Peter, Paul and Mary’s music and social activism helped to shape a generation. Through the years, the popular and inspirational folk trio who frequently sang out against war and injustice touched the hearts and consciences of millions of people worldwide, won five Grammy Awards, received eight gold and five platinum records, released six Billboard top 10 singles, had two #1 Billboard chart-topping albums and a dozen top 40 hits, and have been the subject of five PBS documentaries.

Peter Yarrow was born on May 31, 1938 in New York City. Although he took violin lessons as a child, inspired by folks like Woody Guthrie and Pete Seeger, he later switched to guitar. After graduating from Cornell University in 1959 with a degree in Psychology (although he also was a teaching assistant in an American folklore class), Yarrow returned to NYC and began playing the folk clubs and basket houses of Greenwich Village. After meeting music impresario Albert Grossman (who managed Dylan, Janis Joplin, Odetta, and others) who was eager to work with a folk harmony group, Yarrow set about with Grossman to launch one.

Peter, Paul and Mary – featuring Yarrow (guitar and tenor vocals), Noel Paul Stookey’s (guitar and gentle baritone vocals) and Mary Travers’ (contralto vocals) — formed in 1961, having made its first public appearance that fall at the Bitter End on Bleecker Street in New York City’s Greenwich Village. The trio’s eponymous debut album, released on Warner Brothers Records in May 1962, topped the charts that summer, remained in the Billboard magazine top 10 for ten months and the top 20 for two years, sold more than two-million copies, and featured the Grammy Award-winning hit single, “If I Had a Hammer.” That song, penned by Pete Seeger and Lee Hays of The Weavers (whom Yarrow viewed as early mentors), became an anthem of the civil rights movement and was performed by the trio on the steps of the Lincoln Memorial, along with its rendition of Bob Dylan’s “Blowin’ in the Wind,” during the historic 1963 March on Washington at which the late Rev. Martin Luther King, Jr. delivered his “I Have a Dream” speech.

Peter, Paul and Mary’s rendition of “ Bob Dylan’s “Blowin’ in the Wind” was released in the summer of 1963 and also became a big hit for the trio. Archival footage of the trio performing the song during the march appears in the 2014 PBS documentary 50 Years with Peter, Paul and Mary, produced and directed by Emmy Award-winner Jim Brown. As Yarrow observes in the documentary, it was time when “music began to inspire America, tweak its conscience, and articulate its dreams.”

Besides “Blowin’ in the Wind,” the trio also recorded Dylan’s “When the Ship Comes In” and Don’t Think Twice, It’s All Right,” with its rendition of the latter song also landing in Billboard’s top 10. Yarrow served on the board of the Newport Folk Festival and helped to emcee the event in 1965 when Dylan went electric. Famously, as recreated in the widely acclaimed Dylan biopic A Complete Unknown that is currently screening at movie theaters, Dylan borrowed Yarrow’s guitar to play “It’s All Over Now, Baby Blue.”

Although Peter, Paul and Mary performed together over the span of 50 years, there were times when the trio was on hiatus with each of its members pursuing solo careers and projects. The first such break came in 1970, shortly after the release of the trio’s cover of John Denver’s “Leavin’ on a Jet Plane” and Yarrow’s conviction after pleading guilty to taking “indecent liberties” with an under-age girl who had come to his dressing room seeking an autograph in 1969, for which he served three months in prison.

While “Leavin’ on a Jet Plane” was its last number one hit, Yarrow penned “Light One Candle” for the trio in 1982 – while war was raging in Lebanon – that has since become a popular Chanukah song. Peter, Paul and Mary performed “Light One Candle” — whose lyrics commemorate a war of national liberation fought by the Maccabees, while also calling for peace in the Middle East – for several years before recording it on its 1986 studio album No Easy Walk to Freedom. Its moving lyrics include: “Light one candle for the terrible sacrifice justice and freedom demand. Light one candle for the wisdom to know when the peacemaker’s time is at hand.” The 1986 album’s title track is a civil rights anthem that Yarrow co-wrote with Margery Tabankin.

An anti-war activist, Yarrow helped to organize and produce a number of large events including peace concerts at NYC’s Madison Square Garden and Shea Stadium, as well as the 1969 “Celebration of Life” march and demonstration in Washington, DC during which some 500,000 people demanded an end to America’s involvement in Vietnam.

Yarrow was a major champion of other songwriters who particularly sought to nurture the talents of new and emerging ones who, as he put it, “write from the heart.” A founding board member of the Newport Folk Festival, he also developed and hosted a Sunday afternoon concert focused on emerging folk artists and songwriters – providing earl opportunities to such artists as Eric Anderson, Tim Hardin and Buffy St. Marie. Ten years later, in 1972, he partnered with Rod Kennedy, the late founder-producer of the Kerrville Folk Festival to establish what’s now the Grassy Hill Kerrville New Folk Competition for Emerging Songwriters. The Kerrville New Folk Concerts have become a highlight of the annual festival that is geared towards singer-songwriters of various musical styles and is the longest continuously running festival of its kind in North America.

Yarrow believed that music could be a transformative tool for informing the ethical sensibilities of children. In 1999, he established Operation Respect — an educational nonprofit organization and program that seeks to teach children about tolerance and respect for each other’s differences – using music, video, and conflict resolution curricula developed by Educators for Social Responsibility. In an interview with AcousticMusicScene.com in 2010, Yarrow maintained that “all kids deserve to grow up accepting each other,” expressing concern that 160,000 American children refuse to go to school because of cruelty, according to the American Association of School psychologists. Citing “our need to inherit a peaceful world,” he noted that peace education was regarded as “seditious” when the Operation Respect program was launched. It has since been incorporated into the curriculum of some 22,000 U.S. elementary and middle schools.

A former board member of the Connecticut Hospice, where he also periodically sang for patients and staff, he was long active on behalf of the hospice movement.

Last April, Yarrow joined Stookey in in performing in Boston during a Folk Americana Roots Hall of Fame induction ceremony. Peter, Paul and Mary were among the inaugural class of inductees.

As Yarrow told AcousticMusicScene.com in 2010: “”Music can be used as a powerful force in a world where we desperately need it … Music is something that binds the hearts and can bring us together.” Here’s a link to read that article: https://acousticmusicscene.com/2010/11/27/the-peter-yarrow-sing-along-special-airs-on-pbs-stations/

Many of Peter Yarrow’s songs and those by other songwriters that Peter, Paul and Mary covered over the decades have a timeless quality to them and multigenerational appeal. For Peter Yarrow, “Day is Done,” yet his music and that of Peter, Paul and Mary lives on. So too do his widow Mary Beth (the niece of the late Sen. Eugene McCarthy (D-MN), whom he met during a 1968 Democratic presidential primary campaign event and married the following year), his daughter Bethany, son Christopher, granddaughter Valentina, and lots of adoring fans.

Our folk community mourns his passing, as well as the recent deaths of Mike Brewer (a Missouri-based folk-rock singer-songwriter who, with his musical partner Tom Shipley, recorded the hit song “One Toke Over the Line”), David Mallet (the Maine-based singer-songwriter best known for “Garden Song”), and Josh White, Jr. (a Michigan-based singer and guitarist who followed in his late father’s folk and blues footsteps for decades).

“I’ve long thought it would be wonderful and extremely appropriate to do the show in Huntington, where Harry and Sandy lived and raised their family,” said Stuart Markus, the concert’s organizer and emcee. “Harry is still held in such beloved regard by residents of the town and public officials at all levels.”

Eighteen acts — comprised of nearly three dozen of Long Island’s top musicians and songwriters — will take to the stage that bears his name to honor the late Grammy Award-winning songwriter, humanitarian and anti-hunger activist. They’ll perform his breakthrough hit, “Taxi,” his best-known song “Cat’s in the Cradle” (which topped the charts in December 1974), fan favorites like “Flowers Are Red” and “Mr. Tanner,” and some of Chapin’s more obscure songs as well. Concertgoers are asked to bring donations of nonperishable food to support Long Island Cares, Inc., the regional food bank founded by Chapin in 1980.

“All the performers are pro-caliber full-time and part-time musicians who perform regularly at local venues and/or tour on the folk circuit,” Markus said. “Throughout the two decades that we’ve been presenting the show, I’ve always encouraged them to treat the songs as their own — however they imagine them. The results have been some very creative interpretations,” he added.

Besides Markus and his folk-rock harmony trio Gathering Time, this year’s roster of performers includes Akiva the Believer, Karen Bella, John Cardone, Roger Street Friedman, Grand Folk Railroad, Robin Greenstein, Lora Kendall, Mara Levine, Vicky Liotta, Debra Lynne & Lora Kendall, Media Crime, Judy Merrick, Miles & Mafale, Matthew Ponsot, Patricia Shih & Stephen Fricker, Robin Eve, Roger Silverberg, Talya Smilowitz, Christine Solimeno, Hank Stone, Martha Trachtenberg, Frank Walker, Lisa Ann Wharton, and Judith Zweiman & Duane Michael Tucker. Jen Chapin, Harry’s daughter and a touring artist in her own right, also will perform.

Long Island Cares’ staff and volunteers will be collecting donations of non-perishable food at a tent at the entrance to the Chapin Rainbow Stage and also selling t-shirts and Harry Chapin CDs, as well as distributing literature about the nonprofit organization’s programs and services. Concertgoers are advised to bring lawn chairs and blankets.

Where to View the ‘Just Wild About Harry’ Concert Online

For those are unable to attend the concert in-person, it will also be livestreamed via a number of social media channels that follow. Although the concert is set for 7 p.m. ET, viewers are advised to log on earlier since there may be a few pre-show interviews with performing artists and members of the Chapin family.

Harry Chapin Fans Facebook Group: https://www.facebook.com/events/954037953400184/

Harry Chapin Foundation YouTube Channel: https://www.youtube.com/live/dFZjPTrpqLo

Harry Chapin Foundation Facebook Page: https://www.facebook.com/events/488328867019092/

Harry Chapin Memories Facebook Group: https://www.facebook.com/events/835691325191299/

Harry Chapin Music Facebook Page: https://www.facebook.com/events/812448574320945/

Hey Long Island, Do You Remember…? Facebook Group: https://www.facebook.com/events/889951243173302/

I Grew Up in Huntington Township NY USA 50s 60s 70s 80s 90s Facebook Group: https://www.facebook.com/events/1731745810691338/

Just Wild About Harry (The Harry Chapin Tribute Show) Facebook Group: https://www.facebook.com/events/1495851031039195/

L.I. Fans & Friends of Folk Music Facebook Group: https://www.facebook.com/events/1029824552128240/

Long Island Cares Facebook Page: https://www.facebook.com/events/1604518290389306/

Long Live Harry Chapin Facebook Group: https://www.facebook.com/events/849747593717608/

Editor’s Note: A public relations and strategic communications professional, as well as the longtime president of the Folk Music Society of Huntington, I have been helping to promote the annual “Just Wild About Harry” tribute concerts pro bono for many years.

I still have fond memories of Harry’s concerts. Yet as much as I appreciated him as a singer-songwriter who helped to forge my love of folk and folk-rock music, I so respected him for his activism, his community involvement, and his commitment to making this “A Better Place to Be.”

Nurture the Future is this year’s conference theme. “It was something we felt needed to be communicated as our world is changing every second of the day,” says Jill Kettles, SERFA’s board president. “We aim to uphold the past, mold the present, and project it for future generations; this is not just important but vital.”

SERFA is a regional affiliate of Folk Alliance International (folk.org), a nonprofit organization that aims to serve, strengthen and engage the global folk music community through preservation, presentation and promotion. SERFA (serfa.org) exists to promote, develop and celebrate the diverse heritage of roots and indigenous music, dance, storytelling and related arts in the southeastern United States. It has produced an annual conference since 2008. This is SERFA’s third consecutive year at the YMCA Blue Ridge Assembly, nestled in the Blue Ridge Mountains of western North Carolina.

The official showcases take place Friday and Saturday evenings, with each artist/act performing a 15-minute set. Unplugged private showcases follow from 10:40 p.m. to 2 a.m. Also on the agenda are daytime panel discussions and workshops, a Wisdom of the Elders session, a few thematic song circles, open mics, mentoring sessions, an awards presentation, an exhibit hall, communal meals, and plenty of other opportunities to learn, share and network –- including during built-in afternoon breaks in the programming. Informal jams and song circles also are apt to break out in the lobby and outside (weather permitting).

Rachael Sage, Award-Winning, Prolific Singer-Songwriter and Boutique Label Owner to Deliver Keynote Address

Daytime Programming Includes Workshops, Song Circles, Think Tanks, and Mentoring Sessions

Besides the workshops and panel discussions, there will be moderated, interactive “think tanks” on House Concerts and Small Venues and Hey, What’s Your Problem, one-on-one mentoring sessions, several thematic song circles, several thematic song circles, and a Wisdom of the Elders session during the daytime hours.

Wisdom of the Elders and SERFA Awards are Among Conference Highlights

The Wisdom of the Elders conversational panel session provides a structured opportunity for conference attendees to learn from and about veteran leaders in the folk community and for the elders to talk among themselves as well. Participants this year are Scott Berwick, Wayne Erbsen and Taylor Pie.

Berwick has long been active in American Federation of Musicians (AFM) Local 1000 (the traveling musicians union), has been attending SERFA conferences for the past decade, and has also been involved with the Hudson River Sloop Clearwater, the Hudson Valley Folk Guild, and the Ashokan Center, as well as an informal, weekly song circle near his home in upstate New York.

Erbsen has been engaged in traditional American music for more than 50 years as a musician, recording artist (with nearly 20 albums to his credit), professor at Warren Wilson College and the University of North Carolina at Asheville, author and publisher (who has written and published 40 books), and a public radio DJ.

A Tennessee-based traveling folk minstrel and Americana artist, Taylor Pie (Susan Taylor) helped form the Pozo Seco Singers with Don Williams in the early 1960s and has been a solo singer-songwriter and musician since the folk group disbanded. Many notable artists have covered her songs, while Pie was inducted into the Old-Time Country Music Hall of Fame in 2015. Along with her friend Kathryn Harrison, she launched PuffBunny Records in 2007 to share her music and that of other artists she admires. Taylor Pie, who now handles A &R for the label, also stars in Nobody Famous, an award-winning music documentary that was screened during the 2022 SERFA conference.

Menius, who currently hosts “The Revolution Starts Now” on Hillsborough, NC-based WHUP, has hosted radio shows on four stations since 2007. The first executive director of the International Bluegrass Music Association (IBMA), from 1985-1990, Menius also served as Folk Alliance International’s initial board president in 1990 and manager from 1991-1996, prior to serving as associate director of MerleFest for a decade and then as executive director of Appalshop in Whitesburg, Kentucky and The ArtsCenter in Carrboro, NC. He’s also produced concerts, festivals and conferences and worked as a fundraiser, marketing director, emcee, stage manager, and writer.

Dom Flemons, an Arizona native and Chicago area-based musician who has earned the moniker “The American Songster” since his repertoire covers more than 100 years of American roots music, records for Smithsonian Folkways. He is a songwriter, multi-instrumentalist (banjo, guitar, harmonica, jug, percussion, quills, fife, and rhythm bones), music scholar, actor, slam poet, record collector, and the creator, host and producer of American Songster Radio Show on WSM in Nashville, Tennessee. Earlier this year, he was named the grand-prize winner as well as first place honors for Best Folk/Americana Roots Album (for American Wildfire) in the International Acoustic Music Awards. In 2020, he received the prestigious United States Artists Fellowship Award in the Traditional Arts category. Two years later, he received a degree as Doctor of Humane Letters from his alma mater Northern Arizona University and was the commencement speaker at the graduation ceremony or the Class of 2022. Flemons was a founding member of Carolina Chocolate Drops, a Grammy Award-winning African-American old-time string band.

Junior Appalachian Musicians, Inc. (jamkids.org) is the nonprofit parent organization for more than 50 afterschool programs for children ages six and up. JAM provides communities with the requisite tools and support to teach children to play and dance to traditional old time and bluegrass music. Its program model introduces music through small group instruction on instruments common to the Appalachian region and provides youth with opportunities to learn traditional music with their peers from local teaching artists and to perform in their communities and regionally.

Taylor Caffery, the longtime host of “Hootenanny Power” on WRKF in Baton Rouge, Louisiana, is the recipient of this year’s Kari Estrin Founding President’s Award. His weekly radio show incorporates musical styles and cultural influences from Caffery’s five decades on radio that began when he hosted his first show while in the U.S. Navy and continued with his college radio station KCSL. To that musical gumbo, he mixes in new discoveries from Folk Alliance International and SERFA conferences.

Dozens of Artists to be Featured in Official and Guerilla Showcases

Slated to present official showcases on Friday evening, May 10 are (in order of appearance) Sue Horowitz, Chris Haddox, Ron Fetner, A Tale of Two, Dustin Gaspard, Nicholas Edward Williams, Helene Cronin, and Admiral Radio. Saturday’s official showcase lineup features Jess Klein, Wes Collins, Bett Padgett, Cast Iron Bluegrass, Ruth and Max Bloomquist, Stone & Snow, Couldn’t Be Happiers, and Ordinary Elephant.

Here’s a link to a Spotify playlist that features one song from each of the official showcase artists.

Following the official showcases on Friday and Saturday, as well as an open mic on Thursday, late-night guerilla showcases will take place in various meeting rooms for several hours. AcousticMusicScene.com, which has had a presence at SERFA conferences since 2011, will host a couple of late-night song swaps and a midnight hoot (featuring more than two-dozen artists/acts – each performing one song) on Thursday, May 9, overnight. The AcousticMusicScene.com Midnight Hoot is a pre-arranged round-robin song swap that is intended to provide concert and festival presenters, folk DJs and others with an opportunity to get a small sampling of the music of a lot of artists in a short period of time on the conference’s opening night. It also enables artists to enjoy and each other’s company and music before the conference really gets into full swing on Friday.

Here’s the AcousticMusicScene.com Showcase schedule:

10:40 Brooklyn in the House: Carolann Solebello and Pat Wictor

11:00 Long Island Sound: Hank Stone and Jim Whiteman

11:30 Midnight Hoot, Part 1 (one song each):

Antonio Andrade, Max & Ruth Bloomquist, Dan & Faith, Katie Dahl, Annie Stokes

12:00 Midnight Hoot, Part 2 (one song each, not necessarily in this order)

Taylor Pie, The Farmer & The Crow, Amy Speace, Annie & Rod Capps, Marc Douglas Berardo, Karyn Oliver, Lindsay Whiteman, Miles & Mafale, Rachael Sage, Emma Frances, Nicholas Edward Williams, Noah Zacharin

1:00 Midnight Hoot, Part 3 (one song each, not necessarily in this order)

Jon Shain & FJ Ventre, Erin Ash Sullivan, Robert Bidney, Rob Lytle, Jim Patton & Sherry Brokus, Meg Braun, Alice Hasen, Brian Ashley Jones & Melanie Jean, Couldn’t Be Happiers, Reckless Saints, Siena Christie

Born in Orillia, Ontario on November 17, 1938, Lightfoot reportedly began singing on a local radio station at age five and sang in his church choir as a child, He penned his first song (“The Hula Hoop Song”) in 1955, while still in high school. After graduation, he moved to Los Angeles, California to further his education before returning to Canada in 1959. Inspired, at least in part, by the songs of Bob Dylan (who similarly admired him), Lightfoot became part of and was among the best-known and most widely acclaimed singer-songwriters to emerge from Toronto’s burgeoning folk music scene of the 1960s that was centered around the folk clubs of the city’s Yorkville neighborhood. His first album, entitled Lightfoot!, was released in 1966. The following year, he performed the first of what was to become an annual tradition of concerts at Toronto’s famed Massey Hall and did so continuously until the mid-1980s when it became a once every 18 months or so affair before resuming them annually in 2005.

A prolific songwriter and a beloved chronicler of Canadian culture and history, Lightfoot’s own personal experiences and Canada’s national identity figured prominently in his songs. His 1976 hit “The Wreck of the Edmund Fitzgerald,” one of his most well-known and oft-covered ballads, poignantly tells the story of the last hours of 29 crew members aboard a freighter that sank in a storm on Lake Superior the previous November in one of the most famous Great Lakes shipwrecks. “Canadian Railroad Trilogy,” another of his well-loved songs, paid tribute to those who constructed Canada’s national railroad.

A globetrotting artist, Lightfoot toured throughout the U.S. and Europe, as well as his native Canada. During the 1980s, he beat alcoholism. However, he was to face other serious health challenges – including suffering from Bell’s pPalsy, a disease of the peripheral nervous system. In September 2002, Lightfoot also suffered severe stomach and abdominal pains while preparing to take the stage for a concert in his beloved hometown. He was airlifted to hospital, where doctors determined that he had ruptured an artery that required multiple surgeries. He was in a coma for six weeks and spent nearly three months in the hospital.

With his indefatigable spirit, Lightfoot released a new album, Harmony, in 2004 and made his comeback live performance at Ontario’s famed Mariposa Festival that summer.

Lightfoot’s songs have been covered by such other musical luminaries as Johnny Cash, Judy Collins, Bob Dylan, Richie Havens, Ian and Sylvia (who were part of the 1960s Toronto folk scene with him), Sarah MacLachlan, Anne Murray, and Peter, Paul & Mary (who had hits with “Early Morning Rain” and “For Lovin’ Me”). In the liner notes for his own 1985 box set, Biograph, Bob Dylan wrote: “ Gordon Lightfoot, every time I hear a song of his, it’s like I wish it would last forever.” Lightfoot released his last studio album, Solo, in 2020.

Despite his serious health challenges and a distinctive, warm tenor voice that had grown thinner over the years, Lightfoot was a road warrior who loved to tour and perform live. Indeed, he continued to do so until several weeks before his death. On April 11, he cancelled his remaining tour dates for the year, citing health reasons.

Hailing Lightfoot as “one of our greatest singer-songwriters,” Canadian Prime Minister Justin Trudeau said he “captured our country’s spirit in his music – and in doing so, he helped shape Canada’s soundscape.”