Billy Strings, a Michigan-born and Nashville, Tennessee-based genre-bending flatpicking guitarist and singer-songwriter, was previously named Entertainer of the Year in 2021, 2022 and 2023. A two-time Grammy Award winner for Best Bluegrass Album — Live Vol. 1 (2025) and Home (2021) — he also was named Artist of the Year (2022 and 2023) in the Americana Music Honors & Awards presented by the Americana Music Association, as well as Pollstar’s Breakthrough Artist of the Pandemic. He was previously honored as both Guitar Player and New Artist of the Year in the 2019 IBMA Bluegrass Music Awards and was named Guitar Player of the Year again in 2021, while his song “Red Daisy” was 2022’s Song of the Year. Billy Strings, who turns 33 on Oct. 3, grew up playing traditional bluegrass with his dad. In the years since, he has been among the artists who have helped to expand the boundaries of the genre, widening its appeal.

Jason Carter and Michael Cleveland’s “Outrun the Rain” won the coveted Song of the Year award and was also named Collaborative Recording of the Year, while the 2025 release on which it appears, Carter & Cleveland, was named Album of the Year. Carter, a five-time IBMA Fiddle Player of the Year, has played with the Del McCoury Band for 30 years and is a founding member of the Travelin’ McCourys, winners of the 2018 Grammy Award for Best Bluegrass Album. The Kentucky native’s fiddling prowess can also be heard on albums by such notable artists as Asleep at the Wheel, Diercks Bentley, Charlie Daniels, Steve Earle, Vince Gill, and Ricky Skaggs. Southern Indiana-based Michael Cleveland, whose 2024 release, Tall Fiddler, won a Grammy Award for Best Bluegrass Album, was inducted into the National Fiddler Hall of Fame (2018) and was a recipient of a prestigious 2022 NEA National Heritage Fellowship, the nation’s highest honor in the folk and traditional arts, from the National Endowment for the Arts. He has been recognized 13 times as the IBMA’s Fiddle Player of the Year and six times for Instrumental Recorded Performance of the Year, while Michael Cleveland & Flamekeeper has been hailed as its Instrumental Group of the Year multiple times. And has also received awards from the society for the Preservation of Bluegrass Music in America (SPGMA). The subject of a 2019 biographical documentary film, Flamekeeper: The Michael Cleveland Story, the much sought-after musician has also performed with such noted artists as J.D. Crowe and the New South, Vice Gill, The Kruger Brother, Tim O’Brien, Andy Statman, and Mary Stuart, among others.

The IBMA Bluegrass Music Awards are voted on by the professional membership of the International Bluegrass Music Association, a nonprofit trade organization that connects, educates, and empowers bluegrass professionals and enthusiasts, honoring tradition and encouraging innovation in the bluegrass community worldwide (ibma.org).

A complete list of 2025 IBMA Bluegrass Music Awards recipients appears below, along with brief information about three Bluegrass Music Hall of Fame inductees.

Entertainer of the Year: Billy Strings

Song of the Year: “Outrun the Rain” – Jason Carter & Michael Cleveland

Songwriters: Terry Herd & Jimmy Yeary

Producers: Jason Carter & Michael Cleveland

Label: Fiddle Man Records

Album of the Year: Carter & Cleveland – Jason Carter & Michael Cleveland

Producers: Jason Carter & Michael Cleveland

Label: Fiddle Man Records

Vocal Group of the Year: Authentic Unlimited

Instrumental Group of the Year: The Travelin’ McCourys

Gospel Recording of the Year:

“He’s Gone” – Jaelee Roberts

Songwriter: Kelsi Harrigil
Producer: Byron House
Label: Mountain Home Music Company

Instrumental Recording of the Year:

“Ralph’s Banjo Special” – Kristin Scott Benson
Songwriter: Ralph Stanley
Producer: Allison Brown
Label: Compass Records

Collaborative Recording of the Year:

“Outrun the Rain” – Jason Carter, Michael Cleveland, Jaelee Roberts & Vince Gill
Songwriters: Terry Herd & Jimmy Yeary
Producers: Jason Carter & Michael Cleveland
Label: Fiddle Man Records

New Artist of the Year: Red Camel Collective

Male Vocalist of the Year: Greg Blake

Female Vocalist of the Year: Alison Krauss

Banjo Player of the Year: Kristin Scott Benson

Bass Player of the Year: Vickie Vaughn

Fiddle Player of the Year: Maddie Denton

Resophonic Guitar Player of the Year: Justin Moses

Guitar Player of the Year: Trey Hensley

Mandolin Player of the Year: Sierra Hull

Music Video of the Year: “The Auctioneer” – The Kody Norris Show

Songwriters: Leroy Van dyke & Buddy Black
Producer: James Gilley
Videographer: Nate Wiles

Label: Rebel Records

Hot Rize (a pioneering bluegrass band), The Bluegrass Cardinals (known for its flawless harmonies, virtuoso playing, and original music), and Arnold Shultz (an influential African American musician) were inducted into Bluegrass Music Hall of Fame during the awards show.

The IBMA Bluegrass Music Awards Show is the centerpiece of World of Bluegrass that extended from September 16-20. Considered the genre’s annual industry gathering and family reunion, IBMA’s World of Bluegrass also featured a three-day business conference (replete with a wide array of professional development programming, sponsored artist showcases and late-night hospitality functions, and plenty of networking and relationship-building opportunities), the IBMA Bluegrass Ramble (a series of showcases at various Chattanooga venues), and the two-day IBMA Bluegrass Live! – a festival of live performances and fan experiences.

Poss frequently acknowledged that he didn’t have a very conventional career path. “I used to joke that I had the perfect qualifications for being in the music business,” Poss once wrote. “I had no business training; in fact, no formal music background either but I teach Sociology of deviant Behavior.”

After graduating from Duke, he took a position with County Records in Floyd, Virginia. Poss and its owner, Dave Freeman, launched Sugar Hill Records in 1978, embracing what Poss called “contemporary music grounded in traditional music roots.” A self-described “wayward academic in an entrepreneurial role,” Poss assumed full control of the label in 1980, and moved it to Durham. He operated the label from there until its sale to Welk Music Group 20 years later. He became the group’s chairman in 2002. It’s now part of Concord Music, which also owns Rounder Records.

Among the many artists of note who recorded for Sugar Hill Records during Poss’ tenure were Pat Alger, Byron Berline, Ronnie Bowman, Sam Bush, Guy Clark, Mike Cross, Rodney Crowell, Jerry Douglas, Sara Evans, Cathy Fink, Butch Hancock, Hot Rize, The Infamous Stringdusters, Chris Hillman, Wanda Jackson, Sarah Jarosz, Robert Earl Keen, Doyle Lawson & Quicksilver, Lonesome River Band, Lyle Lovett, Nashville Bluegrass Band, Nickel Creek, Tim O’Brien, Dolly Parton, Dirk Powell, The Red Clay Ramblers, Peter Rowan, Ricky Skaggs, Darrell Scott, Marty Stuart, Bryan Sutton, Chris Thile, Townes Van Zandt, Doc Watson, and Jesse Winchester.

“The identity peg for Sugar Hill is having that traditional connection to contemporary music,” Poss Told Blue ridge Outdoors in 2008. “Some have taken to describing a ‘Sugar Hill Sound,” but I am not going to try to define that. To me, it’s what connect Doc Watson to Chris Thile, ricky skaggs to Guy Clark, Townes Van Zandt to dolly Parton. They all exhibit a rootedness in their contemporary expressions of music. I like it because the music comes from a place. It’s not prefabricated or manufactured.”

Douglas and Skaggs had been part of a bluegrass group called Boone Creek, whose One Way Track album was Sugar Hill’s first release in 1978. In a May 18 Facebook post, Douglas wrote of Poss: “His dream was to have a label that mirrored the same idea as Sam Phillips and his famous Sun label, which catered to a specific audience and created a new genre, Rockabilly Plus. Barry knew an audience was there for a specific form of music (bluegrass) and there were certain bands who could grow that audience and the music would evolve with the growth of that audience.”

Douglas, who also produced a number of recordings for Sugar Hill Records, noted that he and Poss were “very close friends. Confidants really. He was like my wingman and brother at any event we collided with. We would spend hours talking about the direction of the music and the parameters he wanted his label to maintain no matter the current climate.” Poss was also godfather to Douglas’ daughter Nola. “Barry loved my family, and Jill and I, along with our children, will forever press his memory closer to our hearts.”

In addition to spending many years at the helm of Sugar Hill Records, Poss was a founding board member of the Bluegrass Hall of Fame & Museum in Owensboro, Kentucky and helped to launch the International Bluegrass Music Association (IBMA).

“Barry Poss was not just a champion of roots music and the artists that made it, but he was instrumental in the founding of our organization,” Ken White, IBMA’s executive director, said in a statement. “For that and so much more, we will always be grateful.”

Poss was a recipient of the IBMA’s Distinguished Achievement Award in 1998. The Americana Music Association also honored him with its Lifetime Achievement Award in 2006 in recognition of Sugar Hill’s pivotal role in both preserving and reinvigorating traditional music, while he was inducted into the Oak Ridge Music Hall of Fame in 2023.

Closer to home, Poss also served on the boards of the Carolina Theater, the Center for Documentary Studies at Duke University, MerleFest, the North Carolina, Folklife Institute, and WUNC-FM.

While many artists and others have shared tributes to Poss since his passing, for his part Poss once said: “It’s the artists who make the music to which I’m the most indebted. They had something important to say. They needed to be heard. And I wanted to be part of their creative lives – because it mattered.”

Songs will be chosen via a juried selection process that takes into account the quality of the applicant’s work and its appeal to bluegrass audiences. Songwriters interested in being considered must submit an application that includes a demo recording of the song (mp3 format only), song lyrics (PDF only), high-res photos and bios of each songwriter credited on the song, along with names and email addresses. Applicants do not have to be IBMA members. Here’s a link to view the online application and additional information:
https://worldofbluegrass.org/conference/songwriter-track/songwriter-showcase/

Although there is no application fee, those selected to participate and perform their song live in the Songwriter Showcase will have to register for the IBMA Business Conference. This portion of IBMA’s World of Bluegrass will feature a wide array of professional development programming, a gig fair, artist showcases and late-night hospitality functions, an exhibit hall, and plenty of networking and relationship-building opportunities.

Extending from Sept. 16-20, IBMA’s World of Bluegrass is considered the genre’s annual industry gathering and family reunion. In addition to the business conference, it also includes a two-day live music festival, an IBMA Bluegrass Music Awards show recognizing outstanding achievement and pioneering effort in bluegrass music, and artist showcases at various venues throughout downtown Chattanooga. All are presented by the IBMA – a nonprofit music association that connects, educates and empowers bluegrass professionals and enthusiasts, honoring tradition and encouraging innovation in the bluegrass community worldwide.

IBMA selected Chattanooga as the host city for its annual World of Bluegrass for 2025-2027 last summer after considering more than 30 locations for a new home. “While other cities could offer the necessary commitment, the passion and enthusiasm of the people of Chattanooga truly stood out,” said Ken White, IBMA’s executive director, in a statement issued last July 29. “We are incredibly grateful for the support from the State of Tennessee and the welcoming spirit of Chattanooga. This city’s unique charm and hospitality makes it a perfect home for WOB artists and guests.” For its part, the Chattanooga Tourism Co. anticipates that the 2025 World of Bluegrass will attract more than 18,00 overnight visitors and more than 45,000 including day visitors, generate more than $30 million in economic impact, and add just over $1 million to the state’s coffers via taxes.

More information on the IBMA and its World of Bluegrass may be found online at ibma.org and worldofbluegrass.org.

Bluegrass Sings Paxton is a multi-artist collection of a dozen select songs penned by Paxton and performed by a wide array of bluegrass singers and pickers assembled by producers Cathy Fink and Jon Weisberger. “I Can’t Help But Wonder (Where I’m Bound)” is the album’s lead-off track. Other Paxton songs on the Mountain Home Music recording – seven of which were among September’s most-played songs on folk radio — include current IBMA Male Vocalist of the Year Greg Blake’s rendition of “Leaving London,” previous three-time IBMA Male Vocalist Award recipient Danny Paisley’s take on the classic “Ramblin’ Boy,“ and past IBMA Female Vocalist of the Year Claire Lynch’s rendition of “I Give You the Morning.” Sister Sadie’s interpretation of “The Last Thing On My Mind” closes out the album, which also features selections, old an new, recorded by Laurie Lewis (Central Square”), Bluegrass Hall of Famer Alice Gerrard (“The Things I Notice Now”), Grammy Award-winner Tim O’Brien (“You Took Me In,” a new gospel-tinged song co-written by Paxton, O’Brien and bandmate Jan Fabricius), Cathy Fink & Marcy Marxer (“All I Want”), Aaron Burdett of The Steep Canyon Rangers (“The Same River Twice”), Chris Jones (“The Last Hobo”), and Sav Sankaran (“Looking for the Moon”).

[Here’s a link to enjoy a five-minute video featuring Tom Paxton discussing Bluegrass Sings Paxton and its songs, along with a few musical excerpts:
https://www.youtube.com/watch?v=EUU8haC-nmU.]

House of Hamill, a self-described upcycled Celtic folk band, was the most played artist on folk radio for a second consecutive month – this time tying with singer-songwriter Kate McDonnell. Featuring Rose Baldino (fiddle and vocals), Brian Buchanan (fiddle, vocals and guitar), and Caroline Browning (bass, mandolin and piano), House of Hamill is a Pennsylvania-based, nationally touring trio that has performed at music festivals and established folk venues. Its fourth full-length release, Wildfire, topped the folk album charts in August, while its rendition of Jimmy Webb’s “The Highwayman” was that month’s top song. House of Hamill’s tight vocal harmonies, sophisticated instrumental arrangements, and acoustic pop sensibilities are evident on Wildfire. Like its live shows and previous releases, the album features a mix of original numbers, modern takes on centuries-old folk ballads, and choice covers. Recorded in a cabin in the Blue Ridge Mountains near Asheville, North Carolina, Wildfire also features House of Hamill’s original song “Banks of the Brandywine.” An ode to folklore that surrounds a notorious location on the Brandywine River in Chester County, PA, the song was recently selected as the grand-prize winner in the folk category of the John Lennon Songwriting Contest – 2024 Session 1.

[Here’s a link to listen to the title track of House of Hamill’s new album, Wildfire:
https://www.youtube.com/watch?v=grwhwUutYiA.]

Kate McDonnell is an award-winning singer-songwriter, as well as a gifted guitarist with a propensity to play the instrument differently than most. According to her official bio, she taught herself how to play the guitar, strung for a right-handed player, left-handed “upside down and backwards,” using her stronger right hand for chording and ignoring the customary positioning of the guitar strings. Part of a musically-inclined family, McDonnell began writing her own songs in 1989 and gained recognition in the early 1990s as both a Kerrville New Folk finalist and a finalist in the Grassy Hill Emerging Artist Showcase at the Falcon Ridge Folk Festival, as well as being voted the #1 singer-songwriter in a New Haven (Connecticut) Advocate readers’ poll following the release of her-self-produced debut album, Broken Bones. Since then, she has earned much critical acclaim and praise from such noted songwriters as Jonathan Edwards and the late Bill Staines, recorded five more albums, and toured internationally. Although she took a hiatus from performing for a decade to focus on working as a child therapist in day treatment programs, residential programs, and inner city schools, McDonnell never gave up songwriting. She returned to the studio in 2020 to record her fifth album, Ballad of a Bad Girl. Her sixth album, Trapeze, was released in September. It features 14 songs that she wrote over the past three years.

[Here’s a link to enjoy a recent video of Kate McDonnell performing her song “Pretty Good Day”: https://www.youtube.com/watch?v=_nUfNS26c6k.]

The September 2024 top albums, songs and artists charts are based on 10,787 airplays reported on 362 playlists submitted by 101 different folk DJs. The number of reported spins is shown below in parentheses.

Folk Alliance International (folk.org) is a nonprofit organization that aims to serve, strengthen, and engage the global folk music community through preservation, presentation and promotion.

Top Albums of September 2024

1.Bluegrass Sings Paxton by Various Artists (124)
2. Labor Day: A Tribute to Hardworking People Everywhere by Si Kahn and
George Mann (103)
3. Trapeze by Kate McDonnell (58)
4. Wildfire by House of Hamill (56)
5. From China to Appalachia by Cathy Fink, Marcy Marxer and Chao Tian (53)
6. The Legend of Sugarbelly by Guy Davis (52)
7. Ten Good Sermons by Eugene Ruffolo (51)
8. Manos Pan Americanos by Larry and Joe (45)
8. Boarding Windows in Paradise by Rebecca Frazier (45)
10. Everything Must Go by Donal Hinely (44)
11. Back to the Light by Heather Pierson (43)
12. Woodland by Gillian Welch and David Rawlings (33)
12. The Set by Jerry Douglas (33)
14. The American Dream by Amy Speace (31)
14. Bloom Where You Fall by Hana Zara (31)
16. Dan Tyminski: Live From the Ryman by Dan Tyminski (30)
17. Carved in the Bark by Nick Carter (29)
17. A Prosperous Gale by Open the Door for Three (29)
19. Blessed by the West by Sarah Pierce (28)
19. Heart on a Wire by Carolyn Shulman (28)
19. Now, O Now by Rakish (28)
22. Terra Madre by Beppe Gambetta (27)
23. Earl Jam by Tony Trischka (26)
24. Willie Watson by Willie Watson (25)
25. Live at Steelstacks by River Drivers (24)
26. City of Glass by Aj Lee and Blue Summit (23)
27. “The Great Northwest by Steve Lundquist (22)
28. The First Day of December by Ivan Strunin (21)
29. Harbortowne by Jim Patton and Sherry Brokus (20)
29. Lessen the Blue by Larry Folk (20)
31. The Light Years by The Magnolia Janes (19)
32. Blame It on Eve by Shemekia Copeland (18)
33. The Unspeakable Milo Binder by Milo Binder (17)
33. The Two of Us by Janie Rothfield and Allan Carr (17)
33. Thus Spoke the Fool by Pony Bradshaw (17)
33. Bluegrass Tracks by Andy Statman (17)
33. Weird Wild Wonderful by Emily Hicks (17)
33. Quiet Town by Mindy Smith (17)
33. Hanging at the Luna Star by Lou Dominguez (17)
40. Wasted Luck by Tiffany Williams and Dalton Mills (16)
40. Goldenrod by Teni Rane (16)
40. One of These Days by Cris Jacobs (16)
40. Trail of Flowers by Sierra Ferrell (16)
44. Soliloquy by Craig Bickhardt (15)
44. Long Way Home by Ray Lamontagne (15)
46. Driven to Drive by Joe Ely (14)
47. Phthalo Blue by Andrew Marlin (13)
47. Polaroid Lovers by Sarah Jarosz (13)
47. More Than a Whisper: Celebrating the Music of Nanci Griffith by
Various Artists (13)
50. Western Chill by Robert Earl Keen (12)
50. Diamond Days by Brooks Williams (12)
50. Daylight Savings Time by Steve Forbert (12)
50. The Price of Happiness by Miranda Hardy (12)
50. “weet Critters by Caleb Caudle (12)
50. Trees by Laurie Lewis (12)
50. Atlantic Sounds by Miscellany of Folk (12)
50. 20 by The Grascals (12)

Top Songs of September 2024

1. “I Can’t Help but Wonder (Where I’m Bound)” by Tom Paxton and Della Mae (27)
2. “I Give You the Morning” by Claire Lynch (17)
3. “Canaan” by Danny Schmidt (16)
4. “The Old Labor Hall” by Joe Jencks (13)
5. “Banks of the Brandywine” by House of Hamill (12)
5. “The Same River Twice” by Aaron Burdett (12)
5. “The American Dream” by Amy Speace (12)
5. “Central Square” by Laurie Lewis (12)
5. “Something You Got” by Jerry Douglas (12)
10. “You Took Me In” by Tim O’Brien (11)
10. “Ramblin’ Boy” by Danny Paisley (11)
10. “It Takes All Kinds” by Mark Stepakoff (11)
10. “Everything Must Go” by Donal Hinely (11)
10. “Up Here in the Mountains” by Heather Pierson (11)
10. “The Last Thing on My Mind” by Sister Sadie (11)
16. “Back to the Light” by Heather Pierson (10)
16. “A World Minus One” by Eugene Ruffolo (10)
16. “Wildfire” by House of Hamill (10)
19. “Long Way to Harlan” by Si Kahn and Laurie Lewis (9)
19. “The Things I Notice Now” by Alice Gerrard (9)
19. “High on a Mountain” by Cathy Fink, Marcy Marxer and Chao Tian (9)
19. “Gone Gonna Rise Again” by Michael Johnathon and Odetta (9)
19. “Late Bloomer” by Eugene Ruffolo (9)
19. “Back When Times Were Hard” by Si Kahn (9)
19. “No Child Should Ever Go Hungry” by Tret Fure (9)
19. “Pretty Good Day” by Kate McDonnell (9)
19. “Beautiful You” by Tom Prasada-Rao (9)
19. “Ain’t That Me and You” by Nick Carter (9)
19. “What’s Gonna Become of Me” by Jerron Paxton (9)
19. “Lawrence Jones” by Kathy Mattea (9)

Top Artists of September 2024

1. Kate McDonnell (60)
1. House of Hamill (60)
3. Highwaymen (55)
4. Guy Davis (54)
5. Cathy Fink, Marcy Marxer and Chao Tian (53)
6. Eugene Ruffolo (51)
7. Heather Pierson (48)
8. Donal Hinely (47)
9. Larry and Joe (45)
9. Rebecca Frazier (45)
11. Bob Dylan (39)
11. Amy Speace (39)
13. Jerry Douglas (38)
14. Gillian Welch and David Rawlings (36)
15. Laurie Lewis (34)
16. Hana Zara (31)
16. Open the Door for Three (31)
16. Rakish (31)
19. Dan Tyminski (30)
19. Tony Trischka (30)
21. John McCutcheon (29)
21. Leonard Cohen (29)
21. Nick Carter (29)
21. Beppe Gambetta (29)
25. Willie Watson (28)
25. Carolyn Shulman (28)
25. Sarah Pierce (28)
28. Tom Paxton and Della Mae (27)
28. Willie Nelson (27)
28. Tim O’Brien (27)
31. River Drivers (26)
31. Si Kahn (26)
31. Danny Schmidt (26)
34. John Gorka (24)
34. Dar Williams (24)
34. Joe Jencks (24)
37. Aj Lee and Blue Summit (23)
37. Nanci Griffith (23)
37. Joni Mitchell (23)
37. Tim Grimm (23)

Laurie Lewis is an acclaimed, California-based singer-songwriter and fiddler who has been making music since the the 1970s. Although steeped in the bluegrass tradition, her roots music extends beyond that genre and appeals to Americana and folk fans as well. A two-time International Bluegrass Music Association(IBMA) Female Vocalist of the Year, she also won its coveted Song of the Year award for her rendition of the now-standard “Who Will Watch the Someplace?” Such artists as Kathy Mattea and Patsy Montana have also recorded her songs, while Lewis has been prominently featured on the recording of other artists. Besides her solo projects, Lewis has also performed with her bluegrass band, The Right Hands, and as a duo with Tom Rozum, as well as Nina Gerber. She has also spent many years as a teacher at music camps across the U.S., has been a mentor to many young female artists, and has produced albums for other musicians as well.

The 12 tracks on her new album, Trees, include original songs, along with cover of songs by Tom T. Hall, John Hartford, Bill Morrissey, Kate MacLeod, and Mark Simos. Here’s a link to a video for the album’s nature-inspired opening track, “Just a Little Ways Down the Road”: https://laurielewis.com/video/just-a-little-ways-down-the-road/.

Beppe Gambetta, whose “Sit and Pick With You” topped the song charts in June,is an Italian acoustic guitarist, composer and singer whose musical stylings blend elements of European tradition with American roots music and contemporary flair. During his 50-year musical career to date, the Genoa, Italy native has performed extensively on both sides of the Atlantic.

On his 2024 release, Terra Madre (Mother Earth), the master guitarist is joined by such other notable acoustic artists as David Grisman, Tim O’Brien and Dan Crary. “Sit and Pick with You” is the album’s first single. Here’s a link to a video for it that features a number of still photos of Gabetta performing in concert and at festivals with other artists of note: https://www.youtube.com/watch?v=BbtIH2NJH2I.

The June 2024 top albums, songs and artists charts are based on 12, 068 airplays reported on 406 playlists submitted by 107 different folk DJs. The number of reported spins is shown below in parentheses.

Folk Alliance International (folk.org) is a nonprofit organization that aims to serve, strengthen, and engage the global folk music community through preservation, presentation and promotion.

Top Albums of June 2024

1 Trees Laurie Lewis (78)
2 Change Is Now: A Tribute to the Byrds Christian Parker (63)
2 Terra Madre Beppe Gambetta (63)
4 The Price of Happiness Miranda Hardy (62)
5 Banjo Jubilations Benny Bleu (58)
6 The Wanderer Ruth Moody (57)
7 Earl Jam Tony Trischka (54)
8 Proxy Music Linda Thompson (48)
9 Trail of Flowers Sierra Ferrell (44)
10 Sharing in the Spirit Ana Egge (41)
11 Positively 4th Street: A Tribute to Bob Dylan Rory Block (40)
12 Every New Beginning Kim Richey (36)
12 Strange Medicine Kaia Kater (36)
14 All About the Bones Chris Smither (34)
14 Ship to Shore Richard Thompson (34)
14 Wild Birds Warble Jubal Lee Young (34)
17 The Ghost of Tucumcari Dana Cooper (33)
18 The Earth Turns and So Do We The Honey Badgers (32)
18 The Border Willie Nelson (32)
20 Look Up Lynn Hollyfield (31)
20 One of These Days Cris Jacobs (31)
22 Signposts and Marks Erin Ash Sullivan (29)
22 The Doman Tracks Heather Anne Lomax and Michael Doman (29)
24 As Above Now So Below Crow and Gazelle (26)
24 Time and Evolution Stephanie Sammons (26)
24 The Beauty of This Now Marc Douglas Berardo (26)
27 Gardens Old, Flowers New Tom Rush (25)
27 Dear Future Me Stella Prince (25)
27 Ordinary Elephant Ordinary Elephant (25)
27 Colors and Covers Brittany Jean (25)
27 The Pie Chart of Love Rubyjoyful (25)
32 Jubilee Becky Buller (24)
33 Let the Light In Two of a Kind (23)
33 Circus for Sale Hungrytown (23)
35 Another Heart Ann Savoy (22)
35 Off and Running Ryan David Green (22)
37 Diamond Days Brooks Williams (21)
37 Listen to the World Spin Paper Wings (21)
37 Plastic Flowers Nichole Wagner (21)
37 The Big Album Alex Lacquement (21)
37 Gravity of Grace Johnsmith (21)
37 There’s Always a Song Kelsey Waldon (21)
43 Visitor John Moreland (19)
43 Holding the Threads Beth Desombre (19)
45 One Deep River Mark Knopfler (18)
45 Heroes and Friends Daniel Grindstaff (18)
47 Anniversary Adeem the Artist (17)
47 By Now Heather Little (17)
47 For the Life of Me Will Kimbrough (17)
50 Restless Soul Syndrome Jon Shain (16)
50 Of Light and Shadow Sarah Cade (16)

Top Songs of June 2024

Top Artists of June 2024

Nurture the Future is this year’s conference theme. “It was something we felt needed to be communicated as our world is changing every second of the day,” says Jill Kettles, SERFA’s board president. “We aim to uphold the past, mold the present, and project it for future generations; this is not just important but vital.”

SERFA is a regional affiliate of Folk Alliance International (folk.org), a nonprofit organization that aims to serve, strengthen and engage the global folk music community through preservation, presentation and promotion. SERFA (serfa.org) exists to promote, develop and celebrate the diverse heritage of roots and indigenous music, dance, storytelling and related arts in the southeastern United States. It has produced an annual conference since 2008. This is SERFA’s third consecutive year at the YMCA Blue Ridge Assembly, nestled in the Blue Ridge Mountains of western North Carolina.

The official showcases take place Friday and Saturday evenings, with each artist/act performing a 15-minute set. Unplugged private showcases follow from 10:40 p.m. to 2 a.m. Also on the agenda are daytime panel discussions and workshops, a Wisdom of the Elders session, a few thematic song circles, open mics, mentoring sessions, an awards presentation, an exhibit hall, communal meals, and plenty of other opportunities to learn, share and network –- including during built-in afternoon breaks in the programming. Informal jams and song circles also are apt to break out in the lobby and outside (weather permitting).

Rachael Sage, Award-Winning, Prolific Singer-Songwriter and Boutique Label Owner to Deliver Keynote Address

Daytime Programming Includes Workshops, Song Circles, Think Tanks, and Mentoring Sessions

Besides the workshops and panel discussions, there will be moderated, interactive “think tanks” on House Concerts and Small Venues and Hey, What’s Your Problem, one-on-one mentoring sessions, several thematic song circles, several thematic song circles, and a Wisdom of the Elders session during the daytime hours.

Wisdom of the Elders and SERFA Awards are Among Conference Highlights

The Wisdom of the Elders conversational panel session provides a structured opportunity for conference attendees to learn from and about veteran leaders in the folk community and for the elders to talk among themselves as well. Participants this year are Scott Berwick, Wayne Erbsen and Taylor Pie.

Berwick has long been active in American Federation of Musicians (AFM) Local 1000 (the traveling musicians union), has been attending SERFA conferences for the past decade, and has also been involved with the Hudson River Sloop Clearwater, the Hudson Valley Folk Guild, and the Ashokan Center, as well as an informal, weekly song circle near his home in upstate New York.

Erbsen has been engaged in traditional American music for more than 50 years as a musician, recording artist (with nearly 20 albums to his credit), professor at Warren Wilson College and the University of North Carolina at Asheville, author and publisher (who has written and published 40 books), and a public radio DJ.

A Tennessee-based traveling folk minstrel and Americana artist, Taylor Pie (Susan Taylor) helped form the Pozo Seco Singers with Don Williams in the early 1960s and has been a solo singer-songwriter and musician since the folk group disbanded. Many notable artists have covered her songs, while Pie was inducted into the Old-Time Country Music Hall of Fame in 2015. Along with her friend Kathryn Harrison, she launched PuffBunny Records in 2007 to share her music and that of other artists she admires. Taylor Pie, who now handles A &R for the label, also stars in Nobody Famous, an award-winning music documentary that was screened during the 2022 SERFA conference.

Menius, who currently hosts “The Revolution Starts Now” on Hillsborough, NC-based WHUP, has hosted radio shows on four stations since 2007. The first executive director of the International Bluegrass Music Association (IBMA), from 1985-1990, Menius also served as Folk Alliance International’s initial board president in 1990 and manager from 1991-1996, prior to serving as associate director of MerleFest for a decade and then as executive director of Appalshop in Whitesburg, Kentucky and The ArtsCenter in Carrboro, NC. He’s also produced concerts, festivals and conferences and worked as a fundraiser, marketing director, emcee, stage manager, and writer.

Dom Flemons, an Arizona native and Chicago area-based musician who has earned the moniker “The American Songster” since his repertoire covers more than 100 years of American roots music, records for Smithsonian Folkways. He is a songwriter, multi-instrumentalist (banjo, guitar, harmonica, jug, percussion, quills, fife, and rhythm bones), music scholar, actor, slam poet, record collector, and the creator, host and producer of American Songster Radio Show on WSM in Nashville, Tennessee. Earlier this year, he was named the grand-prize winner as well as first place honors for Best Folk/Americana Roots Album (for American Wildfire) in the International Acoustic Music Awards. In 2020, he received the prestigious United States Artists Fellowship Award in the Traditional Arts category. Two years later, he received a degree as Doctor of Humane Letters from his alma mater Northern Arizona University and was the commencement speaker at the graduation ceremony or the Class of 2022. Flemons was a founding member of Carolina Chocolate Drops, a Grammy Award-winning African-American old-time string band.

Junior Appalachian Musicians, Inc. (jamkids.org) is the nonprofit parent organization for more than 50 afterschool programs for children ages six and up. JAM provides communities with the requisite tools and support to teach children to play and dance to traditional old time and bluegrass music. Its program model introduces music through small group instruction on instruments common to the Appalachian region and provides youth with opportunities to learn traditional music with their peers from local teaching artists and to perform in their communities and regionally.

Taylor Caffery, the longtime host of “Hootenanny Power” on WRKF in Baton Rouge, Louisiana, is the recipient of this year’s Kari Estrin Founding President’s Award. His weekly radio show incorporates musical styles and cultural influences from Caffery’s five decades on radio that began when he hosted his first show while in the U.S. Navy and continued with his college radio station KCSL. To that musical gumbo, he mixes in new discoveries from Folk Alliance International and SERFA conferences.

Dozens of Artists to be Featured in Official and Guerilla Showcases

Slated to present official showcases on Friday evening, May 10 are (in order of appearance) Sue Horowitz, Chris Haddox, Ron Fetner, A Tale of Two, Dustin Gaspard, Nicholas Edward Williams, Helene Cronin, and Admiral Radio. Saturday’s official showcase lineup features Jess Klein, Wes Collins, Bett Padgett, Cast Iron Bluegrass, Ruth and Max Bloomquist, Stone & Snow, Couldn’t Be Happiers, and Ordinary Elephant.

Here’s a link to a Spotify playlist that features one song from each of the official showcase artists.

Following the official showcases on Friday and Saturday, as well as an open mic on Thursday, late-night guerilla showcases will take place in various meeting rooms for several hours. AcousticMusicScene.com, which has had a presence at SERFA conferences since 2011, will host a couple of late-night song swaps and a midnight hoot (featuring more than two-dozen artists/acts – each performing one song) on Thursday, May 9, overnight. The AcousticMusicScene.com Midnight Hoot is a pre-arranged round-robin song swap that is intended to provide concert and festival presenters, folk DJs and others with an opportunity to get a small sampling of the music of a lot of artists in a short period of time on the conference’s opening night. It also enables artists to enjoy and each other’s company and music before the conference really gets into full swing on Friday.

Here’s the AcousticMusicScene.com Showcase schedule:

10:40 Brooklyn in the House: Carolann Solebello and Pat Wictor

11:00 Long Island Sound: Hank Stone and Jim Whiteman

11:30 Midnight Hoot, Part 1 (one song each):

Antonio Andrade, Max & Ruth Bloomquist, Dan & Faith, Katie Dahl, Annie Stokes

12:00 Midnight Hoot, Part 2 (one song each, not necessarily in this order)

Taylor Pie, The Farmer & The Crow, Amy Speace, Annie & Rod Capps, Marc Douglas Berardo, Karyn Oliver, Lindsay Whiteman, Miles & Mafale, Rachael Sage, Emma Frances, Nicholas Edward Williams, Noah Zacharin

1:00 Midnight Hoot, Part 3 (one song each, not necessarily in this order)

Jon Shain & FJ Ventre, Erin Ash Sullivan, Robert Bidney, Rob Lytle, Jim Patton & Sherry Brokus, Meg Braun, Alice Hasen, Brian Ashley Jones & Melanie Jean, Couldn’t Be Happiers, Reckless Saints, Siena Christie

The awards show – hosted by artists Ronnie Bowman and Dan Tyminki – was a highlight of the IBMA’s week-long World of Bluegrass. The show took place at the Duke Energy Center for the Performing Arts in Raleigh North Carolina and also was broadcast on SiriusXM’s Bluegrass Junction and streamed via Facebook Live (as was the July 26 awards nominees announcement that was previously reported on by AcousticMusicScene.com.).

A Lansing. Michigan-born and Nashville, Tennessee-based genre-bending flatpicker and singer, Billy Strings received the Grammy Award for Best Bluegrass Album (Home) last year and was named Pollstar’s Breakthrough Artist of the Pandemic. He was previously honored as both Guitar Player and New Artist of the Year in the 2019 IBMA Bluegrass Music Awards and was named Guitar Player of the Year again in 2021.

[Here’s a link to view the official video for Billy Strings’ recording of “Red Daisy”:
https://www.youtube.com/watch?v=bmqr0GqnQoE.]

Billy Strings beat out Del McCoury Band, Po’ Ramblin Boys, Sister Sadie, and Molly Tuttle & Golden Highway for the coveted Entertainer of the Year award. Like him, McCoury, a Bluegrass Hall of Fame member, and Sister Sadie are previous recipients of the award. McCoury was named Male Vocalist of the Year, while Tuttle was honored as Female Vocalist of the Year.

The IBMA Bluegrass Music Awards are voted on by the professional membership of the International Bluegrass Music Association (ibma.org), a nonprofit music organization that connects, educates, and empowers bluegrass professionals and enthusiasts, honoring tradition and encouraging innovation in the bluegrass community worldwide.

A complete list of award winners appears below, along with brief information about three Bluegrass Music Hall of Fame inductees.

Entertainer of the Year: Billy Strings
Vocal Group of the Year: Doyle Lawson & Quicksilver
Instrumental Group of the Year: Béla Fleck’s My Bluegrass Heart
New Artist of the Year: Rick Faris
Song of the Year: “Red Daisy”
Artist: Billy Strings, Songwriters: Jarrod Walker/Christian Ward
Label: Rounder Records, Producers: Jonathan Wilson/Billy Strings
Album of the Year: My Bluegrass Heart, Artist: Béla Fleck
Label: Renew Records, Producer: Béla Fleck
Gospel Recording of the Year: “In the Sweet By and By”
Artist: Dolly Parton with Carl Jackson, Larry Cordle, Bradley Walker, and Jerry Salley
Songwriters: S. Fillmore Bennett/Joseph Webster, Label: Billy Blue Records
Producer: Jerry Salley
Instrumental Recording of the Year: “Vertigo”
Artist: Béla Fleck featuring Sam Bush, Stuart Duncan, Edgar Meyer, and Bryan Sutton
Songwriter: Béla Fleck, Label: Renew Records, Producer: Béla Fleck
Collaborative Recording of the Year: “In the Sweet By and By”
Artist: Dolly Parton with Carl Jackson, Larry Cordle, Bradley Walker, and Jerry Salley
Songwriters: S. Fillmore Bennett/Joseph Webster, Label: Billy Blue Records, Producer: Jerry Salley
Male Vocalist of the Year: Del McCoury
Female Vocalist of the Year: Molly Tuttle
Banjo Player of the Year: Béla FleckBass Player of the Year: Jason Moore
Fiddle Player of the Year: Bronwyn Keith-Hynes
Resophonic Guitar Player of the Year: Justin Moses
Guitar Player of the Year: Cody Kilby
Mandolin Player of the Year: Sierra Hull

Norman Blake, the late Paul “Moon” Mullins, and Peter Rowan were inducted into the Bluegrass Music Hall of Fame during the awards show. Blake is a multi-instrumentalist and vocalist and a Grammy and Country Music Association Album of the Year award–winner whose prolific music career spans more than six decades. Paul “Moon” Mullins was a broadcast pioneer and recording artist whose work brought bluegrass music to tens of thousands in Ohio and beyond. Peter Rowan is a Grammy Award-winning singer-songwriter and renaissance musician who has been performing for nearly 60 years.

The IBMA Bluegrass Music Awards Show is the centerpiece of World of Bluegrass Week that extends through October 1 in North Carolina’s capital city. IBMA World of Bluegrass also featured a September 27-29 business conference (replete with a wide array of professional development programming, sponsored artist showcases and late-night hospitality functions, and plenty of networking and relationship-building opportunities), the IBMA Bluegrass Ramble (a series of official showcases in downtown Raleigh and the Raleigh Convention Center), and the two-day IBMA Bluegrass Live! festival, September 30-October 1, that draws throngs of music lovers to downtown Raleigh to enjoy more than 100 acts on different stages set up along Fayetteville Street –- from the state capitol to the Duke Performing Arts Center.

Considered the genre’s annual industry gathering and family reunion. IBMA’s annual World of Bluegrass week has taken place in Raleigh since 2013 – apart from 2020 when the trade and professional association for the global bluegrass community shifted to online presentation of its professional development seminars, artist showcases and awards in light of concerns surrounding the Covid-19 pandemic.

Awards are voted on by the professional membership of the International Bluegrass Music Association (IBMA), a nonprofit professional music organization that connects, educates, and empowers bluegrass professionals and enthusiasts, honoring tradition and encouraging innovation in the bluegrass community worldwide. Award recipients will be named during the IBMA Bluegrass Music Awards Show on Thursday night, September 29, 2022 at the Duke Energy Center for the Performing Arts in Raleigh, North Carolina. The awards show — a highlight of the IBMA’s World of Bluegrass — will also be broadcast on SiriusXM’s Bluegrass Junction and streamed via Facebook Live (as was the July 26 awards nominees announcement).

A complete list of nominees appears below, along with information about three Bluegrass Music Hall of Fame inductees, five Distinguished Achievement Awards recipient, and the first recipient of the IBMA International Band Performance Grant.

Entertainer of the Year: Billy Strings, The Del McCoury Band. Po Ramblin’ Boys, Sister Sadie, Molly Tuttle & Golden Highway

Vocal Group of the Year: Balsam Range, Blue Highway, Doyle Lawson & Quicksilver,
Del McCoury Band, Sister Sadie

Instrumental Group of the Year: Billy Strings, Michael Cleveland & Flamekeeper,
Béla Fleck’s My Bluegrass Heart, The Travelin’ McCourys, Molly Tuttle & Golden Highway

New Artist of the Year: Rick Faris, Fireside Collective, Laura Orshaw, Jaelee Roberts,
Tray Wellington

Song of the Year:

“Blink of an Eye”
Artist: Danny Paisley & The Southern Grass
Songwriter: Robert Amos
Label: Pinecastle Records
Producers: Bobby Lundy/Danny Paisley/Ryan Paisley/Wes Easter

“Deep River”
Artist: Rick Faris
Songwriter: Rick Faris/Brink Brinkman
Label: Dark Shadow Recording
Producer: Stephen Mougin

“I’ll Take the Lonesome Every Time”
Artist: Doyle Lawson & Quicksilver
Songwriters: Glen Duncan/Jerry Salley
Label: Billy Blue Records
Producer: Doyle Lawson

“Red Daisy”
Artist: Billy Strings
Songwriters: Jarrod Walker/Christian Ward
Label: Rounder Records
Producers: Jonathan Wilson/Billy Strings

“Riding the Chief”
Artist: Chris Jones & The Night Drivers
Songwriter: Chris Jones/Thomm Jutz
Label: Mountain Home
Producer: Chris Jones

Album of the Year:

Bluegrass Troubadour
Artist: Danny Paisley & The Southern Grass
Label: Pinecastle Records
Producer: Wes Easter

Crooked Tree
Artist: Molly Tuttle & Golden Highway
Label: Nonesuch Records
Producers: Molly Tuttle/Jerry Douglas

My Bluegrass Heart
Artist: Béla Fleck
Label: Renew Records
Producer: Béla Fleck

Never Slow Down
Artist: Po’ Ramblin’ Boys
Label: Smithsonian Folkways
Producers: Po’ Ramblin’ Boys/Dave Maggard

Renewal
Artist: Billy Strings
Label: Rounder Records
Producers: Jonathan Wilson/Billy Strings

Gospel Recording of the Year:

“A Little More Faith in Jesus”
Artist: Doyle Lawson & Quicksilver
Songwriters: Jerry Cole/Doyle Lawson
Label: Billy Blue Records
Producer: Doyle Lawson

“He’s Gettin’ Me Ready”
Artist: Darin & Brooke Aldridge with The Oak Ridge Boys
Songwriter: Jimmy Fortune
Label: Billy Blue Records
Producers: Darin Aldridge/Mark Fain

“In the End”
Artist: Dale Ann Bradley
Songwriter: Jill Gilliam
Label: Pinecastle Records
Producer: Dale Ann Bradley

“In the Sweet By and By”
Artist: Dolly Parton with Carl Jackson, Larry Cordle, Bradley Walker, and Jerry Salley
Songwriters: S. Fillmore Bennett/Joseph Webster
Label: Billy Blue Records
Producer: Jerry Salley

“See You on the Other Side”
Artist: Rick Faris featuring Sam Bush
Songwriter: Rick Faris/Rick Lang
Label: Dark Shadow Recording
Producer: Stephen Mougin

“Traveling the Highway Home”
Artist: The Grascals
Songwriters: Frankie Bailes/Walter Bailes
Label: Mountain Home
Producer: The Rascals

Instrumental Recording of the Year:

“EMD”
Artist: Scott Vestal – Bluegrass 2022
Songwriter: David Grisman
Label: Pinecastle Records
Producer: Scott Vestal

“Happy Go Lucky”
Artist: Doyle Lawson & Alan Bibey
Songwriter: Doyle Lawson
Label: Billy Blue Records
Producer: Doyle Lawson

“Ice Bridges”
Artist: Billy Strings
Songwriter: William Apostol
Label: Rounder Records
Producer: Jonathan Wilson/Billy Strings

“Orange Blossom Breakdown”
Artist: Mike Compton
Songwriter: Bill Monroe
Label: Taterbug Records
Producer: Mark Howard

“Vertigo”
Artist: Béla Fleck featuring Sam Bush, Stuart Duncan, Edgar Meyer, and Bryan Sutton
Songwriter: Béla Fleck
Label: Renew Records
Producer: Béla Fleck

Collaborative Recording of the Year:

“Blackbird”
Artist: Special Consensus with Amanda Smith, Dale Ann Bradley, Rob Ickes, and Alison Brown
Songwriter: J.P. Cormier
Label: Compass Records
Producer: Alison Brown

“East Bound and Down”
Artist: Po’ Ramblin’ Boys featuring Jason Carter & Bronwyn Keith-Hynes
Songwriters: Jerry Reed/Dick Feller
Label: Sound Biscuit Productions
Producer: The Po’ Rambling’ Boys/Dave Haggard

“Honky Tonk Nights”
Artist: Del McCoury Band featuring Vince Gill
Songwriter: Mike O’Reilly
Label: McCoury Music
Producer: Del McCoury/Ronnie McCoy

“In the Sweet By and By”
Artist: Dolly Parton with Carl Jackson, Larry Cordle, Bradley Walker, and Jerry Salley
Songwriters: S. Fillmore Bennett/Joseph Webster
Label: Billy Blue Records
Producer: Jerry Salley

“One By One”
Artist: Dale Ann Bradley with Danny Paisley
Songwriter: Jim Anglin/Jack Anglin/Johnny Wright
Label: Pinecastle Records
Producer: Dale Ann Bradley

Male Vocalist of the Year: Greg Blake, Rick Faris, Del McCoury, Danny Paisley, Larry Sparks

Female Vocalist of the Year: Brooke Aldridge, Dale Ann Bradley, Sierra Hull, Molly Tuttle, Rhonda Vincent

Banjo Player of the Year: Gena Britt, Bela Fleck, Rob McCoury, Kristin Scott Benson, Scott Vestal

Bass Player of the Year: Mike Bub, Jason Moore, Missy Raines, Mark Schatz, Vickie Vaughn

Fiddle Player of the Year: Jason Carter, Michael Cleveland, Stuart Duncan, Bronwyn Keith-Hynes. Beanie Richardson

Resophonic Guitar Player of the Year: Jerry Douglas, Andy Hall, Rob Ickes, Phil Leadbetter, Justin Moses

Guitar Player of the Year: Billy Strings, Trey Hensley, Cody Kilby, Bryan Sutton, Molly Tuttle

Mandolin Player of the Year: Alan Bibey, Jesse Brock, Sam Bush, Sierra Hull, Ronnie McCoury

Inductions into the Bluegrass Music Hall of Fame are also set to take place during the IBMA Bluegrass Music Awards Show. Slated for induction are multi-instrumentalist and vocalist Norman Blake, a Grammy and Country Music Association Album of the Year award –winner whose prolific music career spans more than six decades; Paul “Moon” Mullins, a broadcast pioneer and recording artist whose work brought bluegrass music to tens of thousands in Ohio and beyond; and Grammy Award-winning singer-songwriter and renaissance musician Peter Rowan who has been performing for nearly 60 years.

Five Distinguished Achievement Awards Will Also Be Presented

2022 marks the 50th anniversary of the release of the seminal album – Will the Circle be Unbroken.[/caption]Five organizations and individuals will receive Distinguished Achievement Awards in recognition of their significant contributions to the genre. The five, who will be recognized and presented with plaques during a luncheon at the IBMA business conference, are flatpicking innovator Dan Crary, cutting-edge roots music organization Freshgrass Foundation, revered banjo creator and musician Steve Huber, the legendary Nitty Gritty Dirt Band (in celebration of the 50th anniversary of the landmark Will the Circle Be Unbroken album, and online education leaders Peghead Nation.

The IBMA Bluegrass Music Awards Show is the centerpiece of World of Bluegrass Week that is slated for September 27-October 1 in North Carolina’s capital city. IBMA World of Bluegrass also features a September 27-29 business conference (replete with a wide array of professional development programming, sponsored artist showcases and late-night hospitality functions, and plenty of networking and relationship-building opportunities), the IBMA Bluegrass Ramble (a series of official showcases in downtown Raleigh and the Raleigh Convention Center), and the two-day IBMA Bluegrass Live! festival, September 30-October 1, that draws throngs of music lovers to downtown Raleigh to enjoy more than 100 acts on different stages set up along Fayetteville Street –- from the state capitol to the Duke Performing Arts Center.
Considered the genre’s annual industry gathering and family reunion. IBMA’s annual World of Bluegrass week has taken place in Raleigh since 2013 – apart from 2020 when the trade and professional association for the global bluegrass community shifted to online presentation of its professional development seminars, artist showcases and awards in light of concerns surrounding the Covid-19 pandemic.

Estonian Group Curly Strings Awarded IBMA’s First International Band Performance Grant

New for 2022, IBMA recently named the first recipient of its International Band Performance Grant. Curly Strings, an Estonia-based four-piece ensemble, was selected via a competitive process and will be featured as a part of this year’s IBMA World of Bluegrass. The band achieved mainstream recognition and success in its home country — winning national music awards and being the top selling artists in music stores for more than a year. Combining the familiar with the unfamiliar, Curly Strings its unique Baltic take to the acoustic music world.

IBMA (ibma.org) seeks to facilitate the growth and development of the bluegrass community – for professionals and enthusiasts who share a passion for the music.

Earlier this month, AcousticMusicScene.com published an article entitled Bluegrass Ramble and Songwriter Showcase Artists Chosen for IBMA World of Bluegrass.

Official Showcases are considered the prime platform for introducing talent and new music to the bluegrass community during the genre’s annual industry gathering and family reunion. Selected for official showcases during the IBMA Bluegrass Ramble at six venues throughout downtown Raleigh are Carley Arrowood, Breakin’ Strings, Cedar Hill, Chicken Wire Empire, Kristy Cox, Crying Uncle Bluegrass Band, Damn Tall Buildings, Echo Valley, Rick Faris, The Foreign Landers, Frog Holler, Full Cord, Hayde Bluegrass Orchestra, Jig Jam, The Kody Norris Show, Jake Leg, Lonesome Ace Stringband, Lover’s Leap, Mile Twelve, Missy Raines & Allegheny, My Brother’s Keeper, Nefesh Mountain, Nick Chandler & Delivered, Nick Dumas & Branchline, Caroline Owens, Clint Roberts, The Slocan Ramblers, Songs From The Road Band, Williamson Branch, and Zoe & Cloyd.

They were chosen through a juried selection process that took into consideration the applicant’s entertainment value, level of professionalism, potential appeal, quality of work, and potential to benefit from the opportunity. Selected Official Showcase acts will have at least two performance opportunities — typically once during the IBMA Business Conference and a longer set at an IBMA Bluegrass Ramble venue. They also will receive full conference registration, complimentary exhibit hall booth space during the business conference, up to three individual IBMA memberships, and various pre-event promotional opportunities.

Ten talented songwriters/songwriting teams will perform their songs during the IBMA Songwriter Showcase at the Raleigh Convention Center on Thursday afternoon, September 29. This showcase is part of the songwriter track during the annual IBMA Business Conference, September 27-29. Songwriters selected for this coveted opportunity include Aaron Bibelhause (“Long Hill to Climb”], Valerie Smith & Ashley Lewis (“A Dollar Looked Mighty Good”), Ashlee Watkins & Andrew Small (“Finish What You Started”), Carley Arrowood (“Moondancer”), Timothy Scott Williams & Sarah Williams (“Big Table”), Michelle Rivers (“Gone”), Theo MacMillan (“Getting Over”), Lizzy Ross of Violet Bell (I Can’t Say Nothing”), J.M. Clifford (“Slow Rolling Train”), and Buddy Guido & Paul Kelly (“John Dear”).

These songwriters were chosen through a juried selection process based on the applicants’ quality of work and appeal to bluegrass audiences. Songwriters could submit one song per entry and were limited to two entries. Besides showcasing, these songwriters and others participating in the conference’s songwriter track will be provided with resources to help cultivate their craft, develop solid business practices, network, engage in one-on-one mentoring sessions, and pitch material to bluegrass artists and producers.

A Bit About IBMA Word of Bluegrass and the Organization Behind It

The IBMA’s annual World of Bluegrass week has taken place in Raleigh since 2013 – apart from 2020 when the trade and professional association for the global bluegrass community shifted to online presentation of its professional development seminars, artist showcases and awards. In addition to Bluegrass Ramble official showcases and the IBMA Songwriter Showcase, IBMA’s World of Bluegrass generally features a wide array of professional development seminars, meetings and forums; sponsored artist showcases and late-night hospitality functions, plenty of networking and relationship-building opportunities; the International Bluegrass Music Awards Show; and the IBMA Bluegrass Live! festival.

Registration is now open to attend the 2022 World of Bluegrass conference, while tickets are available for the IBMA Awards Show on September 29 and ticketed Bluegrass Live! festival performances over the weekend at the Red Hat Ampitheater. A two-day free street festival, September 30-October 1, marks the culmination of IBMA World of Bluegrass and draws throngs of music lovers to downtown Raleigh to enjoy more than 100 acts on different stages set up along Fayetteville Street — from the state capitol to the Duke Performing Arts Center. The StreetFest also includes an arts market, exhibit hall, master workshops, youth performances, food and beverage vendors, and more. The NC Whole Hog Barbecue Championship also takes place downtown that weekend.

IBMA (ibma.org) seeks to facilitate the growth and development of the bluegrass community – for professionals and enthusiasts who share a passion for the music. More information about IBMA’s World of Bluegrass will be posted on AcousticMusicScene.com in coming months and may also be found on WorldofBluegrass.org.

“In their artistic practices, the NEA National Heritage Fellows tell their own stories on their own terms. They pass their skills and knowledge to others through mentorship and teaching,” said NEA Chair Maria Rosario Jackson, PhD. “These honorees are not only sustaining the cultural history of their art form and of their community, they are also enriching our nation as a whole.”

A sought-after musician, Cleveland, 41, has also performed with such noted artists as Vince Gill, J.D. Crowe and the New South, The Kruger Brothers, Tim O’Brien, Andy Statman, and Marty Stuart, among others. “He plays fearless and it’s intoxicating to play with him because he makes you play fearless,” says Gill. “He takes no prisoners but he plays with a restraint and a soul. He plays without abandon. It’s wicked to see how much he pulls out of a bow. He’s untouchable.”

Here’s a link to a recording of Michael Cleveland performing “Tall Fiddler”: https://www.youtube.com/watch?v=Zcwx6AifG7Q.

A film celebrating the National Endowment for the Arts 2022 class of artists and tradition bearers premieres this fall on arts.gov, where more information on the NEA National Heritage Fellowship and a complete list of recipients can also be found.