Song of the Year honors went to Dan Navarro and Janiva Magness’ recording of “$20 Bill (for George Floyd) by the late singer-songwriter Tom Prasada-Rao. In accepting the award, Navarro (a singer-songwriter and voice actor perhaps best known for co-writing the hit song “We Belong”) noted that more than 100 artists recorded a version of Prasada-Rao’s song in 2020 “but because of the impact and the challenges of the pandemic, it never really had a proper release and we decided we would do something about that.“ Dedicating the award to Prasado-Rao, who died last year, Navarro said: “This is not just the song of the year; it’s the song of the century and the song of a lifetime.”

Here’s a link to view a video of Dan Navarro and Janiva Magness performing “$20 Bill (for George Floyd)”:
https://www.youtube.com/watch?v=SeHdq817B7Y

Susan Werner’s Halfway to Houston was named Album of the Year. A prolific and versatile singer-songwriter who accompanies herself on both guitar and piano and is known for her sassy wit and classy Midwest charm, Werner was unable to be in Montreal to accept the award and sent a short video, while fellow singer-songwriter Dar Williams picked up the award on her behalf.

In addition to these FAI member-voted awards – which were open to recordings released between October 1, 2023 and September 30, 2024 – a number of special awards and honors were presented.

The People’s Voice Award recognizing an artist who embraces social and political commentary in his/her songs was presented to Gina Chavez, an Austin, Texas-based singer-songwriter who has helped to amplify the voices of the marginalized.

The River Roads Festival received The Clearwater Award, honoring a festival that — like its Pete Seeger-founded namesake –- exhibits sound leadership in environmental stewardship and sustainable event production. A one-day event presented by Dar Williams and held in Easthampton, Massachusetts for the past two years, the next River Roads Festival is set for July 5 at Heuser Park in King of Prussia, Pennsylvania. Williams said that she was “so excited” to accept the award. She noted that, like Seeger was, she is a resident of New York’s Hudson Valley and recalled being on Conan O’Brien’s late-night TV talk show with him in 1998. Said Williams: “Music is an incredible force … The culture around the music can be a powerful vehicle for justice.”

The Rising tide Award, which is bestowed on an emerging artist/act of an age, went to OKAN, a female-led, Afro-Cuban roots and jazz duo.

Spirit of Folk Awards recognizing people and organizations actively engaged in the promotion and preservation of folk music were presented to Annie Capps, Innu Nikamu festival, Tom Power, and Alice Randall. Capps is a Michigan-based singer-songwriter and a longtime leader with Folk Alliance Region Midwest (FARM), who has served as both its board president and conference director. Innu Nikamu is a Quebec-based festival of Indigenous music and culture that has taken place for more than 30 years. Power, best known as the host of CBC Radio One’s Q program, is also a musician who performs and records with The Dardanelles, a Canadian folk band. Randall is a hit-making country music songwriter who has been a trailblazer in folk and country music. She’s also a college lecturer and the author of My Black Country, which she describes as both a memoir and a history.

“I owe my sanity to folk music,” said Randall in accepting the award. “In My Black Country, I tell the story of climbing out of the hell of being raped by holding on to the sound of John Prine singing “Angel From Montgomery.” Prine’s label, Oh Boy! Records, also released a collection of songs entitled My Black Country. Randall noted that her book “is about the Black folk, including Black folk musicians, who made country country.”

2025 Lifetime Achievement Award recipients included the folk-rock duo Indigo Girls (whose eponymous debut album won a Grammy Award for Best Contemporary Folk Recording 35 years ago), the late Black Appalachian musician Lesley Riddle, and the global roots magazine Songlines. During the awards show, singer-songwriters Rose Cousins and Mary Bragg performed “Galileo,” one of the Indigo Girls’ hit songs, in tribute to the duo, while Black indigenous Canadian singer-songwriter Julian Taylor performed “Red River Blues” in tribute to Riddle.

Accepting the Legacy Lifetime Achievement Award on behalf of Riddle, who died in 1980 at age 75, Randall referred to him as a founder of country music and a practitioner of folk who collected and taught the Carter Family a lot of songs. “Tonight, Folk Alliance corrects an almost 100 year-old wrong” by recognizing him.

“We need folk music now more than ever,” said the Indigo Girls’ Emily Saliers in a pre-recorded video. “This Folk Alliance is a group that honors diversity, equity, inclusion, and access for all. Folk music is the music of truth telling. Amy [Ray] and I are, especially in this time, particularly honored to accept this award.” Echoing her sentiments, Ray urged folks to “Please stand up with us and make your voices heard in these times … Day by day, song by song, we can make this world a better place.”

Accepting a Lifetime Achievement Award on behalf of Songlines, James Anderson-Hanney, its publisher, said: “I think we’re the last world music magazine on the planet.” The UK-based, glossy bimonthly that comes with CD is currently celebrating its 25th anniversary.Leading Quebecois folk ensemble Le Vent Du Nord, a 2023 Songlines award recipient, performed in honor of the magazine.

Five Inducted Into Folk Radio Hall of Fame

Eight years ago, Folk Alliance International established a Folk Radio Hall of Fame in order to recognize folk DJs and music directors for the vital role that they play by sharing the music with their listeners. Wanda Fischer, Longtime host of The Hudson River Sampler on WAMC Radio in Albany, New York and herself an inductee in the Hall of Fame, recognized this year’s inductees, while a video featuring visuals and information about them was also screened. The 2025 inductees include Taylor Caffery, Matthew Finch, Archie Fisher, MarySue Twohy, and Chuck Wentworth.

Taylor Caffery, a native of New Orleans, Louisiana, has been the host Hootenanny Power of WRKF Public Radio in Baton Rouge, LA since it began airing in 1981. He’s also been recognized with WRKF’s Founder’s Award (2022) and with the Kari Estrin Founding President’s Award during the 2024 Southeast Regional Folk Alliance (SERFA) Conference.

Matthew Finch, who left our world unexpectedly in July 2024, was a beloved figure in New Mexico’s music scene, who devoted more than 20 years to KUNM in Albuquerque as its music director, and as a tireless advocate for local musicians. Through the programs Ear to the Ground and Studio 55, he created platforms for regional artists to share their music, showcasing live performances and celebrating the diversity of the state’s music community.

Archie Fisher hosted BBC Radio Scotland’s award-winning Traveling Folk program for 27 years – promoting artists and musicians of the folksong revival throughout the British Isles. A talented artist in his own right, he also hosted studio sessions and interviews with such notable American and Canadian artists as Joan Baez, Judy Collins, David Francey, and James Keelaghan. Queen Elizabeth II presented him with a MBE in 2006 for his services to music.

MarySue Twohy is a program director at SiriusXM, who currently manages The Village, its folk channel, among others. She conducts artist interviews and produces a wide array of radio programs. Formerly an artist herself, she moved into broadcasting by hosting a two-hour program 20 years ago and quickly rose to PD. She also served on the FAI board of directors for seven years and continues to serve on national music committees, and to participate in conference panels and as a songwriting contest judge.

Chuck Wentworth, who passed away last year, was a revered figure on the New England music scene – best known for his long-standing contributions as both a radio show host and a festival producer. He began hosting a folk radio show on WRIU-FM, the college radio station at the University of Rhode Island, while he was a student and Traditions aired for 38 years. He also served as the station’s folk and roots music director and expanded its folk programming from one show to five nights a week. Wentworth was also the founder and producer of the Rhythm & Roots Festival, a three-day music and dance festival in Rhode Island.

[Here’s a link to view the International Folk Music Awards Show, which also was livestreamed via YouTube and was available for viewing via Folk Alley and NPR Music: https://www.youtube.com/watch?v=RVE29BZ6fBg

The International Folk Music Awards was just one part, albeit an important one, of the 37th annual Folk Alliance International Conference that extended from February 19-23 and drew nearly 2,500 attendees. In addition to more than 2,700 showcases featuring more than 700 acts (including 183 juried official showcases plus many more showcases extending into the early morning hours), the conference included a keynote conversation with Allison Russell and Ann Powers [see below], Black American Music and International Indigenous Music Summits, a one-day legal summit, 45 panel discussions and workshops, a number of affinity and peer group sessions, six film screenings and discussions, lobby jams, meetings of FAI’s regional affiliates, a town hall meeting on P2 Visas – Working Through Parity at the Canada/US Border, a popular Meet the Folk DJs session, morning yoga, an exhibit hall, agent-presenter speed networking sessions, and lots of other networking opportunities.

Artist & Activist Allison Russell Engages in Keynote Conversation with Music Journalist Anne Powers

Allison Russell — a widely acclaimed singer-songwriter, multi-instrumentalist, producer and activist –- returned to her hometown to engage in an hour-long keynote conversation with Anne Powers, a critic and correspondent for NPR Music. A soulful, Nashville, Tennessee-based, Montreal-born Scottish Grenadian Canadian, Russell is the recipient of more than a dozen awards. These include a Grammy Award for Best American Roots Music Performance for Eve Was Black,” a single off of her sophomore solo recording, Returner released in September 2023), Juno Awards for Contemporary Album of the Year (for her solo debut, Outside Child – 2022) and Music Video of the Year (for “Demons,” 2024), six UK Americana Music Awards, four Canadian Folk Music Awards, and two Americana Music Honors & Awards. In 2022, Folk Alliance International members voted Russell’s solo debut as Album of the Year and her as Artist of the Year. Outside Child was also named Contemporary album of the Year in the 2022 Canadian Folk Music Awards, while she was named Songwriter of the Year and New/Emerging Artist of the Year in recognition of the emotion-laden album featuring 11 original songs “about resilience and survival, transcendence and the redemptive power of art, community, connection, and chosen family.”

Russell has previously spoken of the abuse and trauma that she faced in her youth and the major role that music has played in helping her to overcome it .In her conversation with Powers, she recalled how, at age 15, while unhoused, she slept in the pews at a church just a few blocks from Le Sheraton Centre.

Asked about her latest album, 2023’s The Returner, she noted how she had been a challenged, broken yet brave girl. “”We come from long, broken lines of survivors. We’re all miracles. We’re all returners. We are all overcoming things.”

Much of her on-stage conversation with Powers focused on her recent portrayal of Persephone in Anais Mitchell’s award-winning Broadway musical, Hadestown. Russell noted that it was her first professional acting role and that she had not acted since performing in a Shakespearean play while in high school.

Sharing her reflections on Hadestown just days after she concluded her 50-week run as Persephone and in keeping with the “Illuminate” theme of the conference, she said: Persephone is Hades’ only source of light, of illumination in the underworld. She was the light in his life.”

Playing a mythic goddess in this time took on new connotations, she acknowledged, citing “the current fear-mongering administration in Washington” and “the bigotry and bias that can really harm communities.”

Referring to herself as “a geriatric millennial,” Russell said: “When I came up 24 years ago, there weren’t too many others who looked liked me.” Acknowledging that “our [folk] community is growing more diverse,” she spoke of being a curator during the 2021 Newport Folk Festival tasked with featuring Black and Black & queer women and their allies in the center of a 90-minute set focused on roots and revolution. ”What could be more beautiful than to be conscious, to be mindful [woke],” said Russell, noting that she’s “a queer woman who somehow married a white man with a guitar.”

Prior to embarking on her solo career, Russell was a co-founder of Our Native Daughters and Birds of Chicago and was part of Po’ Girl.

[Here’s a link to view a video recording of the keynote conversation: https://www.youtube.com/watch?v=U_ne2-baY8g.]

Folk Alliance International (folk.org) is a nonprofit organization that aims to serve, strengthen, and engage the global folk music community through preservation, presentation and promotion.

Nurture the Future is this year’s conference theme. “It was something we felt needed to be communicated as our world is changing every second of the day,” says Jill Kettles, SERFA’s board president. “We aim to uphold the past, mold the present, and project it for future generations; this is not just important but vital.”

SERFA is a regional affiliate of Folk Alliance International (folk.org), a nonprofit organization that aims to serve, strengthen and engage the global folk music community through preservation, presentation and promotion. SERFA (serfa.org) exists to promote, develop and celebrate the diverse heritage of roots and indigenous music, dance, storytelling and related arts in the southeastern United States. It has produced an annual conference since 2008. This is SERFA’s third consecutive year at the YMCA Blue Ridge Assembly, nestled in the Blue Ridge Mountains of western North Carolina.

The official showcases take place Friday and Saturday evenings, with each artist/act performing a 15-minute set. Unplugged private showcases follow from 10:40 p.m. to 2 a.m. Also on the agenda are daytime panel discussions and workshops, a Wisdom of the Elders session, a few thematic song circles, open mics, mentoring sessions, an awards presentation, an exhibit hall, communal meals, and plenty of other opportunities to learn, share and network –- including during built-in afternoon breaks in the programming. Informal jams and song circles also are apt to break out in the lobby and outside (weather permitting).

Rachael Sage, Award-Winning, Prolific Singer-Songwriter and Boutique Label Owner to Deliver Keynote Address

Daytime Programming Includes Workshops, Song Circles, Think Tanks, and Mentoring Sessions

Besides the workshops and panel discussions, there will be moderated, interactive “think tanks” on House Concerts and Small Venues and Hey, What’s Your Problem, one-on-one mentoring sessions, several thematic song circles, several thematic song circles, and a Wisdom of the Elders session during the daytime hours.

Wisdom of the Elders and SERFA Awards are Among Conference Highlights

The Wisdom of the Elders conversational panel session provides a structured opportunity for conference attendees to learn from and about veteran leaders in the folk community and for the elders to talk among themselves as well. Participants this year are Scott Berwick, Wayne Erbsen and Taylor Pie.

Berwick has long been active in American Federation of Musicians (AFM) Local 1000 (the traveling musicians union), has been attending SERFA conferences for the past decade, and has also been involved with the Hudson River Sloop Clearwater, the Hudson Valley Folk Guild, and the Ashokan Center, as well as an informal, weekly song circle near his home in upstate New York.

Erbsen has been engaged in traditional American music for more than 50 years as a musician, recording artist (with nearly 20 albums to his credit), professor at Warren Wilson College and the University of North Carolina at Asheville, author and publisher (who has written and published 40 books), and a public radio DJ.

A Tennessee-based traveling folk minstrel and Americana artist, Taylor Pie (Susan Taylor) helped form the Pozo Seco Singers with Don Williams in the early 1960s and has been a solo singer-songwriter and musician since the folk group disbanded. Many notable artists have covered her songs, while Pie was inducted into the Old-Time Country Music Hall of Fame in 2015. Along with her friend Kathryn Harrison, she launched PuffBunny Records in 2007 to share her music and that of other artists she admires. Taylor Pie, who now handles A &R for the label, also stars in Nobody Famous, an award-winning music documentary that was screened during the 2022 SERFA conference.

Menius, who currently hosts “The Revolution Starts Now” on Hillsborough, NC-based WHUP, has hosted radio shows on four stations since 2007. The first executive director of the International Bluegrass Music Association (IBMA), from 1985-1990, Menius also served as Folk Alliance International’s initial board president in 1990 and manager from 1991-1996, prior to serving as associate director of MerleFest for a decade and then as executive director of Appalshop in Whitesburg, Kentucky and The ArtsCenter in Carrboro, NC. He’s also produced concerts, festivals and conferences and worked as a fundraiser, marketing director, emcee, stage manager, and writer.

Dom Flemons, an Arizona native and Chicago area-based musician who has earned the moniker “The American Songster” since his repertoire covers more than 100 years of American roots music, records for Smithsonian Folkways. He is a songwriter, multi-instrumentalist (banjo, guitar, harmonica, jug, percussion, quills, fife, and rhythm bones), music scholar, actor, slam poet, record collector, and the creator, host and producer of American Songster Radio Show on WSM in Nashville, Tennessee. Earlier this year, he was named the grand-prize winner as well as first place honors for Best Folk/Americana Roots Album (for American Wildfire) in the International Acoustic Music Awards. In 2020, he received the prestigious United States Artists Fellowship Award in the Traditional Arts category. Two years later, he received a degree as Doctor of Humane Letters from his alma mater Northern Arizona University and was the commencement speaker at the graduation ceremony or the Class of 2022. Flemons was a founding member of Carolina Chocolate Drops, a Grammy Award-winning African-American old-time string band.

Junior Appalachian Musicians, Inc. (jamkids.org) is the nonprofit parent organization for more than 50 afterschool programs for children ages six and up. JAM provides communities with the requisite tools and support to teach children to play and dance to traditional old time and bluegrass music. Its program model introduces music through small group instruction on instruments common to the Appalachian region and provides youth with opportunities to learn traditional music with their peers from local teaching artists and to perform in their communities and regionally.

Taylor Caffery, the longtime host of “Hootenanny Power” on WRKF in Baton Rouge, Louisiana, is the recipient of this year’s Kari Estrin Founding President’s Award. His weekly radio show incorporates musical styles and cultural influences from Caffery’s five decades on radio that began when he hosted his first show while in the U.S. Navy and continued with his college radio station KCSL. To that musical gumbo, he mixes in new discoveries from Folk Alliance International and SERFA conferences.

Dozens of Artists to be Featured in Official and Guerilla Showcases

Slated to present official showcases on Friday evening, May 10 are (in order of appearance) Sue Horowitz, Chris Haddox, Ron Fetner, A Tale of Two, Dustin Gaspard, Nicholas Edward Williams, Helene Cronin, and Admiral Radio. Saturday’s official showcase lineup features Jess Klein, Wes Collins, Bett Padgett, Cast Iron Bluegrass, Ruth and Max Bloomquist, Stone & Snow, Couldn’t Be Happiers, and Ordinary Elephant.

Here’s a link to a Spotify playlist that features one song from each of the official showcase artists.

Following the official showcases on Friday and Saturday, as well as an open mic on Thursday, late-night guerilla showcases will take place in various meeting rooms for several hours. AcousticMusicScene.com, which has had a presence at SERFA conferences since 2011, will host a couple of late-night song swaps and a midnight hoot (featuring more than two-dozen artists/acts – each performing one song) on Thursday, May 9, overnight. The AcousticMusicScene.com Midnight Hoot is a pre-arranged round-robin song swap that is intended to provide concert and festival presenters, folk DJs and others with an opportunity to get a small sampling of the music of a lot of artists in a short period of time on the conference’s opening night. It also enables artists to enjoy and each other’s company and music before the conference really gets into full swing on Friday.

Here’s the AcousticMusicScene.com Showcase schedule:

10:40 Brooklyn in the House: Carolann Solebello and Pat Wictor

11:00 Long Island Sound: Hank Stone and Jim Whiteman

11:30 Midnight Hoot, Part 1 (one song each):

Antonio Andrade, Max & Ruth Bloomquist, Dan & Faith, Katie Dahl, Annie Stokes

12:00 Midnight Hoot, Part 2 (one song each, not necessarily in this order)

Taylor Pie, The Farmer & The Crow, Amy Speace, Annie & Rod Capps, Marc Douglas Berardo, Karyn Oliver, Lindsay Whiteman, Miles & Mafale, Rachael Sage, Emma Frances, Nicholas Edward Williams, Noah Zacharin

1:00 Midnight Hoot, Part 3 (one song each, not necessarily in this order)

Jon Shain & FJ Ventre, Erin Ash Sullivan, Robert Bidney, Rob Lytle, Jim Patton & Sherry Brokus, Meg Braun, Alice Hasen, Brian Ashley Jones & Melanie Jean, Couldn’t Be Happiers, Reckless Saints, Siena Christie