NERFA – AcousticMusicScene.com https://acousticmusicscene.com Mon, 03 Nov 2025 21:05:36 +0000 en-US hourly 1 https://wordpress.org/?v=6.9.4 NERFA Conference Set for Nov. 6-9, 2025 in Albany, NY https://acousticmusicscene.com/2025/11/03/nerfa-conference-set-for-nov-6-9-2025-in-albany-ny/ Mon, 03 Nov 2025 21:05:36 +0000 https://acousticmusicscene.com/?p=13583 More than 500 performing artists, presenters, promoters, agents and managers, folk DJs, and others actively engaged in contemporary and traditional folk music are expected to converge on The Desmond Hotel in Albany, New York, Nov. 6-9, 2025 for the annual Northeast Regional Folk Alliance (NERFA) Conference.

Besides several jam-packed days and nights of music showcases, song swaps/in-the-rounds, open mics and informal jam sessions, the NERFA conference will also feature, informative panel discussions and workshops, one-on-one mentoring and peer & affinity group sessions, communal meals, awards presentations, an exhibit hall, a very special film screening, a reception, communal meals, a community meeting with NERFA’s volunteer board of directors, and lots of opportunities for schmoozing and networking. Singer-songwriters Flamy Grant and Janis Ian (best known for her early hits “Society’s Child” and “At 17”) will keynote the conference on Friday and Saturday nights, respectively.

Booking gigs may be the primary objective of some performers who attend the conference; and many presenters and folk DJs do scout out new artists and those whom they have not previously heard and seen in live performance. However, the conference experience is much more than that; it’s really about forging connections, building community, and taking advantage of learning opportunities that can help enhance and enrich your professional and personal lives.

The conference’s programming committee, under the leadership of Ron Olesko, a NERFA board member and the creator and director of Folk Music Notebook (a 24/7 online radio station and community hub), has arranged a diverse array of workshops, panel discussions and special events.

“We are excited to present a special pre-release screening of a new film You Got Gold: A Celebration of John Prine,“ said Olesko. Filmed during a star-studded two-night tribute to the legendary songwriter at Nashville’s famed Ryman Auditorium in October 2022, its national theatrical release is slated for later in November. Prine’s widow, Fiona Whelan Prine, president of Oh Boy! Records and a producer of the film will engage in a Q & A session following the screening. Anna Canoni, president of Woody Guthrie Publications, will give a presentation about her grandfather and the newly released Woody at Home: Woody Guthrie’s Home Recordings, 1951-1952. Buskin & Batteau, Christine Lavin, John Forster, and Carla Ulbrich — who occasionally perform together as the April Fools –will share some very funny folk songs. Also slated is a Friday morning production of Ms. Music: The Jackie Alper Story, a folk musical written and directed by Andy Spence and Sarah Dillon, that honors the late folk music legend in the New York Capital Region and an influential figure in the folk revival.

Also on the conference schedule are the ever-popular On the Griddle instant critique session during which a panel of folk DJs listen to the first 60 seconds of a number of songs and provides snap feedback. Sonny Ochs, a longtime folk DJ and sister of the late troubadour and activist Phil Ochs, will again host a Wisdom of the Elders session. It will feature acclaimed singer-songwriters Janis Ian and Tom Chapin a, along with Terry Thai (Bob Dylan’s first manager and former wife of Dave Van Ronk). Olesko joins Ochs in posing questions to them in a conversational format. A number of workshops and panel discussions designed to help artists and presenters as they try to navigate the challenges currently faced by the folk community are also on the agenda.

Juried Showcases Slated for Friday and Saturday Nights      

Taking center stage during the conference will be 14 artists/acts selected by a panel of judges from among more than 160 submissions – with each to perform a 15-minute formal showcase set on Friday and Saturday nights – the most coveted performance opportunity at the conference. Showcasing their talents on Friday night will be Phil Henry, Judy Kass, Weary Ramblers, Connie Kaldor, Taylor Abrahamse, Elise Leavy, and Cassie and Maggie. Saturday night’s featured artists include The Levins, Sadie Gustafson-Zook, Beecharmer, Louie Lou Louis, Mystery Loves Company, Paul Colombino, and The Honey Badgers.

Judges for this year’s official juried showcases were Richard Cuccaro (publisher of Acoustic Live! in New York City & Beyond), Aaron Nathans (singer-songwriter and recording artist), and Mary Stewart (artistic director of Hugh’s Room Live in Toronto, Ontario)

On Thursday evening, the conference’s opening night, a Presenters Showcase will feature short performances by 14 artists/acts chosen by select folk DJs and concert & festival presenters. Listed in order of appearance, they are Haunted Like Human, Nico Padden, Christine Baillargeon, Nora Meier, Selena Tibbert, Halley Neal, Mirabelle Skipworth, Marc Apostoides, Sam Edelston, Ben Diamond (AKA Son Stone), Allison Strong, Francesca Panetta, Sam Berquist, and Mark & Jill.

Following the juried and curator’s showcases each evening, a number of presenters, performers and others will host private showcases in first floor hotel rooms that extend from 10:30 p.m. to 2:30 a.m. AcousticMusicScene.com will host a series of song swaps in place of its longtime popular Midnight Hoot on Thursday overnight.

Here’s the AcousticMusicScene.com Showcase lineup:

10:30 p.m             Songs of Social Justice: Dan & Faith, Hank Stone

11:00 p.m.            Reggie Harris & Pat Wictor

11:30 p.m.            Long Island Sounds: James O’Malley, Roger Street Friedman

12:00 a.m.             Americana Folk: Lynn Crossett, Susan Kane, Carolann Solebello

12:30 a.m.             Mixed Bag: Miles & Mafale, Arielle Silver

1:00 a.m.                Funny Folk: Mark Allen Berube, Barry Rabin, Carla Ulbrich

1:30 a.m.                Tunes from Texas: Claudia Gibson, Mystery Loves Company

2:00 a.m.              Doug Mishkin, Stuart Markus

 

NERFA Leaders Share Their Thoughts on the Conference

“We are thrilled about our new location, nore central to our region in a beautiful and spacious hotel that offers ample opportunity for gathering on a single floor, which will encourage interaction and socializing,” Olesko told AcousticMusicScene.com. “It’s perfect for encouraging collaborations and sharing of best practices.”

Echoing his sentiments, Cheryl Prashker, president of NERFA’s board of directors, said:

“I am excited that we have brought the conference to Albany, New York for the first time. The Desmond Hotel is a perfect space for our community that gathers each year to share their music, their knowledge, and their passion for giving to each other. I cannot think of a more important thing at this time.” Expressing gratitude for a music community of which she’s been a part for more than 25 years, she said: “It has shaped who I am as a musician and a person. All I hope to be able to do is offer the young musicians coming up some love and support as they navigate the business of folk music.”

NERFA is one of five North American regional affiliates of Folk Alliance International (folk.org), a nonprofit organization that aims to serve, strengthen and engage the global folk music community through preservation, presentation and promotion. Although folks from throughout North America attend its annual conference, NERFA’s geographic boundaries extend from the eastern provinces of Canada south to the northern Virginia suburbs of Washington, D.C. More extensive information on the organization and its annual conference may be found online at www.nerfa.org and www.nerfaconference.org. The four other North American regions – Folk Alliance Region Midwest (FARM), Folk Alliance Region – West (FAR-West), Southeast Regional Folk Alliance (SERFA), and Southwest Regional Folk Alliance (SWRFA) already held their 2025 conferences. Folk Alliance International’s next conference is set for January — — in New Orleans, Louisiana.

Editor’s Note: Besides hosting a late-night song swap-style artist showcase during the conference, as I have under the banner of AcousticMusicScene.com most years since the online publication’s inception in 2007, I will be assisting two of my artist PR clients (Lynn Crossett and James O’Malley) and offering some one-on-one mentoring sessions on artist bios and one-sheets, EPKS, social media promotion, and various other aspects of public relations and strategic communications. As president of the Folk Music Society of Huntington (a nonprofit presenting organization on Long Island, NY), I also curated and will co-host a private showcase under its banner on Friday overnight. As a past president and former 15-year board member of NERFA who was not at last year’s conference, I really look forward to this one.

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FAI Folk Radio Charts – September 2025 https://acousticmusicscene.com/2025/10/07/fai-folk-radio-charts-september-2025/ Tue, 07 Oct 2025 17:23:38 +0000 https://acousticmusicscene.com/?p=13562 Long Journey Home: A Century After the 1925 Mountain City Fiddlers Convention by various artists was the top album on folk radio during September 2025, while Molly Tuttle’s rendition of “I’ve Always Been a Rambler” from the album was the month’s top song. Canadian singer-songwriter Connie Kaldor was the most played artist in September. So say charts compiled by Folk Alliance International based on radio playlists submitted to FOLKDJ-L, an electronic discussion group for DJs and others interested in folk-based music on the radio.

A 17-song tribute compilation, Long Journey Home: A Century After the 1925 Mountain City Fiddlers Convention celebrates the centenary of the iconic gathering of nearly 100 musicians in rural Mountain City, Tennessee. Produced by John McCutcheon (who also sings and plays banjo and fretless banjo on it), the album on Appalsongs showcases old-time fiddling and old time music with a number of today’s most celebrated old-time and bluegrass artists performing their own renditions of ballads, reels and tunes that have stood the test of time. Featured artists, in addition to McCutcheon and Tuttle, include Jake Blount, Old Crow Medicine Show, Tim O’Brien, Sparky & Rhonda Rucker, Becky Buller, Trey Wellington & Victor Furtado, Stuart Duncan, Cathy & Marcy’s Old Time Coalition, Kody Norris Show, Earl White Stringband, and Bruce Molsky.

Molly Tuttle, who is joined by Ketch Secor (who fronts and co-founded Old Crow Medicine Show) on “I’ve Always Been a Rambler,” is an acclaimed guitarist known for her prowess at flatpicking and cross-picking, as well as a singer- songwriter and banjo player. At age 24, she became the first woman to win the International Bluegrass Music Association’s Guitar Player of the Year Award in 2017 and did so again the following year when the Americana Music Association also named her Instrumentalist of the Year. Tuttle has been the recipient of two Grammy Awards for Best Bluegrass Album for Crooked Tree and City of Gold in 2023 and 2024, respectively. Crooked Tree also was named Album of the Year in the International Bluegrass Music Awards, while its title track was feted as Song of the Year and she was named Female Vocalist of the Year. City of Gold, also recorded with her band Golden Highway, also was named Album of the Year during the 2023 International Folk Music Awards presented by Folk Alliance International.

Connie Kaldor is a three-time Juno Award-winning singer songwriter who has been writing and performing her songs for more than 45 years and has recorded 19 albums. Her new release, Wide Open Space, was the #2 album on the FAI Folk Chart in September. A member of the Order of Canada and a Queen’s Golden Jubilee Award recipient, she also received a Lifetime Achievement Award from the Woodstock Folk Festival in Woodstock, Illinois earlier this year. Kaldor is based in Montreal and tours extensively. She is frequently joined in concert by her husband Paul Campagne and sons Aleksi and Gabriel Campagne. She will be among the official showcase artists during the Northeast Regional folk Alliance (NERFA) Conference in Albany, NY in November.

The September 2025 top albums, songs and artists charts are based on 10, 565 airplays reported on 347 playlists submitted by 93 different folk DJs. The number of reported spins is shown below in parentheses.

Folk Alliance International (folk.org) is a nonprofit organization that aims to serve, strengthen, and engage the global folk music community through preservation, presentation and promotion.

Top Albums of September 2025 

1.Long Journey Home: A Century After the 1925 Mountain City Fiddlers
Convention by Various Artists (131)

2. Wide Open Spaces by Connie Kaldor (71)

3. Look to the Moon by Patty and Craig (51)
3. Stone by Stone by Friction Farm (51)
5. Connected by Darryl Purpose (48)
6. Song of the Bricoleur by Rags Rosenberg (42)
7. Lost & Found by Becki Davis (40)
8. Mother Mind by Tekla Waterfield & Jeff Fiedler (39)
9. Hummingbird Highway by Dar Williams (38)
9. Stay Put by Elexa Dawson (38)
9. The Last Bough by Kyle Carey (38)
12. Kentucky Queen by Carla Gover (34)
12. Songs That Sing Me by Becky Buller (34)
12. Now Then by Robbie Fulks (34)
15. Sweet Resilence by Jane Fallon (32)
16. So Long Little Miss Sunshine by Molly Tuttle (30)
17. Heavy on the Blues by Rory Block (29)
18. The Light Still Shines on the Main by Jory Nash (28)
19. The Ghost of Sis Draper by Shawn Camp (27)
20. The America Chronicles by Kemp Harris (25)
21. Drum School Dropout by Christine Lavin (24)
22. Time Out #3 by The Accidentals (23)
23. New Skin by Judy Kass (22)
23. NERFA Songwriters, Vol. 1 by Various Artists (22)
25. Perennial by Kate MacLeod (21)
25. You Climb the Mountain by The Onlies (21)
27. Bridging Divides by Billy Jonas (20)
28. Wild and Clear and Blue by I’m With Her (19)
28. Squirrels by Jubal Lee Young (19)
30. One Hour Mama: The Blues of Victoria Spivey by Maria Muldaur (18)
30. Crown of Rose by Patty Griffin (18)
30. Callin’ Me Back by Petunia & the Vipers (18)
30. The Woods Have Shown Us by Ponyfolk (18)
30. Seeds of Dreaming by Diyet and the Love Soldiers (18)
35. Bones of Trees by Tim Grimm (17)
35. Personal History by Mary Chapin Carpenter (17)
35. Hard Headed Woman by Margo Price (17)
38. Ghost of the Old West by George Mann and Mick Coates (16)

38. Lost & Found Highway by Joselyn & Don (16)
38. Lift Up the Old World by Hilary Hawke (16)
38. Dark Ages by Eliza Gilkyson (16)
42. Riding High in Texas by Asleep at the Wheel (15)
42. The Way I Tell the Story by David Wilcox (15)
42. American Romance by Lukas Nelson (15)
42. Kerrville Covers by Janet Feld (15)
42. Shadows of a Ghost Town by Meghan Clarisse (15)
47. American Portraits by Marty Cooper (14)
47. Airline Highway by Rodney Crowell (14)
47. Arcadia by Alison Krauss and Union Station (14)
47. The Way the West Was Won by Dallas Burrow (14)
47. We’re Only Human by Hayes Carll (14)

Top Songs of September 2025

1. “I’ve Always Been a Rambler” by Molly Tuttle (23)
2. “No Kings Here” by Tom Paxton (18)
3. “Love, Surround Me” by Patty and Craig (15)
4. “Cuckoo” by John McCutcheon (14)
4. “Me & Robbie Erenberg” by Darryl Purpose (14)
6. “Louder Than Guns” by Friction Farm (13)
7. “Hummingbird Highway” by Dar Williams (12)
7. “900 Miles” by Tim O’Brien (12)
9. “Goodnight America” by Kemp Harris (11)
9. “Bullfrogs” by Rags Rosenberg (11)
11. “It Ain’t Gonna Go Away (Ode to the Epstein Files)” by Cathy Fink
& Marcy Marxer (10)
11. “Memory of August” by Anne Hills (10)
11. “What You Gonna Do With the Baby” by Old Crow Medicine Show (10)
11. “Returning to Myself” by Brandi Carlile (10)
11. “The Last Bough” by Kyle Carey (10)
11. “Tennessee Mountain Fox Chase” by Cathy and Marcy’s Old Time Coaltion (10)
17. “Open All the Doors and Windows” by Billy Jonas (9)
17. “Don’t Let Your Deal Go Down” by Sparky and Rhonda Rucker (9)
17. “Oh, Little One” by Jory Nash (9)
17. “House Carpenter” by Jake Blount (9)
17. “At Our Best” by Judy Kass (9)
17. “Dear Time” by Alison Brown and Steve Martin (9)
17. “Wide Open Spaces” by Connie Kaldor (9)
24. “Baling Hay” by Elexa Dawson (8)
24. “Early Fields” by Kate MacLeod (8)
24. “Millworker” by Becky Buller (8)
24. “The Edge” by Becki Davis (8)
24. “Something My Own” by Tekla Waterfield & Jeff Fiedler (8)
24. “Rocky Road to Dinah’s House” by Becky Buller (8)
24. “Bridget O’Brien” by Maggie’s Wake (8)
24. “Feel What Our Hearts Feel” by Darryl Purpose (8)
24. “Savannah Is a Devilish Girl” by Robbie Fulks (8)
24. “American Dream” by Friction Farm (8)
24. “This Car” by Connie Kaldor (8)
24. “Bright Side of the Blues” by Bryan Titus (8)

Top Artists of September 2025

1. Connie Kaldor (71)
2. Molly Tuttle (57)
3. Friction Farm (53)
4. Patty and Craig (51)
4. Darryl Purpose (51)
6. Becky Buller (50)
7. Dar Williams (49)
8. Tom Paxton (48)
9. John McCutcheon (44)
10. Rags Rosenberg (43)
11. Becki Davis (41)
12. Tekla Waterfield & Jeff Fiedler (39)
12. Elexa Dawson (39)
14. Kyle Carey (38)
15. Woody Guthrie (36)
16. Bruce Springsteen (35)
16. Robbie Fulks (35)
18. Carla Gover (34)
19. Jane Fallon (33)
19. John Prine (33)
21. Christine Lavin (31)
22. Jory Nash (30)
22. Cheryl Wheeler (30)
24. Rory Block (29)
25. Eliza Gilkyson (28)
26. Joni Mitchell (27)
26. Shawn Camp (27)
28. Tim O’Brien (26)
29. Kemp Harris (25)
29. Tim Grimm (25)
31. Kate MacLeod (24)
31. Mary Chapin Carpenter (24)
33. Guy Clark (23)
33. Pete Seeger (23)
33. The Accidentals (23)
36. Willie Nelson (22)
36. Judy Kass (22)
36. The Onlies (22)
39. The Kennedys (21)
39. Bill Monroe (21)

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NERFA Hosts Conference In-Person and Online https://acousticmusicscene.com/2022/11/05/nerfa-hosts-2022-conference-in-person-and-online/ Sat, 05 Nov 2022 13:36:00 +0000 http://acousticmusicscene.com/?p=12387 NERFA 2022 Conference LogoMore than 400 performing artists, presenters, promoters, managers, agents, and others actively engaged in contemporary and traditional folk music will converge on Asbury Park, New Jersey, November 10-13, 2022 for the annual Northeast Regional Folk Alliance (NERFA) Conference, while more will enjoy the event virtually.

NERFA (nerfa.org) is one of five North American regional affiliates of Folk Alliance International, a nonprofit organization that aims to serve, strengthen and engage the global folk music community through preservation, presentation and promotion — and the only one to host its annual conference both in-person and online this year. Southwest Regional Folk Alliance (SWRFA) and Folk Alliance Region Midwest (FARM) held in-person conferences in September and October, respectively, while Southeast Regional Folk Alliance (SERFA) held its 2022 conference in the spring and Folk Alliance Region-West opted not to host one this year.

As in years past, the NERFA conference will feature several jam-packed days and nights of music showcases, song swaps and jam sessions; open mics; one-on-one mentoring and peer group sessions; an exhibit hall; keynote speakers, awards; a community meeting; an open-sing; and lots of informal conversation and networking. The conference is designed to help attendees forge connections and build community, while also providing learning and performance opportunities that can help enhance their professional and personal lives.

Unlike previous NERFA conferences, all of the events will not take place in one location. While the Berkeley Oceanfront Hotel will be home to much of the in-person conference, Formal Showcases will be held at The Stone Pony — a venerable music club located just a few minutes away from it. NERFA Awards will also be presented there, as will two of the conference’s three nightly keynote addresses.

Artists Showcase Their Talents at The Stone Pony, the Host Hotel and Online

The juried formal showcases are considered the premiere performance opportunity during the conference. From among hundreds of submissions, 20 artists/acts were chosen to perform in-person at The Stone Pony, while another 20 were awarded virtual showcase opportunities. All will be streamed online for virtual ticket holders, while Saturday’s in-person formal showcases also are open to the public for $15 plus a service fee in advance via nerfaconference.org/tickets/ or $20 at the venue.

The conference's juried formal showcases will take place at The Stone Pony. Saturday night's showcases will be open to the public. (Photo: Michael Kornfeld)
The conference’s juried formal showcases will take place at The Stone Pony. Saturday night’s showcases will be open to the public. (Photo: Michael Kornfeld)
Slated to perform in-person on Friday night, Nov. 11, between 6-10:10 p.m., are Abbie Gardner, Abigail Lapell, Bethlehem & Sad Patrick, Corner House, Grace Morrison, Le Diable a Cinq, Les Rats d’Swampe, Miss Emily, Quote The Raven, and Rachael Kilgour. Singer-Songwriter Jean Rohe, a winner in his year’s prestigious Kerrville New Folk Competition, also will deliver a keynote address that night. Saturday night’s artist lineup (in order of appearance) includes The Rough & Tumble, Rees Shad & The Conversations, Rod Abernethy, Jess Klein, Kemp Harris/Adam O, The Sea The Sea, Billy Woodward, Aaron Nathans & Michael G. Ronstadt, Lynne Hanson, and Jonathan Byrd. David Amram — a noted composer, conductor, improvisational lyricist, author, multi-instrumentalist, and recipient of lifetime achievement awards from FAI and NERFA — will deliver a keynote address that evening.

Virtual formal showcasing performers – each of whom submitted a pre-recorded live video – include Deidre McCalla, Emily Drinker, Genevieve Racette, Greg Greenway, ilyAIMY, Joshua Garcia, Justin Farren, Kray Van Kirk, Larry & Joe, Madison Violet, Natalie Price, Palmyra, Peter Calo, Rachael Sage, Rupert Wates, Sam Robbins, Shanna in a Dress, Taylor Abrahamse, and Travis Knapp. In addition to being screened online, all 20 virtual formal showcases will be presented on-site via a theater-sized video wall in the exhibit hall that will be open from 10 a.m. to 4 p.m. on both Friday and Saturday.

Conference attendees will also have the opportunity to enjoy a Saturday afternoon showcase presented by Folk Music Ontario and the opening night’s Suzi Wollenberg Folk DJ Showcase that will feature short performances by seven artists/acts selected by folk DJs, along with a keynote address by Sarah Craig, executive director of Caffe Lena in Saratoga Springs, NY — America’s longest continuously operating folk club. Following the juried and folk DJ showcases each evening, a number of private showcases curated by conference attendees will be held in various hotel rooms from 10 p.m. through the early morning hours on Thursday-Saturday overnight. Some hosts may also livestream their in-person showcases, while others are hosting virtual showcases.

Panel Discussions and Workshops Explore a Variety of Topics

The conference’s programming committee has created a streamlined array of 60-90 minute panel discussions and workshops. These include “Artists & Presenters: Safe Expectations & Boundaries,” “Blurring the Boarder: Do’s, Don’ts and Musts to Ensure a Successful Crossing,” “Bringing Your Venue Online,” “Coming Back from Quarantine – House Concert Edition,” “A Crash Course in Cutting the Cord & Becoming a Full-Time Musician,” “The Current State of Marketing Yourself,” “Defining Success in Your Career,” “Editing Videos for Fun and Profit,” “Export Ready – Preparing Yourself for a New Marketplace,” “How to Return from the Pandemic Stronger,” “How to Seize Financial Opportunities,” “The Ins & Outs of Co-writing,” “Keep the Story Going (The Lifecycle of a Song),” “Lifecycle of Record Production & Release,” “The Reality of Touring for Working Artists,” and “Recording Remotely.”

David Amram (“the renaissance man of American music”) and Vance Gilbert (a veteran touring singer-songwriter and past keynote speaker) will conduct performance critique sessions, while Jean Rohe and acclaimed singer-songwriter Dar Williams present songwriting workshops. Ron Olesko (a veteran folk DJ and the creator & curator of Folk Music Notebook) moderates a Wisdom of the Elders panel discussion featuring Kari Estrin (a radio promoter and artist development & career consultant), Mitch Greenhiill (a musician, composer, producer, and president of the music agency FLiArtists) and Biff Kennedy (an artist manager and radio promoter).

Virtual Tickets Enabling Online Access to the Conference for 30 or 365 Days are Still Available for Purchase

Virtual tickets that afford you online access to all official virtual conference programming (including live-streamed panel discussions and workshops, formal showcases and keynotes, as well as virtual private showcases) for 30/365 days following the conference are available for $35/$50 plus service fees at nerfaconference.org/tickets/.

AcousticMusicScene.com's Michael Kornfeld (r.) is shown here with David Amram, a conference keynoter.
AcousticMusicScene.com’s Michael Kornfeld (r.) is shown here with David Amram, a conference keynoter.
Editor’s Note: A past president of NERFA, I am beginning my sixth three-year term on its board of directors this month, while also completing my third and final term as an elected board member of Folk Alliance International. Although AcousticMusicScene.com has hosted showcases at NERFA conferences since 2007, I am taking a break from doing so this year. I will, however, be offering some one-on-one mentoring sessions on artist bios and one-sheets, electronic press and presenters kits (EPKs), performers and presenters partnering on promotion, and other public relations and strategic communications topics.

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SWRFA Conference Returns to Austin, Sept. 21-25, 2022 https://acousticmusicscene.com/2022/09/17/swrfa-conference-returns-to-austin-sept-21-25-2022/ Sat, 17 Sep 2022 13:02:36 +0000 http://acousticmusicscene.com/?p=12327 2022 SWRFA Conference bannerFor the first time in three years, Southwest Regional Folk Alliance (SWRFA) will hold an in-person annual conference in Austin, Texas. Set for Wednesday, September 21-Sunday, September 25, 2022, its 23rd annual conference will feature official and in-room showcases; communal meals; panel discussions, seminars and workshops addressing many facets of the music business; a film screening; mentoring sessions; a DJ reception; an exhibit area, and lots of networking opportunities. AcousticMusicScene.com will host song swaps and a Midnight Hoot on Saturday overnight.

“Gathering in person after two years of making connections though our online events is going to be so lovely,” said Dalis Allen, SWRFA’s executive director and longtime conference coordinator. “Everyone is so excited! We have many new folks attending – joining our team of folks that have continued to make our SWRFA conference the welcoming event that it is.”

Prior to the official start of the conference on Thursday, folks will converge on Austin’s NeWorlDeli on Wednesday night for a party and meet & greet during which many registered artists will e afforded an opportunity to perform a song. Similarly, there will be an open mic during a pool party at the Holiday Inn-Midtown, the conference’s host hotel, on Thursday night, along with a meal courtesy of Berkalin Records. Prior to the pool party, there will be several panels during the mid-late afternoon.

Performing Artists Will Have Lots of Opportunities to Showcase Their Talents; Official Showcases are Open to the Public on Friday and Saturday Nights

Husband-and-wife duo Catherine Miles & Jay Mafale are among the conference's Official Showcase artists and will also take part in an AcousticMusicScene.com song swap. (Paul Silverman Photography)
Husband-and-wife duo Catherine Miles & Jay Mafale are among the conference’s Official Showcase artists and will also take part in an AcousticMusicScene.com song swap. (Paul Silverman Photography)
Eight juried official showcases are slated on Friday night, September 23 and another eight on Saturday night, September 24. The showcasing artists are listed below in order of performance (subject to change if needed). Sept. 23: Jean Rohe, David Starr, Karyn Oliver, Noah Zacharin, Diedre McCalla, Grace Morrison, Javier Jara, and Violet Bell. Sept. 24: Vanessa Lively, Erin Ivey, George Ensle, Shanna in a Dress, Abigail Lapell, Catherine Miles & Jay Mafale, Natalie Price, and Justin Farren. The Official Showcases – to be emceed by veteran folk DJ Rich Warren — will be held in the hotel’s ballroom. Unlike the rest of the conference, the official showcases, which run from 7:30-10 p.m., are open to the public for a $15 cover each night. In addition, singer-songwriter Ken Gaines emcees an Alternates Official Showcase featuring Alicia Stockman, Beth//James, Ryan Biter, Leeann Atherton, Jason Erie, and Wild Ponies that will take place in another room at the hotel following the Thursday night pool party.

A number of unplugged in-room showcases will follow the Official Showcases on Friday and Saturday overnight from 10:30 p.m. to 2 a.m. AcousticMusicScene.com’s in-room showcase on Saturday overnight will feature a Midnight Hoot preceded by several song swaps. Although the online publication for the folk, roots and singer-songwriter communities has hosted showcases at Northeast Regional Folk Alliance (NERFA) and Southeast Regional Folk Alliance (SERFA) conferences for many years, this marks the first time it is doing so during a SWRFA conference. A popular annual event at NERFA conferences since 2007, the AcousticMusicScene.com Midnight Hoot at the SWRFA conference will feature two-dozen artists/acts — each performing one song between midnight and 2 a.m. A house band is available to accompany any artists on request.

Here’s the AcousticMusicScene.com showcase schedule:

10:30 Song Swap: Catherine Miles & Jay Mafale, Shanna in a Dress

11:00 Song Swap: George Ensle, Tim Grimm

11:30 Texas Troubadours: Brian Kalinec, Randy Palmer, Joel White

12:00 AcousticMusicScene.com Midnight Hoot – Part 1
(One song per artist/act; order subject to change.)

Taylor Pie, Nancy K. Dillon, Michael Henchman, Libby Koch, Ken Gaines, Karyn Oliver, Jake Farr, Grace Morrison, Sarah Pierce, Kacey & Jenna, Roxi Copland, Erin Ivey

House Band: Merel Bregante (percussion), John Inman and Brian Kalinec (guitars)

1:00 AcousticMusicScene.com Midnight Hoot – Part 2
(One song per artist/act; order subject to change.)

Ryan Biter, Deidre McCalla, Carl Solomon, Carla Ulbrich, Vanessa Lively & Ben Bedford, Claudia Gibson, Alicia Stockman, Natalie Price, Carolyn Shulman, Dan Weber, Lynn McCracken

House Band: Merel Bregante (percussion), John Inman and Brian Kalinec (guitars)

The conference wraps up with an extended Sunday brunch during which songwriters who drew a random song assignment/topic upon picking up their credentials at the outset of the conference, will share the songs that they wrote over the weekend. “Getting to listen to the songs written during the conference from a prompt is still one of my very favorite things I do all year,” said Allen. Many artists and other conference attendees share her sentiments and have made the song-sharing event a longtime conference highlight.

SWRFA (swfolkalliance.org) is a regional affiliate of Folk Alliance International, a nonprofit organization that aims to serve, strengthen and engage the global folk music community through preservation, presentation and promotion. SWRFA includes the southwestern United States and Mexico.

Editor’s Note: Besides hosting a late-night song swaps and a midnight hoot during the SWRFA conference, I will assist PuffBunny Records (an indie label for which I provide PR counsel and services) with its in-room showcase and Taylor Pie with a Q & A following the screening of Nobody Famous, an award-winning documentary about her and the 1960s folk-pop trio Pozo Seco Singers of which she was the lead singer and a founding member (along with Don Williams and Lofton Kline). I also will take part in a panel discussion on showcasing and offer some mentoring sessions on various PR, social media and strategic communications topics. I am a board member of Folk Alliance International and NERFA.

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FARM, SWRFA Select Official Showcase Artists https://acousticmusicscene.com/2022/07/24/farm-swrfa-select-official-showcase-artists/ Sun, 24 Jul 2022 20:33:01 +0000 http://acousticmusicscene.com/?p=12255 Folk Alliance Region Midwest (FARM) and Southwest Regional Folk Alliance (SWRFA), two regional affiliates of Folk Alliance International, have selected artists/acts to participate in juried official showcases during their respective annual conferences this fall. Northeast Regional Folk Alliance (NERFA) will do so in August.

The regional events provide useful and enjoyable learning and networking opportunities, not to mention plenty of listening and performing opportunities for artists, presenters, agents and managers, DJs, and others engaged in the folk music field. Booking gigs is a primary objective of some performing artists who attend these annual conferences, while many presenters and folk DJs come primarily to scout out new artists and those who they have not previously heard and seen in live performance. However, these conferences are much more than that – they are really about forging connections and building community.

FARM Gathering in Illinois to Feature 14 Official Showcase Artists/Acts

2022 FARM Gathering bannerThe 14 artists/acts slated to perform during Official Showcases at the 2022 FARM Gathering on the evenings of October 21 and 22 are (listed alphabetically by last name or group name) Basset, Buffalo Rose, Sienna Christie, Djangophonique, Gina Forsyth, Ben Gage, Tim Grimm, House of Hamill, Jordan Hamilton, Donna Herula Trio, Spencer LaJoye, Annie Mack, Steam Machine, and Rupert Wates. Named as alternates were Tret Fure and Kelly Hunt featuring Stas Heaney. They were chosen from among nearly 170 entries. The FARM Gathering extends from October 20-23 at Doubletree Lisle Naperville in Lisle, Illinois -– near Chicago. Conversations and workshops during this year’s gathering will focus around themes of inclusion through song, storytelling, and community building. Grammy Award-winner Dom Flemons, The American Songster, will deliver a keynote address. While last year’s conference took place solely online, the 2022 Gathering will feature a combination of in-person and virtual content. For more information, visit farmfolk.org.

SWRFA Taps 16 Artists/Acts for its Official Showcases in Austin, Texas

2022 SWRFA Conference bannerSWRFA will host eight official showcases on Friday night, September 23 and another eight on Saturday night, September 24. The showcasing artists are listed below in order of performance (subject to change if needed). Sept. 23: Jean Rohe, David Starr, Karyn Oliver, Noah Zacharin, Deidre McCalla, Grace Morrison, Javier Jara, and Violet Bell. Sept. 24: Vanessa Lively, Erin Ivey, George Ensle, Shanna in a Dress, Abigail Lapell, Catherine Miles & Jay Mafale, Natalie Price, and Justin Farren. The Official Showcases will be held in the ballroom at the Holiday Inn-Midtown in Austin, Texas. In addition, an Alternates Official Showcase featuring Alicia Stockman, Beth//James, Ryan Biter, Leeann Atherton, Jason Erie, and Wild Ponies will take place in another room at the hotel following a pool party on Thursday night, September 22. The 23rd Annual SWRFA Conference extends from September 21-25. For more information, visit swfolkalliance.org.

A Bit About FAI, NERFA and Other Regional Affiliates

Northeast Regional Folk Alliance (NERFA.org), which draws the largest number of people to its annual conferences of any FAI region, will announce its juried Formal Showcase artists in August. Its conference is slated for November 10-13 in Asbury Park, New Jersey, with Formal Showcases at the legendary Stone Pony. A hybrid event, much of the NERFA conference will also be livestreamed. Although NERFA is no longer accepting applications for its in-person formal showcases, conference attendees (in-person and virtual) may still apply for virtual showcases until August 15. Artists must be registered for the conference in order to do so.

Folk Alliance Region-West (FAR-West) has opted not to host a conference this year, while Southeast Regional Folk Alliance (SERFA) annual conference attendees converged on Black Mountain, North Carolina in May and will again.

FAI Conference Banner Logo 2023Folk Alliance International (folk.org) — which hosts its 35th annual conference, February 1-5, 2023 in Kansas City, Missouri — is a nonprofit organization that aims to serve, strengthen and engage the global folk music community – traditional and contemporary, amateur and professional – through preservation, presentation and promotion. Its conference theme is Facing the Future: Sustainability on Folk Music.

Editor’s Note: I serve on the boards of directors of both Folk Alliance International and NERFA and am a past president of NERFA. I have been a workshop presenter, moderator and/or mentor at FAI, FARM virtual, FAR-West, NERFA and SERFA conferences and will be participating in this year’s SWRFA conference. I am not involved in the selection of juried showcase artists, although I host late-night showcases under the banner of AcousticMusicScene.com at conferences.

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International Folk Music Awards Presented https://acousticmusicscene.com/2022/05/25/international-folk-music-awards-presented-2/ Wed, 25 May 2022 15:49:53 +0000 http://acousticmusicscene.com/?p=12181 Outside Child), while Crys Matthews’ “Changemakers” was named Song of the Year. [Click on the headline to continue reading this article and to view a few videos.]]]> Folk Alliance International honored artists and others in the folk music community during the annual International Folk Music Awards show that took place May 18, 2022 in Kansas City, Missouri on the opening night of FAI’s 34th annual conference. It was also streamed online. Allison Russell was named Artist of the Year (2021) and also accepted the award for Album of the Year (Outside Child), while Crys Matthews’ “Changemakers” was named Song of the Year.

2021 Artist, album, and Song of the Year winners were selected by FAI’s voting membership from among groups of finalists based on U.S., Canadian, and international industry year-end lists, as well as folk radio airplay. As previously reported on AcousticMusicScene.com and recounted below, Lifetime Achievement and Spirit of Folk Awards were also presented, as were several other awards.

A co-founder of Our Native Daughters and Birds of Chicago, and formerly part of Po’ Girl, Russell was recognized for her debut solo album, Outside Child. The album was also recently named Contemporary Roots Album of the Year in the Juno Awards and Contemporary Album of the Year in 2022 Canadian Folk Music wards, while she was named English Songwriter of the Year and New/Emerging Artist of the Year in recognition of it. Outside Child also was nominated for a Grammy for Best Americana album and is among the Americana Honors & Awards nominees for album of the year. Wrought with emotion, its 11 original songs are “about resilience and survival, transcendence and the redemptive power of art, community, connection, and chosen family,” says Russell, who faced abuse and trauma during her youth that music has helped her to overcome.

Allison Russell accepts the award for Album of the Year during the International Folk Music Awards show in Kansas City, MO. (Photo: Katie Rich)
Allison Russell accepts the award for Album of the Year during the International Folk Music Awards show in Kansas City, MO. (Photo: Katie Rich)
“I cannot tell you how much this means to me coming from this community in particular,” Russell told those gathered in a ballroom at The Westin Kansas City at Crown Center as she accepted the first of her two awards. The soulful Nashville-based, Montreal-born Scottish Grenadian Canadian singer-songwriter, poet, multi-instrumentalist, producer, and activist noted that it was at the 2001 Folk Alliance International Conference where she first met JT (Nero) and so many of the people who would become a part of her chosen family. “This is a beautiful community. It’s growing, and I’m very proud of the fact that we understand collectively and truly believe that tolerance is not enough. Tolerance is for mosquitos. We tolerate mosquitos. Humans require love.” Comparing the conference to a family reunion, she continued: “We know and understand; we have the conviction that art and music is an essential service and a sacrament. It saves lives. It saved my life. And it reduces harm in the world. It bridges the gulfs between. It turns fear into love. It’s magic.”

Here’s a link to view the official video for “Nightflyer, one of the tracks on Russell’s award-winning debut album Outside Child: https://www.youtube.com/watch?v=RNJgwj8d9eo.

Social Justice Songwriter Crys Matthews’ “Changemakers” Named “Song of the Year” for 2021

“Changemakers,” the title track of Crys Matthews’ 2021 release, the fourth most-played album of the year on folk radio according to the FAI Folk Charts, was named Song of the Year.

Frequently described as a social justice songwriter, Matthews is a prolific lyricist, composer and multi-instrumentalist whose music blends Americana, blues, bluegrass, folk, funk, and jazz, along with socially conscious themes. Joined by Heather Mae on harmony vocals, she performed “Changemakers” during the International Folk Music Awards Show. Here’s a link to view that performance: https://youtu.be/zVSvYScUtnU?t=6856. And here’s one to view a World One Video recording of the song by JB Nuttle: https://www.youtube.com/watch?v=zZbJk-WXaSw.

Crys Matthews ChangemakersAs the daughter of an A.M.E. preacher, in a small town in southeastern North Carolina, Matthews, who is now based in Nashville, grew up singing in her family’s church and witnessed the power of music from an early age. She won the 2017 NewSong Music Performance & Songwriting Competition and also was named the winner of the People’s Music Network’s Social Justice Songs Showcase during that year’s Northeast Regional Folk Alliance (NERFA) Conference.

“Thank you all so much for all of your love and support in helping to make “Changemakers” the International Folk Music Awards’ Song of the Year,” said Matthews. I could not be more humbled, pleased and overjoyed in having such an important song recognized in that way and that would have never happened if it were not for you – and that’s everyone from the fans who fell in love with that album and listened to it nonstop to, especially, the folk DJs who made sure that that song was in their rotation from the moment it came out well into now and just never let up and just kept showing the album in general so much love, especially “Changemakers,” the title track. I’m so grateful to all of you… This little Aries right here is humbled and in an absolute puddle of love and joy because of all of you.I am so filled with gratitude.”

Jason Mraz, Planet Bluegrass and Mali Obomsawin Honored

Jason Mraz, a multi-platinum Grammy Award-winning singer-songwriter known for his positivity and commitment to conservation, ending world hunger, human rights, and LGBTQIA+ issues, received The People’s Voice Award, which is presented to an individual who unabashedly embraces social and political commentary in his/her/their creative work and public careers. Mraz took part in a nonprofit rescue mission in Ghana to liberate children sold into slavery, performed in Myanmar to raise awareness about human trafficking, participated in Farm Aid, visited Antartica to help raise awareness about the environment and climate change, and was present at Standing Rock. His own foundation supports multiple organizations addressing issues to which he is committed and, in 2020, Mraz donated all profits from his Look for the Good album to Black Lives Matter and other groups working toward equality and justice.

Mraz could not be in Kansas City and expressed thanks for the honor via a pre-recorded video. “I was a little shy at first, thinking I’m too young for this award, that I haven’t done or said enough,” he stated. “Then I realized those thoughts and feelings never go away, that nagging thought that I haven’t done enough. But it’s that nagging thought that is indication that we still have energy to give and want to and will,” Mraz continued. “In my few years lapping the planet, I found solace in seeing political and geographic borders dissolve when the lights go down and a concert begins – a clear reminder that we are all just humans connected by stories and/or the energy and vibe of a song… It’s always good to inspire in a song because you never know who’s listening… Thank you for this acknowledgement. It really means a lot.”

Planet Bluegrass LogoSteve Szymanski, vice president and co-founder of Lyons, Colorado-based Planet Bluegrass accepted the Clearwater Award, which is presented to a festival that prioritizes environmental stewardship and demonstrates public leadership in sustainable event production. For more than 30 years, the organization that produces Telluride Bluegrass, Rockygrass Festivals, and Rocky MTN Folks Festival has embraced a “Leave No Trace” ethic and demonstrated environmental leadership by engaging in strategic community-level plans and programs to center the idea of stewardship. Planet Bluegrass is a certified public benefit corporation— a legal entity recognized formally as committed to business practices that are sustainable and beneficial to society and the environment. At each of its respective festivals, Planet Bluegrass incentivizes reuse over recycling. This includes a reusable plate program, annually monitoring and reporting on waste diversion of more than 60% (twice that of the U.S. national average), employing solar power to offset more than 10 tons of CO2 emissions annually, providing composting and compostable bottles, offering free filtered water on site, and donating leftover festival food to local community organizations.

Mali Obomsawin accepted the Rising Tide Award via a pre-recorded video. The award was established in 2021 to celebrate a new generation (under 30) artist who inspires others by embodying the values and ideals of the folk community through their creative work, community role, and public voice. An award-winning Smithsonian Folkways Recordings artist from Odanak Wabanaki First Nation, Obamsawin is a member of the band Lula Wiles, as well as a journalist and the founder and executive director of the Bomazeen Land Trust.

Flaco Jiménez, Nanci Griffith and Swallow Hill Music Recognized for Lifetime Achievement

The Elaine Weissman Lifetime Achievement Awards are presented annually to honor the cultural impact of legendary folk music figures: one Living, one Legacy, and one Business/Academic. This year’s honorees are Conjunto accordionist Flaco Jiménez; the late singer-songwriter and interpreter Nanci Griffith; and folk music organization Swallow Hill Music.

Flaco Jiménez
Flaco Jiménez
Flaco Jiménez, who hails from San Antonio, Texas, is known for playing Norteño, Tex Mex, and Tejano music. He has been a solo performer and session musician, as well as a member of the Texas Tornados and Los Super Seven. Over the course of a career that has spanned seven decades, Jimenez has received numerous awards and honors — including Lifetime Achievement Awards from the Grammys, Americana Music Awards, Tejano Music Awards, and Billboard Magazine Awards. He is featured in the film This Ain’t No Mouse Music, and Hohner has even released a Flaco Jiménez Signature series line of accordions. He has worked with Bob Dylan, Ry Cooder, The Rolling Stones, and recorded on the number one Billboard country chart-topping song “Streets of Bakersfield” by Dwight Yoakam and Buck Owens. Although he could not be in Kansas City to personally accept the award, Jimenez recorded a video in which he expressed thanks for the recognition of his work.

Nanci Griffith, whose music straddled the line between folk and country, a style that she affectionately called “folkabilly,” died on August 13, 2021 at age 68. She was best known for her colorful, narrative tales of small town life that she sang in her warm, crystalline pure voice with a Texas twang. Many of her songs were covered and recorded by other notable artists. An early Kerrville New Folk Winner and a 1995 inductee into the Austin Music Hall of Fame, Griffith was honored by the Americana Music Association with its Lifetime Americana Trailblazer Award in 2008 and received a BBC Radio 2 Folk Lifetime Achievement Award in 2010. She released her 18th and last studio album, Intersection, in 2012. Griffith’s1993 Elektra release Other Voices, Other Rooms – featuring interpretations of 17 songs by other songwriters who had inspired her – won the 1994 Grammy Award for Best Contemporary Folk Album.

[Here’s a link to listen to Griffith’s poignant recording of “Love at the Five and Dime”:https://www.youtube.com/watch?v=cgGG61nQX0w.]

Swallow Hill Music is a Denver, Colorado-based nonprofit music organization that provides music education, outreach, programming, and concerts for more than 138,000 people annually. Focused on diverse music traditions on stage and in the classroom, Swallow Hill’s organizational values promote inclusiveness. Its school offers music education to all ages, while Swallow Hill also hosts open stages and jams that are open to members and non-members alike. Its community and school outreach programs (including assemblies, field trips and in-school and after-school enrichment activities) have reached thousands of students in the Denver metro area.

Six Individuals Receive Spirit of Folk Awards

Spirit of Folk Awards honor and celebrate people and organizations actively involved in the promotion and preservation of folk music through their creative work, community building, and demonstrated leadership. Recipients included Eugene Rodriguez (musician, educator, documentary producer, and founder of Los Cenzontles — both as a band and as a nonprofit music academy and community space for Latinx artists, youth, and families in the San Francisco Bay area); Lilli Lewis (composer, producer, performing artist, and vice president & head of A &R for Louisiana Red Hot Records); Gaelyn Lea (musician, disability rights activist, co-founder and vice president of RAMPD – Recording Artists and Music Professionals with Disabilities, 2016 NPR Tiny Desk Contest winner, and an in-demand speaker); Erin Benjamin (president & CEO of the Canadian Live Music Association, and formerly a singer-songwriter, label owner, and the first executive director of Folk Music Ontario); Amado Espinoza (Bolivian-American multi-instrumentalist, composer and instrument maker, and co-founder of Resonation Music and Arts — using educational programming to inspire curiosity and respect for world cultures through music, dance, and storytelling); and Shain Shapiro (Sound Diplomacy founder and CEO, whose work has influenced more than 75 cities and countries to invest in music and culture).

In addition to the awards, Angela Page (host of Folk Plus on hydro-powered WJFF 90.5 FM Radio Catskill in Jeffersonville, New York since the early 1990s) and Dr. Jonathan Overby (a DJ and Wisconsin Public Radio host who is also an internationally recognized ethnomusicologist and scholar) were inducted into the Folk DJ Hall of Fame.

Folk Alliance International (folk.org) is a Kansas City, Missouri-based nonprofit organization that aims to serve, strengthen and engage the global folk music community through preservation, presentation and promotion. Founded in 1989 to connect folk music leaders aiming to sustain the community and genre, it is currently led by Aengus Finnan, who steps down as its executive director next month. “It’s been the personal and professional honor of my life to serve this community and this organization,” he said during the awards show. Finnan, himself, was honored the previous week with the SERFA Founders’ Award during the annual Southeast Regional Folk Alliance Conference in Black Mountain, North Carolina.

Editor’s Note: As a Folk Alliance International board member, it was my pleasure to join my friend and board colleague Rosalyn Dennett, executive director of Folk Music Ontario, in presenting the Spirit of Folk Awards to Amado Espinoza and Gaelynn Lea.

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Live From Nashville: Amy Speace & Kate Klim https://acousticmusicscene.com/2022/03/16/live-from-nashville-amy-speace-kate-klim/ Wed, 16 Mar 2022 04:46:46 +0000 http://acousticmusicscene.com/?p=12062 AcousticMusicScene.com. ]]> Live from Nashville- Amy Speace & Kate KlimSinger Songwriters Amy Speace and Kate Klim will swap songs live from Nashville, Tennessee on Tuesday, March 22, at 7:30 p.m. EDT/6:30 p.m. CDT/4:30 p.m. PDT during the second of an occasional series of online concerts co-presented by Harbortown Music and AcousticMusicScene.com.

The show can be viewed online at Harbortown Music’s Facebook page or YouTube channel. It may also be shared via the AcousticMusicScene.com group on Facebook. Although there is no set fee to view the livestream, tips for the artists would be most appreciated (suggested donation: $20) and may be made via paypalme.com/harbortownmusic.

About the Artists:

One of the most acclaimed voices in contemporary folk music, Amy Speace was discovered in 2006 by Judy Collins and signed to her record label. The Americana Music Association UK named the title track of her album Me and the Ghost of Charlemagne was named International Song of the Year in 2020. Speace’s latest release, 2021’s There Used To Be Horses Here. chronicles the year between the birth of her son and the death of her father. A new album, Tucson, is set for release this year. Collins, Red Molly, and Blues Hall of Famer Sid Selvidge among others, have also recorded her songs. Speace founded the East Nashville Song Salon in 2010 and teaches songwriting and performance at conferences, institutions, and privately. For more information, visit amyspeace.com.

Accompanying herself on piano, Kate Klim, whose songs mix her folk and pop sensibilities, was a winner of the prestigious Kerrville New Folk Competition in 2010, has been part of the Falcon Ridge Folk Festival Emerging Artist Showcase, and has been a finalist in the Mountain Stage Newsong Contest, the Mid-Atlantic Song Contest and the Telluride Troubadour Competition, among others. After a hiatus of a few years surrounding the birth of her two sons, she returned to the studio in early spring 2020 to begin recording her fourth album. Released earlier this month, Something Green is an album about hope, love, change, and new growth. For more information and to listen to some of her songs, visit kateklim.com.

Both artists also have YouTube channels. Here’s a link to view an official video of Amy Speace performing the title track of There Used To Be Horses There. And here’s a link to view the official lyric video for “Something Green,” the title track of Kate Klim’s new release.

About Your Hosts:

Michael Kornfeld and Kathy Sands-Boehmer
Michael Kornfeld and Kathy Sands-Boehmer
The series of livestreams marks a renewed partnership of sorts for AcousticMusicScene.com’s Michael Kornfeld and Harbortown Music’s Kathy Sands-Boehmer, who served as president and vice president, respectively, of the Northeast Regional Folk Alliance (NERFA) for several years and also co-coordinated one-day conferences and a series of showcases. In January, the two co-hosted a Folk from the North Country livestream featuring Canadian artists Angela Saini, Benjamin Dakota Rogers and The Young Novelists.

Michael Kornfeld, a veteran strategic communications and public relations professional – whose clients have included a number of independent recording artists and labels – launched AcousticMusicScene.com in 2007 to provide news, information and commentary for the folk, roots and singer-songwriter communities. The longtime president of the Folk Music Society of Huntington, a nonprofit presenting organization on Long Island, NY, Kornfeld also serves on the boards of Folk Alliance International and NERFA, curates the annual Huntington Folk Festival, emcees concerts, and hosts showcases and mentors artists at various music conferences and festivals.

Kathy Sands-Boehmer is an enthusiastic and tireless presenter, promoter and supporter of independent musicians. For years, she booked and promoted artists, new and old, at a well-respected 225-seat venue north of Boston, Massachusetts; was an active leader of the Boston Area Coffeehouse Association (BACHA); and has also mentored and managed artists. She blogs about all kinds of great music for Everything Sundry and recently launched Harbortown Music as a resource for musicians and venues — building community, while promoting and presenting high-quality music. Sands-Boehmer works with Stephen Bach of The Digital Docs, who engineers all of Harbortown Music’s virtual shows and lends his technical expertise to the participating artists as well.

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Quick Q & A with Annie Sumi https://acousticmusicscene.com/2022/03/08/quick-q-a-with-annie-sumi/ Tue, 08 Mar 2022 23:57:18 +0000 http://acousticmusicscene.com/?p=12030 Annie Sumi is an ethereal folk artist from Canada, whose intimate and expansive music invites listeners into a familiar otherworld. Inspired by the mirrored relationship between physical and emotional landscapes, the young, Ontario-based singer-songwriter’s music speaks of human experience through the language of the senses. She has toured across Canada, parts of the U.S. and Europe, and released three albums since 2015. Kathy Sands-Boehmer, chief innovator and merry-maker at Harbortown Music, recently asked Annie Sumi some questions about her music -- including her latest recording, Solastagia, which was released last fall. [Click on the headline to read the Q & A.] Annie Sumi (Photo: Jake Jacobson)]]> By Kathy Sands-Boehmer

Annie Sumi is an ethereal folk artist from Canada, whose intimate and expansive music invites listeners into a familiar otherworld. Inspired by the mirrored relationship between physical and emotional landscapes, the young, Ontario-based singer-songwriter’s music speaks of human experience through the language of the senses. She has toured across Canada, parts of the U.S. and Europe, and released three albums since 2015. Kathy Sands-Boehmer, chief innovator and merry-maker at Harbortown Music, recently asked Annie Sumi some questions about her music — including her latest recording, Solastagia, which was released last fall.

Annie Sumi showcases her talents during the 2018 Northeast Regional Folk Alliance  (NERFA) Conference (Photo: Jake Jacobson)
Annie Sumi showcases her talents during the 2018 Northeast Regional Folk Alliance (NERFA) Conference (Photo: Jake Jacobson)
Annie Sumi has been on my list of potential interviewees for some time, and I was glad to have the opportunity to pose some questions to her—especially about the newest addition to her discography, Solastalgia. As you’ll see from my questions below, I was rather taken with the entire concept of this album. I highly recommend that you listen closely and listen to every track to fully absorb all the textures, nuances, and powerful lyrics at once.

Annie’s musical imagination soars in all her recordings but this latest offering is far and away her best yet. Annie articulates her love of nature and humankind, and it comes through in each and every note. A native of Whitby, Ontario, Annie has been playing her contemporary folk songs to audiences for the past several years and has won over artists from coast to coast. Her style definitely evokes an ethereal sense of wisdom beyond her years. Annie has collected numerous nominations for new and emerging artists in Canada and as music writer Sarah Greene of Exclaim says: “Sumi’s music has a mystical bent. With her pure voice, finger-picked guitar, and smiling banter, she communicated joy and wonder.” My humble advice: check out her music and find yourself a nice, comfortable place to just be in the present and listen to her. You’ll feel refreshed and happy that you did so after taking the time to listen. For more information about Annie, visit her website. Look for upcoming shows with Annie and Travis Knapp.

Here’s a video of “Over the Hills” which will give you an excellent glimpse into Annie Sumi’s music.

Can you please to explain the Rainer Maria Rilke quote “I live my life in widening circles that reach out across the world” that sits atop your website home page. Is it the making of your music that makes this quote resonate with you?

This quote reminds me of the ways that sound reverberates out into the world. It also brings up images of when you drop a stone into a quiet lake, and the water ripples out – on and on – touching the distant shores. I suppose ruminating on this quote helps me to remember that every little thing that we do reaches out across the world energetically, and it inspires me to ‘drop stones in the water’ with good intention.

Tell us about your upbringing in Canada. Did you gravitate towards music at an early age? If so, did you pick up any musical instruments at that time and did you start to experiment with them?

I started learning piano when I was around six years old, and it was really fun until I got bored of playing classical music and found myself gravitating to more popular songs. I usually credit the singing to my Scottish heritage because everyone who came in and out of my Grannie’s house had to sing a “wee” song – that definitely encouraged the silly, playful, and performative parts of me! It wasn’t until I was in high school that I started experimenting on guitar. I took some lessons at the local school, The Music Scene, and then began writing my own tunes.

Did the fact that you are of mixed race affect your musical outlook on life? Did you have any particular influences that inspired you?

I like to think that the Scottish part of my family inspired the performative, sing-songy side of my writing; and, perhaps, the Japanese part of my family inspired the introspective, poetic parts of my writing! I think I am still understanding how being of mixed-race has informed my creative life, and the ways that I am interested in deepening my relationship to my ancestors.

Listening to your newest album, Solastalgia was a perfect opportunity for me to concentrate deeply on your music and appreciate the beautiful sounds and timely lyrics. I chose not to read anything about your album before listening and it brought me great comfort to realize that I had, in fact, tuned into your world and sonically experienced what you must have felt as you were creating the songs in Banff. Tell us a bit about your experience writing the songs amidst the beauty and wonders of Alberta.

Spending time in the mountains was profoundly beautiful. The landscape inspires so much awe – a perfect space to inhabit while writing. At the time I was writing this album, I was walking with grief and trying to soften the hard edges of my heart toward a deeper wisdom. I was in the throes of “global dread” and “environmental anxiety”, but, after reading Glenn Albrecht’s Earth Emotions, I felt more equipped to “name” my grief and walk beside it without allowing it to overtake me. Writing these songs were part of my process in rediscovering hope, awe, and wonder for this beautiful earth, and inspiration to continue trying to find meaningful ways of meeting the urgent call towards action.

Annie Sumi performs during the 2018 NERFA Conference (Photo: Ethan Baird)
Annie Sumi performs during the 2018 NERFA Conference (Photo: Ethan Baird)
You chose to entitle the album Solastalgia which means “a homesickness you have when are still at home” explaining that there is a disconnect between being on earth and remembering to take care of it. Do you have any practical advice to suggest how we can be better inhabitants and caretakers of this planet?

Joanna Macy has been an abundant well of inspiration and resource on my own journey of remembering. She often talks about how we cannot grieve or stand up for something that we do not love, or see ourselves connected to… For that reason alone, I feel like the most essential thing we can do as a species is to reconnect with the natural world and open our hearts to its beauty. Perhaps, then, as a collective, we would feel inspired to stand up against the capital-driven injustices that threaten these wild spaces and recognize that the people that have been protecting these lands deserve physical and financial support, media visibility, and national acknowledgment.

I was particularly taken with the meditative beginning track, “Circles” and how it works as a welcome to the rest of the album and slides smoothly into “Over the Hills.” The songs are very calming and speak to the listener as a way of imaging the people who inhabited the earth years and even centuries in the past. Did your imagination run wild as you created these songs?

This is a fun question! Ha-ha! My imagination tends to run wild, and this collection of songs definitely cultivated a space for the imagination to thrive! But I wasn’t thinking a lot about people that have inhabited this earth in the past… in fact, a lot of these songs were written with an intention to be as present as possible. I was hoping that it would inspire listeners to feel the power, magic, whimsy, desperation and joy accessible in this moment, and feel awake to their lives.

Annie Sumi (Photo: Michael Kornfeld)
Annie Sumi (Photo: Michael Kornfeld)
strong>“Psychoterra” is another song that struck me as being cosmic on many levels. It feels like you were channeling indigenous people who inhabited the land, and the subtle percussion brings the listener right into the next song called “Mother.” Am I correct in assuming you are speaking of Mother Earth and that lyrics of that song address climate change and all that that means to us now and in the future?

Definitely. ‘Mother’ speaks to the body of the earth, and inquires if there is still time to rise and meet the challenges we face related to the declining climate. It was written in a moment when I was physically unable to stand up in protest, so I felt compelled to write this song.

Can you give us some insight into your song “Fleur?” I love the strong female characterization! I love the power in your voice–you set the tone perfectly but I want to know what prompted you to write this intriguing song.

“Fleur” was inspired by Louise Erdich’s character in her novel Tracks. The character depicts a strong, Indigenous woman that is connected to some primordial powers that allow her to retaliate against her oppressors. “Fleur” was so intriguing that I felt compelled to write about her journey and the ferocity of her character.

How would you compare the music on Solastalgia to the songs on your other albums?

I think Solastalgia is the most conceptual body of work that I have written up to this point. I had a very clear idea of how to weave textures throughout the album that linked the beginning, middle, and end. I wonder if writing 80% of this album in the same place contributed to the thematic nature of the album!

Is there any kind of musical project that you would love to do that you haven’t done yet?

There are hundreds of musical projects that I would love to do and haven’t done yet! So, I will report back when those snippets of experimental sounds come into fruition in some way!

Kathy Sands-Boehmer
Kathy Sands-Boehmer
Kathy Sands-Boehmer is an enthusiastic and tireless presenter, promoter and supporter of independent musicians. For years, she booked and promoted artists, new and old, at a well-respected 225-seat venue north of Boston, Massachusetts; was an active leader of the Boston Area Coffeehouse Association (BACHA), and a past board member and vice president of Northeast Regional Folk Alliance (NERFA). She has mentored, coached, and managed a variety of artists and formerly co-hosted a podcast, Through the Musical Cosmos. Kathy recently launched Harbortown Music as a resource for musicians and venues – building community, while promoting and presenting high-quality music and also hosts livestreams under its banner – occasionally partnering with AcousticMusicScene.com’s Michael Kornfeld. This and many previous Q & A interviews are archived on her blog, Everything Sundry, as well as in the Featured section of AcousticMusicScene.com.

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Folk from the North Country Live Streams Jan. 26 https://acousticmusicscene.com/2022/01/22/folk-from-the-north-country-live-streams-jan-26/ Sat, 22 Jan 2022 14:40:00 +0000 http://acousticmusicscene.com/?p=11904 AcousticMusicScene.com team up to present Folk from the North Country – a livestream concert featuring Ontario, Canada-based artists Benjamin Dakota Rogers, Angela Saini and The Young Novelists – on Wednesday , January 26, at 7:30 p.m. EST. Featuring songs and conversation, the show can be viewed online at Harbortown Music’s Facebook page or YouTube channel . It may also be shared via the AcousticMusicScene.com group on Facebook. Although there is no set fee to view the livestream, tips for the artists would be most appreciated (suggested donation: $20) and may be made via paypalme.com/harbortownmusic. [Click on the headline to continue reading this article, which also includes audio and video links.]]]> Folk from the North Country graphicKathy Sands-Boehmer’s Harbortown Music and Michael Kornfeld’s AcousticMusicScene.com team up to present Folk from the North Country – a livestream concert featuring Ontario, Canada-based artists Benjamin Dakota Rogers, Angela Saini and The Young Novelists – on Wednesday, January 26, at 7:30 p.m. EST. Featuring songs and conversation, the show can be viewed online at Harbortown Music’s Facebook page or YouTube channel. It may also be shared via the AcousticMusicScene.com group on Facebook. Although there is no set fee to view the livestream, tips for the artists would be most appreciated (suggested donation: $20) and may be made via paypalme.com/harbortownmusic.

About the Artists:

Hailing from the countryside of rural Ontario, Benjamin Dakota Rogers is a singer-songwriter and multi-instrumentalist channels his penchant for starry nights and nostalgia into a stylized, hard-driving and powerful Americana sound full of heartbreak and grit featuring guitar, banjo, upright bass, and fiddle. He has released three full-length solo recordings, showcased his talents at the Philadelphia Folk Festival, among others, and has been a four-time international songwriting competition winner and a two-time Canadian Folk Music Awards nominee.

Here’s a link to view a few of Benjamin’s videos: benjamindakotarogers.com/videos.

Angela Saini is a Canadian prairie-raised, Toronto- based folk-pop Americana artist with a positive and uplifting outlook on life. She is all about second chances and empowering others. A 2020 Independent Music Award Nominee and 2017 Toronto Independent Music Award winner, she uplifts and inspires audiences with sing-alongs and storytelling about courage and finding joy in surprising places. Angela has five Canadian tours under her belt, as well as several treks across Germany, The Netherlands and the UK. Best known for her sunshine-soaked song “Living on the Bright Side,” she has showcased her talents at the Philadelphia Folk Festival and at a number of Canadian music festivals. Her ability to combine humanistic and honest themes laden with catchy hooks and memorable melodies make her entertaining as well as relatable.

Here’s a link to view a few of Angela’s videos: angelasaini.com/videos.

The Young Novelists create contemporary folk songs that marry effortless harmonies with darkly poetic lyrics, exquisitely crafted hooks, and the unique sound of bowed glockenspiel. The award-winning Toronto-based husband-and-wife folk-roots duo of Graydon James and Laura Spink share a passion for confessional storytelling and sing songs about small towns, redemption, love and loss. The duo has toured across Canada, the U.S. and Europe and has released three studio albums and a live recording. In 2015, The Young Novelists were named New/Emerging Artist of the Year in the Canadian Folk Music Awards and took first place in the Grassy Hill-CT Folk Songwriting Competition during the 10th annual Connecticut Folk Festival, while James won the Ontario Arts Council’s Colleen Peterson Songwriting Award for “Couldn’t Be Any Worse.” The duo has also played coveted juried official showcases during the Folk Alliance International conference and those of its northeast and southeast regional affiliates (NERFA and SERFA).

To view a few videos, visit youngnovelists.com/videos.

About Your Hosts:

The livestream marks a renewed partnership of sorts for Michael Kornfeld and Kathy Sands-Boehmer, who served as president and vice president, respectively, of the Northeast Regional Folk Alliance (NERFA) for several years and also co-coordinated one-day conferences and a series of showcases. Kornfeld, a veteran strategic communications and public relations professional – whose clients have included a number of independent recording artists and labels – launched AcousticMusicScene.com in 2007 to provide news, information and commentary for the folk, roots and singer-songwriter communities. The longtime president of the Folk Music Society of Huntington, a nonprofit presenting organization on Long Island, NY, Kornfeld also serves on the board of Folk Alliance International, curates the annual Huntington Folk Festival, and hosts showcases at various music conferences and festivals. Sands-Boehmer, who served as the booking and publicity manager for Me & Thee Coffeehouse in Marblehead, MA for many years, was an active leader in the Boston Area Coffeehouse Association (BACHA), and has also served as an artist manager, recently launched Harbortown Music as a resource for musicians and venues — building community, while promoting and presenting high-quality music. She works with Stephen Bach of The Digital Docs, who engineers all of Harbortown Music’s virtual shows and lends his technical expertise to the participating artists as well.

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In Memoriam: Scott Alarik, Bill Staines & Joe Virga https://acousticmusicscene.com/2021/12/08/in-memoriam-scott-alarik-bill-staines-joe-virga/ Wed, 08 Dec 2021 17:30:25 +0000 http://acousticmusicscene.com/?p=11862 Scott Alarik, Bill Staines and Joe Virga — each of whom made important contributions to the folk music community in the U.S. — passed away in early December 2021 and will be greatly missed. Ethan Baird, executive director of Northeast Regional Folk Alliance (NERFA), pays tribute to them below.

This has simply been a wretched week for the folk music community in the northeast. ⁠

Joe Virga has spent decades welcoming musicians into the fold, from his Cup of Joe Showcases at NERFA conferences, to his forever presence in the lobbies of Kerhonkson [NY] and Stamford [CT] – Joe was always ready, waiting and eager to hear everyone and share his songs. ⁠

During the first years of working “in the scene,” whenever I went to a show, my father would say: “Tell Bill I say hi! We went to school together you know!” He would say it every time as if I had forgotten, and I would pass on his message to Bill Staines whether it was Club Passim or the Me & Thee coffeehouse. Bill would smile a little and ask if my father was keeping out of trouble. While I didn’t know Bill particularly well, his clear legacy in the scene, along with my father’s insistence on a pre-existing connection (and I suspect Bill’s playing along), was one of the many things that made me feel like there was a pre-built sense of community when I started out. I don’t think I ever got a chance to thank Bill for that and I wish I had.⁠

Lastly, there simply was no better storyteller’s storyteller than Scott Alarik. His love of the literal history of the people behind the folk revival and the Northeast folk scene was unparalleled. He loudly praised our victories and he treasured and cared for our broken bits. ⁠
Remembering Joe, Bill & Scott
I am not a religious man, but even so, I hope these three great storytellers find a campfire in the great beyond and allow themselves a moment to revel in lives well lived and stories well told. ⁠ – Ethan Baird

Editor’s Note:

I’m very saddened by the passings of Scott Alarik, Bill Staines and Joe Virga. Although I didn’t know Scott or Bill well, I’d spoken with both on numerous occasions. One of the most prolific and influential folk music writers in the country, Scott covered folk for the Boston Globe, wrote for many national magazines, and was a regular contributor to public radio. He was also a singer-songwriter, an author (Deep Community: Adventures in the Modern Folk Underground and the novel Revival), and wrote the scripts and provided the video narration for Folk Alliance International’s Lifetime Achievement Awards. Bill was a New Hampshire-based traveling troubadour and prolific songwriter, who wrote such gems as “A Place in the Choir,” “Bridges,” “Child of Mine,” “Crossing the Water,” “River,” and “Roseville Fair.” I have a number of Bill’s albums and enjoyed seeing him in concert nearly every January here on Long Island, where he played annually as part of the Our Times Coffeehouse series for 30 years. Joe, a Brooklyn, New York-bred and Florida-based singer-songwriter, was a big presence at NERFA and Southeast Regional Folk Alliance (SERFA) conferences, where he hosted Cup of Joe showcases and afforded many artists — particularly first-timers — opportunities to be seen and heard. We may never see and hear these three live again but, thankfully, we have their recorded music, writings, and memories to remind us of them.

Here’s a link to a video for Joe Virga’s song “A Prayer for the Living”: https://www.youtube.com/watch?v=SZi1TzwcIuQ

Here’s one of Bill Staines performing his classic “River”: https://www.youtube.com/watch?v=MJiEsiO9ZRI

And in this video, Scott Alarik reads excerpts form Revival, his novel set in the folk world:

https://www.youtube.com/watch?v=E17wu9DPlm8

Scott Alarik’s and Joe Virga’s passings were unexpected, and I’m not sure of their causes of death, while Bill Staines shared the following message on his Facebook page on Nov. 30:

Hi folks,

This is very hard to write, but here’s the deal. As of the beginning of December, because of circumstances beyond my control, I have decided to retire from performing and traveling. I will be canceling all of my performances going forward.

A few weeks back, after a battery of tests, it was determined that the prostate cancer that I’ve had for many years has turned aggressive and spread to a number of places in my body. As a result, my energy and stamina have waned to the point where I just cannot physically do a concert.

It has been a great run. I’m proud of having been a musician for 57 years. As for the friends I’ve made on the road, I love you all. As for my dedicated fans, thank you, thank you.

Most of all to my wife Karen, my son Bowen, his wife Andrea, and the rest of my family who have loved and supported me through these years, I love you.

This old horse is tired. It’s time to ride on.

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