Here’s a complete listing of the nominees in the American Roots Music Field, while select nominees in other categories of particular interest to readers of AcousticMusicScene.com are mentioned in a paragraph following that:

Best Americana Album:

Big Money – Jon Baptiste
Bloom – Larkin Poe
Last Leaf On The Tree – Willie Nelson
So Long Little Miss Sunshine – Molly Tuttle
Middle – Jesse Welles

Best Americana Performance:

“Boom” – Sierra Hull
“Poison In My Well” – Maggie Rose & Grace Potter
“Godspeed” – Mavis Staples
“That’s Gonna Leave A Mark” – Molly Tuttle
“Horses” – Jesse Welles

Best American Roots Performance:

“Lonely Avenue” — Jon Batiste (featuring Randy Newman)
“Ancient Light” – I’m With Her
“Crimson And Clay” – Jason isbell
“Richmond On The James” – Alison Krauss & Union Station
“Beautiful Strangers” – Mavis Staples

Best American Roots Song:

“Ancient Light” – Sarah Jarosz, Aoife O’Donovan & Sara Watkins, songwriters (I’m With Her)

“Big Money” – Jon Baptiste, Mike Elizondo & Steve McEwan, songwriters (Jon Baptiste)                                                              “Foxes In The Snow” – Jason Isbell, songwriter (Jason Isbell)                                                                                                              “Middle” – Jesse Welles, songwriter (Jesse Welles)                                                                                                                                  “Spitfire” – Sierra Hull, songwriter (Sierra Hull)

Best Bluegrass Album:

Carter & Cleveland – Michael Cleveland & Jason Carter Carter                                                                                                           A Tip Toe High Wire – Sierra Hull                                                                                                                                                  Arcadia – Alison Krauss & Union Station
Outrun – The Steeldrivers                                                                                                                                                                Highway Prayers –- Billy Strings

Best Folk Album:

What Did The Blackbird Say To The Crow – Rhiannon Giddens & Justin Robinson
Crown of Roses – Patty Griffin                                                                                                                                                              Wild And Clear And Blue – I’m With Her
Foxes In The Snow – Jason Isbell                                                                                                                                                      Under The Powerlines April 24-September 24 – Jesse Welles

Best Contemporary Blues Album:

Breakthrough – Joe Bonamassa                                                                                                                                                          Paper Doll – Samantha Fish
A Tribute To LJK – Eric Gales                                                                                                                                                        Preacher Kids – Robert Randolph                                                                                                                                                      Family – Southern Avenue

Best Traditional Blues Album:

Ain’t Done With The Blues – Buddy Guy
Room On The Porch – Taj Mahal & Keb’ Mo’                                                                                                                                      One Hour Mama: The Blues of Victoria Stivey – Maria Muldaur                                                                                                Look Out Highway – Charlie Musselwhite                                                                                                                                      Young Fashioned Ways – Kenny White Shepherd & Bobby Rush

Best Regional Roots Music Album:

Live At Vaughan’s – Corey Henry & The Treme Funktet
For Fat Man – Preservation Brass & Preservation Hall Jazz Band                                                                                            Church Of New Orleans  – Kyle Roussel                                                                                                                                            Second Line Sunday – Trombone Shorty And New Breed Brass Band                                                                                               A Tribute To The King Of Zydeco – Various Artists

Also of note: Nominees for Best Contemporary Instrumental Album include Bella Fleck, Edgar Castaneda & Antonio Sanchez for BEATrio, while Sierra Hull’s “Lord, That’s A Long Way” is in the running for Best Instrumental Composition. Angelique Kidjo’s “Jerusalema” is among the nominees for Best Global Music Performance. The soundtrack for A Complete Unknown, the Bob Dylan biopic, is nominated for Best Compilation Soundtrack for Visual Media, while Joni Mitchell Archives – Volume 4: The Asylum Years – 1976-1980 is among the nominees for Best Historical album. Alison Krauss & Union Station’s Arcadia is up for Best Engineered Album, Non-Classical. Nominees for Best Country Solo Album include Chris Stapleton’s Bad As I Used To Be and Tyler Childers’ Nose On The Grindstone. Stapleton also snagged a nominations for Best Country Song for both “A Song To Sing” (with Miranda lambert) and “Honky Tonk Hall of Fame” (with George Strait), while Childers is also nominated for Best Country Song for “Bitin’ List” and with Margo Price for Best Country Duo/Group Performance for “Love Me Like You Used To Do.” In total, nominees were named in 95 categories on November 7 from among recordings released between August 31, 2024 – August 30, 2025.

Voting members of the Recording Academy (grammy.com), who represent all genres and creative disciplines, select the GRAMMY Award winners. These members include recording artists, songwriters, composers, producers, mixers, and engineers. Dedicated to ensuring the recording arts remain a thriving part of our shared cultural heritage, the Academy honors music’s history while investing in its future through the GRAMMY Museum, advocates on behalf of music creators, supports music people in times of need through MusiCares, and celebrates artistic excellence through the GRAMMY Awards.

The GRAMMY Awards show will be broadcast live from Los Angeles’ Crypto.com Arena on Sunday, February 1, 2026 on the CBS Television Network and streaming on Paramount+ from 8-11:30 p.m. ET/5-8:30 p.m. PT. However, the winners in the American Roots Music Field and select others will be recognized prior to the telecast during the GRAMMY Awards Premiere Ceremony at the Peacock Theater that will be streamed live on live.GRAMMY.com and the Recording Academy’s YouTube channel at 3:30 p.m. ET/12:30 p.m. ET.

Editor’s Note: Please excuse the formatting issues with the listing of nominees in some categories.

A 17-song tribute compilation, Long Journey Home: A Century After the 1925 Mountain City Fiddlers Convention celebrates the centenary of the iconic gathering of nearly 100 musicians in rural Mountain City, Tennessee. Produced by John McCutcheon (who also sings and plays banjo and fretless banjo on it), the album on Appalsongs showcases old-time fiddling and old time music with a number of today’s most celebrated old-time and bluegrass artists performing their own renditions of ballads, reels and tunes that have stood the test of time. Featured artists, in addition to McCutcheon and Tuttle, include Jake Blount, Old Crow Medicine Show, Tim O’Brien, Sparky & Rhonda Rucker, Becky Buller, Trey Wellington & Victor Furtado, Stuart Duncan, Cathy & Marcy’s Old Time Coalition, Kody Norris Show, Earl White Stringband, and Bruce Molsky.

Molly Tuttle, who is joined by Ketch Secor (who fronts and co-founded Old Crow Medicine Show) on “I’ve Always Been a Rambler,” is an acclaimed guitarist known for her prowess at flatpicking and cross-picking, as well as a singer- songwriter and banjo player. At age 24, she became the first woman to win the International Bluegrass Music Association’s Guitar Player of the Year Award in 2017 and did so again the following year when the Americana Music Association also named her Instrumentalist of the Year. Tuttle has been the recipient of two Grammy Awards for Best Bluegrass Album for Crooked Tree and City of Gold in 2023 and 2024, respectively. Crooked Tree also was named Album of the Year in the International Bluegrass Music Awards, while its title track was feted as Song of the Year and she was named Female Vocalist of the Year. City of Gold, also recorded with her band Golden Highway, also was named Album of the Year during the 2023 International Folk Music Awards presented by Folk Alliance International.

Connie Kaldor is a three-time Juno Award-winning singer songwriter who has been writing and performing her songs for more than 45 years and has recorded 19 albums. Her new release, Wide Open Space, was the #2 album on the FAI Folk Chart in September. A member of the Order of Canada and a Queen’s Golden Jubilee Award recipient, she also received a Lifetime Achievement Award from the Woodstock Folk Festival in Woodstock, Illinois earlier this year. Kaldor is based in Montreal and tours extensively. She is frequently joined in concert by her husband Paul Campagne and sons Aleksi and Gabriel Campagne. She will be among the official showcase artists during the Northeast Regional folk Alliance (NERFA) Conference in Albany, NY in November.

The September 2025 top albums, songs and artists charts are based on 10, 565 airplays reported on 347 playlists submitted by 93 different folk DJs. The number of reported spins is shown below in parentheses.

Folk Alliance International (folk.org) is a nonprofit organization that aims to serve, strengthen, and engage the global folk music community through preservation, presentation and promotion.

Top Albums of September 2025 

1.Long Journey Home: A Century After the 1925 Mountain City Fiddlers
Convention by Various Artists (131)

2. Wide Open Spaces by Connie Kaldor (71)

3. Look to the Moon by Patty and Craig (51)
3. Stone by Stone by Friction Farm (51)
5. Connected by Darryl Purpose (48)
6. Song of the Bricoleur by Rags Rosenberg (42)
7. Lost & Found by Becki Davis (40)
8. Mother Mind by Tekla Waterfield & Jeff Fiedler (39)
9. Hummingbird Highway by Dar Williams (38)
9. Stay Put by Elexa Dawson (38)
9. The Last Bough by Kyle Carey (38)
12. Kentucky Queen by Carla Gover (34)
12. Songs That Sing Me by Becky Buller (34)
12. Now Then by Robbie Fulks (34)
15. Sweet Resilence by Jane Fallon (32)
16. So Long Little Miss Sunshine by Molly Tuttle (30)
17. Heavy on the Blues by Rory Block (29)
18. The Light Still Shines on the Main by Jory Nash (28)
19. The Ghost of Sis Draper by Shawn Camp (27)
20. The America Chronicles by Kemp Harris (25)
21. Drum School Dropout by Christine Lavin (24)
22. Time Out #3 by The Accidentals (23)
23. New Skin by Judy Kass (22)
23. NERFA Songwriters, Vol. 1 by Various Artists (22)
25. Perennial by Kate MacLeod (21)
25. You Climb the Mountain by The Onlies (21)
27. Bridging Divides by Billy Jonas (20)
28. Wild and Clear and Blue by I’m With Her (19)
28. Squirrels by Jubal Lee Young (19)
30. One Hour Mama: The Blues of Victoria Spivey by Maria Muldaur (18)
30. Crown of Rose by Patty Griffin (18)
30. Callin’ Me Back by Petunia & the Vipers (18)
30. The Woods Have Shown Us by Ponyfolk (18)
30. Seeds of Dreaming by Diyet and the Love Soldiers (18)
35. Bones of Trees by Tim Grimm (17)
35. Personal History by Mary Chapin Carpenter (17)
35. Hard Headed Woman by Margo Price (17)
38. Ghost of the Old West by George Mann and Mick Coates (16)

38. Lost & Found Highway by Joselyn & Don (16)
38. Lift Up the Old World by Hilary Hawke (16)
38. Dark Ages by Eliza Gilkyson (16)
42. Riding High in Texas by Asleep at the Wheel (15)
42. The Way I Tell the Story by David Wilcox (15)
42. American Romance by Lukas Nelson (15)
42. Kerrville Covers by Janet Feld (15)
42. Shadows of a Ghost Town by Meghan Clarisse (15)
47. American Portraits by Marty Cooper (14)
47. Airline Highway by Rodney Crowell (14)
47. Arcadia by Alison Krauss and Union Station (14)
47. The Way the West Was Won by Dallas Burrow (14)
47. We’re Only Human by Hayes Carll (14)

Top Songs of September 2025

1. “I’ve Always Been a Rambler” by Molly Tuttle (23)
2. “No Kings Here” by Tom Paxton (18)
3. “Love, Surround Me” by Patty and Craig (15)
4. “Cuckoo” by John McCutcheon (14)
4. “Me & Robbie Erenberg” by Darryl Purpose (14)
6. “Louder Than Guns” by Friction Farm (13)
7. “Hummingbird Highway” by Dar Williams (12)
7. “900 Miles” by Tim O’Brien (12)
9. “Goodnight America” by Kemp Harris (11)
9. “Bullfrogs” by Rags Rosenberg (11)
11. “It Ain’t Gonna Go Away (Ode to the Epstein Files)” by Cathy Fink
& Marcy Marxer (10)
11. “Memory of August” by Anne Hills (10)
11. “What You Gonna Do With the Baby” by Old Crow Medicine Show (10)
11. “Returning to Myself” by Brandi Carlile (10)
11. “The Last Bough” by Kyle Carey (10)
11. “Tennessee Mountain Fox Chase” by Cathy and Marcy’s Old Time Coaltion (10)
17. “Open All the Doors and Windows” by Billy Jonas (9)
17. “Don’t Let Your Deal Go Down” by Sparky and Rhonda Rucker (9)
17. “Oh, Little One” by Jory Nash (9)
17. “House Carpenter” by Jake Blount (9)
17. “At Our Best” by Judy Kass (9)
17. “Dear Time” by Alison Brown and Steve Martin (9)
17. “Wide Open Spaces” by Connie Kaldor (9)
24. “Baling Hay” by Elexa Dawson (8)
24. “Early Fields” by Kate MacLeod (8)
24. “Millworker” by Becky Buller (8)
24. “The Edge” by Becki Davis (8)
24. “Something My Own” by Tekla Waterfield & Jeff Fiedler (8)
24. “Rocky Road to Dinah’s House” by Becky Buller (8)
24. “Bridget O’Brien” by Maggie’s Wake (8)
24. “Feel What Our Hearts Feel” by Darryl Purpose (8)
24. “Savannah Is a Devilish Girl” by Robbie Fulks (8)
24. “American Dream” by Friction Farm (8)
24. “This Car” by Connie Kaldor (8)
24. “Bright Side of the Blues” by Bryan Titus (8)

Top Artists of September 2025

1. Connie Kaldor (71)
2. Molly Tuttle (57)
3. Friction Farm (53)
4. Patty and Craig (51)
4. Darryl Purpose (51)
6. Becky Buller (50)
7. Dar Williams (49)
8. Tom Paxton (48)
9. John McCutcheon (44)
10. Rags Rosenberg (43)
11. Becki Davis (41)
12. Tekla Waterfield & Jeff Fiedler (39)
12. Elexa Dawson (39)
14. Kyle Carey (38)
15. Woody Guthrie (36)
16. Bruce Springsteen (35)
16. Robbie Fulks (35)
18. Carla Gover (34)
19. Jane Fallon (33)
19. John Prine (33)
21. Christine Lavin (31)
22. Jory Nash (30)
22. Cheryl Wheeler (30)
24. Rory Block (29)
25. Eliza Gilkyson (28)
26. Joni Mitchell (27)
26. Shawn Camp (27)
28. Tim O’Brien (26)
29. Kemp Harris (25)
29. Tim Grimm (25)
31. Kate MacLeod (24)
31. Mary Chapin Carpenter (24)
33. Guy Clark (23)
33. Pete Seeger (23)
33. The Accidentals (23)
36. Willie Nelson (22)
36. Judy Kass (22)
36. The Onlies (22)
39. The Kennedys (21)
39. Bill Monroe (21)

Billy Strings, a Michigan-born and Nashville, Tennessee-based genre-bending flatpicking guitarist and singer-songwriter, was previously named Entertainer of the Year in 2021, 2022 and 2023. A two-time Grammy Award winner for Best Bluegrass Album — Live Vol. 1 (2025) and Home (2021) — he also was named Artist of the Year (2022 and 2023) in the Americana Music Honors & Awards presented by the Americana Music Association, as well as Pollstar’s Breakthrough Artist of the Pandemic. He was previously honored as both Guitar Player and New Artist of the Year in the 2019 IBMA Bluegrass Music Awards and was named Guitar Player of the Year again in 2021, while his song “Red Daisy” was 2022’s Song of the Year. Billy Strings, who turns 33 on Oct. 3, grew up playing traditional bluegrass with his dad. In the years since, he has been among the artists who have helped to expand the boundaries of the genre, widening its appeal.

Jason Carter and Michael Cleveland’s “Outrun the Rain” won the coveted Song of the Year award and was also named Collaborative Recording of the Year, while the 2025 release on which it appears, Carter & Cleveland, was named Album of the Year. Carter, a five-time IBMA Fiddle Player of the Year, has played with the Del McCoury Band for 30 years and is a founding member of the Travelin’ McCourys, winners of the 2018 Grammy Award for Best Bluegrass Album. The Kentucky native’s fiddling prowess can also be heard on albums by such notable artists as Asleep at the Wheel, Diercks Bentley, Charlie Daniels, Steve Earle, Vince Gill, and Ricky Skaggs. Southern Indiana-based Michael Cleveland, whose 2024 release, Tall Fiddler, won a Grammy Award for Best Bluegrass Album, was inducted into the National Fiddler Hall of Fame (2018) and was a recipient of a prestigious 2022 NEA National Heritage Fellowship, the nation’s highest honor in the folk and traditional arts, from the National Endowment for the Arts. He has been recognized 13 times as the IBMA’s Fiddle Player of the Year and six times for Instrumental Recorded Performance of the Year, while Michael Cleveland & Flamekeeper has been hailed as its Instrumental Group of the Year multiple times. And has also received awards from the society for the Preservation of Bluegrass Music in America (SPGMA). The subject of a 2019 biographical documentary film, Flamekeeper: The Michael Cleveland Story, the much sought-after musician has also performed with such noted artists as J.D. Crowe and the New South, Vice Gill, The Kruger Brother, Tim O’Brien, Andy Statman, and Mary Stuart, among others.

The IBMA Bluegrass Music Awards are voted on by the professional membership of the International Bluegrass Music Association, a nonprofit trade organization that connects, educates, and empowers bluegrass professionals and enthusiasts, honoring tradition and encouraging innovation in the bluegrass community worldwide (ibma.org).

A complete list of 2025 IBMA Bluegrass Music Awards recipients appears below, along with brief information about three Bluegrass Music Hall of Fame inductees.

Entertainer of the Year: Billy Strings

Song of the Year: “Outrun the Rain” – Jason Carter & Michael Cleveland

Songwriters: Terry Herd & Jimmy Yeary

Producers: Jason Carter & Michael Cleveland

Label: Fiddle Man Records

Album of the Year: Carter & Cleveland – Jason Carter & Michael Cleveland

Producers: Jason Carter & Michael Cleveland

Label: Fiddle Man Records

Vocal Group of the Year: Authentic Unlimited

Instrumental Group of the Year: The Travelin’ McCourys

Gospel Recording of the Year:

“He’s Gone” – Jaelee Roberts

Songwriter: Kelsi Harrigil
Producer: Byron House
Label: Mountain Home Music Company

Instrumental Recording of the Year:

“Ralph’s Banjo Special” – Kristin Scott Benson
Songwriter: Ralph Stanley
Producer: Allison Brown
Label: Compass Records

Collaborative Recording of the Year:

“Outrun the Rain” – Jason Carter, Michael Cleveland, Jaelee Roberts & Vince Gill
Songwriters: Terry Herd & Jimmy Yeary
Producers: Jason Carter & Michael Cleveland
Label: Fiddle Man Records

New Artist of the Year: Red Camel Collective

Male Vocalist of the Year: Greg Blake

Female Vocalist of the Year: Alison Krauss

Banjo Player of the Year: Kristin Scott Benson

Bass Player of the Year: Vickie Vaughn

Fiddle Player of the Year: Maddie Denton

Resophonic Guitar Player of the Year: Justin Moses

Guitar Player of the Year: Trey Hensley

Mandolin Player of the Year: Sierra Hull

Music Video of the Year: “The Auctioneer” – The Kody Norris Show

Songwriters: Leroy Van dyke & Buddy Black
Producer: James Gilley
Videographer: Nate Wiles

Label: Rebel Records

Hot Rize (a pioneering bluegrass band), The Bluegrass Cardinals (known for its flawless harmonies, virtuoso playing, and original music), and Arnold Shultz (an influential African American musician) were inducted into Bluegrass Music Hall of Fame during the awards show.

The IBMA Bluegrass Music Awards Show is the centerpiece of World of Bluegrass that extended from September 16-20. Considered the genre’s annual industry gathering and family reunion, IBMA’s World of Bluegrass also featured a three-day business conference (replete with a wide array of professional development programming, sponsored artist showcases and late-night hospitality functions, and plenty of networking and relationship-building opportunities), the IBMA Bluegrass Ramble (a series of showcases at various Chattanooga venues), and the two-day IBMA Bluegrass Live! – a festival of live performances and fan experiences.

[Here’s a link to enjoy the official video for “American Dreaming” by Sierra Ferrell: https://m.youtube.com/watch?v=V8e9nbsq-18.]

“It’s so unusual for anyone to win four Grammys in any category,” Larry Groce, producer of the nationally syndicated radio show Mountain Stage on which Ferrell appeared in 2020, told Charleston, WV television station WSAZ3. “We watched her grow up and watched her perform when she was a teenager and watched her grow into what she is now.”

For a profile in Rolling Stone magazine last year, Ferrell –- whose music is an eclectic mix of bluegrass, folk, gypsy jazz, honky-tonk country, and old-time — said: “I want to let other people know, younger generations coming up, that you can do whatever you want… Don’t think you only have to be one way. You can be it all.”

Ferrell’s interest in music was stirred at an early age. Raised by a single mom, she played clarinet and sang in her school choir as a child and was a vocalist with a Grateful Dead cover band during her teens. However, she particularly enjoyed 90s folk-rock while growing up and also picked up the guitar and fiddle. While in her 20s, Ferrell, now 36, traveled cross-country by train — playing freight-train boxcars, truck stops and alleyways, and busking on the streets of New Orleans, Louisiana and Seattle, Washington.

After self-releasing two albums – Pretty Magic Spell (2018) and Washington by the Sea (2019), which she sold while busking and via Bandcamp, she drew the attention of producer Gary Paczosa during one of her frequent live performances during Honky Tonk Tuesdays at Nashville’s American Legion Post 82. With his assistance, she signed to Rounder Records in 2019. Trail of Flowers, released last March, is her second full-length recording for the label following 2021’s critically acclaimed Long Time Coming, an album that also featured Billy Strings and Sarah Jarosz. In addition to those two notable artists, Ferrell has collaborated with The Black Keys, Zach Bryan, Lukas Nelson (Willie’s son), Old Crow Medicine Show, Margo Price, and Post Malone (with whom she is slated to open some shows later this year).

Gillian Welch & David Rawlings, Billy Strings, Kacey Musgraves, and Chris Stapleton Also Win Grammys.

Besides Ferrell, winners in the Grammy Awards’ American Roots Music Field included Gillian Welch & David Rawlings for Best Folk album (Woodland), Billy Strings for Best Bluegrass Album (Live Vol. 1, and Kalani Pe’a for Best Regional Roots Music Album (Kuini). Other roots artists awarded Grammys included Kacey Musgraves for Best Country Song (“The Architect”), Chris Stapleton for Best Country Solo Performance (“It Takes a Woman”), and Ruthie Foster for Best Contemporary Blues Album (Mileage). Musgraves and Stapleton also were among the nominees for Best Country Album, an award that went to Beyonce for Cowboy Carter, while Musgraves also was in the running for Country Solo Performance and with Madi Diaz for Best Americana Performance.

Peter, Paul and Mary’s music and social activism helped to shape a generation. Through the years, the popular and inspirational folk trio who frequently sang out against war and injustice touched the hearts and consciences of millions of people worldwide, won five Grammy Awards, received eight gold and five platinum records, released six Billboard top 10 singles, had two #1 Billboard chart-topping albums and a dozen top 40 hits, and have been the subject of five PBS documentaries.

Peter Yarrow was born on May 31, 1938 in New York City. Although he took violin lessons as a child, inspired by folks like Woody Guthrie and Pete Seeger, he later switched to guitar. After graduating from Cornell University in 1959 with a degree in Psychology (although he also was a teaching assistant in an American folklore class), Yarrow returned to NYC and began playing the folk clubs and basket houses of Greenwich Village. After meeting music impresario Albert Grossman (who managed Dylan, Janis Joplin, Odetta, and others) who was eager to work with a folk harmony group, Yarrow set about with Grossman to launch one.

Peter, Paul and Mary – featuring Yarrow (guitar and tenor vocals), Noel Paul Stookey’s (guitar and gentle baritone vocals) and Mary Travers’ (contralto vocals) — formed in 1961, having made its first public appearance that fall at the Bitter End on Bleecker Street in New York City’s Greenwich Village. The trio’s eponymous debut album, released on Warner Brothers Records in May 1962, topped the charts that summer, remained in the Billboard magazine top 10 for ten months and the top 20 for two years, sold more than two-million copies, and featured the Grammy Award-winning hit single, “If I Had a Hammer.” That song, penned by Pete Seeger and Lee Hays of The Weavers (whom Yarrow viewed as early mentors), became an anthem of the civil rights movement and was performed by the trio on the steps of the Lincoln Memorial, along with its rendition of Bob Dylan’s “Blowin’ in the Wind,” during the historic 1963 March on Washington at which the late Rev. Martin Luther King, Jr. delivered his “I Have a Dream” speech.

Peter, Paul and Mary’s rendition of “ Bob Dylan’s “Blowin’ in the Wind” was released in the summer of 1963 and also became a big hit for the trio. Archival footage of the trio performing the song during the march appears in the 2014 PBS documentary 50 Years with Peter, Paul and Mary, produced and directed by Emmy Award-winner Jim Brown. As Yarrow observes in the documentary, it was time when “music began to inspire America, tweak its conscience, and articulate its dreams.”

Besides “Blowin’ in the Wind,” the trio also recorded Dylan’s “When the Ship Comes In” and Don’t Think Twice, It’s All Right,” with its rendition of the latter song also landing in Billboard’s top 10. Yarrow served on the board of the Newport Folk Festival and helped to emcee the event in 1965 when Dylan went electric. Famously, as recreated in the widely acclaimed Dylan biopic A Complete Unknown that is currently screening at movie theaters, Dylan borrowed Yarrow’s guitar to play “It’s All Over Now, Baby Blue.”

Although Peter, Paul and Mary performed together over the span of 50 years, there were times when the trio was on hiatus with each of its members pursuing solo careers and projects. The first such break came in 1970, shortly after the release of the trio’s cover of John Denver’s “Leavin’ on a Jet Plane” and Yarrow’s conviction after pleading guilty to taking “indecent liberties” with an under-age girl who had come to his dressing room seeking an autograph in 1969, for which he served three months in prison.

While “Leavin’ on a Jet Plane” was its last number one hit, Yarrow penned “Light One Candle” for the trio in 1982 – while war was raging in Lebanon – that has since become a popular Chanukah song. Peter, Paul and Mary performed “Light One Candle” — whose lyrics commemorate a war of national liberation fought by the Maccabees, while also calling for peace in the Middle East – for several years before recording it on its 1986 studio album No Easy Walk to Freedom. Its moving lyrics include: “Light one candle for the terrible sacrifice justice and freedom demand. Light one candle for the wisdom to know when the peacemaker’s time is at hand.” The 1986 album’s title track is a civil rights anthem that Yarrow co-wrote with Margery Tabankin.

An anti-war activist, Yarrow helped to organize and produce a number of large events including peace concerts at NYC’s Madison Square Garden and Shea Stadium, as well as the 1969 “Celebration of Life” march and demonstration in Washington, DC during which some 500,000 people demanded an end to America’s involvement in Vietnam.

Yarrow was a major champion of other songwriters who particularly sought to nurture the talents of new and emerging ones who, as he put it, “write from the heart.” A founding board member of the Newport Folk Festival, he also developed and hosted a Sunday afternoon concert focused on emerging folk artists and songwriters – providing earl opportunities to such artists as Eric Anderson, Tim Hardin and Buffy St. Marie. Ten years later, in 1972, he partnered with Rod Kennedy, the late founder-producer of the Kerrville Folk Festival to establish what’s now the Grassy Hill Kerrville New Folk Competition for Emerging Songwriters. The Kerrville New Folk Concerts have become a highlight of the annual festival that is geared towards singer-songwriters of various musical styles and is the longest continuously running festival of its kind in North America.

Yarrow believed that music could be a transformative tool for informing the ethical sensibilities of children. In 1999, he established Operation Respect — an educational nonprofit organization and program that seeks to teach children about tolerance and respect for each other’s differences – using music, video, and conflict resolution curricula developed by Educators for Social Responsibility. In an interview with AcousticMusicScene.com in 2010, Yarrow maintained that “all kids deserve to grow up accepting each other,” expressing concern that 160,000 American children refuse to go to school because of cruelty, according to the American Association of School psychologists. Citing “our need to inherit a peaceful world,” he noted that peace education was regarded as “seditious” when the Operation Respect program was launched. It has since been incorporated into the curriculum of some 22,000 U.S. elementary and middle schools.

A former board member of the Connecticut Hospice, where he also periodically sang for patients and staff, he was long active on behalf of the hospice movement.

Last April, Yarrow joined Stookey in in performing in Boston during a Folk Americana Roots Hall of Fame induction ceremony. Peter, Paul and Mary were among the inaugural class of inductees.

As Yarrow told AcousticMusicScene.com in 2010: “”Music can be used as a powerful force in a world where we desperately need it … Music is something that binds the hearts and can bring us together.” Here’s a link to read that article: https://acousticmusicscene.com/2010/11/27/the-peter-yarrow-sing-along-special-airs-on-pbs-stations/

Many of Peter Yarrow’s songs and those by other songwriters that Peter, Paul and Mary covered over the decades have a timeless quality to them and multigenerational appeal. For Peter Yarrow, “Day is Done,” yet his music and that of Peter, Paul and Mary lives on. So too do his widow Mary Beth (the niece of the late Sen. Eugene McCarthy (D-MN), whom he met during a 1968 Democratic presidential primary campaign event and married the following year), his daughter Bethany, son Christopher, granddaughter Valentina, and lots of adoring fans.

Our folk community mourns his passing, as well as the recent deaths of Mike Brewer (a Missouri-based folk-rock singer-songwriter who, with his musical partner Tom Shipley, recorded the hit song “One Toke Over the Line”), David Mallet (the Maine-based singer-songwriter best known for “Garden Song”), and Josh White, Jr. (a Michigan-based singer and guitarist who followed in his late father’s folk and blues footsteps for decades).

Bluegrass Sings Paxton is a multi-artist collection of a dozen select songs penned by Paxton and performed by a wide array of bluegrass singers and pickers assembled by producers Cathy Fink and Jon Weisberger. “I Can’t Help But Wonder (Where I’m Bound)” is the album’s lead-off track. Other Paxton songs on the Mountain Home Music recording – seven of which were among September’s most-played songs on folk radio — include current IBMA Male Vocalist of the Year Greg Blake’s rendition of “Leaving London,” previous three-time IBMA Male Vocalist Award recipient Danny Paisley’s take on the classic “Ramblin’ Boy,“ and past IBMA Female Vocalist of the Year Claire Lynch’s rendition of “I Give You the Morning.” Sister Sadie’s interpretation of “The Last Thing On My Mind” closes out the album, which also features selections, old an new, recorded by Laurie Lewis (Central Square”), Bluegrass Hall of Famer Alice Gerrard (“The Things I Notice Now”), Grammy Award-winner Tim O’Brien (“You Took Me In,” a new gospel-tinged song co-written by Paxton, O’Brien and bandmate Jan Fabricius), Cathy Fink & Marcy Marxer (“All I Want”), Aaron Burdett of The Steep Canyon Rangers (“The Same River Twice”), Chris Jones (“The Last Hobo”), and Sav Sankaran (“Looking for the Moon”).

[Here’s a link to enjoy a five-minute video featuring Tom Paxton discussing Bluegrass Sings Paxton and its songs, along with a few musical excerpts:
https://www.youtube.com/watch?v=EUU8haC-nmU.]

House of Hamill, a self-described upcycled Celtic folk band, was the most played artist on folk radio for a second consecutive month – this time tying with singer-songwriter Kate McDonnell. Featuring Rose Baldino (fiddle and vocals), Brian Buchanan (fiddle, vocals and guitar), and Caroline Browning (bass, mandolin and piano), House of Hamill is a Pennsylvania-based, nationally touring trio that has performed at music festivals and established folk venues. Its fourth full-length release, Wildfire, topped the folk album charts in August, while its rendition of Jimmy Webb’s “The Highwayman” was that month’s top song. House of Hamill’s tight vocal harmonies, sophisticated instrumental arrangements, and acoustic pop sensibilities are evident on Wildfire. Like its live shows and previous releases, the album features a mix of original numbers, modern takes on centuries-old folk ballads, and choice covers. Recorded in a cabin in the Blue Ridge Mountains near Asheville, North Carolina, Wildfire also features House of Hamill’s original song “Banks of the Brandywine.” An ode to folklore that surrounds a notorious location on the Brandywine River in Chester County, PA, the song was recently selected as the grand-prize winner in the folk category of the John Lennon Songwriting Contest – 2024 Session 1.

[Here’s a link to listen to the title track of House of Hamill’s new album, Wildfire:
https://www.youtube.com/watch?v=grwhwUutYiA.]

Kate McDonnell is an award-winning singer-songwriter, as well as a gifted guitarist with a propensity to play the instrument differently than most. According to her official bio, she taught herself how to play the guitar, strung for a right-handed player, left-handed “upside down and backwards,” using her stronger right hand for chording and ignoring the customary positioning of the guitar strings. Part of a musically-inclined family, McDonnell began writing her own songs in 1989 and gained recognition in the early 1990s as both a Kerrville New Folk finalist and a finalist in the Grassy Hill Emerging Artist Showcase at the Falcon Ridge Folk Festival, as well as being voted the #1 singer-songwriter in a New Haven (Connecticut) Advocate readers’ poll following the release of her-self-produced debut album, Broken Bones. Since then, she has earned much critical acclaim and praise from such noted songwriters as Jonathan Edwards and the late Bill Staines, recorded five more albums, and toured internationally. Although she took a hiatus from performing for a decade to focus on working as a child therapist in day treatment programs, residential programs, and inner city schools, McDonnell never gave up songwriting. She returned to the studio in 2020 to record her fifth album, Ballad of a Bad Girl. Her sixth album, Trapeze, was released in September. It features 14 songs that she wrote over the past three years.

[Here’s a link to enjoy a recent video of Kate McDonnell performing her song “Pretty Good Day”: https://www.youtube.com/watch?v=_nUfNS26c6k.]

The September 2024 top albums, songs and artists charts are based on 10,787 airplays reported on 362 playlists submitted by 101 different folk DJs. The number of reported spins is shown below in parentheses.

Folk Alliance International (folk.org) is a nonprofit organization that aims to serve, strengthen, and engage the global folk music community through preservation, presentation and promotion.

Top Albums of September 2024

1.Bluegrass Sings Paxton by Various Artists (124)
2. Labor Day: A Tribute to Hardworking People Everywhere by Si Kahn and
George Mann (103)
3. Trapeze by Kate McDonnell (58)
4. Wildfire by House of Hamill (56)
5. From China to Appalachia by Cathy Fink, Marcy Marxer and Chao Tian (53)
6. The Legend of Sugarbelly by Guy Davis (52)
7. Ten Good Sermons by Eugene Ruffolo (51)
8. Manos Pan Americanos by Larry and Joe (45)
8. Boarding Windows in Paradise by Rebecca Frazier (45)
10. Everything Must Go by Donal Hinely (44)
11. Back to the Light by Heather Pierson (43)
12. Woodland by Gillian Welch and David Rawlings (33)
12. The Set by Jerry Douglas (33)
14. The American Dream by Amy Speace (31)
14. Bloom Where You Fall by Hana Zara (31)
16. Dan Tyminski: Live From the Ryman by Dan Tyminski (30)
17. Carved in the Bark by Nick Carter (29)
17. A Prosperous Gale by Open the Door for Three (29)
19. Blessed by the West by Sarah Pierce (28)
19. Heart on a Wire by Carolyn Shulman (28)
19. Now, O Now by Rakish (28)
22. Terra Madre by Beppe Gambetta (27)
23. Earl Jam by Tony Trischka (26)
24. Willie Watson by Willie Watson (25)
25. Live at Steelstacks by River Drivers (24)
26. City of Glass by Aj Lee and Blue Summit (23)
27. “The Great Northwest by Steve Lundquist (22)
28. The First Day of December by Ivan Strunin (21)
29. Harbortowne by Jim Patton and Sherry Brokus (20)
29. Lessen the Blue by Larry Folk (20)
31. The Light Years by The Magnolia Janes (19)
32. Blame It on Eve by Shemekia Copeland (18)
33. The Unspeakable Milo Binder by Milo Binder (17)
33. The Two of Us by Janie Rothfield and Allan Carr (17)
33. Thus Spoke the Fool by Pony Bradshaw (17)
33. Bluegrass Tracks by Andy Statman (17)
33. Weird Wild Wonderful by Emily Hicks (17)
33. Quiet Town by Mindy Smith (17)
33. Hanging at the Luna Star by Lou Dominguez (17)
40. Wasted Luck by Tiffany Williams and Dalton Mills (16)
40. Goldenrod by Teni Rane (16)
40. One of These Days by Cris Jacobs (16)
40. Trail of Flowers by Sierra Ferrell (16)
44. Soliloquy by Craig Bickhardt (15)
44. Long Way Home by Ray Lamontagne (15)
46. Driven to Drive by Joe Ely (14)
47. Phthalo Blue by Andrew Marlin (13)
47. Polaroid Lovers by Sarah Jarosz (13)
47. More Than a Whisper: Celebrating the Music of Nanci Griffith by
Various Artists (13)
50. Western Chill by Robert Earl Keen (12)
50. Diamond Days by Brooks Williams (12)
50. Daylight Savings Time by Steve Forbert (12)
50. The Price of Happiness by Miranda Hardy (12)
50. “weet Critters by Caleb Caudle (12)
50. Trees by Laurie Lewis (12)
50. Atlantic Sounds by Miscellany of Folk (12)
50. 20 by The Grascals (12)

Top Songs of September 2024

1. “I Can’t Help but Wonder (Where I’m Bound)” by Tom Paxton and Della Mae (27)
2. “I Give You the Morning” by Claire Lynch (17)
3. “Canaan” by Danny Schmidt (16)
4. “The Old Labor Hall” by Joe Jencks (13)
5. “Banks of the Brandywine” by House of Hamill (12)
5. “The Same River Twice” by Aaron Burdett (12)
5. “The American Dream” by Amy Speace (12)
5. “Central Square” by Laurie Lewis (12)
5. “Something You Got” by Jerry Douglas (12)
10. “You Took Me In” by Tim O’Brien (11)
10. “Ramblin’ Boy” by Danny Paisley (11)
10. “It Takes All Kinds” by Mark Stepakoff (11)
10. “Everything Must Go” by Donal Hinely (11)
10. “Up Here in the Mountains” by Heather Pierson (11)
10. “The Last Thing on My Mind” by Sister Sadie (11)
16. “Back to the Light” by Heather Pierson (10)
16. “A World Minus One” by Eugene Ruffolo (10)
16. “Wildfire” by House of Hamill (10)
19. “Long Way to Harlan” by Si Kahn and Laurie Lewis (9)
19. “The Things I Notice Now” by Alice Gerrard (9)
19. “High on a Mountain” by Cathy Fink, Marcy Marxer and Chao Tian (9)
19. “Gone Gonna Rise Again” by Michael Johnathon and Odetta (9)
19. “Late Bloomer” by Eugene Ruffolo (9)
19. “Back When Times Were Hard” by Si Kahn (9)
19. “No Child Should Ever Go Hungry” by Tret Fure (9)
19. “Pretty Good Day” by Kate McDonnell (9)
19. “Beautiful You” by Tom Prasada-Rao (9)
19. “Ain’t That Me and You” by Nick Carter (9)
19. “What’s Gonna Become of Me” by Jerron Paxton (9)
19. “Lawrence Jones” by Kathy Mattea (9)

Top Artists of September 2024

1. Kate McDonnell (60)
1. House of Hamill (60)
3. Highwaymen (55)
4. Guy Davis (54)
5. Cathy Fink, Marcy Marxer and Chao Tian (53)
6. Eugene Ruffolo (51)
7. Heather Pierson (48)
8. Donal Hinely (47)
9. Larry and Joe (45)
9. Rebecca Frazier (45)
11. Bob Dylan (39)
11. Amy Speace (39)
13. Jerry Douglas (38)
14. Gillian Welch and David Rawlings (36)
15. Laurie Lewis (34)
16. Hana Zara (31)
16. Open the Door for Three (31)
16. Rakish (31)
19. Dan Tyminski (30)
19. Tony Trischka (30)
21. John McCutcheon (29)
21. Leonard Cohen (29)
21. Nick Carter (29)
21. Beppe Gambetta (29)
25. Willie Watson (28)
25. Carolyn Shulman (28)
25. Sarah Pierce (28)
28. Tom Paxton and Della Mae (27)
28. Willie Nelson (27)
28. Tim O’Brien (27)
31. River Drivers (26)
31. Si Kahn (26)
31. Danny Schmidt (26)
34. John Gorka (24)
34. Dar Williams (24)
34. Joe Jencks (24)
37. Aj Lee and Blue Summit (23)
37. Nanci Griffith (23)
37. Joni Mitchell (23)
37. Tim Grimm (23)

A list of winners in the GRAMMY Awards’ American Roots Music Field follows, while the complete list of award recipients may be found at grammy.com.

Best American Roots Performance: “Eve Was Black” – Allison Russell

Best American Roots Song: “Cast Iron Skillet” – Jason Isbell, songwriter (Jason Isbell and the 400 Unit)

Best Americana Album: Weathervanes – Jason Isbell and the 400 Unit

Best Americana Performance: “Dear Insecurity” – Brandy Clark (featuring Brandi Carlile)

Best Bluegrass Album: City of Gold – Molly Tuttle & Golden Highway

(Note: Molly Tuttle & Golden Highway also won in this category last year for Crooked Tree.)

Best Folk Album: Joni Mitchell At Newport (Live) – Joni Mitchell

Best Contemporary Blues Album: Blood Harmony – Larkin Poe

Best Traditional Blues Album: All My Love For You – Bobby Rush

Best Regional Roots Music Album: New Beginnings – Buckwheat Zydeco Jr. & The Legendary Ils Sont Partis Band and Live: Orpheum Theater Nola – Lost Bayou Ramblers & Louisiana Philharmonic Orchestra (Tie)

Winners in other categories of potential interest to AcousticMusicScene.com readers included Bela Fleck for Best Contemporary Instrumental Album (As We Speak) and Best Global Music Performance (“Pashto”); Blind Boys of Alabama for Best Roots Gospel Album (Echoes of the South); Chris Stapleton for Best Country Solo Performance (“White Horse”) and Best Country Song (“White Horse”) with co-writer Dan Wilson; Lainey Wilson for Best Country Album (Bell Bottom Country); Zach Bryan featuring Kacey Musgraves for Best Country Duo/Group Performance (“I Remember Everything”); and John Carter Cash, Tommy Emmanuel, Markus Illko, Janet Robin, and Roberto Luis Rodriguez, arrangers (The String Revolution featuring Tommy Emmanuel) for Best Arrangement , Instrumental or A Cappella (“Folsom Prison Blues”).

The Recording Academy represents the voices of performers, songwriters, producers, engineers, and all music professionals. Dedicated to ensuring the recording arts remain a thriving part of our shared cultural heritage, the Recording Academy honors music’s history while investing in its future through the GRAMMY Museum, advocates on behalf of music creators, supports music people in times of need through MusiCares, and celebrates artistic excellence through the GRAMMY Awards.

Here’s a complete listing of the nominees in the American Roots Music Field:

Best Americana Album:

• Brandy Clark — Brandy Clark
• The Chicago Sessions — Rodney Crowell
• You’re The One — Rhiannon Giddens
• Weathervanes — Jason Isbell and the 400 Unit
• The Returner — Allison Russell

Best Americana Performance:

• “Friendship” — The Blind Boys of Alabama
• “Help Me Make It Through The Night” — Tyler Childers
• “Dear Insecurity” — Brandy Clark featuring Brandi Carlile
• “King of Oklahoma” — Jason Isbell and the 400 Unit
• “The Returner” — Allison Russell

Best American Roots Performance:

• “Butterfly” — Jon Batiste
• “Heaven Help Us All” — The Blind Boys of Alabama
• “Inventing The Wheel” — Madison Cunningham
• “You Louisiana Man” — Rhiannon Giddens
• “Eve Was Black” — Allison Russell

Best American Roots Song:

• “Blank Page” — Michael Trotter Jr. & Tanya Trotter, songwriters (The War and Treaty)
• “California Sober” — Aaron Allen, William Apostol & Jon Weisberger, songwriters (Billy Strings featuring Willie Nelson)
• “Cast Iron Skillet” — Jason Isbell, songwriter (Jason Isbell and the 400 Unit)
• “Dear Insecurity” — Brandy Clark & Michael Pollack, songwriters (Brandy Clark featuring Brandi Carlile)
• “The Returner” — Drew Lindsay, JT Nero & Allison Russell, songwriters (Allison Russell)

Best Bluegrass Album:

• Radio John: Songs Of John Hartford — Sam Bush
• Lovin’ Of The Game — Michael Cleveland
• Mighty Poplar — Mighty Poplar
• Bluegrass — Willie Nelson
• Me/And Dad — Billy Strings
• City Of Gold — Molly Tuttle & Golden Highway

Best Folk Album:

• Traveling Wildfire — Dom Flemons
• I Only See the Moon — The Milk Carton Kids
• Joni Mitchell At Newport (Live) — Joni Mitchell
• Celebrants — Nickel Creek
• Jubilee — Old Crow Medicine Show
• Seven Psalms — Paul Simon
• Folkocracy — Rufus Wainwright

Best Contemporary Blues Album:

• Death Wish Blues — Samantha Fish and Jesse Dayton
• Healing Time — Ruthie Foster
• Live In London — Christone “Kingfish” Ingram
• Blood Harmony — Larkin Poe
• LaVette! — Bettye LaVette

Best Traditional Blues Album:

• Ridin’ — Eric Bibb
• The Soul Side of Sipp — Mr. Sipp
• Life Don’t Miss Nobody — Tracy Nelson
• Teardrops For Magic Slim Live At Rosa’s Lounge — John Primer
• All My Love For You — Bobby Rush

Best Regional Roots Music Album:

• New Beginnings — Buckwheat Zydeco Jr. & The Legendary Ils Sont Partis Band
• Live At The 2023 New Orleans Jazz & Heritage Festival — Dwayne Dopsie & The Zydeco Hellraisers
• Live: Orpheum Theater Nola — Lost Bayou Ramblers & Louisiana Philharmonic Orchestra
• Made In New Orleans — New Breed Brass Band
• Too Much To Hold — New Orleans Nightcrawlers
• Live At The Maple Leaf — The Rumble Featuring Chief Joseph Boudreaux Jr.

Also of Note: Among the nominees for Best New Artist are The War and Treaty. Bela Fleck, Zakir Hussain & Edgar Meyer featuring Rakesh Chaurasia received nominations in three categories: Best Global Music Performance (for “Pashto”), Best Contemporary Instrumental Album (for As We Speak) and Best Instrumental Composition (for “Motion”). Tyler Childers’ “In Your Love,” Brandy Clark’s “Buried” and Chris Stapleton’s “White Horse” are among those in the running for Best Country Solo Performance and Best Country Song (along with co-writers Geno Seale, Jessie Jo Dillon and Dan Wilson, respectively). Childers’ “In Your Love” also is vying for Best Music Video, while his Rustin’ In The Rain is among the nominees for Best Country Album. Clark’s Shucked is in the running for Best Musical Theater Album. “I Remember Everything” by Zach Bryan and Kacey Musgraves is in the running for both Best Country Song and Best Country Duo/Group Performance, while Bryan’s self-titled album vies for Best Country Album.

The Recording Academy (grammy.com) represents the voices of performers, songwriters, producers, engineers, and all music professionals. Dedicated to ensuring the recording arts remain a thriving part of our shared cultural heritage, the Academy honors music’s history while investing in its future through the GRAMMY Museum, advocates on behalf of music creators, supports music people in times of need through MusiCares, and celebrates artistic excellence through the GRAMMY Awards.

Tyler Childers’ Can I Take My Hounds to Heaven? was named Album of the Year, while Bonnie Raitt’s “Just Like That” was named Song of the Year. Billy Strings is 2023’s Artist of the Year, while The War and Treaty is the year’s Duo/Group of the Year, and S.G. Goodman is its Emerging Act of the Year. Americana Music Association members also voted SistaStrings as Instrumentalist of the Year.

Tyler Childers (Album of the Year – Can I Take My Hounds to Heaven?) is a 32-year-old singer-songwriter whose music blends neo-traditional country, bluegrass and folk. Although the crooner released his first album independently in 2011, it wasn’t until 2017 that he started to get international attention with the release of Purgatory, a breakout album that helped to prompt invites to perform at Bonnaroo, the Grand Ole Opry, Lollapalooza, Merlefest, and the Newport Folk Festival. His latest release is 2023’s Rustlin’ in the Rain. [Here’s a link to enjoy Tyler Childers’ official video for “In Your Love”: https://www.youtube.com/watch?v=II-L8Hq0_i4.]

Bonnie Raitt (Song of the Year) is an acclaimed singer-songwriter and guitarist. A ten-time Grammy Award-winner, she has been performing and recording for more than 50 years. “Just Like That” is the title track of her 21st album — her first new release in more than six years. It also was the recipient of a coveted Grammy Award for Song of the Year, as well as Best American Roots Song in the 65th annual Grammy Awards presented by The Recording Academy earlier this year. [Here’s a link to view the official lyric video for Bonnie Raitt’s “Just Like That”: https://www.youtube.com/watch?v=Skd0XR3twCA.]

The War and Treaty (Duo/Group of the Year), the husband and wife team of Michael Trotter Jr. and Tanya Trotter, was named Duo/Group of the Year for a second consecutive year. The two, who are signed to Universal Music Group, have been performing together since 2014. Their musical repertoire features a mix of Americana, blues, country, folk, rock, and soul. The War and Treaty was previously named Artist of the Year in the 2020 International Folk Music Awards presented by Folk Alliance International and Emerging Artist of the Year in the 2019 Americana Honors and Awards. [Here’s a link to enjoy the official music video for The War and Treaty’s “Have You A Heart”: https://www.youtube.com/watch?v=qw9VYGlhQAQ.]

S.G. Goodman (Emerging Artist of the Year) is a Kentucky-born and based singer-songwriter who is signed to Verve Forecast Records. She performed at the Newport Folk Festival in 2021 and has released two albums that feature a mix of Americana, folk, country, and rock.

SistaStrings (Instrumentalist of the Year) is a duo comprised of sisters Monique (cello) and Chauntee Ross (violin), who have seen their musical fortunes rise since moving to Nashville from Milwaukee, Wisconsin in 2011. As the daughters of two ministers, they grew up playing gospel and classical music in church, later expanding their musical horizons to include work on country, folk and hip-hop pr0jects. Last year, SistaStrings collaborated with Milwaukee-based singer-songwriter Peter Mulvey on his Righteous Babe album, Love Is the Only Thing – lending both their instrumental talents and vocal harmonies. They have also toured with both Allison Russell and Brandi Carlisle. [Here’s a link to enjoy the classic folk song “Shenandoah,” as performed by Peter Mulvey and SistaStrings:
https://www.youtube.com/watch?v=2mLSPsKBXB0.]

Lifetime Achievement Honorees Also Recognized

Recognized as Lifetime Achievement, Trailblazer and Legacy Award honorees were The Avett Brothers, George Fontaine, Sr., Patty Griffin, Bettye LaVette, and Nickel Creek. The Avett Brothers are folk rocking’ North Carolina-based roots music icons and four-time Americana Award winners. George Fontaine, Sr. is co-founder and owner of New West Records, an indie label that has released nearly 500 albums – including many by Americana artists, as well as CDs and DVDS from the PBS television program Austin City Limits. Austin, Texas-based singer-songwriter Patty Griffin is a two-time Grammy Award-winner and 2007 Americana Artist of the Year, who has released nearly a dozen albums and been an inspiration to many other artists – a number of whom have covered her songs. Bettye LaVette, the 2023 Legacy Award recipient, is a soulful singer- and interpreter of American song, whose musical career spans more than 60 years. Nickel Creek is a multiple Grammy Award-winning, innovative and virtuosic acoustic Americana, bluegrass and folk-rock band.

“This year’s Lifetime Achievement honorees represent the diverse sounds that contribute to the American roots music canon,” said Jed Hilly, the Americana Music Association’s executive director. “Our honorees have inspired this community individually and have collectively changed the landscape of the music industry.”

Musical performance highlights from the 22nd Annual Americana Honors & Awards show will be featured on a special episode of Austin City Limits that is set to air on PBS television stations on November 25.

AmericanaFest, which began Sept. 22 and continues through Sept. 25, is a festival and conference filled with daytime panel discussions and seminars and evenings chock-full of artist showcases at venues throughout the Music City. Established in 1999, the Americana Music Association is a professional not-for-profit trade association whose mission is to advocate for the authentic voice of American roots music around the world. Visit americanamusic.org for more information.

The official showcases take place Friday and Saturday evenings, with each artist/act performing a 15-minute set. Unplugged private showcases follow from 10:40 p.m. to 2 a.m. Also on the agenda are daytime panel discussions and workshops, a Wisdom of the Elders session, several thematic song circles, open mics, mentoring sessions, an awards presentation, an exhibit hall, communal meals, and plenty of other opportunities to learn, share and network –- including during built-in afternoon breaks in the programming. Informal jams and song circles also are apt to break out in the lobby and outside (weather permitting).

SERFA is a regional affiliate of Folk Alliance International (folk.org), a nonprofit organization that aims to serve, strengthen and engage the global folk music community through preservation, presentation and promotion. SERFA (serfa.org) exists to promote, develop and celebrate the diverse heritage of roots and indigenous music, dance, storytelling and related arts in the southeastern United States. It has produced an annual conference since 2008. This is SERFA’s second consecutive year at the YMCA Blue Ridge Assembly, nestled in the Blue Ridge Mountains of western North Carolina.

Jeff Place, Archivist and Curator for the Smithsonian Folklife Center, to Deliver Keynote Address

Keynoting this year’s conference is Jeff Place, a Grammy Award-winning archivist and curator, who has been with the Smithsonian Folklife Center’s Ralph Rinzler Folkilfe Archives and Collections in Washington, DC since 1988. He was among the producers and writers of the acclaimed 1997 edition of the Anthology of American Folk Music (about which he’ll also lead a workshop), as well as The Best of Broadside, 1962-1988 (2000). Place oversees the cataloging of the Center’s collections and has been engaged in the compilation of more than 60 CDs of American music for Smithsonian Folkways Recordings. Among them are the LeadBelly Legacy Series, Lead Belly Sings for Children, the Pete Seeger American Favorite Ballads series; and The Asch Recordings (Woody Guthrie). He produced and co-authored (with Robert Santelli) the acclaimed publication and CD box set Woody at 100 and helped to curate the traveling Woody Guthrie exhibition This Land is Your Land, among others.

Afternoon Programming Includes Workshops and Panel Discussions, Song Circles and Mentoring

An array of workshops and panel discussions will include “Adversity, Art and Heart: Songwriting in a Changing World,” “Ask the Radio Promoters,” “Beyond High Lonesome: What Can Bluegrass Teach Us,” “Booking from the Ground Up,” “Building Your Indie National Team,” “Crowd Funding and the Art of Asking,” “Folk Music in the Southern West Virginia Coalfields,” “The Folk Music Legacy of Black Mountain and Swannanoa,” “Mailbox Money: Adventures in Licensing,” “New Options for Remote Recording,” “Setting Up for an Album Release,” Vocal Techniques for Performers,” “A Workshop for Women & Men About Women in the Guitar World,” and “Yoga to Energize Your Stage Presence & Strengthen Your Voice.”

Besides the workshops and panel discussions, there will be “think tanks” on Growing and Nurturing Your Venue and A Post-CD World, a Wisdom of the Elders session, several thematic song circles, and one-on-one mentoring sessions during the daytime hours.

Evenings to Feature Dozens of Artists in Official and Private Showcases

Slated to present official showcases on Friday evening, May 5 are (in order of appearance) Javier Jara, Rod Abernethy, Sheila Kay Adams and Susan Pepper, The Rough and Tumble, Greg Greenway, Clare Cunningham, Abigail Dowd, and Scott Cook and Pamela Mae. Saturday’s official showcase lineup features Wyatt Easterling, Deidre McCalla, Ben Gage, Flagship Romance, Grace Morrison, Daniel Neihoff, Blue Cactus, and Bob Sinclair and the Big Deals.

Following the official showcases on Friday and Saturday, as well as an open mic on Thursday, late-night private showcases will take place in various meeting rooms for several hours. Although AcousticMusicScene.com has had a presence at SERFA conferences since 2011, it will not be hosting late-night song swaps this year.

Editor’s Note: An active participant in SERFA conference since 2011, I will again be a mentor offering advice and counsel on various aspects of PR, social media and strategic communications. I served on the board of directors of Folk Alliance International from 2014 until earlier this year and am also a past president and former longtime board member of Northeast Regional Folk Alliance (NERFA).