A 17-song tribute compilation, Long Journey Home: A Century After the 1925 Mountain City Fiddlers Convention celebrates the centenary of the iconic gathering of nearly 100 musicians in rural Mountain City, Tennessee. Produced by John McCutcheon (who also sings and plays banjo and fretless banjo on it), the album on Appalsongs showcases old-time fiddling and old time music with a number of today’s most celebrated old-time and bluegrass artists performing their own renditions of ballads, reels and tunes that have stood the test of time. Featured artists, in addition to McCutcheon and Tuttle, include Jake Blount, Old Crow Medicine Show, Tim O’Brien, Sparky & Rhonda Rucker, Becky Buller, Trey Wellington & Victor Furtado, Stuart Duncan, Cathy & Marcy’s Old Time Coalition, Kody Norris Show, Earl White Stringband, and Bruce Molsky.

Molly Tuttle, who is joined by Ketch Secor (who fronts and co-founded Old Crow Medicine Show) on “I’ve Always Been a Rambler,” is an acclaimed guitarist known for her prowess at flatpicking and cross-picking, as well as a singer- songwriter and banjo player. At age 24, she became the first woman to win the International Bluegrass Music Association’s Guitar Player of the Year Award in 2017 and did so again the following year when the Americana Music Association also named her Instrumentalist of the Year. Tuttle has been the recipient of two Grammy Awards for Best Bluegrass Album for Crooked Tree and City of Gold in 2023 and 2024, respectively. Crooked Tree also was named Album of the Year in the International Bluegrass Music Awards, while its title track was feted as Song of the Year and she was named Female Vocalist of the Year. City of Gold, also recorded with her band Golden Highway, also was named Album of the Year during the 2023 International Folk Music Awards presented by Folk Alliance International.

Connie Kaldor is a three-time Juno Award-winning singer songwriter who has been writing and performing her songs for more than 45 years and has recorded 19 albums. Her new release, Wide Open Space, was the #2 album on the FAI Folk Chart in September. A member of the Order of Canada and a Queen’s Golden Jubilee Award recipient, she also received a Lifetime Achievement Award from the Woodstock Folk Festival in Woodstock, Illinois earlier this year. Kaldor is based in Montreal and tours extensively. She is frequently joined in concert by her husband Paul Campagne and sons Aleksi and Gabriel Campagne. She will be among the official showcase artists during the Northeast Regional folk Alliance (NERFA) Conference in Albany, NY in November.

The September 2025 top albums, songs and artists charts are based on 10, 565 airplays reported on 347 playlists submitted by 93 different folk DJs. The number of reported spins is shown below in parentheses.

Folk Alliance International (folk.org) is a nonprofit organization that aims to serve, strengthen, and engage the global folk music community through preservation, presentation and promotion.

Top Albums of September 2025 

1.Long Journey Home: A Century After the 1925 Mountain City Fiddlers
Convention by Various Artists (131)

2. Wide Open Spaces by Connie Kaldor (71)

3. Look to the Moon by Patty and Craig (51)
3. Stone by Stone by Friction Farm (51)
5. Connected by Darryl Purpose (48)
6. Song of the Bricoleur by Rags Rosenberg (42)
7. Lost & Found by Becki Davis (40)
8. Mother Mind by Tekla Waterfield & Jeff Fiedler (39)
9. Hummingbird Highway by Dar Williams (38)
9. Stay Put by Elexa Dawson (38)
9. The Last Bough by Kyle Carey (38)
12. Kentucky Queen by Carla Gover (34)
12. Songs That Sing Me by Becky Buller (34)
12. Now Then by Robbie Fulks (34)
15. Sweet Resilence by Jane Fallon (32)
16. So Long Little Miss Sunshine by Molly Tuttle (30)
17. Heavy on the Blues by Rory Block (29)
18. The Light Still Shines on the Main by Jory Nash (28)
19. The Ghost of Sis Draper by Shawn Camp (27)
20. The America Chronicles by Kemp Harris (25)
21. Drum School Dropout by Christine Lavin (24)
22. Time Out #3 by The Accidentals (23)
23. New Skin by Judy Kass (22)
23. NERFA Songwriters, Vol. 1 by Various Artists (22)
25. Perennial by Kate MacLeod (21)
25. You Climb the Mountain by The Onlies (21)
27. Bridging Divides by Billy Jonas (20)
28. Wild and Clear and Blue by I’m With Her (19)
28. Squirrels by Jubal Lee Young (19)
30. One Hour Mama: The Blues of Victoria Spivey by Maria Muldaur (18)
30. Crown of Rose by Patty Griffin (18)
30. Callin’ Me Back by Petunia & the Vipers (18)
30. The Woods Have Shown Us by Ponyfolk (18)
30. Seeds of Dreaming by Diyet and the Love Soldiers (18)
35. Bones of Trees by Tim Grimm (17)
35. Personal History by Mary Chapin Carpenter (17)
35. Hard Headed Woman by Margo Price (17)
38. Ghost of the Old West by George Mann and Mick Coates (16)

38. Lost & Found Highway by Joselyn & Don (16)
38. Lift Up the Old World by Hilary Hawke (16)
38. Dark Ages by Eliza Gilkyson (16)
42. Riding High in Texas by Asleep at the Wheel (15)
42. The Way I Tell the Story by David Wilcox (15)
42. American Romance by Lukas Nelson (15)
42. Kerrville Covers by Janet Feld (15)
42. Shadows of a Ghost Town by Meghan Clarisse (15)
47. American Portraits by Marty Cooper (14)
47. Airline Highway by Rodney Crowell (14)
47. Arcadia by Alison Krauss and Union Station (14)
47. The Way the West Was Won by Dallas Burrow (14)
47. We’re Only Human by Hayes Carll (14)

Top Songs of September 2025

1. “I’ve Always Been a Rambler” by Molly Tuttle (23)
2. “No Kings Here” by Tom Paxton (18)
3. “Love, Surround Me” by Patty and Craig (15)
4. “Cuckoo” by John McCutcheon (14)
4. “Me & Robbie Erenberg” by Darryl Purpose (14)
6. “Louder Than Guns” by Friction Farm (13)
7. “Hummingbird Highway” by Dar Williams (12)
7. “900 Miles” by Tim O’Brien (12)
9. “Goodnight America” by Kemp Harris (11)
9. “Bullfrogs” by Rags Rosenberg (11)
11. “It Ain’t Gonna Go Away (Ode to the Epstein Files)” by Cathy Fink
& Marcy Marxer (10)
11. “Memory of August” by Anne Hills (10)
11. “What You Gonna Do With the Baby” by Old Crow Medicine Show (10)
11. “Returning to Myself” by Brandi Carlile (10)
11. “The Last Bough” by Kyle Carey (10)
11. “Tennessee Mountain Fox Chase” by Cathy and Marcy’s Old Time Coaltion (10)
17. “Open All the Doors and Windows” by Billy Jonas (9)
17. “Don’t Let Your Deal Go Down” by Sparky and Rhonda Rucker (9)
17. “Oh, Little One” by Jory Nash (9)
17. “House Carpenter” by Jake Blount (9)
17. “At Our Best” by Judy Kass (9)
17. “Dear Time” by Alison Brown and Steve Martin (9)
17. “Wide Open Spaces” by Connie Kaldor (9)
24. “Baling Hay” by Elexa Dawson (8)
24. “Early Fields” by Kate MacLeod (8)
24. “Millworker” by Becky Buller (8)
24. “The Edge” by Becki Davis (8)
24. “Something My Own” by Tekla Waterfield & Jeff Fiedler (8)
24. “Rocky Road to Dinah’s House” by Becky Buller (8)
24. “Bridget O’Brien” by Maggie’s Wake (8)
24. “Feel What Our Hearts Feel” by Darryl Purpose (8)
24. “Savannah Is a Devilish Girl” by Robbie Fulks (8)
24. “American Dream” by Friction Farm (8)
24. “This Car” by Connie Kaldor (8)
24. “Bright Side of the Blues” by Bryan Titus (8)

Top Artists of September 2025

1. Connie Kaldor (71)
2. Molly Tuttle (57)
3. Friction Farm (53)
4. Patty and Craig (51)
4. Darryl Purpose (51)
6. Becky Buller (50)
7. Dar Williams (49)
8. Tom Paxton (48)
9. John McCutcheon (44)
10. Rags Rosenberg (43)
11. Becki Davis (41)
12. Tekla Waterfield & Jeff Fiedler (39)
12. Elexa Dawson (39)
14. Kyle Carey (38)
15. Woody Guthrie (36)
16. Bruce Springsteen (35)
16. Robbie Fulks (35)
18. Carla Gover (34)
19. Jane Fallon (33)
19. John Prine (33)
21. Christine Lavin (31)
22. Jory Nash (30)
22. Cheryl Wheeler (30)
24. Rory Block (29)
25. Eliza Gilkyson (28)
26. Joni Mitchell (27)
26. Shawn Camp (27)
28. Tim O’Brien (26)
29. Kemp Harris (25)
29. Tim Grimm (25)
31. Kate MacLeod (24)
31. Mary Chapin Carpenter (24)
33. Guy Clark (23)
33. Pete Seeger (23)
33. The Accidentals (23)
36. Willie Nelson (22)
36. Judy Kass (22)
36. The Onlies (22)
39. The Kennedys (21)
39. Bill Monroe (21)

This year’s Album of the Year honors went to Special Consensus for Rivers & Roads, while the four-member acoustic bluegrass band led by banjo player Greg Cahill (a former president and board chair of the International Bluegrass Music Association) was also honored for Instrumental Recorded Performance of the Year. “If I’d Have Wrote That Song” — recorded by Joe Mullins & the Radio Ramblers and written by Larry Cordle, Larry Shell and James Silvers — was named 2018’s Song of the Year.

A listing of all the award winners appears below:

Entertainer of the Year: Balsam Range
Album of the Year: Rivers & Roads – Special Consensus (artist), Alison Brown (producer), Compass Records (label)
Song of the Year: “If Id Have Wrote That Song” – Joe Mullins & the Radio Ramblers (artist), Larry Cordle, Larry Shell and James Silvers (writers)
Male Vocalist of the Year: Buddy Melton (of Balsam Range)
Female Vocalist of the Year: Brooke Aldridge
Vocal Group of the Year: Doyle Lawson & Quicksilver
Instrumental Group of the Year: Travelin’ McCourys
Banjo Player of the year: Ned Luberecki (of the Becky Buller Band)
Bass Player of the Year: Tim Surrett (of Balsam Range)
Dobro Player of the Year: Justin Moses
Fiddle Player of the Year: Michael Cleveland
Guitar Player of the Year: Molly Tuttle
Mandolin Player of the Year: Sierra Hull
Emerging Artist of the Year: Po’ Ramblin’ Boys
Recorded Event of the Year: “Swept Away” – Missy Raines with Alison Brown, Becky Buller, Sierra Hull and Molly Tuttle (artists), single release – Alison Brown (producer), Compass Records (label)
Instrumental Recorded Performance of the Year: “Squirrel Hunters” – Special Consensus with John Hartford, Rachel Baiman & Christian Sedelmyer (10 String Symphony), & Alison Brown (artists), Traditional arranged by Alison Brown/Special Consensus (writers), Rivers & Roads (album), Alison Brown (producer), Compass Records (label)
Gospel Recorded Performance of the Year: “Speakin’ to That Mountain” – Becky Buller (artist), Becky Buller and Jeff Hyde (writers), Crepe Paper Heart (album), Stephen Mougin (producer), Dark Shadow Recording (label)

In addition, Tom T and Dixie Hall, Ricky Skaggs, and Paul Williams were inducted into the Bluegrass Hall of Fame during the awards show hosted by Hot Rize.

The International Bluegrass Awards Show was a centerpiece of the International Bluegrass Music Association (IBMA)’s five-day World of Bluegrass, which is considered the genre’s annual industry gathering and family reunion. Held in Raleigh for the sixth consecutive year, World of Bluegrass also featured a wide array of professional development seminars, meetings and forums, artist showcases and late-night hospitality functions, an exhibit hall, plenty of networking and relationship-building opportunities, and the Wide Open Bluegrass Music Festival.

The Earls of Leicester, which also was the top winner in the 2015 International Bluegrass Music Awards, pay homage to the musical legacy of Lester Flatt and Earl Scruggs and their band, the Foggy Mountain Boys. Besides being named Entertainer of the Year again, the bluegrass supergroup’s bandleader, Jerry Douglas, was again named Dobro Player of the Year, while bandmate Barry Bales repeated as Bass Player of the Year and Charlie Cushman was named Banjo Player of the Year.

Last year, The Earls of Leicester also took home trophies for Album of the Year for its self-titled debut release, Instrumental Group of the Year and Gospel Recorded Performance of the Year, while member Shawn Camp was named Male Vocalist of the Year. Also in the group is Johnny Warren (fiddle).

Flatt Lonesome has been garnering considerable attention, accolades and radio airplay. Launched in 2011 by siblings Kelsi Robertson Harrigil (mandolin), Buddy Robertson (guitar), and Charli Robetrtson (fiddle), along with neighbor Dominic Illingworth (bass) and longtime friend Michael Stockton (dobro), and joined by Paul Harrigil (banjo) the following year, the band released its eponymous debut album in 2013.

During the awards show, members of Flatt Lonesome expressed thanks to their parents for teaching them how to sing. “We wouldn’t be Vocal Group of the Year without them,” said Charli Robertson, while twin brother Buddy remarked: “I’ve spent a lot of hours picking in the house with dad growing up and if it weren’t for him, I wouldn’t be who I am today.” Commenting on winning Album of the Year, older sister Kelsi Harrigill said: “This is our first album to have the majority of material to be all original and that is a huge deal to us. We want to pay tribute to those who came before us but we also want to show people what’s in our hearts…”

Earlier this year, Flatt Lonesome was named Best Overall Bluegrass Band and took home Album of the Year honors during the 42nd annual SPBGMA Awards.

A listing of all the award winners appears below.

2016 International Bluegrass Music Awards

Entertainer of the Year: The Earls of Leicester
Female Vocalist of the Year: Becky Buller
Male Vocalist of the Year: Danny Paisley
Vocal Group of the Year: Flatt Lonesome
Instrumental Group of the Year: Frank Solivan & Dirty Kitchen
Song of the Year: “You’re the One,” Flatt Lonesome
Album of the Year: Runaway Train, Flatt Lonesome
Gospel Recorded Performance of the Year: “All Dressed Up,” Joe Mullins and the Radio Ramblers
Instrumental Recorded Performance of the Year: “Fireball,” Special Consensus featuring Rob Ickes, Trey Hensley and Alison Brown
Emerging Artist of the Year: Mountain Faith
Recorded Event of the Year: Longneck Blues, Junior Sisk and Ronnie Bowman
Banjo Player of the Year: Charlie Cushman
Bass Player of the Year: Barry Bales
Dobro Player of the Year: Jerry Douglas
Fiddle Player of the Year: Becky Buller
Guitar Player of the Year: Bryan Sutton
Mandolin Player of the Year: Sierra Hull

Inductees into the Bluegrass Hall of Fame: Clarence White; the Rounder Founders: Ken Irwin, Marian Leighton Levy and Bill Nowlin

Distinguished Achievement Awards: Bluegrass Unlimited Magazine, Boston Bluegrass Union, SiriusXM Radio’s Bluegrass Junction, Bill Emerson, Jim Rooney


The International Bluegrass Awards Show was a centerpiece of the International Bluegrass Music Association (IBMA)’s five-day World of Bluegrass, which is considered the genre’s annual industry gathering and family reunion. Held in Raleigh for the fourth consecutive year, World of Bluegrass also featured a wide array of professional development seminars, meetings and forums, artist showcases and late-night hospitality functions, an exhibit hall, plenty of networking and relationship-building opportunities, and the Wide Open Bluegrass Music Festival.

Speaking during the awards show, Douglas said: “This is unbelievable fun, and we’re going to keep doing it.”

The Tar Heel State’s own Balsam Range, last year’s Entertainer of the Year and previous winner for Album and Song of the Year, was honored as Vocal Group of the Year, while its “Moon Over Memphis” was named Song of the Year. The acoustic quintet’s Tim Surrett was named Bass Player of the Year.

During the show, Balsam Range performed another one of its songs “Stacking Up The Rocks,” a cappella. Other performers included Flatt Lonesome, the Gibson Brothers (hosts of the event), The Del McCoury Band and Hot Rize.

Alison Krauss joined singer-guitarist Larry Sparks and his band, the Lonesome Ramblers, on a medley of his signature songs after inducting him into the International Bluegrass Music Hall of Fame. Sparks recently released a new album to mark his 50th year in bluegrass music. Also inducted into the Hall of Fame was banjoist Bill Keith – whom Bill Monroe had hailed as the first banjo player who could play banjo songs in a fiddle style and with a fiddler’s virtuosity. Musician and author Jim Rooney and fellow banjo player Alan Munde sang Keith’s praises in inducting him, while banjoist Noam Pikelny – a founding member of the Punch Brothers and last year’s Album and Banjo Player of the Year winner — played Keith’s tune “Beating Around the Bush” in tribute.

The 26th Annual International Bluegrass Music Awards is the centerpiece of the International Bluegrass Music Association (IBMA)’s five-day World of Bluegrass event that continues through Saturday, Oct. 3, with the Wide Open Bluegrass festival featuring free and ticketed events. Awards were voted on by the professional membership of the IBMA (www.ibma.org), the trade association for the global bluegrass music community. Prior to the evening awards show, winners of five 2015 Distinguished Achievement Awards were recognized.

A listing of all the award winners appears below.

2015 International Bluegrass Music Awards

Entertainer of the Year: The Earls of Leicester
Female Vocalist of the Year: Rhonda Vincent
Male Vocalist of the Year: Shawn Camp
Vocal Group of the Year: Balsam Range
Instrumental Group of the Year: The Earls of Leicester
Song of the Year: “Moon Over Memphis,” Balsam Range
Album of the Year: The Earls of Leicester, The Earls of Leicester (produced by Jerry Douglas)
Gospel Recorded Performance of the Year: “Who Will Sing for Me,” the Earls of Leicester
Instrumental Recorded Performance of the Year: “The Three Bells,” Jerry Douglas, Mike Auldridge, Rob Ickes
Emerging Artist of the Year: Becky Buller
Recorded Event of the Year: “Southern Flavor,” Becky Buller with Peter Rowan, Michael Feagan, Buddy Spicher, Ernie Sykes, Roland White and Blake Williams
Bluegrass Songwriter of the Year: Becky Buller
Banjo Player of the Year: Rob McCoury
Bass Player of the Year: Tim Surrett
Dobro Player of the Year: Jerry Douglas
Fiddle Player of the Year: Michael Cleveland
Guitar Player of the Year: Bryan Sutton
Mandolin Player of the Year: Jesse Brock

Inductees into the Bluegrass Hall of Fame: Bill Keith and Larry Sparks
Distinguished Achievement Awards: Alison Brown, Murphy Henry, the International Bluegrass Music Museum, “Bashful Brother” Oswald Kirby and Steve Martin

The half-hour music, entertainment and lifestyle show – set for a 26-episode run extending through August 2016 – will feature live performances by the duo and special guest artists (including Vince, Dan Tyminski and The Oak Ridge boys, among others), along with cooking and interview segments.

“Words can’t describe the joy and humbleness I feel as our TV show comes to life,” said Darrin Vincent. “We’ve been conceptualizing this show for years, and it brings happy tears to my eyes now that our dreams have come true.” Echoing his sentiments, Jamie Dailey noted: “As a teenager, I used to lie on the floor and watch my favorite TV shows, Nashville Now and The Statler Brothers Show, and dream about what it would be like to have my own TV show someday. That dream has come true, and I couldn’t be more excited or thankful.”

The duo’s latest studio album, Dailey & Vincent Sing The Statler Brothers, a bluegrass tribute to the legendary country music quartet, spent many weeks on Billboard Magazine’s Top Bluegrass Albums Chart and was named Album of the Year in the International Bluegrass Music Awards last year. More recently, Dailey & Vincent released Alive in Concert on both CD and DVD.

The global performing arts marketplace and conference featured more than 1000 artist showcases (music, theatre, dance, comedy and more), a large EXPO Hall with nearly 400 exhibitors, daily plenary sessions and keynote speakers, and a wide array of professional development workshops and forums. It is hosted by APAP, a Washington, D.C.-based national service, advocacy and membership organization dedicated to developing and supporting a robust performing arts presenters field and the professionals who work within it. 9Last year’s APAP Conference featured a professional development session on Presenting Bluegrass: Engaging New Audiences. An article on that is archived on AcousticMusicScene.com and may be viewed by clicking on this link:

From the moment Balsam Range kicked off its showcase at the New York Hilton, the conference’s host hotel, with “Moon Over Memphis,” it seemed clear that the group that has headlined concert halls, theaters and festivals throughout North America since its formation eight years ago was doing just that.

Commenting on the accolades and success that Balsam Range has achieved to date, Tim Surrett (bass and dobro) said: “It’s amazing. We would have laughed if you would have told us eight years ago that this would happen.” Surrett, who also co-founded the Mountain Home Music Company (the label for which Balsam Range records) noted that although the group’s members all hail from the same county and live just 15 minutes from each other in western North Carolina, they had been playing in different bands and touring all over the world. “We just got together to pick a little.” The group takes its name from a mountain range in NC’s Smoky Mountain region.

The Depue Brothers Band, Matuto, and Mipso mixed things up a bit during their respective showcases. The DePue Brothers Band perform what they call “Grassical” music – fusing bluegrass and classical, along with elements of jazz, blues and rock. Matuto is a New York City-based ensemble fronted by guitarist Clay Ross. The band plays what it calls Brazilian bluegrass — a lively and very danceable blend of northeastern Brazil’s infectious folkloric rhythms and rootsy Americana (including bluegrass, swampy Louisiana two-steps and spirituals). Besides Ross on guitar and vocals, Matuto features violin, accordion, bass, drums and various Brazilian percussive instruments. The band has been an international musical ambassador through American Music Abroad – a partnership between American Voices and the U.S. Department of State’s Bureau of Educational and Cultural Affairs. Mipso, which bills itself as North Carolina’s renegade traditionalists performing ‘dark holler pop,’ is comprised of four recent college graduates – three of whom grew up with the bluegrass tradition but who, along with their fiddler, give it a little bit of a twist. The quartet’s sound is a blend of bluegrass, contemporary country, folk, gospel and pop.

Bluegrass Sampler Platter Showcase Provides Some Tasty Morsels

The Gibson Brothers, Sierra Hull, Tim O’Brien, Bryan Sutton and The Travelin’ McCourys were part of an extended four-hour Bluegrass Sampler Platter showcase that drew a large crowd (not limited to APAP attendees) to Manhattan’s City Winery.

Opening the show, top-notch guitarist Bryan Sutton, who hails from the mountains of western North Carolina near Asheville, exclaimed: “It sort of feels like a New York City on Sunday night – a place where I don’t have to worry and don’t have to hurry.” Sutton showed off the guitar chops and intricate finger-play that have earned him much critical acclaim and numerous awards (including a Grammy and being named three times as IBMA Guitarist of the Year). Although best known for his flat-picked acoustic guitar playing, Sutton also played banjo on a couple of numbers – while Rob McCoury joined him on banjo on another.

Next up was Sierra Hull, a classy young mandolinist with a beautiful, crystalline voice. Accompanied by Ethan Jodziewicz on stand-up bass, she moved effortlessly between instrumentals and songs during her set. Now in her early 20s, Hull has gravitated more towards the singer-songwriter side of Americana roots music from the more traditional bluegrass of her teen years – although her repertoire reflects a wide range of musical styles. Like Matuto, she was an international cultural ambassador last year through the American Music Abroad program sponsored by the U.S. Department of State.

Hailed in bluegrass music circles for their tight vocal harmonies, The Gibson Brothers have received numerous International Bluegrass Music Awards – including Entertainer of the Year (2012 and 2013) and Vocal Group of the Year (2011 and 2013). Although guitar-playing brothers Eric and Leigh Gibson perform a lot of original material with band-mates Mike Barber (bass), Jesse Brock (mandolin) and Clayton Campbell (fiddle), their set was heavily sprinkled with renditions of songs by such other notable brother acts as The Everly Brothers, The Louvin Brothers (whom Leigh calls “kind of the gold standard of brother acts in terms of country music”) and the Monroe brothers. The Gibson Brothers signed to Rounder Records last summer and their first release for the label, Brotherhood, due out in February, pays homage to the brother acts that have inspired them since growing up on a diary farm in upstate New York.

Tim O’Brien has been a key player on the American roots music scene for years. An acclaimed singer-songwriter and multi-instrumentalist, the Grammy Award-winner and two-time IBMA Male Vocalist of the Year also has had his songs recorded by numerous other artists. But this was his night to shine, and so he did – primarily on guitar and vocals. Noted mandolinist, clarinetist and composer Andy Statman joined him for a few songs from a new Superstring Theory album featuring The Andy Statman Trio with O’Brien and fiddler Michael Cleveland. A lightning-fast-paced number featuring dueling mandolins was among the set’s highlights.

The Travelin’ McCourys – featuring the sons of Del McCoury and their band-mates – closed out the evening with a varied set of music that ranged from songs with four-part harmonies and a high & lonesome sound to more straight-ahead bluegrass and break-neck speed instrumentals during which each player was afforded an opportunity to lead. Enhancing the sound throughout the set was Bryan Sutton on guitar, while all of the evening’s artists were invited on stage to close out the night with a little pickin’ party.

Balsam Range, which takes its name from a majestic mountain range that surrounds part of its home county in western North Carolina, where the Smokies meet the Blue Ridge, formed in 2007. Besides Melton on vocals and fiddle, its members include Tim Surrett (bass, vocals), Caleb Smith (guitar, vocals), Darren Nicholson (mandolin, vocals) and Mark Pruett (banjo). Balsam Range was previously recognized for Album of the Year (Papertown, 2013) and Song of the Year (“Trains I Missed, 2011).

This year’s coveted Album of the Year award was presented to Noam Pikelny for Noam Pikelny Plays Kenny Baker Plays Bill Monroe. Pikelny, a founding member of the Punch Brothers and formerly part of Leftover Salmon and the John Cowan Band, also was named Banjo Player of the Year. Accompanying the first recipient of the annual Steve Martin Prize for Excellence in Banjo and Bluegrass (2010) on the album were bluegrass stalwarts Stuart Duncan (a fiddle player with whom he’s been playing a number of duo shows this year), Bryan Sutton (guitar), Ronnie McCoury (mandolin) and Mike Bub (bass). Pikelny plans to tour next month with Aoife O’Donovan.

Amanda Smith was named Female Vocalist of the Year. The award for Emerging Artist of the Year went to Flatt Lonesome, while veterans Special Consensus, now in its 39th year as a band, won its first awards for both Instrumental Recorded Performance of the Year and Recorded Event of the Year. Although The Boxcars topped the list of nominees with 10 individual and collective nods, only member Adam Steffey took home an award (Mandolin Player of the Year).

Awards were voted on by the professional membership of the IBMA, the trade association for the global bluegrass music community. Hosted by artists Jerry Douglas and Lee Ann Womack, the awards show featured live performances by Balsam Ridge, The Boxcars, Claire Lynch (Song of the Year winner), Gibson Brothers, Della Mae (2013 Emerging Artist of the Year), Blue Highway, Noam Pikelny, Del McCoury Band, and Frank Solivan & Dirty Kitchen (Instrumental Group of the Year), as well as individual performances by each of the evening’s hosts.

Original members of the Seldom Scene – Ben Eldridge, Tom Gray and John Starling – received a standing ovation as they were inducted into the Hall of Fame and recognized the late John Duffey and Mike Auldridge in their acceptance speech before being joined by current band members in a performance of their hit song “Wait A Minute.” Bluegrass historian Neil Rosenberg also was inducted into the Hall of Fame. Fiddle players Michael Cleveland, Stuart Duncan and Jason Carter joined Rosenberg’s fellow Canadians, The Spinney Brothers, in a special performance to celebrate his achievement.

The awards show – which was broadcast live on Sirius XM Satellite Radio’s Bluegrass Junction and streamed live by Music City Roots — was the centerpiece of IBMA’s five-day World of Bluegrass event that continues through Saturday, Oct. 4 with the Wide Open Bluegrass festival featuring both free stages and ticketed performances. Its annual business conference, as well as a Bluegrass Ramble (an innovative series of showcases), extended from Sept. 30 through Oct. 2.

A listing of the award winners, including the recipients of the IBMA’s Distinguished Achievement Award, appears below.

The 2014 International Bluegrass Music Awards

Entertainer of the Year: Balsam Range
Vocal Group of the Year: Balsam Range
Instrumental Group of the Year: Frank Solivan & Dirty Kitchen
Male Vocalist of the Year: Buddy Melton
Female Vocalist of the Year: Amanda Smith
Emerging Artist of the Year: Flatt Lonesome
Album of the Year: Noam Pikelny Plays Kenny Baker Plays Bill Monroe – Noam Pikelny (artist) Gabe Witcher (producer), Compass Records
Song of the Year: “Dear Sister” – Claire Lynch (artist), Claire Lynch and Louisa Branscomb (writers)
Instrumental Recorded Performance of the Year: “Thank God I’m A Country Boy”- Special Consensus with Buddy Spicher, Michael Cleveland and Alison Brown (artists), Country Boy: A Bluegrass Tribute to John Denver (album), John Martin Sommers (writer), Alison Brown (producer), Compass Records
Gospel Recorded Performance of the Year: “Won’t It Be Wonderful There” – Dailey & Vincent (artist), Brothers of the Highway (album), Mildred Styles Johnson (writer), Jamie Dailey and Darrin Vincent (producers), Rounder Records
Recorded Event of the Year: “Wild Montana Skies” – Special Consensus with Claire Lynch & Rob Ickes (artists), Alison Brown (producer), Compass Records
Mandolin Player of the Year: Adam Steffey
Dobro Player of the Year: Phil Leadbetter
Bass Player of the Year: Barry Bales
Fiddle Player of the Year: Jason Carter
Guitar Player of the Yearr: Bryan Sutton
Banjo Player of the Year: Noam Pikelny

Special Awards (presented earlier in the day on Oct. 2)

Bluegrass Songwriter of the Year: Tim Stafford
Broadcaster of the Year: Kyle Cantrell, Bluegrass Junction, Sirius XM
Print/Media Person of the Year: Chris Jones, writer at Bluegrass Today
Bluegrass Event of the Year: Bluegrass Underground
Best Graphic Design for a Recorded Project: Lou Everhart (designer), Lonely Comes Easy, Chris Jones & the Night Drivers, Rebel Records
Best Liner Notes for a Recorded Project: Neil V Rosenberg, Noam Pikelny Plays Kenny Baker Plays Bill Monroe, Noam Pikelny, Compass Records

Distinguished Achievement Award recipients: Bill Keith, Deering Banjos, the European Bluegrass Music Association, Hillbilly at Harvard, and The Delmore Brothers.

Tickets for the tour – including dates in Nashville (April 18 and 19), New York City (April 29), Boston (May 1), Washington DC (May 3 and 4, sold out), Chicago (May 9) and Oakland, CA (May 19) – go on sale Feb. 7. Nickel Creek also is slated to perform during the Telluride Bluegrass Festival in Colorado, June 19-22. More tour dates may be added.

Here’s a link to a video of Nickel Creek performing “Destination” off its forthcoming album:

Nickel Creek was launched in 1989 by bluegrass child prodigies Chris Thile (mandolin and vocals), Sara Watkins (fiddle and vocals), both then eight, and Sara’s older brother Sean Watkins (guitar and vocals), who was 11 at the time. Thereafter, the band released five studio albums and one compilation recording — 2006’s Reasons Why (The Very Best) — and earned popular and critical acclaim. Time magazine dubbed the trio “music innovators for the new millennium” following the release of its self-titled debut album in 2000, while its 2002 follow-up, This Side, won a Grammy Award for Best Contemporary Folk Album.

Although the trio initially followed a bluegrass orientation, Nickel Creek evolved into an acoustic outfit with a wide array of musical influences — prompting USA Today to note “This acoustic trio moves farther and farther from anything Bill Monroe would have recognized as bluegrass.” Yet, Nickel Creek helped to stir renewed interest in bluegrass and acoustic music and appealed to millions of fans – including many young people.

Besides performing and recording as a band, Nickel Creek’s members also had been engaged in solo and other collaborative projects which they pursued even more during the trio’s seven-year hiatus. All three plan to continue to do so.

Chris Thile, a multi-instrumentalist and composer who delves in bluegrass as well as other musical genres – including folk, country, classical and jazz – was among 23 people in various fields who were awarded “Genius” grants last year from the John D. and Catherine T. MacArthur Foundation in recognition of having “shown extraordinary originality and dedication in their creative pursuits and a marked capacity for self-direction.”

Thile, who won the national mandolin championship at the Walnut Valley Festival in Winfield, Kansas at the ripe old age of 12, released his first solo album of mostly original composition, Leading Off, the following year. In 1997, at age 16, he won both a Grammy Award for Best Bluegrass Album and an International Bluegrass Music Award for album of the Year for True Life Blues: The Songs of Bill Monroe. He later won an International Bluegrass Music Award for Mandolinist of the Year (2001).

Over the years, Thile has released a number of solo albums and also has teamed up with such notable artists as mandolin player and multi-instrumentalist Mike Marshall, bassist Edgar Meyer (whom he has cited as one of his biggest musical influences), and cellist Yo-Yo-Ma. He recorded a well-received, Grammy Award-winning album entitled The Goat Rodeo Sessions with Yo-Yo Ma, Meyer and noted fiddle player Stuart Duncan; duo albums with Meyer and with guitarist Michael Daves; and has appeared on albums by such artists as Diercks Bentley, The Dixie Chicks, Scottish songbird Julie Fowlis, Sarah Jarosz, Dolly Parton, and Kate Rusby. His latest musical collaboration, Punch Brothers, sprung out of the How to Grow a Band, which he formed in 2006 and which also is the title of an independent documentary film that portrays Thile as he leaves the very popular Nickel Creek and launches an artistically ambitious new band. The five-member Punch Brothers has toured extensively, has released three albums and an EP, and is featured on the official soundtrack recording for the Coen brothers’ film Inside Llewyn Davis.

Sara Watkins, who has held an informal residency at the Los Angeles nightclub Largo, along with her brother Sean, actively pursued a solo career while Nickel Creek was on hiatus. Her self-titled debut album, produced by Led Zeppelin’s John Paul Jones, was released by Nonesuch Records in 2009.

In the span of three years between it and her sophomore release, Sun Midnight Sun, she toured internationally both as a solo artist and as a guest fiddle player and vocalist with The Decemberists. She also has performed with Works Progress Administration, did a short tour of England and Scotland in with Jerry Douglas and Aly Bain, opened for and played with Jackson Browne during his 2012 acoustic winter tour (Browne also appears on Sun Midnight Sun), and toured with Donavan Frankenreiter, Robert Earl Keen and Tift Merritt as well. She also joined Garrison Keillor on his nationwide Summer Love performance tours and guest-hosted for him on A Prairie Home Companion. Sara also has accompanied her brother on two of his three solo albums.

Brothers Eric and Leigh Gibson, along with their band, also won two other awards – being named Vocal Group of the Year and taking Song of the Year honors for “They Called It Music,” the title track of their latest album on Compass Records. Eric Gibson also was named Songwriter of the Year. The Gibson Brothers had garnered a collective eight nominations, individually and as an ensemble, last month.

Balsam Range, a western North Carolina-based band that received seven collective nominations, took home the Album of the Year trophy for Papertown. The Boxcars, who had six nods, were named Instrumental Group of the Year. Balsam Ridge band member Buddy Melton was part of a larger group – including Terry Baucom, Sam Bush, Jerry Douglas, Wyatt Rice and Steve Bryant – that won the Recorded Event of the Year award for “What I’ll Do.” Junior Sisk and Claire Lynch were named male and female vocalists of the year, respectively. The Emerging Artist of the Year Award went to Della Mae. Tony Rice and Paul Warren were the 2013 inductees into the Bluegrass Music Hall of Fame. Rice was inducted by two of his musical collaborators, Peter Rowan and Sam Bush. He also performed with his son Wyatt, Bush, Jerry Douglass, Ricky Skaggs and others.

The IBMA Awards Show – which was broadcast live on Sirius XM Satellite Radio (Bluegrass Junction) and syndicated to more than 300 U.S. markets and 14 foreign networks — is considered the centerpiece of the trade association’s annual World of Bluegrass music week, Sept. 24-28.

After a long stint in Nashville beginning in 2005, the IBMA partnered with The Greater Raleigh Convention & Visitors Bureau, PineCone – The Piedmont Council of Traditional Music, the City of Raleigh, and a local organizing committee to have the event in North Carolina’s capital city for the next several years.

Other award winners include:

Gospel Recorded Performance: “Beulah Land” – Marty Raybon
Instrumental Recorded Performance: “Foggy Mountain Rock” – Tom Adams, Dan Tyminski, Ron Stewart, Dennis Crouch, Clay Hess (a song from a tribute album to Earl Scruggs)
Banjo Player of the Year: Mike Munford
Bass Player of the Year: Barry Bales
Fiddle Player of the Year: Jason Carter
Dobro Player of the Year: Rob Ickes (his 15th win in that category)
Guitar Player of the Year: Bryan Sutton
Mandolin Player of the Year: Adam Steffey (member of The Boxcars)

Awards are voted on by the professional membership of the International Bluegrass Music Association (IBMA), the trade association for the global bluegrass community. Results of the balloting will be revealed at the International Bluegrass Music Awards on Thursday, September 26, hosted by the Steep Canyon Rangers. The Awards Show is the centerpiece of World of Bluegrass Week, slated for September 24-28, in Raleigh, North Carolina. After a long stint in Nashville, the IBMA has partnered with The Greater Raleigh Convention & Visitors Bureau, PineCone – The Piedmont Council of Traditional Music, the City of Raleigh and a local organizing committee to have the event in North Carolina’s capital city for the next three years.

“We are honored and humbled by the nominations we have received,” says Eric Gibson, expressing thanks “to the IBMA voters for this incredible honor and congratulations to all of the nominees.” Individually and as an ensemble, members of The Gibson Brothers received nominations for Entertainer of the Year, Vocal Group, Album of the Year for They Called It Music, Song of the Year for “its title track (written by Eric Gibson and Joe Newberry), and Gospel Recorded Event for “Home on the River.” Eric Gibson was also nominated in the Bluegrass Songwriter category along with Louisa Branscomb. Gibson Brothers mandolinist Jesse Brock also earned a nomination for Mandolin Player of the Year. The Gibson Brothers record for Compass Records, whose artists received the most nominations of any label this year.

Balsam Range, a western North Carolina-based band, received nominations for Entertainer of the Year, Vocal Group, Album of the Year for Papertown, and two Song of the Year nods for its title track and “Any Old Road (Will Take You There). Band member Buddy Melton was nominated in the Gospel Recorded Event and Recorded Event categories for “What’ll I Do” with Terry Baucom).

The IBMA Awards Show will be broadcast live on Sirius XM Satellite Radio (Bluegrass Junction) and syndicated to more than 300 U.S. markets and 14 foreign networks.

A complete list of nominees, this year’s Hall of Fame inductees, and Distinguished Achievement Award recipients follows.

2013 Hall of Fame Inductees

Tony Rice
Paul Warren

2013 Distinguished Achievement Award Recipients

Keith Case
The East Mountain Boys
Vic Jordan
The McLain Family Band
Charley Pennell

2013 International Bluegrass Music Award Nominations

Entertainer of the Year

Balsam Range
Blue Highway
Dailey & Vincent
The Gibson Brothers
The Del McCoury Band

Vocal Group of the Year

Balsam Range
Blue Highway
Dailey & Vincent
The Gibson Brothers
Doyle Lawson & Quicksilver

Instrumental Group of the Year

Blue Highway
The Boxcars
Sam Bush Band
Punch Brothers
Frank Solivan & Dirty Kitchen

Song of the Year

“Any Old Road (Will Take You There),” Balsam Range, written by Carl Jackson, Marc Pruett & Jerry Salley
“Gentle on my Mind,” Russell Moore & IIIrd Tyme Out, written by John Hartford
“Papertown,” Balsam Range, written by Milan Miller
“The Story of the Day that I Died,” Junior Sisk & Ramblers Choice, written by Ashby Frank
“They Called It Music,” The Gibson Brothers, written by Eric Gibson & Joe Newberry

Album of the Year

Dear Sister, Claire Lynch, produced by Garry West, Compass Records
Hammer Down, The SteelDrivers, produced by The SteelDrivers
& Luke Wooten, Rounder Records
The Old School, Peter Rowan, produced by Alison Brown, Compass Records
Papertown, Balsam Range, produced by Balsam Range, Mountain Home
They Called It Music, The Gibson Brothers, produced by Eric & Leigh Gibson and Mike Barber, Compass Records.

Gospel Recorded Performance of the Year

“Beulah Land,” Marty Raybon, written by Squire Parsons, produced by Marty Raybon, Rural Rhythm
“Home on the River,” The Gibson Brothers, written by Austin Taylor, produced by Eric & Leigh Gibson and Mike Barber, Compass Records
“Row by Row,” Balsam Range, written by Ashleigh Caudill, produced by Balsam Range, Mountain Home
“Say Hello to Heaven,” Doyle Lawson & Quicksilver, written by Lewis N. Hyatt, produced by Doyle Lawson, Mountain Home
“When He Beckons Me Home,” Darin & Brooke Aldridge, written by George Shuffler, produced by Darin & Brooke Aldridge, Mountain Home.

Instrumental Recorded Performance of the Year

“By the Waters of the Clinch,” Doyle Lawson & Quicksilver, written by Doyle Lawson, produced by Doyle Lawson, Mountain Home
“Foggy Mountain Rock,” Tom Adams, Dan Tyminski, Ron Stewart, Dennis Crouch, Clay Hess, Randy Kohrs; written by Louise Certain, Burkett Graves & Gladys Stacey; Rounder Records.
“New Jerusalem,” Ricky Skaggs & Kentucky Thunder, written by Ricky Skaggs, produced by Ricky Skaggs, Skaggs Family Records
“Newton’s Grove,” Audie Blaylock & Redline, written by Richard Underwood, produced by Audie Blaylock, Rural Rhythm
“NoraBelle,” Darrell Webb Band, written by Darrell Webb, Rural Rhythm
“Pilgrim’s Knob,” Alan Bibey & Wayne Benson, written by Bill Monroe, produced by Alan Bibey & Wayne Benson, Pinecastle

Recorded Event of the Year

“Another Night,” Alan Bibey, Wayne Benson and Russell Moore, produced by Alan Bibey & Wayne Benson, Pinecastle
“Golden Ring,” Russell Moore & IIIrd Tyme Out with Sonya Isaacs, produced by Barry Bales, Cracker Barrel
“On the Edge of Letting Go,” Frank Solivan & Dirty Kitchen with Tim O’Brien and Rob Ickes, produced by Frank Solivan & Brent Truitt, Compass Records
“This Old Guitar and Me,” Grasstowne with Ronnie Bowman, produced by Ronnie Bowman & Grasstowne, Mountain Fever Records
“What’ll I Do;” Terry Baucom with Sam Bush, Jerry Douglas, Wyatt Rice, Steve Bryant & Buddy Melton; produced by Terry Baucom, Cindy Baucom and Ed Lowe; John Boy & Billy label

Emerging Artist of the Year

Della Mae
Flatt Lonesome
Frank Solivan & Dirty Kitchen
The Spinney Brothers
The Darrell Webb Band

Male Vocalist of the Year

Jamie Dailey
Russell Moore
Tim O’Brien
Marty Raybon
Junior Sisk

Female Vocalist of the Year

Dale Ann Bradley
Sonya Isaacs
Claire Lynch
Amanda Smith
Rhonda Vincent

Instrumental Performers of the Year

Banjo:

J.D. Crowe
Mike Munford
Sammy Shelor
Ron Stewart
Scott Vestal

Bass:

Barry Bales
Mike Bub
Missy Raines
Mark Schatz
Marshall Wilborn

Fiddle:

Jason Carter
Michael Cleveland
Stuart Duncan
Bobby Hicks
Ron Stewart

Dobro:

Mike Auldridge
Jerry Douglas
Rob Ickes
Randy Kohrs
Phil Leadbetter

Guitar:

Jim Hurst
Tony Rice
Kenny Smith
Bryan Sutton
Josh Williams

Mandolin:

Wayne Benson
Jesse Brock
Sam Bush
Sierra Hull
Adam Steffey

Special Award Nominations

Bluegrass Broadcaster of the Year

Joe Mullins, WBZI, Xenia, Ohio
Ronnie Reno, Reno’s Old Time Music Festival, BlueHighways TV and RFD
Wayne Rice, KSON, San Diego, California
David Smith, North Dakota’s Prairie Public Radio
Tim White, Song of the Mountains, PBS

Bluegrass Event of the Year

The 2013 Bluegrass First Class, Asheville, North Carolina
The 2012 Father’s Day Festival, Grass Valley, California
The 2012 Huck Finn Jubilee, Ontario, California
The 2012 Jenny Brook Bluegrass Festival, Tunbridge, Vermont
Bill Monroe Bean Blossom Bluegrass Festival, Bean Blossom, Indiana

Best Graphic Design for a Recorded Project

Dak Alley, Carl Jackson & Jimmy Metts (designers); Grace Notes; Carl Jackson; Voxhall Records
Erick Anderson (designer), Music To My Ears, Ricky Skaggs,
Skaggs Family Records
Sue Meyer (designer), Doctor’s Orders, Don Rigsby, Rebel Records
Pharis Romero (designer), In Good Company, Bill Evans,
Native & Fine Records.
Tom Rozum, Catherine Manning & Dave Weiland (designers); Chicken on a Rocketship; Chad Manning; Manning Music and Arts label

Best Liner Notes for a Recorded Project

Tom Adams; Foggy Mountain Special; Tom Adams, Ron Block, J.D. Crowe, Charlie Cushman, Kenny Ingram, Jim Mills, Joe Mullins, Larry Perkins, Craig Smith, Ron Stewart, David Talbot & Tony Trischka; Rounder Records
Fred Bartenstein, They’re Playing My Song, Joe Mullins & the Radio Ramblers, Rebel Records
Jamie Lynn Brinkman, God Didn’t Choose Sides, Various Artists,
Rural Rhythm Records
Carl Jackson, Grace Notes, Carl Jackson, Voxhall Records
Don Rigsby, Doctor’s Orders, Don Rigsby, Rebel Records.

Bluegrass Print/Media Person of the Year

Fred Bartenstein, editor, Bluegrass Bluesman:
A Memoir by Uncle Josh Graves (book)
Derek Halsey, writer for the Herald Dispatch in Huntington, West Virginia and Bluegrass Unlimited magazine
Chris Jones, writer for Bluegrass Today
Ted Lehman, blogger for Ted Lehmann’s Bluegrass, Books & Brainstorms
Amy Reitnouer, editor of The Bluegrass Situation

Bluegrass Songwriter of the Year

Louisa Branscomb
Paula Breedlove
Mark “Brink” Brinkman
Eric Gibson
Donna Ulisse

Momentum Awards

Industry, New Professional:

Danny Clark, The Bluegrass Bus & LeRoy Troy PR
Martha Dantzic, Quicksilver Productions
Amy Reitnouer, The Bluegrass Situation

Industry, New Festival or Venue:

Bluegrass on the Plains, Auburn, AL
The Festy, Roseland, VA
The Outer Banks Bluegrass Festival, Roanoke Island, NC

Industry, Mentor:

Stephen Mougin
Denise Stiff
Jon Weisberger

Performance, Vocalist:

Amber Collins, Amber Collins & Turning Point
Robert Greer, Town Mountain
Sarah Harris, Trinity River Band
Isaac Moore, The Moore Brothers
Celia Woodsmith, Della Mae

Performance, Band:

The Bankesters
Cumberland River
Front Country
Snyder Family Band
Town Mountain

Performance, Instrumentalist:

Bobby Britt, Town Mountain
Kimber Ludiker, Della Mae
Chris Luquette, Frank Solivan & Dirty Kitchen
Bryan McDowell, Claire Lynch Band
Zeb Snyder, Snyder Family Band

Special Awards and Distinguished Achievement Awards will be presented at a luncheon on Thursday, September 26 from 10:45 a.m.-12:45 p.m. at the World of Bluegrass Business Conference in Raleigh, NC. The Momentum Awards will be presented during a Showcase Luncheon on Wednesday, September 25.

More information about the International Bluegrass Music Awards and World of Bluegrass 2013 may be found online at www.ibma.org.