June 1 is the deadline for performing songwriters to submit applications online via the use of an entry form that can be found at https://solarfest.org/singer-songwriter-showcase-2025/. All entries must include video links to two original songs performed live, a brief bio, and a link to the artist’s website.

Judging will be done prior to the festival. One winner and four finalists will be invited to perform on the festival’s solar-powered main stage on Saturday, August 9. Cash prizes will also be awarded — $300 for the winner and $100 for the finalists. Each will receive two festival tickets as well. The winner and finalists will be notified by July 1.

Launched in 1995, SolarFest aims to connect people, the arts, ideas and technology, fostering partnerships and activism to create a vibrant present and a sustainable future. “In addition to workshops and great information on renewable energy, SolarFest has been the home to diverse and exciting music,” as singer-songwriter Phil Henry, a showcase organizer, previously told AcousticMusicScene.com.

“SolarFest’s Songwriter Showcase was so valuable to me when I was starting out in the world of folk and songwriting,” said Henry, 2005’s SolarFest Songwriter Showcase winner. “And many of our scene’s best have graced that stage – like Lara Herscovitch [a former Connecticut State Troubadour who co-organizes the showcase with him and is also a past winner], Louise Coombe, Connor Garvey, Jessica Smucker, and so many others. It’s a great festival with top-notch sound and an incredible vibe!”

Roots-rockin’ jam band Donna The Buffalo and psychedelic jamgrass band Into The Fog headline the festival. Also slated to perform are Phil Henry and the News Feed, Lara Herscovitch & the Highway Philosophers, world folk-rock ensemble HuDost, nuevo flamenco duo Patchouli & Terra Guitarra, Vermont’s own Bow Thayer Band and Ray Vega Band, and the party band Kotoko Brass — whose sound fuses Ghanaian percussion, Caribbean rhythms and joyous New Orleans horns. The festival closes out on Sunday afternoon, August 10, with a local talent expo showcasing some of the area’s up-and-coming performers.

This year’s Kerrville New Folk Finalists are AJAYE (Nashville, TN), Malena Cadiz (Los Angeles, CA), Katie Dahl (Baileys Harbor, WI), Sophia DeLeo (New York, NY), Jeremy Facknitz (Colorado Springs, CA), Jessica Willis Fisher (Nashville, TN), Abbie Gardner (Nashville, TN), Martin Gilmore (Denver, CO), Sara Beth Go (Nashville, TN), Helena Hallberg (Zurich, Switzerland/Nashville, TN), Brian Johannesen (Iowa City, IA), Cindy Kalmenson (Ojai, CA), Holly Lovell (Denver, CO), Hudson Mueller ((Houston, TX), Abigayle Oakley (Nashville, TN), Racyne Parker (Everett, WA), Morgan Lee Power (Waco, TX), Reckless Saints (Fort Myers, FL), Madeleine Roger (Winnipeg, MB Canada), Stephanie Sammor (Farmers Branch, TX), Tai Shan (Madison, TN), Isabel Shaye (Arlington, VA), Mike Vitale (Los Angeles, CA), and Christopher Worth (Portland, OR). They will showcase their talents and songwriting skills at the Threadgill Theater on the Quiet Valley Ranch Campgrounds in the Texas Hill Country near Austin and San Antonio, beginning at 1:30 p.m. CT. The New Folk Concerts may also be livestreamed on the Kerrville Folk Festival’s website [kerrvillefolkfestival.org] and Facebook page, as well as on the Kerrville Folk Festival Foundation’s YouTube channel.

After performing the two songs that they submitted during the New Folk Concerts, six songwriters will be selected as 2025 New Folk Winners by a panel of judges that includes Adeem the Artist, RJ Cowdery, Matt Nakoa, Raina Rose, and J Wagner. As in the first round, the finalists’ songs will be evaluated based on originality, lyrics, melody, harmonic structure, and other elements of song-craft. Each of the six performing songwriters chosen as 2025 New Folk Award Winners, to be announced during the evening concert on May 25, will be invited to perform a 20-minute set as part of a New Folk Award Winners Concert on Saturday, May 31 that also will be livestreamed.

Established in 1972 at the urging of the late Peter Yarrow of Peter, Paul & Mary fame, the Kerrville New Folk Concerts have become a highlight of the annual festival that is geared towards singer-songwriters of various musical styles and is the longest continuously running festival of its kind in North America. In addition to receiving $750 cash awards and two wristbands each for Kerrville’s 2025 fall “Welcome Home” Fest, being named as a New Folk Award Winner is regarded as a very prestigious honor. Kerrville New Folk winners also are invited to participate in a New Folk Concert Series tour in the spring prior to the festival.

Extending for 18 days, the Kerrville Folk Festival is set for May 22-June 8 and will feature more than 100 artists and acts. Besides concerts each evening, it features “Ballad Tree” song-sharing sessions, campfire jam sessions, concerts and activities for children, organized canoe and kayak trips on the Guadelupe River and Hill Country bike rides, guided nature walks, yoga, beer and wine seminars, a Young Artists’ Performance Incubator, a professional development program for teachers, as well as a songwriters school and instrumental workshops.

Finalists Named in Al Johnson Performing Songwriter Contest

Ten finalists also have been named this month in the Al Johnson Performing Songwriter Contest and have been invited to showcase their talents during the 2025 Wildflower! Arts and Music Festival that takes place May 16-18 at the Galatyn Park Urban Center in Richardson, Texas — located just a few minutes north of Dallas. The finalists slated perform on Saturday, May 17, beginning at 12:30 p.m. CT, include Chris Baron (Portland, Oregon), Bud Bierhaus (Katy, TX), Daniel Boling (Albuquerque, NM), Mary Broussard (Scott, LA), Linda Dunnavant (Nashville, TN), Jesse Garcia (Glorietta, NM), Christine Hand (Dallas, TX), Michelle Rayburn (Nashville, TN), Erin Ash Sullivan (Harvard, MA), and Lindsay White (San Diego, CA).

Using a blind-screening process, a panel of judges chose the finalists who will perform two songs each on the Singer-Songwriter Stage inside the Eisemann Center during the annual event that is billed as North Texas’ largest music festival. The 10 finalists will compete for cash prizes and be judged based equally on the quality and presentation of their songs – with originality, lyrics, melody, and harmonic structure among the criteria.
Each of the finalists also will be afforded an opportunity to perform a set of songs on another stage as well during the festival. Visit wwildflowerfestival.com for more information.

Since its inception, the festival has ben a combination of a music fest, family reunion, community gathering, and weekend musical retreat, according to its organizers. Among this year’s performing artists – in addition to a number of Florida-based ones — are Vermont-based singer-songwriter Jason Butler, Hawaii’s Jason Colannino, Massachusetts-based husband & wife duo Crowes Pasture, Pennsylvania-based folksinger-songwriter Anne Hills, California—based duo Jack & the Vox (featuring Jack Maher and Victoria Vox), Illinois-based singer-songwriter Joe Jencks, South Carolina-based guitarist and singer-songwriter Jacob Johnson, Connecticut-based genre-bending trio Mad Agnes, Tennessee-based husband & wife duo Mare Wakefield & Nomad, Kentucky-based singer-songwriter Daniel Neihoff, Massachusetts-based singer-songwriter David Roth, prolific New York-based alt-pop artist Rachael Sage, Colorado-based multi-instrumentalist and singer-songwriter Carla Sciaky, New Jersey-based comedic singer-songwriter Carla Ulbrich, and West Texas-based Americana singer-songwriter Hank Woji.

Singer-Songwriter Competition to Feature 12 Artists

The twelve finalists in the South Florida Folk & Acoustic Music Festival’s singer-songwriter competition — selected from among more than 40 entrants — will each perform two songs on Saturday. They are Rebecca Berlin, Janet Buehler, Jesse James DeConto (The Pinkerton Raid), Kala Farnham, Jacob George, Sue Horowitz, Lynn Holyfield, Roger Mason, Charlie Pace, Arielle Silver, Sara Trunzo, and Ezra Vancil.

Three winners selected by a panel of three judges (Bob Lind, Susan Mos and Michael Stock) will each receive a cash prize and an invitation to perform at next year’s festival. Last year’s winners were Lynn Biddick (LaCrosse, Wisconsin), Jane Fallon (Dunedin, Florida) and Sarah McCulloch (Davie, Florida).

A Wide Array of Jam Sessions and Workshops are Slated

A variety of jam sessions are slated. Among others, New Hampshire-based husband & wife duo Dan & Faith present “Telling Stories That Matter: Songs For Our Times;” Florida-based folk roots band Killbillies host “a “Traditional Irish Jam;” Rachael Sage invites people to “Share Your Original Songs;” Carla Ulbrich leads a “Funny Song Jam;’ Victoria Vox hosts a “Ukelele Hootenanny;” and Hank Woji leads a “Social and Political Consciousness and Activism Jam.” Ten workshops are also slated over the weekend to be led by such noted singer-songwriters as Joe Jencks, Rod MacDonald, David Roth, and Jack Williams, among others.

A festival schedule including bios of all of the artists slated to perform — along with performance times and links to their websites and to listen to them online – may be found at https://sffolk.org/festival-2025-schedule/. Tickets may be purchased online at https://sffolk.org/general-information/festival-tickets/.

The South Florida Folk & Acoustic Music Club (formerly the Broward Folk Club), which presents the festival, is a nonprofit organization whose purpose is to promote folk & acoustic music and to provide a community for people who share a love for it.

The Honey Badgers were among five jury-selected finalists in an emerging artist competition that attracted 58 applicants who perform in various acoustic roots-based styles. Along with Erin Lunsford, Joseph Alton Miller, Dann Pell, and Red South & Blue Dawn, the duo performed a 20-minute set, followed by a short interview, in the Studio at the Appell Center for the Performing Arts on Saturday afternoon. Four judges evaluated their live performances based on stage appearance, originality, personality, and overall consistency.

“It was a fantastic day overall at the Susquehanna Folk Festival,” The Honey Badgers said. “We loved the mix of free and ticketed shows, the bliss of air-conditioned performance spaces with a lovely walkable town right outside, and super kind audiences, volunteers and staff. We felt very lucky to end our evening opening for the incredibly Hot Club of Cowtown in the gorgeous Capitol Theatre. Playing our set was a thrill, but getting to watch such an impressive and fun headliner was the cherry on top of an awesome day.” The festival’s other headliners were acclaimed Celtic fiddlers Natalie MacMaster & Donnell Leahy (along with their seven children) and The Klezmatics, a Grammy Award-winning klezmer(Jewish roots music) ensemble.

The Emerging Artist Showcase is considered a highlight of the annual three-day Susquehanna Folk Festival that extended from August 9-11 and also featured national and regional touring artists, a jam session, family activities, an archive challenge hosted by The Library of Congress’ American Folklife Center, and lots of dancing. The Susquehanna Folk Music Society (sfmsfolk.org), a Harrisburg, PA-based nonprofit organization that bills itself as Central Pennsylvania’s grassroots voice for folk music and dance, launched the festival in 2018. The society has been presenting traditional, contemporary and international folk music and dance events in Central Pennsylvania since 1985.

The festival will feature more than 50 musical artists and acts performing daily from 11 a.m. to midnight on Friday and Saturday and from 11 a.m. to 9:30 p.m. on Sunday. Seven stages –including the shady, family-oriented Dulcimer Grove — will offer a diverse array of international, regional and hyper-local performers, daytime workshops, in-the-round sets featuring several artists/acts, and more. As in years past, many artisans will display and sell their crafts, while a wide array of food and beverages will be available for purchase.

This year’s festival headliners are, Gangstagrass (a group whose innovative sound is a fusion of bluegrass and hip hop) John Oates (formerly of the popular Philadelphia-based pop-soul duo Hall & Oates), and virtuosic banjo player Tony Trischka’s EarlJam – A Tribute to Earl Scruggs (in which the acclaimed bluegrass artist and backing band trace the musical story of the American bluegrass legend known for popularizing a three-finger banjo picking style).

Among the other notable artists slated to perform during the festival are Adam Ezra Group, Calvin Arsenia, Cajun band Beausoleil avec Michael Doucet, Craig Bickhardt with Aislann Bickhardt, Johnathan Byrd, Ellis Paul, The Faux Paws, Cathy Fink & Marcy Marxer, Dom Flemons, John Flynn, John Gallagher, Jr., The Great Groove Band, Alice Howe & Freebo, Jess Klein, A.J. Lee & Blue Summit, Crys Matthews, Pete Muller and the Kindred Souls, Aaron Nathans & Michael G. Ronstadt, Celtic roots ensemble RUNA, The Secret Sisters, Shanna in a Dress, Alexis P. Suter Band, Stephen Wade, Nigel Wearne, and Windborne. A number of talented Canadian artists are on the bill – including Angelique Francis Band, Cassie & Maggie, J.P. Cormier, Dave Gunning, Miss Emily, and Genevieve Racette.

John Flynn, a Delaware-based singer-songwriter and social justice activist & troubadour, has been a frequent performer at the festival and closes it out this year on the Main Stage. “When people ask me how I’m doing I often say ‘better than I deserve.’ They always think I’m joking but I’m really not,” he told AcousticMusicScene.com. “I am so grateful for the chances I’ve been given in this life and that’s kind of how I feel about the Philadelphia Folk Festival. These folks have supported my music from the very beginning, and it’s a real honor to be getting a chance to appear with so many wonderful artists on the final night of this year’s fest.”

Artists Affiliated with Music Artists Cooperative (MAC) and Xtreme Folk Scene Also Slated to Perform

The Philadelphia Folk Festival also will feature performances by members of the Philadelphia Folksong Society’s Musical Artists Cooperative (MAC) and from The Xtreme Folk Scene, a Philadelphia-based music community dedicated to supporting dynamic and innovative folk music that pushes the boundaries of tradition and celebrates the fusion of various genres.

The Musical Artists Cooperative (MAC) is an initiative designed to support professional musicians who perform regularly in the local area, with many touring nationally as well. Slated to perform on the Lobby Stage on Friday, Aug, 16, between 1-5:30 p.m. are Last Chance, CubiZm, Jefferson Berry & the UAC, Bethlehem and Sad Patrick, Jersey Corn Pickers, Kicking Down Doors, The Hoppin Boxcars, and Meghan Cary. On Saturday morning, Aug. 17, Mara Levine and Gathering Time will perform on the Craft Stage from 11 a.m. to 12 p.m., and on Sunday morning, Aug. 18, The Honey Badgers and The Edgehill Rounders play the Tank Stage from 11 a.m. to 12 p.m. Other MAC-affiliated artists set to perform during the festival include Emily Drinker, Aaron Nathans, David C. Perry, Jackson Pines, and Two of a Kind.

The Xtreme Folk Showcase, entitled “Anger, Hope, and Outrage,” will feature performances by Sug Daniels, Anarkkhipov, Persistent Resonators, A Day Without Love, and Matt Pless on the Tank Stage on Saturday from 11 a.m. to 4 p.m. The Xtreme Folk Scene also presents Xfest, an annual music festival featuring some of the edgiest folk artists in the greater Philadelphia area.

There’s also a festival within the festival for those who opt to camp onsite and enjoy some late-night musical revelry. The 40-acre campground – chock-a-block with tents – is home to a unique late-night scene, with singing by campfires and jamming into the early morning hours, as well as a Thursday night Camp Stage kickoff performance for campers only.

For more information about the Philadelphia Folk Festival – including stage schedules — and to order tickets, visit folkfest.org.

Hailed as “the songwriter laureate of modern city folk,” (The Boston Globe), Lucy Kaplansky is a New York City-based contemporary folk singer-songwriter with a luminous voice whose recordings have frequently topped the folk and Americana radio charts. Among the most respected and covered touring songwriters on the folk scene, Massachusetts-based Cliff Eberhardt, like Kaplansky, cut his musical teeth playing NYC clubs centered around Greenwich Village during the folk/songwriter renaissance of the 1980s. When not doing their own thing, Kaplansky and Eberhardt have been part of an On a Winter’s Night tour that also features John Gorka and Patty Larkin.

Prior to the evening concert on the park’s [Harry] Chapin Rainbow Stage, Michael Kornfeld, president of the Folk Music Society of Huntington and editor & publisher of AcousticMusicScene.com, conducts an on-stage conversational interview with the evening’s featured artists at 7:15 p.m. He also emcees a series of amplified song swaps from 1:30-4 p.m. near a canopy tent on the upper lawn area overlooking the stage and from 4-6 p.m. on-stage. These will be preceded by an hour-long open mic hosted by singer-songwriter Toby Tobias, who co-hosts the NorthShore Original Open Mic (NOOM) that is co-presented by FMSH and the Cinema Arts Centre in the Cinema’s Sky Room on three Wednesday nights each month, while FMSH’s monthly Hard Luck Café concert series takes place on the third Wednesday.

Artists slated to showcase their talents during the afternoon include (in alphabetical order by last name): Josie Bello, Suzanne Ernst, Roger Street Friedman, Rorie Kelly, Ray Lambiase, Bill Lauter, Mara Levine, The Levins, Annie Mark, Stuart Markus, Catherine Miles & Jay Mafale, Louise Mosrie, Mark Newman, Nico Padden, Carolann Solebello, Hank Stone, Christine Sweeney, and Toby Tobias.

The complete schedule for the Huntington Folk Festival appears below:

1:30 Huntington’s Own: Josie Bello, Suzanne Ernst, Ray Lambiase

2:00 LI Guys: Hank Stone and Bob Westcott

2:30 LI Gals: Rorie Kelly, Nico Padden, Christine Sweeney

3:00 Huntington’s Own II: Bill Lauter, Annie Mark, Mark Newman

4:00 A Pair of Duos: The Levins and Catherine Miles & Jay Mafale

4:30 Let’s Hear It for the Guys: Roger Street Friedman and Toby Tobias

5:00 Classic Folk Covers: Mara Levine and Stuart Markus

5:30 Women of Note: Louise Mosrie Coombe and Carolann Solebello

6:00 Dinner Break

7:15 A Conversation with Cliff Eberhardt and Lucy Kaplansky

8:00 Evening Concert: Cliff Eberhardt and Lucy Kaplansky

Festivalgoers are advised to bring lawn chairs and blankets and a picnic supper (or they can walk into Huntington Village and enjoy a meal at one of its many restaurants).

The Huntington Summer Arts Festival is produced by the Town of Huntington and presented by the Huntington Arts Council. Additional support is provided by Presenting Sponsor Canon U.S.A., with partial funding from the New York State Council on the Arts and the Suffolk County Department of Economic Development and Planning.

Adam Ezra Group, Shawn Colvin, Vance Gilbert, Martin Sexton, and the Slambovian Circus of Dreams are among the artists slated to appear. Also showcasing their talents will be Allison Leah, John John Brown, Ian Campbell (the festival’s artistic director), Bruce T. Carroll, Scott Cook with Pamela Mae, KJ Denhert, Kala Farnham, Deidre Flint, Abbie Gardner, Goodnight Moonshine, Kyle Hancharick, Phil Henry, Mike Horyczun, The McKrells, The Meadows Brothers, Matt Nakoa, Shanna in a Dress, Victor Wainwright and the Train, Tracy Walton, and more. Artists will also conduct workshops.

Ian Campbell, who curates the festival, said that Black Bear Americana Music Fest was borne out a conversation with his now partner, Beth, who told him that she was thinking of creating a festival and asked if , with his experience in the music business, would he be interest. “She called another friend, Evan Dobos, who mis a whiz at web design and branding – and then I called some old friends who I knew from 1984 when they were a small DJ company,” he said, noting that “the now huge” Powerstation Events partnered with them in producing the festival.

He acknowledged that the festival drew a “pretty scant attendance” its first year. “We tease that all six people who were there had an amazing time,” Campbell said. “Artists like Vance Gilbert and Joe Crookston stood on the stage and told the small crowd: ‘You can say you were here in the beginning of what is going to be a huge festival.’”

From its humble beginnings, the festival has grown each year. Although still relatively small, Campbell and his team keep adding new elements and layers to the festival. “This year will have 50+ acts, all kinds of workshops – from songwriting and studio pre-production to guitar, open tuning, ukulele and hand drums all the way to [making] bourbon-candied bacon and Slambovian jellyfish umbrellas,” he noted. “We have showcase and jam tents, and just all kinds of things going on all the time. There won’t be a dull moment, if you don’t’ want one. Then again, you can kick back at your campsite with a fire and have all the dull moments you want,” Campbell added. Participating artists appear to share his enthusiasm for the festival.

Performing Songwriters Share Their Reflections on the Festival

A studio owner, as well as performing songwriter, Walton is also pleased to see a number of artists who he is currently recording are part of this year’s festival lineup. “Sierra West is really amazing, and the Meadows Brothers have been favorites of mine for years, so getting to produce them has been special,” he said. “Seeing acts like Shawn Colvin and Martin Sexton headlining this year is super exciting,” he added.

Calling Litchfield County “one of the prettiest places on the planet in the fall,” Walton maintains “it’s the perfect setting for what should be an amazing weekend. It feels like this is going to be the year that Black Bear really arrives as a big player on the festival circuit.”

Kyle Hancharick, an upstate New York-based singer-songwriter, is also “excited” to be returning to the festival. Like Walton, Hancharick performed at the first festival in 2018, while he came as a listener and participated in a few workshops that he called “incredible” last year. “It’s such a supportive environment with incredible talent,” he said. “Ian Campbell and his team have grown this festival in the very best of ways,” he noted, while also expressing appreciate for the audience it draws. “The festival has grown since its beginnings but it still has that intimate feel between performers and listeners. They’re true folk fans,” he added.

“I love Black Bear Fest – with the exception of the temperature making my stage name a little more difficult to execute,” she said. Besides showcasing her performance and songwriting chops that have earned her accolades as a winner of the prestigious Kerrville New Folk Competition and the Great River Folk Fest Song Competition in 2020, as well as of the Rocky Mountain Folks Festival Songwriter Showcase in August, Shanna will lead songwriting workshops including Let’s Write a Funny Song.

Late-Night Song Circles to Take Place Under the Big Orange Tarp

New to the Black Bear Americana Music Fest this year will be unplugged, late-night song circles under the Big Orange Tarp hosted on the campgrounds by Alan Rowoth beginning after the music ends on the main stage on Friday and Saturday nights, as well as a housewarming circle on Thursday night preceding the actual start of the festival.

Inspired by the late-night song circles that he experienced at the Kerrville Folk Festival in the Texas Hill Country beginning in 1992, Rowoth sought to replicate what he calls “the incredibly intimate nature of this listening experience” at other festivals.” Noting that campground music was virtually unheard of at other folk festivals around the country at the time, Rowoth decided “to try to spread the germ” by taking his Big Orange Tarp to campgrounds at the Falcon Ridge Folk Festival (which now also takes place at the Goshen Fairgrounds), Planet Bluegrass in Colorado, Sonoma Valley in California, and other spots. “I honed the performer quality and fine-tuned the circle format to maximize the listener experience to try and stimulate interest in the house concert scene that was just beginning to take off. Audience response was incredible. Other festival camps began to emulate us.”

Having engaged in this labor of love for more than 30 years now as he seeks to create opportunities for musicians by connecting them with listeners and presenters, Rowoth is pleased to bring the Big Orange Tarp to Goshen, CT this year. “Black Bear is a great fit for us,” he said. “Ian Campbell’s love of music and the community festival experience is exactly what the Big Orange Tarp is all about. We could not be more excited about partnering with Ian.”

As at Falcon Ridge, Rowoth plans to start each night with established performers — including some who are part of the official festival lineup and others who are not — and eventually transition to an open circle. “We have no scheduled closing time; it ends when everyone leaves,” he added. Although Rowoth often livestreams performances from the Big Orange Tarp via his Facebook page to create even greater accessibility, he believes that “Nothing feels as good as being there in person.”

For Tickets and More Information on the Festival

Day tickets and multi-day camping tickets for the Black Bear Americana Music Festival may be purchased online at blackbearmusicfest.com, where you will also find more information on the festival – including the complete artist lineup and schedule.

Prior to the evening concert on the park’s [Harry] Chapin Rainbow Stage, Michael Kornfeld, president of the Folk Music Society of Huntington and editor & publisher of AcousticMusicScene.com , conducts an on-stage conversational interview with the evening’s featured artists at 7:15 p.m. He also hosts a series of amplified showcases and song swaps from 2-5 p.m. near a canopy tent on the upper lawn area overlooking the stage. These will be preceded by an hour-long open mic hosted by singer-songwriter Toby Tobias, who runs the NorthShore Original Open Mic (NOOM), an Acoustic Ally of FMSH, from 12-1 p.m. and Remembering Lois Morton: A Musical Tribute from 1-2 p.m.

From 1-2 p.m, a number of artists will perform and share their reflections on Lois Morton, the late Huntington-based singer-songwriter who delighted audiences throughout the New York metropolitan area and beyond for years with her abundant charm and humorous songs of social commentary on such subjects as cell phones, clutter, diets, psychotherapy, and road rage. Participants in this tribute will include Josie Bello, Kirsten Maxwell, Larry Moser, Richard Parr, Glen Roethel, Dave Anthony Setteducati, Linda Sussman, and others. Here’s a link to a remembrance piece about Lois Morton: https://acousticmusicscene.com/2020/12/20/lois-morton-a-witty-singer-songwriter-1933-2020/.

The complete schedule for the Huntington Folk Festival appears below:

12:00 Open Mic
1:00 Remembering Lois Morton: A Musical Tribute (performances and reflections by Josie Bello, Kirsten Maxwell, Larry Moser, Richard Parr, Glen Roethel, Dave Anthony Setteducati, Linda Sussman, and others)
2:00 Song Swap: Hank Stone and Bob Westcott
2:30 Us!
2:45 Drew Velting
3:00 Christine Sweeney
3:15 Brett Altman
3:30 Allison Leah
3:45 Sea Chanteys: The Royal Yard and Alan Short
4:15 Catherine Miles & Jay Mafale
4:30 The Levins
4:45 Scott Wolfson & Other Heroes
5:00 Dinner Break
7:15 On-Stage Conversation with Paula Cole and Sophie B. Hawkins
8:00 Evening Concert on the Chapin Rainbow Stage: Paula Cole & Sophie B. Hawkins

Festivalgoers are advised to bring lawn chairs and blankets and a picnic supper (or they can walk into Huntington Village and enjoy a meal at one of its many restaurants).

Although the Huntington Folk Festival is free, attendees are asked to bring donations of nonperishable food to support Long Island Cares, Inc., the regional food bank founded by Harry Chapin. July 16 marks the 41st anniversary of the late Huntington-based singer-songwriter, social activist and humanitarian’s tragic death on the Long Island Expressway, while this year is the 50th anniversary of the release of Chapin’s breakout hit, “Taxi.”

The Huntington Summer Arts Festival is produced by the Town of Huntington and presented by the Huntington Arts Council. Additional support is provided by Presenting Sponsor Canon U.S.A., with partial funding from the New York State Council on the Arts and the Suffolk County Department of Economic Development and Planning.

Official Showcases are considered the prime platform for introducing talent and new music to the bluegrass community during the genre’s annual industry gathering and family reunion. Selected for official showcases during the IBMA Bluegrass Ramble at six venues throughout downtown Raleigh are Carley Arrowood, Breakin’ Strings, Cedar Hill, Chicken Wire Empire, Kristy Cox, Crying Uncle Bluegrass Band, Damn Tall Buildings, Echo Valley, Rick Faris, The Foreign Landers, Frog Holler, Full Cord, Hayde Bluegrass Orchestra, Jig Jam, The Kody Norris Show, Jake Leg, Lonesome Ace Stringband, Lover’s Leap, Mile Twelve, Missy Raines & Allegheny, My Brother’s Keeper, Nefesh Mountain, Nick Chandler & Delivered, Nick Dumas & Branchline, Caroline Owens, Clint Roberts, The Slocan Ramblers, Songs From The Road Band, Williamson Branch, and Zoe & Cloyd.

They were chosen through a juried selection process that took into consideration the applicant’s entertainment value, level of professionalism, potential appeal, quality of work, and potential to benefit from the opportunity. Selected Official Showcase acts will have at least two performance opportunities — typically once during the IBMA Business Conference and a longer set at an IBMA Bluegrass Ramble venue. They also will receive full conference registration, complimentary exhibit hall booth space during the business conference, up to three individual IBMA memberships, and various pre-event promotional opportunities.

Ten talented songwriters/songwriting teams will perform their songs during the IBMA Songwriter Showcase at the Raleigh Convention Center on Thursday afternoon, September 29. This showcase is part of the songwriter track during the annual IBMA Business Conference, September 27-29. Songwriters selected for this coveted opportunity include Aaron Bibelhause (“Long Hill to Climb”], Valerie Smith & Ashley Lewis (“A Dollar Looked Mighty Good”), Ashlee Watkins & Andrew Small (“Finish What You Started”), Carley Arrowood (“Moondancer”), Timothy Scott Williams & Sarah Williams (“Big Table”), Michelle Rivers (“Gone”), Theo MacMillan (“Getting Over”), Lizzy Ross of Violet Bell (I Can’t Say Nothing”), J.M. Clifford (“Slow Rolling Train”), and Buddy Guido & Paul Kelly (“John Dear”).

These songwriters were chosen through a juried selection process based on the applicants’ quality of work and appeal to bluegrass audiences. Songwriters could submit one song per entry and were limited to two entries. Besides showcasing, these songwriters and others participating in the conference’s songwriter track will be provided with resources to help cultivate their craft, develop solid business practices, network, engage in one-on-one mentoring sessions, and pitch material to bluegrass artists and producers.

A Bit About IBMA Word of Bluegrass and the Organization Behind It

The IBMA’s annual World of Bluegrass week has taken place in Raleigh since 2013 – apart from 2020 when the trade and professional association for the global bluegrass community shifted to online presentation of its professional development seminars, artist showcases and awards. In addition to Bluegrass Ramble official showcases and the IBMA Songwriter Showcase, IBMA’s World of Bluegrass generally features a wide array of professional development seminars, meetings and forums; sponsored artist showcases and late-night hospitality functions, plenty of networking and relationship-building opportunities; the International Bluegrass Music Awards Show; and the IBMA Bluegrass Live! festival.

Registration is now open to attend the 2022 World of Bluegrass conference, while tickets are available for the IBMA Awards Show on September 29 and ticketed Bluegrass Live! festival performances over the weekend at the Red Hat Ampitheater. A two-day free street festival, September 30-October 1, marks the culmination of IBMA World of Bluegrass and draws throngs of music lovers to downtown Raleigh to enjoy more than 100 acts on different stages set up along Fayetteville Street — from the state capitol to the Duke Performing Arts Center. The StreetFest also includes an arts market, exhibit hall, master workshops, youth performances, food and beverage vendors, and more. The NC Whole Hog Barbecue Championship also takes place downtown that weekend.

IBMA (ibma.org) seeks to facilitate the growth and development of the bluegrass community – for professionals and enthusiasts who share a passion for the music. More information about IBMA’s World of Bluegrass will be posted on AcousticMusicScene.com in coming months and may also be found on WorldofBluegrass.org.