Song of the Year honors went to Dan Navarro and Janiva Magness’ recording of “$20 Bill (for George Floyd) by the late singer-songwriter Tom Prasada-Rao. In accepting the award, Navarro (a singer-songwriter and voice actor perhaps best known for co-writing the hit song “We Belong”) noted that more than 100 artists recorded a version of Prasada-Rao’s song in 2020 “but because of the impact and the challenges of the pandemic, it never really had a proper release and we decided we would do something about that.“ Dedicating the award to Prasado-Rao, who died last year, Navarro said: “This is not just the song of the year; it’s the song of the century and the song of a lifetime.”

Here’s a link to view a video of Dan Navarro and Janiva Magness performing “$20 Bill (for George Floyd)”:
https://www.youtube.com/watch?v=SeHdq817B7Y

Susan Werner’s Halfway to Houston was named Album of the Year. A prolific and versatile singer-songwriter who accompanies herself on both guitar and piano and is known for her sassy wit and classy Midwest charm, Werner was unable to be in Montreal to accept the award and sent a short video, while fellow singer-songwriter Dar Williams picked up the award on her behalf.

In addition to these FAI member-voted awards – which were open to recordings released between October 1, 2023 and September 30, 2024 – a number of special awards and honors were presented.

The People’s Voice Award recognizing an artist who embraces social and political commentary in his/her songs was presented to Gina Chavez, an Austin, Texas-based singer-songwriter who has helped to amplify the voices of the marginalized.

The River Roads Festival received The Clearwater Award, honoring a festival that — like its Pete Seeger-founded namesake –- exhibits sound leadership in environmental stewardship and sustainable event production. A one-day event presented by Dar Williams and held in Easthampton, Massachusetts for the past two years, the next River Roads Festival is set for July 5 at Heuser Park in King of Prussia, Pennsylvania. Williams said that she was “so excited” to accept the award. She noted that, like Seeger was, she is a resident of New York’s Hudson Valley and recalled being on Conan O’Brien’s late-night TV talk show with him in 1998. Said Williams: “Music is an incredible force … The culture around the music can be a powerful vehicle for justice.”

The Rising tide Award, which is bestowed on an emerging artist/act of an age, went to OKAN, a female-led, Afro-Cuban roots and jazz duo.

Spirit of Folk Awards recognizing people and organizations actively engaged in the promotion and preservation of folk music were presented to Annie Capps, Innu Nikamu festival, Tom Power, and Alice Randall. Capps is a Michigan-based singer-songwriter and a longtime leader with Folk Alliance Region Midwest (FARM), who has served as both its board president and conference director. Innu Nikamu is a Quebec-based festival of Indigenous music and culture that has taken place for more than 30 years. Power, best known as the host of CBC Radio One’s Q program, is also a musician who performs and records with The Dardanelles, a Canadian folk band. Randall is a hit-making country music songwriter who has been a trailblazer in folk and country music. She’s also a college lecturer and the author of My Black Country, which she describes as both a memoir and a history.

“I owe my sanity to folk music,” said Randall in accepting the award. “In My Black Country, I tell the story of climbing out of the hell of being raped by holding on to the sound of John Prine singing “Angel From Montgomery.” Prine’s label, Oh Boy! Records, also released a collection of songs entitled My Black Country. Randall noted that her book “is about the Black folk, including Black folk musicians, who made country country.”

2025 Lifetime Achievement Award recipients included the folk-rock duo Indigo Girls (whose eponymous debut album won a Grammy Award for Best Contemporary Folk Recording 35 years ago), the late Black Appalachian musician Lesley Riddle, and the global roots magazine Songlines. During the awards show, singer-songwriters Rose Cousins and Mary Bragg performed “Galileo,” one of the Indigo Girls’ hit songs, in tribute to the duo, while Black indigenous Canadian singer-songwriter Julian Taylor performed “Red River Blues” in tribute to Riddle.

Accepting the Legacy Lifetime Achievement Award on behalf of Riddle, who died in 1980 at age 75, Randall referred to him as a founder of country music and a practitioner of folk who collected and taught the Carter Family a lot of songs. “Tonight, Folk Alliance corrects an almost 100 year-old wrong” by recognizing him.

“We need folk music now more than ever,” said the Indigo Girls’ Emily Saliers in a pre-recorded video. “This Folk Alliance is a group that honors diversity, equity, inclusion, and access for all. Folk music is the music of truth telling. Amy [Ray] and I are, especially in this time, particularly honored to accept this award.” Echoing her sentiments, Ray urged folks to “Please stand up with us and make your voices heard in these times … Day by day, song by song, we can make this world a better place.”

Accepting a Lifetime Achievement Award on behalf of Songlines, James Anderson-Hanney, its publisher, said: “I think we’re the last world music magazine on the planet.” The UK-based, glossy bimonthly that comes with CD is currently celebrating its 25th anniversary.Leading Quebecois folk ensemble Le Vent Du Nord, a 2023 Songlines award recipient, performed in honor of the magazine.

Five Inducted Into Folk Radio Hall of Fame

Eight years ago, Folk Alliance International established a Folk Radio Hall of Fame in order to recognize folk DJs and music directors for the vital role that they play by sharing the music with their listeners. Wanda Fischer, Longtime host of The Hudson River Sampler on WAMC Radio in Albany, New York and herself an inductee in the Hall of Fame, recognized this year’s inductees, while a video featuring visuals and information about them was also screened. The 2025 inductees include Taylor Caffery, Matthew Finch, Archie Fisher, MarySue Twohy, and Chuck Wentworth.

Taylor Caffery, a native of New Orleans, Louisiana, has been the host Hootenanny Power of WRKF Public Radio in Baton Rouge, LA since it began airing in 1981. He’s also been recognized with WRKF’s Founder’s Award (2022) and with the Kari Estrin Founding President’s Award during the 2024 Southeast Regional Folk Alliance (SERFA) Conference.

Matthew Finch, who left our world unexpectedly in July 2024, was a beloved figure in New Mexico’s music scene, who devoted more than 20 years to KUNM in Albuquerque as its music director, and as a tireless advocate for local musicians. Through the programs Ear to the Ground and Studio 55, he created platforms for regional artists to share their music, showcasing live performances and celebrating the diversity of the state’s music community.

Archie Fisher hosted BBC Radio Scotland’s award-winning Traveling Folk program for 27 years – promoting artists and musicians of the folksong revival throughout the British Isles. A talented artist in his own right, he also hosted studio sessions and interviews with such notable American and Canadian artists as Joan Baez, Judy Collins, David Francey, and James Keelaghan. Queen Elizabeth II presented him with a MBE in 2006 for his services to music.

MarySue Twohy is a program director at SiriusXM, who currently manages The Village, its folk channel, among others. She conducts artist interviews and produces a wide array of radio programs. Formerly an artist herself, she moved into broadcasting by hosting a two-hour program 20 years ago and quickly rose to PD. She also served on the FAI board of directors for seven years and continues to serve on national music committees, and to participate in conference panels and as a songwriting contest judge.

Chuck Wentworth, who passed away last year, was a revered figure on the New England music scene – best known for his long-standing contributions as both a radio show host and a festival producer. He began hosting a folk radio show on WRIU-FM, the college radio station at the University of Rhode Island, while he was a student and Traditions aired for 38 years. He also served as the station’s folk and roots music director and expanded its folk programming from one show to five nights a week. Wentworth was also the founder and producer of the Rhythm & Roots Festival, a three-day music and dance festival in Rhode Island.

[Here’s a link to view the International Folk Music Awards Show, which also was livestreamed via YouTube and was available for viewing via Folk Alley and NPR Music: https://www.youtube.com/watch?v=RVE29BZ6fBg

The International Folk Music Awards was just one part, albeit an important one, of the 37th annual Folk Alliance International Conference that extended from February 19-23 and drew nearly 2,500 attendees. In addition to more than 2,700 showcases featuring more than 700 acts (including 183 juried official showcases plus many more showcases extending into the early morning hours), the conference included a keynote conversation with Allison Russell and Ann Powers [see below], Black American Music and International Indigenous Music Summits, a one-day legal summit, 45 panel discussions and workshops, a number of affinity and peer group sessions, six film screenings and discussions, lobby jams, meetings of FAI’s regional affiliates, a town hall meeting on P2 Visas – Working Through Parity at the Canada/US Border, a popular Meet the Folk DJs session, morning yoga, an exhibit hall, agent-presenter speed networking sessions, and lots of other networking opportunities.

Artist & Activist Allison Russell Engages in Keynote Conversation with Music Journalist Anne Powers

Allison Russell — a widely acclaimed singer-songwriter, multi-instrumentalist, producer and activist –- returned to her hometown to engage in an hour-long keynote conversation with Anne Powers, a critic and correspondent for NPR Music. A soulful, Nashville, Tennessee-based, Montreal-born Scottish Grenadian Canadian, Russell is the recipient of more than a dozen awards. These include a Grammy Award for Best American Roots Music Performance for Eve Was Black,” a single off of her sophomore solo recording, Returner released in September 2023), Juno Awards for Contemporary Album of the Year (for her solo debut, Outside Child – 2022) and Music Video of the Year (for “Demons,” 2024), six UK Americana Music Awards, four Canadian Folk Music Awards, and two Americana Music Honors & Awards. In 2022, Folk Alliance International members voted Russell’s solo debut as Album of the Year and her as Artist of the Year. Outside Child was also named Contemporary album of the Year in the 2022 Canadian Folk Music Awards, while she was named Songwriter of the Year and New/Emerging Artist of the Year in recognition of the emotion-laden album featuring 11 original songs “about resilience and survival, transcendence and the redemptive power of art, community, connection, and chosen family.”

Russell has previously spoken of the abuse and trauma that she faced in her youth and the major role that music has played in helping her to overcome it .In her conversation with Powers, she recalled how, at age 15, while unhoused, she slept in the pews at a church just a few blocks from Le Sheraton Centre.

Asked about her latest album, 2023’s The Returner, she noted how she had been a challenged, broken yet brave girl. “”We come from long, broken lines of survivors. We’re all miracles. We’re all returners. We are all overcoming things.”

Much of her on-stage conversation with Powers focused on her recent portrayal of Persephone in Anais Mitchell’s award-winning Broadway musical, Hadestown. Russell noted that it was her first professional acting role and that she had not acted since performing in a Shakespearean play while in high school.

Sharing her reflections on Hadestown just days after she concluded her 50-week run as Persephone and in keeping with the “Illuminate” theme of the conference, she said: Persephone is Hades’ only source of light, of illumination in the underworld. She was the light in his life.”

Playing a mythic goddess in this time took on new connotations, she acknowledged, citing “the current fear-mongering administration in Washington” and “the bigotry and bias that can really harm communities.”

Referring to herself as “a geriatric millennial,” Russell said: “When I came up 24 years ago, there weren’t too many others who looked liked me.” Acknowledging that “our [folk] community is growing more diverse,” she spoke of being a curator during the 2021 Newport Folk Festival tasked with featuring Black and Black & queer women and their allies in the center of a 90-minute set focused on roots and revolution. ”What could be more beautiful than to be conscious, to be mindful [woke],” said Russell, noting that she’s “a queer woman who somehow married a white man with a guitar.”

Prior to embarking on her solo career, Russell was a co-founder of Our Native Daughters and Birds of Chicago and was part of Po’ Girl.

[Here’s a link to view a video recording of the keynote conversation: https://www.youtube.com/watch?v=U_ne2-baY8g.]

Folk Alliance International (folk.org) is a nonprofit organization that aims to serve, strengthen, and engage the global folk music community through preservation, presentation and promotion.

Chosen to present 30-minute sets on full-production stages with lighting and sound before presenters, agents, managers, media, artists, and other music professionals during the music business conference were Adrian + Meredith, Afrikana Soul Sister, Alice Hasen & The Blaze, Alicia Toner, Alysha Brilla, Amy Lavere, Amy Speace, Andrea Von Kampen, Angelique Francis, Anna Ekborg, Anya Hinkle featuring Billy Cardine, Aysanabee, Bailey Bigger, Barnaby Bright, Ben Sures, Berk Jodoin, Bobby Alu, Brad Reid Quartet, Brek, Bruce Molsky, Bruno Capinan, Buffalo Rose, Canyoon City, Cary Morin Duo, Casii Stephan, Celeigh Cardinal, Charly Lowry, Charm of Finches, Chatham Rabbits, Damoizeaux, Dan Navarro, Delbert Anderson Trio, Digawolf, Dom Flemons, Elexa Dawson, Eljuri, Emily Nenni, Emma Langford, Ernest Aines, Falls, Fanny Lumsden, Cathy Fink & Marcy Marxer with Chao Tian Flagship Romance, Fortunate Ones, Fourwinds, Gangar, Genevieve Racette, Gina Chavez, Gordie McKeeman and His Rhythm Boys, Hanne Kah, Harry Manx, Heather Pierson Duo, Holly Arrowsmith, Humbird, Ian Sherwood, Iona Fyfe, Jack Klatt, Jaimee Harris, Jake Blount, Jancie Jo Lee, Jason Lang: Homage to Penny Lang, Jennifer Knapp, Jenny Mitchell, JigJam, Jim and Sam, Jim Stevens, Jobi Riccio, Joe Jencks, Joy Clark, Karan Casey, Kelley Hunt, Kellie Loder, Kitty MacFarlane, Kris Drever, Lady Nade, Larry & Joe, Le Diable a Cinq, Le Winston Band, Les Arrivants, Les Hay Babies, Les Rats D’Swompe, Les Tireux D’Roches, Little Misty,Lon, Los Arcos Hermanos Pena, Matthew Fowler, Melisande [Electrotrad], Memphissippi Sounds, Mike Biggar, Missy Raines & Allegheny, Monique Clare, My Son the Hurricane, Nadia Larcher with Ensemble Iberica, Nani (Noam Vazana), Nat Myers, Nefesh Mountain, Nigel Wearne, Northern Resonance, Okcello, Ordinary Elephant, Oshima Brothers, Phoebe Hunt, Pipo Romero, Queen Esther, Quote the Raven, Rainbow Girls, Raine Hamilton String Trio, Rakish, Ray Bonneville, Rev. Robert B. Jones, Ron Artis II, Royal Wood, Rum Ragged, Sawyer Fredericks, Seth Walker, Shane Hennessy, Shane Pendergast, Silver Wolf Band, Siomha, So Long Seven, Sophie Lukacs, Spence LaJoye, Steve Poltz, Sussex, Suzie Ungerleider, Talibah Safiya, Talisk, Taylor Rae, , Terra Spencer, The Arcadian Wild, The Armagh Rhymers, The Black Feathers, The Brother Brothers, The Burney Sisters, The Contenders The Faux Paws, The Fretless, The Heart Collectors, The Henry Girls, The Magpies, The McDades, The Rough & Tumble, The Small Glories, Tish Hinojosa, Twin Flames, Veronica Valerio, Waahli, and Wallis Bird.

Besides the juried official showcases and lots of private showcases, there will be a wide array of workshops and panel discussions, mentoring and peer sessions, keynoters, the International Folk Music Awards, a large exhibit hall, receptions and networking opportunities galore.

The theme of the 2023 conference, the world’s largest gathering of the folk music industry and community, is Facing the Future: Sustainability in Folk Music. “As we emerge from the survival mindset of the early 2020s, our attention turns to the horizon and the challenges – and opportunities – that lie ahead for our industry and community,” according to the Kansas city-based nonprofit organization that aims to serve, strengthen and engage the global folk music community through preservation, presentation and promotion. “Together, we’ll explore the intersection of individual excellence and collective strength and work to understand what must be dismantled and what must be built.”

For more information on Folk Alliance International and its annual conference, for which the advanced registration deadline is October 31, visit folk.org.

Editor’s Note: I am a member of the the Folk Alliance International board of directors but was not involved in the selection of official showcase artists.

Slated to showcase their talents during the concert that is set for 7 p.m. EST are Stephanie Corby, Ronny Cox, Terry Gonda and Kirsti Reeve, Lara Herscovitch, The Kennedys, Kate McDonnell, Dan Navarro, Tom Prasada-Rao, Jenny Reynolds, SONiA disappear fear, LisaBeth Weber, Annie Wenz, and Jack Williams. Also performing will be My One and Only, an Americana duo recently selected as the inaugural recipient of an annual Rising Artist Award established by Focus Music in honor of Reba and Vic Heyman. Several artists who could not be in Maryland for the tribute concert –- including Michael Bowers & Siobhan Quinn, Christine Lavin and John McCutcheon — will participate via pre-recorded videos.

Tickets for the tribute concert are $25 in advance ($25 at the door for members of the sponsoring organizations, $35 at the door for non-members and for virtual tickets) and include a video of the event that can be viewed live (for those who are not comfortable attending an in-person show) or online afterwards. “we felt the livestream was important since we know there are many outside of the DC area who felt the love Vic and Reba shared,” noted Shelley Caplan, Focus Music’s board secretary. “Also, in these times of COVID uncertainty, we wanted to provide an option for those not ready to attend an in-person show.” To order tickets and for more information on the concert and the performers, visit FocusMusic.org. Proceeds from the event will be used to fund future Rising Artist Awards.

Artists Share Their Reflections on Reba Heyman

In a Facebook post last June reflecting on Reba Heyman’s passing, Maura Kennedy of the folk-rock duo The Kennedys noted of her and Vic: “They were like parents to us and to so many, and they were always in our audience, right in the front row. Vic passed away several years ago [2009], but we still saw Reba every year when we played in Florida, often staying with her.”

Navarro told AcousticMusicScene.com that over the years, he saw the Heymans at music festivals and conferences and was struck by Reba’s easy charm, her savvy wit, and the depth of her connection with Vic. “Usually dressed alike, they were the ubiquitous folk community parent/grandparent figures, and we all loved them,” he said.

Navarro reflected on having played a memorial concert for Vic Heyman, also at the Olney Theatre, along with the late David Glaser. “”We coincidentally arrived wearing the exact same Scully “Nighthawk” western shirt, with no fallback wardrobe to keep us from looking like a Holiday Inn band in matching outfits. What to do, what to do? ‘I know,’ David said. ‘Let’s say we’re dressed as Vic and Reba!’ We did, and it worked.”

“Reba leaves a huge, heart-shaped hole in so many of our lives,” said Lara Herscovitch, a Connecticut-based singer-songwriter. “Reba and Vic believed in me before I believed in myself; they welcomed me in, showing me that I belong in this big folk music community and family. Any time spent with Reba was home-away-from-home – whether visiting her in Florida, Maryland, at Falcon Ridge, Kerrville, any of many Folk Alliance conferences, or on the phone,” she continued. “She brought such a deep interest in and care for the world, a great sense of adventure and humor, and a determined strength alongside profound warmth and care,” the former Connecticut State Troubadour noted. Expressing gratitude for “all the gifts of connection, spirit and love that she brought to the world,” Herscovitch told AcousticMusicScene.com: “She will remain an angel on my shoulder – and thousands of others – as we all carry the lessons of her and Vic’s legacy forward.”

“This virtual confab will satisfy both our bylaws’ requirements for an annual general membership meeting, and our yen for the live performances we have come to love through our official and private guerilla showcases,” according to a Sept. 24 news release issued by the nonprofit organization. “The show, and the love, must go on.”

The organization’s annual general membership meeting kicks off the day at 11:30 a.m. PDT. In addition to a brief discussion of board and organizational business, the meeting will afford members of Folk Alliance International who reside in the western United States and Canada an opportunity to ask questions and make comments.

A two-hour FAR-West Livestream Concert Revue is slated to start at 12:45 p.m. PDT via the FAR-West YouTube channel. It will feature live performances by well-known acts from the West and beyond, as well as a few up-and-coming artists.

Performers include Grammy® winners and nominees Laurence Juber, John McEuen, Danny O’Keefe and Wendy Waldman; up-and-comers The Black Feathers, Crys Matthews and Raye Zaragoza; storyteller Tim Hernandez; stalwarts Joe Craven, David Jacobs-Strain, Joel Rafael and Beth Wood and David Jacobs-Strain. Tom Prasada-Rao will sing his much-covered social justice anthem, “$20 Bill” (For George Floyd), a poignant and heartbreakingly powerful song that he wrote in the days following the senseless murder of a 46 year-old black man by a Minneapolis, MN police officer after he allegedly bought cigarettes with a counterfeit $20 bill. To cap off the musical festivities, Dan Navarro will perform a newly-written version of the classic song “We Belong” that he co-wrote with his late musical partner Eric Lowen; Pat Benatar’s recording of “We Belong” was a best-selling hit.

Here are the online links for the meeting and the concert:

Zoom Meeting: www.zoom.us or on the Zoom app • Meeting ID: 927 0725 3654 / Passcode: 945043

YouTube Concert:
www.youtube.com/user/farwestconference

One of five North America-based regional affiliates of Folk Alliance International, FAR-West (far-west.org) seeks to foster and promote traditional, contemporary and multicultural folk music, dance, storytelling and related performing arts in the Western United States and Canada. Folk Alliance International (folk.org) is a nonprofit organization that aims to serve, strengthen, and engage the global folk music community through preservation, presentation and promotion.

In a Facebook post, Amy Rigby, a singer-songwriter who was sharing the stage with Olney and Scott Miller as part of a song swap, wrote:

“David Olney, a beautiful man, a legend, a songwriting poet died last night. I was sitting next to him in the round, had been so honored and looking forward to getting to trade songs with him and Scott Miller. Olney was in the middle of his third song when he stopped, apologized and shut his eyes. He was very still, sitting upright with his guitar on, wearing the coolest hat and a beautiful rust suede jacket we laughed about because it was raining like hell outside the boathouse where we were playing- I just want the picture to be as graceful and dignified as it was, because it at first looked like he was just taking a moment. Scott Miller had the presence of mind to say we needed to revive him. Doctors in the audience and 30A folks were all working so hard to get him to come to. It’s hard to post about this because I can’t really believe he’s gone. I am so sorry for his wife and family and friends and all the people who loved him and his music. Even those who never heard of him. We all lost someone important last night.”

Here’s a link to a nearly 30-minute Acoustic Interlude session featuring David Olney that was recorded during the 2020 30A Songwriters Festival:

https://www.youtube.com/watch?v=pxF6WXW4Hq0&feature=youtu.be&fbclid=IwAR0ADwrIUBizMkjE2EbVfBGJEjcnVE1QI0CVPplVN9hyJlX1Vou3SClU8po

Based in Nashville since 1973, the Lincoln, Rhode Island native, who was born on March 23, 1948 and moved to Music City after briefly studying English at the University of North Carolina at Chapel Hill, had quickly become part of a like-minded group of songwriters that included Guy Clark, Townes Van Zandt and Rodney Crowell. “Anytime anyone asks me who my favorite music writers are, I say Mozart, Lightnin’ Hopkins, Bob Dylan, and David Olney,” Van Zandt once said. “David Olney is one of the best songwriters I’ve ever heard – and that’s true. I mean that from my heart.” That quote appears in the liner notes for Olney’s 1991 release, Roses.

After fronting a band, The X-Rays, who recorded two albums for Rounder Records, Olney released his first solo album, Eye of the Storm, in 1986. His 1988 sophomore release, Deeper Well, featured his song “Jerusalem Tomorrow” that Emmylou Harris covered on her 1993 album, Cowgirl’s Prayer; she also covered its title track on 1995’s Wrecking Ball. Of Olney, Harris had said: “David Olney tells marvelous stories, with characters who cling to he hope of enduring love, all the while crossing the deep divide into that long, dark night of the soul.”

Here’s a link to a video of David Olney performing “Jerusalem Tomorrow”:

https://www.youtube.com/watch?v=GQcX_rv20dk

Olney, whose last album, This Side or the Other, was released in 2018, was a prolific songwriter and a mainstay of the Nashville music community. He also was a cinematographer and helped to produce a number of short films and documentaries.

Facebook, the online social network, was replete with online tributes to and remembrances of Olney, beginning shortly after his death.

“I’m in shock. Devastated that my friend, songwriter David Olney has passed away,” wrote singer-songwriter Abbie Gardner in a Jan. 19 post. “We were supposed to write together next week. I spent the morning watching videos of him just trying to turn back the clock and spend some more time listening to his stories and grumbly voice… I always tucked away ideas I thought he would like and saved them for our co-writes. I don’t know what I’ll do with the one I’d hoped to share with him next week. There’s one of our songs on his last record ironically called “Death Will Not Divide Us.” Listening to that now is heartbreaking and healing all at once. I hope you’re right, David, I really hope you’re right.”

Here’s a link to view the official music video for “Death Will Not Divide Us”:

https://www.youtube.com/watch?v=uA2AEyo74ds

Dan Navarro, a fellow singer-songwriter, noted that he was on the same stage, The Boathouse at Watercolor, in a round just before Olney. “I greeted and hugged him as I came offstage, as he was prepping to go on,” Navarro posted. “I hadn’t seen him in a year… He was sweet and I thought he looked great, with his long white beard, which was not so long last year. I complimented him on his cool suede jacket, and he prepped to go on. About ten minutes later, he was seated onstage checking, and I went up to say bye bye. An hour later he was gone. What a shocking heartbreaking loss.”

Singer-Songwriter Amy Speace also posted on Jan. 19: “11 or 12 years ago I got an email from Mary Sack saying that David Olney had heard me at the Folk Alliance and wanted me to join him in a 9pm round at The Bluebird Cafe. It was my first time there. It felt like I’d been handed a secret key to a kingdom. He was one of my first calls when I moved to East Nashville and we had coffee at Bongo and talked about Shakespeare and folk music and touring in Holland. He was welcoming. He was unpretentious and kind. A true master. I saw him only a week or so ago at The Five Spot sounding on top of his game. Word spread quickly at this festival that he died on stage tonight and it doesn’t seem real. The last Bluebird Round I hosted, he was my first call and I got the chance to sit next to him and hear him play all those songs and thank him for graciously opening the door for me years ago. I hope he knew how much that invitation meant. I hope he feels that the tribe won’t sleep tonight. This is one of my favorites. My heart is with his family and his close friends.”

https://www.youtube.com/watch?v=pxF6WXW4Hq0&feature=youtu.be&fbclid=IwAR0ADwrIUBizMkjE2EbVfBGJEjcnVE1QI0CVPplVN9hyJlX1Vou3SClU8po

Olney was to have showcased his talents and been part of a Wisdom of the Elders panel discussion at the annual Folk Alliance International Conference in New Orleans later this week. In addition to an official juried showcase, he was slotted to play Acoustic Chaos: The Georgia Room on Thursday, Jan. 23, at 11 p.m. The room’s host, Jill Kettles, Olney’s ‘on-again and off-again publicist,’ has invited conference attendees to come to the room during that time and sing their favorite David Olney song or talk about him as a friend, a colleague, or as an inspiration.

Olney leaves behind his wife, Regine, daughter, Lillian, and son, Redding, as well as many friends in the music community. Memorial services have not yet been planned.

Besides several jam-packed days and nights of music showcases, song swaps/in-the-rounds, open mics and informal jam sessions, the NERFA conference will also feature a children’s concert, informative panel discussions and workshops, one-on-one mentoring and peer group sessions, communal meals, awards presentations, an exhibit hall, a community meeting with NERFA’s volunteer board of directors, a community sing, a welcoming party, a 25th anniversary celebration, and lots of opportunities for schmoozing and networking. Singer-songwriter Noel Paul Stookey (of Peter, Paul & Mary fame) will be the conference’s keynote speaker.

Booking gigs may be the primary objective of some performers who attend the conference; and many presenters and folk DJs do scout out new artists and those whom they have not previously heard and seen in live performance. However, the conference experience is much more than that; it’s really about forging connections, building community, and taking advantage of learning opportunities that can help enhance and enrich their professional and personal lives.

Workshops and Panel Discussions Abound

The conference’s programming committee, under the leadership of Ethan Baird, NERFA’s board secretary, has arranged a diverse array of workshops and panel discussions. Recognizing the popularity of its On the Griddle instant critique sessions during which a panel of folk DJs and presenters listen to the first 60 seconds of a number of songs and provides snap feedback, NERFA will offer two new panels inspired by them and focusing on artist blurbs/bios and videos.

Among some two-dozen other scheduled workshops and panel discussions are A-OK: Mental Health & Well-Being for Working Artists, A Dynamic Duo! – Artists & Venues Working Together to Create Unforgettable Shows, F rom Cents to Sense: Smart Financial Planning for the Independent Artist, Gold Records! – Learn from he Masters & Produce Dynamic Audio Projects that Shimmer & Shine, Good Vibrations: Your Voice, Singing & Powerful Vocal Techniques, Home Sweet Home: Best-Laid Plans to Create Magical & Successful House Concerts, The Insider’s Guide to Music Management, The Jack Hardy Songwriter’s Method, Start a Creative Revolution! – Using the Arts to Start Creative Change, Vance Gilbert’s Famous Performance Critique, and Women in Folk: A Multigenerational Reflection. Sonny Ochs, a longtime folk DJ and sister of the late troubadour and activist Phil Ochs, will again host a Wisdom of the Elders session; this time it will feature veteran folk DJs Wanda Fischer, John Platt and Rich Warren. Yoga sessions also will be offered each morning, while MusiCares will be on site again to fit folks for custom earplugs.

Noel Paul Stookey Keynotes the Conference on Saturday Night

Today, Noel still performs occasionally with Peter Yarrow (Mary passed away in 2009), as well as doing solo shows in which he continually introduces new songs that deal specifically with major issues facing us in these times. He also invests time and energy in his national nonprofit organization, Music to Life, founded with his daughter, Liz Stookey Sunde, which connects activist artists of all genres with the resources they need to revitalize their communities through music. In reference to the well-known Chinese curse: ‘May you live in interesting times,’ Noel laughs: “Well baby, we are there. We communicate
these days through social media about those.

Juried Showcases Slated for Friday and Saturday Nights

Taking center stage during the conference will be 14 artists/acts selected by a panel of judges – with each to perform a 15-minute formal showcase set on Friday and Saturday nights – the most coveted performance opportunity at the conference. Friday night’s lineup includes (in order of appearance) The New Students, Meghan Cary, Tui, Corey Laitman Trio, Les Royal Pickles, Roger Street Friedman, and Megan Burtt. Slated to showcase their talents on Saturday night are Damn Tall Buildings, Annie Sumi, Alastair Moock, Sophie Buskin, Rani Arbo & daisy mayhem, Alisa Amador, and Matt Nakoa Trio.

Following the formal showcases, attendees will shuffle between three conference ballrooms in close proximity to one another to catch short sets by 30 additional artists/acts who also were selected by the judges. Performing in these semi-formal showcases on Friday night are (in alphabetical order) Marc Berger, Blue Plate Special, The Bombadils, Katie Dahl, Marion Halliday, Lily Henley, JANTURAN, Mara Levine, James Maddock, Jeffrey Martin, Peter Mulvey, Kalyna Rakel, Martin Swinger, Tragedy Ann, and Rupert Wates. Saturday’s semi-formal showcase artists include Jeremy Aaron, Cricket Blue, Kala Farnham, Kora Feder, Matt Harlan, Lynne Hanson, Diana Jones, MOSA, David Newland with Siqiniup Qilauta/Sunsdrum, Ordinary Elephant, Birch Pereira & the Gin Joints, Piper & Carson, Benjamin Dakota Rogers, Katherine Rondeau, and Ken Tizzard. Like the formal showcases that immediately precede them, nothing else is allowed to compete with the semi-formal showcases during the conference.

On Thursday evening, the conference’s opening night, the Suzi Wollenberg Folk DJ Showcase will feature short performances by 16 artists/acts chosen by DJs. Listed in order of appearance, they are The Scooches, Kalyna Rakel, Willa Mamet, The Promise Is Hope, Scot Krokoff, Mark & Jill, Nico Padden, John John Brown, Heather Mae, Robinson & Rohe, Eli Smith, Kathleen Healy, Dan Whitener, Jenner Fox, Carol Crittenden, and Mark Stepakoff.

Judges for this year’s official juried showcases were Sarah Craig (Caffe Lena), Dan Gottfried (Voices in the Heights), Joe Mercadante (Steeple Coffeehouse), Ron Olesko (Folk Music Notebook), Jess Razzi (Razzi Entertainment), Kimberly Sinclair (SpinCount), and Matt Smith (Passim).

Following the juried and folk DJ showcases each evening, AcousticMusicScene.com will join dozens of presenters, performers and others in hosting guerilla showcases in their hotel rooms that extend through the early morning hours. Some guerilla showcases also are slated for Friday and Saturday afternoons. Musicians also may well stake out other areas of the hotel and jam.


AcousticMusicScene.com Midnight Hoot Features Nearly 50 Artists and Singing Folk DJs


An overflow crowd will likely descend on the AcousticMusicScene.com suite (2031) on Thursday overnight for its popular Midnight Hoot. Extending from 11 p.m. to 3 a.m., this hoot is a pre-arranged, round-robin song swap featuring several singing folk DJs (Wanda Fischer, Ellen Stanley and Jon Stein) and some 45 artists/acts – each performing one song.

Now in its 13th year, the Midnight Hoot is intended to shine a spotlight on several folk DJs who also enjoy singing, while providing them, presenters and others with an opportunity to get a small sampling of the music of a lot of artists in a short period of time. A house band comprised of Bob Beach (harmonica), Mark Dann (bass), Genevieve (keyboards), Lily Henley (fiddle), ad Nick Russo (banjo and other instruments) will be there for anyone who desires accompaniment.

While Michael Kornfeld, AcousticMusicScene.com’s editor & publisher, hosts the Thursday-Saturday overnight showcases, his friends Mira Shapiro and Hank Stone will serve as guest hosts on Friday afternoon. A series of song swaps on Friday overnight will be topped off by a Long Island Sounds celebration featuring performances by nearly a dozen LI-based artists. As in recent years, the musical festivities in the AcousticMusicScene.com suite will wrap up on Saturday overnight with an extended “O Canada” song swap. Carrying their instruments and the maple leaf, a number of talented Canadian artists and acts will march into the room at 2 a.m. singing their national anthem.

Schedules for the AcousticMusicScene.com showcases appear below.

AcousticMusicScene.com Midnight Hoot (Room 2031)

Thursday Night 11 p.m. – 2:30 a.m.

(One song per artist/act and folk DJ, not listed in order of appearance.)

Host: Michael Kornfeld

Artists: Jeremy Aaron, Andy & Judy, Jordi Baizan, Bob Beach, Carol Crittenden, Alyssa Dann, Amy Dee, Neale Eckstein, Jane Fallon, Lindsay Foote, Gina Forsyth, Jenner Fox, Freebo, Gathering Time, Genevieve, Claudia Gibson, Kyle Hancharick, Matt Harlan, Gerry Hazel, Lily Henley, Gina Holsopple, Alice Howe, Brian Kalinec, Fiora Laina, Corey Laitman, Peter Lehndorf, Mara Levine, Rob Lytle, Kipyn Martin, Mosa, Mother Banjo, Dan Navarro, The Promise Is Hope, The Rix, Stephen Robinson, Tina Ross, Rachael Sage, Eric Schwartz, The Scooches, Hank Stone, Garret Swayne, Kristina Vaughn, Rupert Wates, Dan Whitener & Blue Plate Special, Billy Woodward

Folk DJs: Wanda Fischer, Ellen Stanley, Jon Stein

House Band: Bob Beach (harmonica), Mark Dann (bass), Genevieve (keyboards), Lily Henley (fiddle), Nick Russo (banjo & other instruments)

Hosts: Mira Shapiro and Hank Stone

2:00 Marc Berger
]2:15 Nathans & Ronstadt
2:30 Lily Henley
2:45 Connor Garvey
3:00 The Rix
3:15 Lea Morris
3:30 Steve Robinson and Hank Stone
4:00 Alice Howe
4:15 Rob Lytle
4:30 The Malvinas
4:45 Freebo

Friday Night

Host: Michael Kornfeld

11:45 MMM Good Music: Meghan Cary, Gathering Time, Marion Halliday, Mara Levine

12:30 Texas Troubadours: Jordi Baizan, Matt Harlan, Brian Kalinec

1:00 A Trio of Duos: Gathering Sparks, The Levins, The Promise Is Hope

1:30 British New Yorkers: James Maddock, Rupert Wates

2:00 Long Island Sounds: Roger Street Friedman, Scott Krokoff, Ray Lambiase, Nico Padden, Matt Ponsot, Quarter Horse, Steve Robinson, Nick Russell, Hank Stone, Linda Sussman, Christine Sweeney

Saturday Night

Host: Michael Kornfeld

11:45 All Keyed Up: Genevieve, Matt Nakoa, Rachael Sage, Eric Schwartz

12:30 A Pair of Duos: The Early Risers, Ordinary Elephant

1:00 Banjocentric: Banjo Nickaru & The Scooches, Mother Banjo, Dan Whitener

1:30 Women’s Voices: Abbie Gardner, Sharon Goldman, Grace Pettis

2:00 O Canada: Noah Derksen, Ken Dunn, Gathering Sparks, James Gordon, Lynne Hanson, Graham Lindsey, John Muirhead, David Newland, Piper & Carson, Kalyna Rakel, Benjamin Dakota Rogers, Saffron A, Angela Saini, Siqniup Qilauta/Sunsdrum, Greg Smith, Annie Sumi, Ken Tizzard

“I hope that attendees will share a meal and/or a song with new friends they don’t yet know, embrace the spirit of community that NERFA represents, and have a great conference experience,” said Michael Kornfeld, president of NERFA’s board of directors and editor and publisher of AcousticMusicScene.com. He expressed thanks to Courtney Rodland, who assumed the role of interim conference director one year ago when Dianne Tankle, NERFA’s founder and conference director since its inception, stepped down. “Aided by a core group of key volunteers, Courtney has sought to create a conference that builds upon what has been successful in the past, while moving NERFA into our second quarter-century,” he said.

[Here’s a link to a short song video by Neale Eckstein featuring images and scenes from the 2017 NERFA Conference: https://www.youtube.com/watch?v=qt-A_DnX1OY.]

NERFA (www.nerfa.org) is a regional affiliate of Folk Alliance International (www.folk.org), a nonprofit organization that aims to serve, strengthen and engage the global folk music community through preservation, presentation and promotion. NERFA’s geographic boundaries extend from the eastern provinces of Canada south to the northern Virginia suburbs of Washington, D.C. More extensive information on the organization and its annual conference may be found online at www.nerfa.org.

Editor’s Note: My thanks to Hank Stone for his assistance in setting up the AcousticMusicScene.com showcase room and for guest-hosting Friday afternoon song swaps, along with Mira Shapiro — and to Amy Blake, Arpie Maros and Sybil Moser for the loan of folding chairs.

In addition to hosting the AcousticMusicScene.com Midnight Hoot and other showcases and leading a community meeting with the NERFA board of directors as its president, I will moderate a workshop entitled Write It Right, Alright? – Blurbs On The Griddle and participate in a panel discussion on self-promoting your project to the Folk DJ Chart. New this year, I also was among a small group of people offering pre-conference mentoring sessions via phone for conference attendees. Mine focused on strategic communications and public relations topics for artists, as well as how to get the most out of the conference.

South Florida Folk Festival Features a Singer-Songwriter Competition

Since its inception 20 years ago, the festival has been a combination of music fest, family reunion, community gathering, and weekend musical retreat. In addition to the festival’s headliners, a number of Florida-based musicians and other national touring acts are slated to perform. These include Ellen Bukstel, Kate Callahan (Connecticut State Troubadour), Caroline Cotter & Michael Thomas Howard, Jerry DeMeo, Jacob Johnson, Tom Lyman (all the way from Budapest, Hungary), Rod MacDonald, Laurie McClain, Danielle Miraglia, New Middle Class, Angela Parrish, Bill & Eli Perras, Roy Schneider & Kim Mayfield, Doug Spears, Twangtown Paramours, Mare Wakefield & Nomad, and Laura Zucker, among others. Some of the performing artists also will lead workshops, while there also will be a jam area for those who enjoy playing traditional folk and other acoustic styles of music.

Kicking-off the weekend’s musical festivities on Saturday, Jan. 16, from 11:30 a.m. to 1:30 p.m., will be the 12 finalists in the festival’s singer-songwriter competition, each of whom will perform two songs. They are Bear & Robert (Jacksonville, FL), Randy Brown (Mineola, TX), Nigel Egg (Minneapolis, MN), Lauren Heintz (Winter Park, FL), Sonya Heller (Calicoon Center, NY), Judy Kass (Tarrytown, NY), Leah Kaufman (Raleigh, NC), Claudia Nygaard (Nashville, TN), Cecilia St. King (Delray Beach, FL), Kray Van Kirk (Arcata, CA), Joe Virga (Cape Coral, FL), and Joel Zoss (West Palm Beach, FL).

Three winners selected by a panel of judges will each receive the Vic Heyman Songwriting Award – a $200 cash prize and an invitation to perform at the 2019 festival – as will 2017 winners Jane Fallon (Brookline, NH), Amber Ikeman (Bozeman, MT) and Austin MacRae (Ithaca, NY) at this event. In addition, all winners and finalists may be afforded the opportunity to perform ‘in-the-round’ during the festival’s second day, on Sunday, Jan. 14.

The annual songwriting competition is co-presented by Reba Heyman. Along with her late husband, Vic, Reba has been an integral part of the folk community in South Florida and nationally for many years. The couple has been known for decades for their generous financial backing of folk festivals and artists. They formerly ran a concert series in Rockville, Maryland known as Vic’s Music Corner, have established a scholarship fund for artists, and served on the boards of several music festivals.

For more information on the festival, which is co-sponsored by Sea Turtle Oversight Protection (STOP), and to order tickets in advance, visit www.southfloridafolkfest.com.

30A Songwriters Festival Features More Than 175 Performing Artists

Now in its ninth year, the 30A Songwriters Festival is set for Friday-Monday, Jan. 12-15. More than 175 artists are slated to perform at two-dozen venues and locations along the Florida Gulf Coast’s scenic Highway 30A in Walton County.

These artists and more will perform at amphitheaters, town halls, restaurants, theaters, bars and covered patios — with capacities ranging from intimate indoor venues that can seat 75 people to outdoor settings that can accommodate a few thousand.

“The 30A Songwriters Festival is one of the most diverse songwriters festivals I’ve ever been to,” says Shawn Mullins, who also will showcase his talents. “The wide range of songwriters performing, the great crowds, the unique venues, and the beautiful location all make for an incredible experience.”

Festival weekend passes, beginning at $280, can be purchased online at www.30asongwritersfestival.com, where you’ll also find more information on the festival, its performers and venues – including a complete schedule when it’s available. Tickets may also be purchased in-person at the Cultural Arts Alliance’s office in Santa Rosa Beach, The Foster Gallery in Grand Boulevard, and at Central Square Records in Seaside.

NPR’s Folk Alley, a multimedia music service produced by WKSU in Ohio, will be on site throughout the weekend, interviewing artists and filming and recording performances. The Sessions from the 30A Songwriters Festival will later air on the syndicated Folk Alley radio show and also will be archived at www.folkalley.com.

Established in 1972 at the urging of Peter Yarrow, the Kerrville New Folk Concerts have become a highlight of the annual festival that is geared towards singer-songwriters of various musical styles and is the longest continuously running festival of its kind in North America. Being named as a New Folk Winner is regarded as a very prestigious honor.

“It’s a great honor to be selected — first as a finalist and then as one of the six winners of this year’s contest,” said Kilgour. “Some of my favorite songwriters of all time have been New Folk finalists and winners, It’s pretty incredible to be included in that long and impressive list. I’m grateful for the time spent here at Kerrville amongst folks who share the deep love of a good song.”

Amy Speace, who served as one of the judges, along with fellow singer-songwriters Dan Navarro and Jeff Black, reflected on her experience of being both a two-time New Folk judge and a former finalist in the competition:

“Although those of us creating the art can wax negative on these things — ‘songwriting for sport, ick’ — in the end, the truth is without these contests many of us would not be here. New Folk at Kerrville is a beautiful example of integrating a ‘contest’ with a welcoming key to a kingdom of community. As a former New Folk Finalist who has judged twice, I can see if from both sides. I was thrilled to be a finalist. I was disappointed to not win, but a year later I was playing the Main Stage and realized I wouldn’t have been offered the gig without being seen in the contest, win or lose.

As a judge, I met Robby Hecht who has become a friend and a cowriter; maybe of one of my favorite songs I’ve ever had the pleasure of being a part of – ‘The Sea & The Shore.’ And one of my co-Finalists in 2006 (who won) was Jud Caswell, who co-wrote ‘The Weight of the World’ with me. So I may have lost the contest, but I think what I won far outweighs that disappointment. Kerrville keeps giving gifts and they get deeper each time I return.”

In impromptu remarks at a gathering of New Folk Finalists and Winners at the Rouse House New Folk Camp, where many of the finalists stayed in tents and shared songs over bagels on the two mornings preceding their showcase performances, Speace lauded hosts Lindsay Lee and Deb Rouse for being so welcoming to New Folk Finalists over the years. “They have set up New Folk Central — creating a space for these 32 to create family, so that the experience is less competitive and more collaborative.”

Speace also reflected on how, as festival producer Dalis Allen gave the New Folk Finalists a pep talk prior to their taking the stage, she observed that while it was a songwriting contest on the surface, it “was really a wide-swinging gate of entry into a communion with Tribe and an invitation to Mission.” She recalled standing next to her fellow judges – “veterans of song and stage and the art of creating a living out of music, feeling the rumbles of Spirit move through me, the beginnings of new songs and the rekindling love of Why I Do This.” Looking into the eager and nervous eyes of the finalists, she remembered her own jitters 11 years ago, and said she was moved to tears.

“I am deeply grateful to have spent this past weekend listening to 64 songs sung by 32 songwriters. I am re-inspired, humbled and honored to have shared the experience with my fellow judges who pored over every verse and chorus with cradling care and consideration of the deep importance of this small thing we do. And I am grateful for Dalis, for getting to see her big wide smile so often in the last few days, for dancing with her backstage, and for her thoughtfulness and care taking of an extraordinary place where, every May and June, for 18 days, people of all shapes, sizes, ages, religions, nationalities, genders, coffee preferences, and late night temperaments gather in Kerrville Texas in the simple and beautiful belief that a song could change the world.”

The 46th annual Kerrville Folk Festival extends through Sunday, June 12. In addition to concerts each evening, Kerrville features “Ballad Tree” song-sharing sessions, late-night and afternoon song circles and jam sessions at various campsites, concerts and activities for children, organized canoe trips on the Guadelupe River and Hill Country bike rides, a professional development program for teachers, as well as a three-day songwriters school and instrumental workshops. For more information, visit www.kerrville-music.com.

Editor’s Note: Although I have been writing about the Grassy Hill New Folk Competition since the inception of AcousticMusicScene.com in 2007, I was a first-time attendee at the Kerrville Folk festival last month and am so glad that my five days with this wonderful community included two afternoons of performances by the New Folk Finalists, as well as a bittersweet but beautiful musical tribute to Jimmy LaFave, who was to have been a festival headliner but passed away shortly before it started. I’m delighted to have been able to hear, meet and re-connect with so many talented singer-songwriters. I also express my appreciation to Dalis, Lindsay and Deb, as well as to Ken Gaines, who welcomed me to pitch my tent at Camp Stupid and to my friends Brian and Pam Kalinec for their gracious hospitality during my extended visit to Texas.

A listing of all of this year’s New Folk Finalists was included in a previously posted article. In addition to the winners mentioned in the article above, the finalists included Andy Baker (Gobles, MI), Emily Barnes (Johnsonburg, NJ), Arlon Bennett (Tappan, NY), Robin Bienemann (Oak Park, IL), Mary Bragg (Nashville, TN), John John Brown (Winter Garden, FL), Lyndy Butler (Hurricane, UT), Shawn Byrne (Nashville, TN), Jefferson Clay (San Antonio, TX), Wendy Colonna (Buda, TX), Teresa Eggerston Cooke (Park City, UT), Teghan Devon (Myersville, MD), Kelly Hoppenjans (Nashville, TN), Isaac Hoskins (Denton, TX), Hadley Kennary (Nashville, TN), Martin Kerr (Edmonton, Alberta), Eleanor Kleiner & Elie Brangbour – The Whispering Tree (Beacon, NY), Rich Krueger (Evergreen Park, IL), Catherine Miles & Jay Mafale – The YaYas (Centerport, NY), ordinary elephant (Livingston, TX), Angela Parrish (North Hollywood, CA), Chris Petersen (Cedar City, UT), Brian Pounds (Austin, TX), Ben Shannon (Pittsburgh, PA), and Dana Sipos (Guelph, Ontario).

Scheduled to perform (in order of performance) at the Threadgill Theater on the Quiet Valley Ranch Campgrounds in the Texas Hill Country on Saturday, May 27, from 1-4 p.m., are Hadley Kennary (Nashville, TN), ordinary elephant (Livingston, TX), Wendy Colonna (Buda, TX), John John Brown (Winter Garden, FL), Letitia VanSant (Baltimore, MD), Catherine Miles & Jay Mafale – The YaYas (Greenlawn, NY), Arlon Bennett (Tappan, NY), Heather Styka (Addison, IL), Lyndy Butler (Hurricane, UT), Chris Moyse (Nashville, TN), Chris Petersen (Cedar City, UT), Jefferson Clay (San Antonio, TX), Ingrid Graudins (Nashville, TN), Emily Barnes (Johnsonburg, NJ), Ben Shannon (Pittsburgh, PA), and Robin Bienemann (Oak Park, IL).

New Folk Finalists slated to perform on Sunday afternoon, May 28, include Shawn Byrne (Nashville, TN), Rachael Kilgour (Duluth, MN), Eleanor Kleiner & Elie Brangbour – The Whispering Tree (Beacon, NY), Teresa Eggerston Cooke (Park City, UT), Isaac Hoskins (Denton, TX), Mary Bragg (Nashville, TN), Rich Krueger (Evergreen Park, IL), Teghan Devon (Myersville, MD), Kelly Hoppenjans (Nashville, TN), Dana Sipos (Guelph, Ontario), Martin Kerr (Edmonton, Alberta), Angela Parrish (North Hollywood, CA), Brian Pounds (Austin, TX), Andy Baker (Gobles, MI), and Winona Wilde (Bridgenorth, Ontario).

Named as alternates were Mila Maring-Sims (Alto Pass, IL), Alicia Viani (Bend, OR), Ben Bedford (Springfield, IL), Eric Stucky (Montrose, CO), Randy Palmer (Amarillo, TX), Wyatt Easterling (Chapel Hill, NC), Kevin T. Hale (Westlake Village, CA), and Jenny Reynolds (Austin, TX).

After performing, six songwriters will be selected as 2017 New Folk Winners by noted songwriters Amy Speace, Dan Navarro and Jeff Black, who are serving as judges. The six, to be announced during the evening concert on May 28, will receive cash honorariums and other prizes, as well as the opportunity to return the following weekend to each perform 20-minute sets during a Grassy Hill Kerrville New Folk Winners concert at the festival on Sunday afternoon, June 4.

Established in 1972 at the urging of Peter Yarrow, the Kerrville New Folk Concerts have become a highlight of the annual festival that is geared towards singer-songwriters of various musical styles and is the longest continuously running festival of its kind in North America. Being named as a New Folk Winner is regarded as a very prestigious honor.

In addition to concerts each evening, Kerrville features “Ballad Tree” song-sharing sessions, campfire jam sessions, concerts and activities for children, organized canoe and kayak trips on the Guadelupe River and Hill Country bike rides, a Young Artists Performance Incubator, a professional development program for teachers, as well as a three-day songwriters school and instrumental workshops. The festival runs for 18 straight days – Thursday, May 25– Sunday, June 11. For a complete schedule and additional information, visit www.kerrville-music.com.