcases are considered the premiere performance opportunity during the conference. From among hundreds of submissions, 20 artists/acts were chosen to perform in-person at The Stone Pony, while another 20 were awarded virtual showcase opportunities. All will be streamed online for virtual ticket holders, while Saturday’s in-person formal showcases also are open to the public for $15 plus a service fee in advance via nerfaconference.org/tickets/ or $20 at the venue.

Virtual formal showcasing performers – each of whom submitted a pre-recorded live video – include Deidre McCalla, Emily Drinker, Genevieve Racette, Greg Greenway, ilyAIMY, Joshua Garcia, Justin Farren, Kray Van Kirk, Larry & Joe, Madison Violet, Natalie Price, Palmyra, Peter Calo, Rachael Sage, Rupert Wates, Sam Robbins, Shanna in a Dress, Taylor Abrahamse, and Travis Knapp. In addition to being screened online, all 20 virtual formal showcases will be presented on-site via a theater-sized video wall in the exhibit hall that will be open from 10 a.m. to 4 p.m. on both Friday and Saturday.

Conference attendees will also have the opportunity to enjoy a Saturday afternoon showcase presented by Folk Music Ontario and the opening night’s Suzi Wollenberg Folk DJ Showcase that will feature short performances by seven artists/acts selected by folk DJs, along with a keynote address by Sarah Craig, executive director of Caffe Lena in Saratoga Springs, NY — America’s longest continuously operating folk club. Following the juried and folk DJ showcases each evening, a number of private showcases curated by conference attendees will be held in various hotel rooms from 10 p.m. through the early morning hours on Thursday-Saturday overnight. Some hosts may also livestream their in-person showcases, while others are hosting virtual showcases.

Panel Discussions and Workshops Explore a Variety of Topics

The conference’s programming committee has created a streamlined array of 60-90 minute panel discussions and workshops. These include “Artists & Presenters: Safe Expectations & Boundaries,” “Blurring the Boarder: Do’s, Don’ts and Musts to Ensure a Successful Crossing,” “Bringing Your Venue Online,” “Coming Back from Quarantine – House Concert Edition,” “A Crash Course in Cutting the Cord & Becoming a Full-Time Musician,” “The Current State of Marketing Yourself,” “Defining Success in Your Career,” “Editing Videos for Fun and Profit,” “Export Ready – Preparing Yourself for a New Marketplace,” “How to Return from the Pandemic Stronger,” “How to Seize Financial Opportunities,” “The Ins & Outs of Co-writing,” “Keep the Story Going (The Lifecycle of a Song),” “Lifecycle of Record Production & Release,” “The Reality of Touring for Working Artists,” and “Recording Remotely.”

David Amram (“the renaissance man of American music”) and Vance Gilbert (a veteran touring singer-songwriter and past keynote speaker) will conduct performance critique sessions, while Jean Rohe and acclaimed singer-songwriter Dar Williams present songwriting workshops. Ron Olesko (a veteran folk DJ and the creator & curator of Folk Music Notebook) moderates a Wisdom of the Elders panel discussion featuring Kari Estrin (a radio promoter and artist development & career consultant), Mitch Greenhiill (a musician, composer, producer, and president of the music agency FLiArtists) and Biff Kennedy (an artist manager and radio promoter).

Virtual Tickets Enabling Online Access to the Conference for 30 or 365 Days are Still Available for Purchase

Virtual tickets that afford you online access to all official virtual conference programming (including live-streamed panel discussions and workshops, formal showcases and keynotes, as well as virtual private showcases) for 30/365 days following the conference are available for $35/$50 plus service fees at nerfaconference.org/tickets/.

As in years past, this year’s schedule includes a number of talented artists and acts — many performing in song-swap style workshops with folks whom they may have never even met, making for unique musical pairings. It also poses a dilemma of choices that may have some attendees scrambling from one stage to another nearby to catch certain artists.

There will be continuous music from 11 a.m. to 9 p.m. on seven sound stages, ranging from the intimate “Meet the Performer” area at the historic Seamen’s Bethel (which figures In Herman Melville’s classic novel, Moby Dick) and the National Park Garden Stage to the majestic 1200-seat Zeiterion Theater, the event’s presenter.

Besides the music, more than 90-juried artisans and crafts makers will set up booths along the cobblestoned streets between the performance tents and venues. Among them will be jewelers, instrument makers, tie dyeers, local honey purveyors, ceramic artists, vendors selling handmade health and beauty products, and more.

While in New Bedford, you also can enjoy fresh seafood and sample tasty cuisine at one of the whaling city’s many Portuguese restaurants. A food court and beer garden also will fill two blocks of Purchase Street in front of The Zeiterion Performing Arts Center and near the SouthCoast Stage, where a number of local artists are slated to perform.

Admission to the festival is quite affordable at $40 for the weekend or $30 for one-day, while a premium weekend pass is $140. Tickets are available for purchase at https://zeiterion.org/nb-folk-festival-2019/, by calling 508-994-2900, or in person at the box office at 684 Purchase Street. Children under 12 will be admitted free with an adult.

For more information and to see complete schedules for the weekend, visit www.newbedfordfolkfestival.com.

Back by popular demand, after a much lamented one-year absence, two open mics are again on the schedule; Rob Hinkal of IlyAIMY hosts the Friday and Saturday afternoon sessions.

Booking gigs may be the primary objective of some performers who attend the conference; and many presenters and folk DJs do scout out new artists and those whom they have not previously heard and seen in live performance. However, the conference experience is much more than that; it’s really about forging connections, building community, and attending workshops and seminars to learn about options to further careers, promote the music, attract audiences and listeners, ad enrich our lives.

Among some 40 scheduled workshops and panel discussions are several focusing on social media and websites. Sonny Ochs, a longtime folk DJ and sister of the late troubadour and activist Phil Ochs, will moderate “Singing The Truth: Activism and 35 Years of Phil Ochs Song Nights,” featuring performing panelists Greg Greenway, Reggie Harris, Joe Jencks, Colleen Kattau, and Pat Wictor. Among the artist-centric offerings are the popular “On the Griddle” instant critique session and ones on crowd-funding, DIY video, financial planning for artists, “Making the Most of Your Release,” “Mental Health Survival Kit for Musicians,” “Navigating Social Issues with Music and Story,” “Step-By-Step Streaming Success,” and “Womenfolk: Fostering Equity, Safety and Success.” Sally Rogers and Claudia Schmidt will conduct a vocal harmony how-to session. For presenters, there will be sessions on finding the funds for your venue and sound reinforcement, as well as one entitled “Keep the Fire Bright: Preventing Burnout in Presenting Organizations. “

Morning yoga sessions will again be led by singer-songwriter Caroline Cotter, while MusiCares will be on site again to fit folks for custom earplugs.

Juried Showcases Slated for Friday and Saturday Nights

Following the formal showcases, attendees will shuffle between three rooms in close proximity to one another to catch short sets by 30 additional artists/acts who were selected by a different set of judges. Performing in these semi-formal showcases on Friday night are (in alphabetical order) Asaran Earth Trio, Quentin Callewaert, Noah Derksen, Josh Harty, House of Hamill, Rachael Kilgour, Low Lily, Kipyn Martin, Nathans & Ronstadt, Next Generation Leahy, Kerri Powers, Monica Rizzio, Annie Sumi, and UPSTATE. Saturday’s semi-formal showcase artists include Rod Abernethy, Big Little Lions, C. Daniel Boling, Ellen Bukstel, Susan Cattaneo Band, Emerald Rae, Roger Street Friedman, Cassandra House, Joe Jencks, Kolonien, Moonfruits, Diane Perry, The Promise is Hope, Quarter Horse, and Suzie Vinnick. Like the formal showcases that immediately precede them, nothing else is allowed to compete with the semi-formal showcases during the conference.

On Thursday evening, the conference’s opening night, the Suzi Wollenberg Folk DJ Showcase will feature short performances by 15 artists/acts chosen by DJs. Listed in order of appearance, they are Sweet Corn & Sunflower (Annie Sumi & Tannis Slimmon), Bruce Foley & Mary Coogan, Bill Baker, Letitita VanSant, All Types of Kinds, Katie Dahl, Grace Morrison, Eric Lee, Sam Steffen, Susan Shann, Marian Halliday, Sue Horowitz, Belle of the Fall, and Plywood Cowboy.

Following the juried and folk DJ showcases each evening, AcousticMusicScene.com will join dozens of presenters, performers and others in hosting guerilla showcases in their hotel rooms that extend through the early morning hours. Some guerilla showcases also are slated for Friday and Saturday afternoons. Musicians may well stake out other areas of the hotel and jam until 4 or 5 a.m.


AcousticMusicScene.com Midnight Hoot Features Artists, Singing Folk DJs


An overflow crowd will likely descend on the AcousticMusicScene.com suite (2031) on Thursday overnight for its popular Midnight Hoot. Extending from 11 p.m. to 2:30 a.m., this hoot is a pre-arranged, round robin song swap featuring several singing folk DJs (Jim Colbert, Barbara and Graham Dean, and Jon Stein) and some three-dozen artists/acts – each performing one song.

Now in its 12th year, the Midnight Hoot is intended to shine a spotlight on several folk DJs who also enjoy singing, while providing them, presenters and others with an opportunity to get a small sampling of the music of a lot of artists in a short period of time. A house band comprised of Mark Dann (bass), Jagoda (percussion), and Eric Lee (fiddle/violin) will be there for anyone who desires accompaniment.

While Michael Kornfeld, AcousticMusicScene.com’s editor & publisher, hosts the Thursday-Saturday overnight showcases, his friends Mira Shapiro and Hank Stone will serve as guest hosts on Friday afternoon. Closing out the afternoon will be performance of Si Kahn’s Mother Jones in Heaven, a musical play about the legendary labor organizer (starring Viv Nesbitt, with John Dillon on guitar).More information and a short video about the musical play may be found online at www.motherjonesinheaven.com.

As in recent years, the musical festivities in the AcousticMusicScene.com room will wrap up on Saturday overnight with an extended “O Canada” song swap. Carrying their instruments and the maple leaf, a number of talented Canadian artists and acts will march into the room at 2 a.m. singing their national anthem.

Schedules for the AcousticMusicScene.com showcases appear below.

AcousticMusicScene.com Midnight Hoot (Room 2031)

Thursday Night 11 p.m. – 2:30 a.m.

(One song per artist/act and folk DJ, not listed in order of appearance.)

Host: Michael Kornfeld

Folk DJs: Jim Colbert, Graham & Barbara Dean, Jon Stein

Artists:

Rod Abernethy, Mike Agranoff, Antonio Andrade, Lisa Bastoni, Belle of the Fall, Shawna Caspi, Crowes Pasture, Alyssa Dann, Diamonds in the Rust, Neale Eckstein, Kala Farnham, Roger Street Friedman, Gathering Time, Gina Holsopple, Joe Iadanza, ilyAIMY, Joe Jencks, Stuart Kabak, Brian Kalinec, Rachael Kilgour, Eric Lee, Mara Levine, Pete Mancini , Kirsten Maxwell, Hugh O’Doherty, Andrea Randa, Monica Rizzio, Mike P. Ryan, Susan Shann, Carolann Solebello, Hank Stone, Linda Sussman, Jesse Terry, The Royal Yard, and Letitita VanSant

House Band: Mark Dann, Jagoda, Eric Lee

Friday Afternoon Hosts: Mira Shapiro, Hank Stone, John Dillon and Viv Nesbitt

2:00 Mass. Appeal: Amy Kucharik, Eric Lee, Rob Lytle
2:30 Marylanders: Heather Aubrey Lloyd, Kipyn Martin, Letitita Van Sant
3:00 Fab Folk: Sophie Buskin, Rachael Kilgour, Nathans & Ronstadt
3:30 More Fab Folk: Gina Holsopple, Mike Laureanno, Hank Stone
4:00 Si Kahn’s Mother Jones in Heaven, a musical play about the legendary labor organizer (starring Viv Nesbitt, with John Dillon on guitar): 55 minutes.

Friday Night Host: Michael Kornfeld

Saturday Night Host: Michael Kornfeld

11:45 Long Island Sounds: Gathering Time, Joe Iadanza, Rorie Kelly & Nico Padden,
and Hank Stone
12:30 Blues & Roots: Jon Shain & FJ Ventre and Pat Wictor
1:00 Two Duos & A Trio: Gathering Sparks, Deeper Than The Skin: Reggie Harris & Greg Greenway, and The Malvinas
1:30 Celtic Set: Emerald Rae and House of Hamill
2:00 O Canada: Big Little Lions, Melanie Brulee, Shawna Caspi, Scott Cook, Ken Dunn, Gathering Sparks, Piper Hayes, Moonfruits, Gillian Nicola, Cheryl Prashker (percussion), Corin Raymond, Benjamin Dakota Rogers, Tannis Slimmon, Annie Sumi, and Lucie Blue Tremblay

“I hope that attendees will share a meal and/or a song with new friends they don’t yet know, embrace the spirit of community that NERFA represents, and have a great conference experience,” said Michael Kornfeld, president of NERFA’s board of directors and editor and publisher of AcousticMusicScene.com. He expressed thanks to Dianne Tankle, NERFA’s founder and conference director since its inception, and her team of volunteers for all of their efforts in arranging the event. Tankle will be stepping down from her leadership role following this year’s conference.

Here’s a link to a video montage that Neale Eckstein created following the 2016 NERFA Conference: https://www.facebook.com/neale.eckstein/videos/10154271098733893/

NERFA is a regional affiliate of Folk Alliance International (www.folk.org), a nonprofit organization that aims to nurture, engage and empower the international folk music community — traditional and contemporary, amateur and professional — through education, advocacy and performance. NERFA’s geographic boundaries extend from the eastern provinces of Canada south to the northern Virginia suburbs of Washington, D.C. More extensive information on the organization and its annual conference may be found online at www.nerfa.org.

Editor’s Note: My thanks to Hank Stone for his assistance in setting up the AcousticMusicScene.com showcase room and for guest-hosting Friday afternoon song swaps– along with Mira Shapiro, Viv Nesbitt and John Dillon — to Amy Blake, Arpie Maros and Sybil Moser for the loan of folding chairs, and to Stuart Kabak for the loan of stage and decorative lights that help to create a listening room ambiance in the suite.

In addition to hosting the AcousticMusicScene.com Midnight Hoot and other showcases and leading a community meeting with the NERFA board of directors as its president, I will moderate a panel discussion on artists ‘website and social media and offer mentoring sessions on strategic communications and public relations topics during the conference.

With only 14 artists/acts chosen for 15-minute slots on Friday and Saturday nights, the Formal Showcase is the premiere and most coveted performance opportunity at the conference. Featured in these showcases will be (listed in alphabetical order by last name or group name) The Black Feathers, Jonathan Byrd, Scott Cook, Ronny Cox, Reggie Harris and Greg Greenway: Deeper Than The Skin, Alice Howe, Louise Mosrie, Zoe Mulford, Heather Pierson Acoustic Trio, Sally Rogers and Claudia Schmidt, Screaming Orphans, Robinson Treacher, Kenny White, and Windborne. Named as alternates were Quentin Callewaert, Low Lily, and Kolonien.

Note: Alternates are automatically given a Semi-Formal Showcase performance slot unless selected to take the place of any Formal Showcase artists who are unable to perform.

Immediately following the Formal Showcases on Friday and Saturday nights, conference attendees will shuffle between three rooms in close proximity to one another to enjoy juried 15-minute Semi-Formal Showcases (formerly known as tricentrics and quadcentrics). Artists selected by a separate jury for these showcases include Rod Abernethy, Asaran Earth Trio, Big Little Lions, C. Daniel Boling, Ellen Bukstel, Susan Cattaneo Band, Noah Derksen, Emerald Rae, Josh Harty, Cassandra House, House of Hamill, Joe Jencks, Rachael Kilgour, Erika Kulnys, Kipyn Martin, The Next Generation Leahy, Moonfruits, Aaron Nathans & Michael G. Ronstadt, Diane Perry, Kerri Powers, The Promise Is Hope, Quarter Horse, Monica Rizzio, Annie Sumi, Jesse Terry, UPSTATE (formerly Upstate Rubdown), and Suzie Vinnick. Named as alternates were Roger Street Friedman, Mike P. Ryan, and All Types of Kinds. Like the Formal Showcases that precede them, nothing else is allowed to compete with the Semi-Formal Showcases during the conference.

After the juried showcases each evening, AcousticMusicScene.com will join dozens of presenters, performers and others in hosting guerilla showcases in their hotel rooms that extend through the early morning hours. The Suzi Wollenberg Folk DJ Showcase, informal jam sessions, thematic song circles, round-robin song swaps, and community sings round out the musical mix.

[Here’s a link to a short song video by Neale Eckstein featuring images and scenes from the 2017 NERFA Conference: https://www.youtube.com/watch?v=qt-A_DnX1OY.]

As in years past, besides several jam-packed days and nights of music showcases, the NERFA conference, also will feature informative panel discussions and workshops, one-on-one mentoring and peer group sessions, communal meals, a large trade show-like exhibit hall, a welcoming party, and lots of opportunities for schmoozing and networking. Singer-songwriter Dar Williams will be the conference’s keynote speaker.

NERFA is a regional affiliate of Folk Alliance International (www.folk.org), a nonprofit organization that aims to nurture, engage and empower the international folk music community — traditional and contemporary, amateur and professional — through education, advocacy and performance.

NERFA’s geographic boundaries extend from the eastern provinces of Canada south to the northern Virginia suburbs of Washington, D.C. Last year, its annual conference drew nearly 750 performing artists, presenters, promoters, folk DJs, agents and managers, and others engaged more than peripherally in the world of folk and acoustic music. The conference is designed to help them forge connections, build community, and learn things that can help enhance and enrich their professional and personal lives. For more information and to register to attend the conference, visit www.nerfa.org.

Editor’s Note: I am president of the NERFA board of directors and also serve on the Folk Alliance International board. In addition to hosting late-night showcases under the banner of AcousticMusicScene.com, I will moderate a panel discussion on social media and your online presence and offer mentoring sessions on strategic communications, PR and other topics during the conference.

Jason Isbell and The 400 Unit’s The Nashville Sound was named Best Americana Album, while “If We Were Vampires,” one of its original songs penned by Isbell, won the Grammy Award for Best American Roots Song. Isbell’s previous recording, Something More Than Fine, won the Grammy Award for Best Americana Album in 2016 and sported that year’s Best American Roots Song, ”24 Frames.” Also a six-time Americana Awards winner, the former Drive-By Trucker was previously named Artist of the Year and won Album and Song of the Year honors during the Americana Music Association’s 15th Annual Americana Honors & Awards Show in 2016. Last October, Isbell – who hails from Alabama and currently lives in Nashville, Tennessee – was named to be the official artist-in-residence at the Country Music Hall of Fame and Museum.

Singer-songwriter Aimee Mann’s Mental Illness won Best Folk Album. Her first new studio recording in five years, it marks a return for Mann to a slower and more acoustic sound – with the focus on acoustic guitar, piano, and, of course, her voice — after she rocked out more on her previous album, 2012’s Charmed. That recording had harkened back more toward her days as the lead vocalist for rockers ‘Til Tuesday in the late 1980s.

The Infamous Stringdusters feature Andy Hall (dobro), Andy Falco (guitar), Chris Pandolfi (banjo), Jeremy Garrett (fiddle), and Travis Book (double bass). Although the band has received a number of International Bluegrass Music Awards over the years, this marked its first Grammy win – having previously been among the nominees for Best Country Instrumental Performance in 2011. Released on Compass Records last January, Laws of Gravity is The Infamous Stringdusters’ seventh studio album and was recorded while the band was on tour.

Rhonda Vincent & The Rage have won a bevy of awards overs the years from the International Bluegrass Music Association (IBMA) and The Society for the Preservation of Bluegrass Music in America (SPBGMA). Hailed as the queen of bluegrass music, singer-songwriter and multi-instrumentalist Rhonda Vincent is an eight-time IBMA vocalist of the Year and multi-time SPBGMA Entertainer and Female Vocalist of the Year. Her bandmates include Hunter Berry (fiddle), Brent Burke (dobro). Mickey Harris (bass & vocals), Aaron McDaris (banjo), and Josh Williams (guitar & vocals).

Other Grammy Award winners in the American Roots Music Field include:

Best American Roots Performance: “Killer Diller Blues” (Alabama Shakes)

Best Traditional Blues Album: Blue & Lonesome (The Rolling Stones)

Best Contemporary Blues Album: TajMo (Taj Mahal and Keb’ Mo’)

Best Regional Roots Album: Kalenda (Lost Bayou Ramblers)

Outside of the American Roots Music Field, Chris Stapleton, a country music artist who has also garnered considerable folk and roots radio airplay, received Gammy Awards for both Best Country Song (“Broken Halos,” written with Mike Henderson0, Best Country album (From A Room; Volume 1) and Best Country Solo Performance (“Either Way”). A Kentucky-born singer-songwriter who formerly fronted The SteelDrivers, Stapleton has penned a number of songs that have topped the country music charts.

Americana Music Association, Folk Alliance International Hosted Pre-Grammy Events

On Saturday, Jan. 27, prior to the Grammy Awards, both the Americana Music Association and Folk Alliance International hosted celebratory events at popular NYC live music venues City Winery and Joe’s Pub, respectively. An Americanafest Pre-Grammy Salute to Emmylou Harris — who will be honored by The Recording Academy with a Lifetime Achievement Award later this year — was presented by the Americana Music Association and featured performances by Brandi Carlile, Mary Chapin Carpenter, Rodney Crowell, Steve Earle, Harris, Jack Ingram, Keb’ Mo’, and The Secret Sisters, among others. Hailing from northern Alabama, The Secret Sisters (Lydia and Laura Rogers) were among this year’s nominees for Best Folk Album and also shared their sisterly harmonies at Joe’s Pub during the afternoon, where Folk Alliance International honored past and present nominees in that category and other roots artists. Among the other artists at Joe’s Pub were Ashley Campbell (Glen’s daughter), Olivia Chaney of Ofa Rex (also a Best Folk album nominee), Rose Cousins (an award-winning Canadian singer-songwriter and the afternoon’s emcee), Michael Daves, bluesman Guy Davis (whose collaboration with Fabrizio Poggi on Sonny and Brownie’s Last Train earned a nomination for Best Traditional Blues Album), Anais Mitchell, and Dar Williams.

Americanafest is a six-day festival and conference celebrating American roots-inspired music that is put on by the Americana Music Association. Early registration is currently available for the next one that is set for Sept. 11-16 in Nashville and will feature educational panels and seminars, showcases at venues around the music city, and the annual Americana Honors & Awards Show. Established in 1999, the Americana Music Association is a professional trade association whose mission is to advocate for the authentic voice of American roots music throughout the world. For more information, visit www.americanamusic.org.

Folk Alliance International (www.folk.org) is a Kansas City, MO-based nonprofit organization that seeks to nurture, engage and empower the international folk music community – traditional and contemporary, amateur and professional – through education, advocacy and performance. It’s 30th annual conference is slated for Feb. 14-18, in Kansas City, MO, and will feature presentations by Mary Chapin Carpenter and Richard Thompson, the Louis Jay Meyers Music Camp, the International Folk Music Awards, the third annual Kansas City Folk Festival, artist showcases, workshops, panel discussions, film screenings, an exhibit hall, and more.