Vance Gilbert – AcousticMusicScene.com https://acousticmusicscene.com Mon, 23 Mar 2026 15:24:34 +0000 en-US hourly 1 https://wordpress.org/?v=6.9.4 Erin Ash Sullivan Wins Heyman Rising Artist Award https://acousticmusicscene.com/2026/03/23/erin-ash-sullivan-wins-heyman-rising-artist-award/ Mon, 23 Mar 2026 15:19:57 +0000 https://acousticmusicscene.com/?p=13638 Erin Ash Sullivan, a Massachusetts-based singer-songwriter, has been named as the winner of the 2025 Heyman Rising Artist Award. Focus Music established the award in 2022 in honor of the late Reba and Vic Heyman, two stalwart supporters of the folk music community.

Sullivan –- whose songs draw inspiration from her own life experiences — was cited for her dedication to the craft, storytelling, stage demeanor, and immersion in the folk community. She beat out finalists Allison Strong and Us! (a trio comprised of AcousticMusicScene.com co-creator Glen Roethel, Judy Kass and Amy Soucy) in a competition that drew more than four times the number of applications than it has in previous years. The number of entries and quality of them made the listening- and decision-making process both time-consuming and challenging for judges Ron Olesko (a folk DJ and creator of Folk Music Notebook), Tina Ross (a singer-songwriter who won the award in 2022), and Debby St. Charles.

“I’m just so happy and grateful,” said Sullivan of receiving the award from the predominantly volunteer organization that that provides performance opportunities for and presents concerts by emerging and nationally touring singer-songwriters, and folk and acoustic musicians in DC, Maryland and Virginia. “To get that vote of confidence from the Focus Music judges has just felt so good. It comes at a time when I’m embarking on a third album and to have that message of support from the organization is really heartening and an encouraging reminder to keep on going,” she told AcousticMusicScene.com.

Sullivan — who primarily performs in the northeast U.S. and along the eastern seaboard —  describes her music as “story-driven folk.” She notes that the kind of songs that she personally loves are those that have a really vivid story attached to them – like ones penned by singer-songwriters Lori McKenna and Patty Griffin. “If you’re someone who likes music that’s going to immerse you in other people’s perspectives and stories, then my songs might be interesting to you,” she said.

In addition to McKenna and Griffin, she cites singer-songwriters Ellis Paul and Vance Gilbert as major inspirations. Sullivan has participated in Ellis Paul’s New England Songwriter Retreats for a number of years. “Those experiences have been game changers for me in terms of inspiration and building community for songwriters,” she said. “Another inspiration for me has been Vance Gilbert,” whom she calls “a real honest and loving mentor.” Noting that he’s someone who doesn’t pull punches, she said: “He just pursues everything with honesty and joy, and I’d like to do that too.”

Music has long been a major part of Sullivan’s life. She recalls taking piano and voice lessons from her grandmother during childhood. However, she didn’t start playing guitar or writing songs until after graduating from Amherst College. While living in and teaching elementary school in New York City, she and Amy Speace, a college friend who is also a noted singer-songwriter, formed a band, Edith O. that performed at venues across the city and released an album called Tattooed Queen. Although marriage, children and her career in education (as both a teacher and an administrator) prompted her to put music on the back-burner for years, Sullivan resumed writing and performing in 2018 and released her debut album in 2021. Entitled We Can Have Each Other, it reached #10 on the monthly Folk Alliance International Folk Radio Charts, and was followed up in 2024 by Signposts and Marks, which reached #4 on the top albums chart during the month that it was released.

Sullivan was named the winner of the Al Johnson Performing Songwriter Award during the 2025 Wildflower! Arts & Music Festival in Richardson, Texas and looks forward to performing at the festival in May. She also was voted a “Most Wanted to Return” Artists by festival attendees following the Grassy Hill Emerging Artist Showcase at the 2023 Falcon Ridge Folk Festival, won the Rose Garden Coffeehouse Performing Songwriter Competition that year, and has been a finalist in a number of other songwriting competitions.

Beyond providing recognition and support, the Heyman Rising Artist Award includes $1,000, which Sullivan plans to use towards producing her third album with Doug Kwartler at Hollow Body Studios near Boston, Massachusetts.

The Heyman Rising Artist Award is named for Vic and Reba Heyman, who were widely viewed as “folk angels” for their staunch, decades-long support of artists – especially those early in their careers. Reba Heyman, who passed away in June 2021 2021 at age 84, grew up in Chevy Chase, Maryland and lived in Rockville, MD for decades. Along with her husband Vic, who died years earlier, she was an integral part of the folk music community in Maryland, South Florida and nationally for many years. The couple was known for their generous financial backing for folk festivals and artists, and also formerly ran a concert series in Rockville known as Vic’s Music Corner. They also launched and ran Heyman Mailing Service for many years (a godsend for artists in the pre-Internet days), served on the boards of several music festivals, and established a scholarship fund for performing artists. In her later years, Reba Heyman spent considerable time in Florida and co-presented the South Florida Folk Festival Singer-Songwriter Competition, whose winners received the Vic Heyman Songwriting Award – including a cash prize and the opportunity to perform at the festival.

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Remembering Jill Sobule, 1959-2025 https://acousticmusicscene.com/2025/05/08/remembering-jill-sobule-1959-2025/ Thu, 08 May 2025 15:28:08 +0000 http://acousticmusicscene.com/?p=13125
Singer-Songwriter Jill Sobule died in a tragic house fire on May 1, 2025. She was 66.
Singer-Songwriter Jill Sobule died in a tragic house fire on May 1, 2025. She was 66.
Jill Sobule, 66, was groundbreaking and much revered and loved singer-songwriter and human rights activist best-known for her 1995 breakthrough hit single “I Kissed a Girl” (the first openly LGBTQ-themed song to crack the Billboard Top 20) and “Supermodel” from that year’s popular “Clueless” film soundtrack. Both songs appear on the first of her 12 albums. In the week since her tragic death in a Minnesota house fire on May 1, 2025 sent shockwaves through the folk and singer-songwriter communities, many of her fellow artists have expressed their grief and shared personal reflections on Facebook. A sampling follows.

“It’s hard to fathom that a person so full of life – such a life force – is no longer with us. We were compatriots for 30 years. We wrote a song about the 70s together. She said, in utter sincerity, ‘We have to have Patty Hearst. We thought about her so much …’ And in 2015, she was on stage about to sing “I Kissed a Girl” in Philly and I was in the dressing room reading that marriage equality had just passed. I walked right onto the stage … and kissed her. Because it was Jill, and I knew she’d be cool with it! And she was! In my heart forever, Jill”

Dar Williams

“Goodbye, angel-woman. Your light and humor touched me and so many. This world is just not as bright without you in it. Thank you for singing about kissing and being with girls and for being irreverent and illuminated and effervescent and brilliant.”

Paula Cole

[Here’s a link to an official video for “I Kissed a Girl”: https://www.youtube.com/watch?v=LUi11Cz4ZUg.]

“Jill Sobule was a funny, insightful, one-of-a-kind talent. She was a champion of misfits and weirdos. She was the Queen of outcasts. We hit the road together last year and I was amazed by her wide-eyed wonder of the world. We made a vow to tour more together and I had talked about having her coming to teach at the retreat I started for songwriters up in New England. She would’ve shook place to its foundations. Just by being herself.

And her songs— Just when a song seemed like it was headed in a straight line she’d find a way to make it spin around your mind with a 180-degree turn. They were perfect three-minute masterpieces of pop and folk with a broad range of topics that pulled empathetic laughter and insight to your soul.

“… We don’t have many people like her on the planet. She was Tinkerbell, hitting us on the head with a magic wand.”

Ellis Paul

“I’ll never forget how much fun that song swap lineup was – me, Ellis, Paul, and Jill Sobule. We did a handful of really wonderful shows and honestly, I don’t remember where, but backstage Jill and I bonded with the idea of someday doing an album of the saddest songs we could think of. When we were last hanging out, the list looked like this:

Ballad Of The Sad Young Men
Sweet Bitter Love
Do What You Gotta Do
Train Off The Track

While we were waiting to go on, I’d play one of these songs and Jill and I would cry, and then try to put on some kind of game face while laughing for the set

Just last year I had signed with a new agency, Black Oak Artists, and Jill and I shared an agent and there were plans for sending us out together to do shows.

Tomorrow really is never guaranteed. I will forever feel the loss of not having that future time together.

Goodbye Goddess. I’ll dedicate this Monday night’s Pajama Party to you, and I’ll string together the saddest songs I can come up with, because I know you’d give me a wink and a nod.”

Vance Gilbert

“Gutted by the news of Jill Sobule’s passing.

She was a friend for many years and I quite simply adored her – her delightfully witty and musically ambitious recordings first, then as a person once we actually met.

She played our MPress charity benefits at places like “Mo Pitkins” in downtown NYC starting in the early 2000’s, donating her song “Jet Pack” to our Hurricane Relief compilation and we became fast friends who had so much in common it felt like an instant sisterhood, aka mishpuchah. I first played with her at the old Cutting Room – it was a party for Women In Rock magazine I think…I had been a fan for years but then she was just a friend – and whether performing generously as part of our “Bravery On Fire” Women’s Cancer benefit in lockdown, or laughing backstage at a Joe’s Pub tribute to the wonderful Judy Collins…or kvelling at opening night of her fantastic [Off-Broadway] show “F*ck 7th Grade” – she had a way of making so many of us feel seen, included, inspired, comforted and challenged. Her powerful presence as a performer was a beautiful thing – utterly original, vulnerable and courageous.

Jill’s wordplay and melodic sensibility was unparalleled and for me she was on par with my #1, Elvis Costello – so much intelligence and also so much heart in her songs. No one looked like her, no one sounded like her – the character of her voice itself was as unique as they come and her work ethic and prolificness inspired me on a daily basis. I literally looked at her FB wall every day – where was dear, talented, hilarious and hardworking Jill?

Following her and witnessing her ongoing creative adventurous and activism gave me continual hope that there was a way to do this pop music thing with integrity – to make a genuine difference, joyfully and fearlessly and with as much chutzpah and irreverence as beauty and light. I looked up to her unabashedly, but she made me feel appreciated and understood. She was proof positive not only that meeting your heroes can be fantastic but that the likeminded, down-to-earth heroes can become family.

Love and condolences to her friends, family and fans. May her memory be a blessing.”

Rachael Sage

“… We met around 1998, when Eric Lowen and I were talking with her about writing together. We never got there, but more than 20 years later, we saw each other three times in four months, at Hey Nonny in Arlington Heights in September (when Jesse Lynn Madera was opening for her, and I sat in), in October at McCabe’s Guitar Shop (on another shared bill sit-in with Jesse Lynn), and in January when we all were playing the 30A Songwriters Festival. We got to spend much more time together then, hung and laughed, talked her into doing a cruise, and resolved to do some more hanging, and writing, soon. Jill was richly talented, artful, quirky, unique, sweet and soulful, and a hoot and a half. I adored her, and am blessed to call her my friend. Color me gutted.”

Dan Navarro

“Oh my god, no, my god…what an insane tragedy.

My friend and fellow truth-slinging, life-affirming, hardworking, wide-open-hearted and immensely talented musician Jill Sobule just died in a house fire.

She was such a force majeur of musical power and brought hope and joy and mad laughter to so many people…and like many of my friends who made made made and toured toured toured constantly, she was always coming up with the next beautiful idea, always responding to the moment with a musical quip and smart response, and always putting her heart into her art.

She was a crowd-funded wonder, an unapologetic queerdo and a great communicator. Compassionate. Kind. And a truly good friend who always came calling with concern when shit hit the fan with me in my always-toppling world and business.

And my god, she was a sharp diamond of a songwriter, satirizing, poking, writing on the edge, cutting through clichés to the heart of the matter in a way only a long-suffering journey woman songwriter can. I loved her. I loved her work. Her voice was becoming funnier and funnier and more sharply critical of the regime. We have lost an important voice today, an important folk hero…

To the community: waste no time. Act from love. Life can vanish in a second.

Dear dear beautiful Jill…rest in power, rest in song, rest in community, wherever you’ve gone.

We will play your songs and we will continue the musical fight for freedom and laughter and justice.”

Amanda Palmer

“Man. How do you even write about Jill Sobule? When the breaking news broke, I was en route to Stowe, Vermont and I was looking at my maps to make a turn to not miss my exit. Boom! The news alert telling me that Jill Sobule died in a house fire. I gasped out loud.

She had just sent me a video message in February saying that we needed to do a tour together. And why hadn’t it happened yet. With her typical amazing delivery and east coast accent with attitude it really made me smile. She was in the middle of doing a sound check with KC Turner and she had KC video the message with KC saying, “I’d book that tour!” And now she’s gone. Just like that.

There are certain singer songwriters that grab you and have a way with words and delivery and you just instantly fall in love with them. Jill just had it. I first met her back in the 90s and she was simply the coolest.

Jill Sobule
Jill Sobule
I remember getting to hang with her backstage at 4th and B in San Diego. She was touring with Warren Zevon and she introduced me to Warren. When I shook his hand I felt so nervous but Jill just had a way of making everything seem so at ease. She was gracious, warm, inquisitive, and funny as all get-out.

We really lost a good one folks. One of the best to ever do it. Up there with the great Dan Bern. Seriously legendary. She’s leaving quite a legacy of music.

I’m so sad our tour will never happen. It would’ve been so fun to listen to her play every night, and I just know we would’ve written some songs. I would’ve learned so much.

Now she’s a shooting star somewhere up there. Floating around. Hopefully spreading joy. Any interaction with Jill always made me smile. She’s a gem and a peach and now a long gone troubadour. We were lucky to have her…”

Steve Poltz

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Falcon Ridge Folk Festival Set for July 26-28 https://acousticmusicscene.com/2024/07/12/falcon-ridge-folk-festival-set-for-july-26-28/ Fri, 12 Jul 2024 15:24:41 +0000 http://acousticmusicscene.com/?p=12898 Music fans will flock to the Goshen Fairgrounds in Goshen, Connecticut, July 26-28, for the 36th annual Falcon Ridge Folk Festival. A Pre-Fest Day of Tastings & Farm Market and Thursday Night Music Stage on July 25 precede the festival.

FRFF Yellow LogoAnne Saunders, the festival’s artistic director, expressed delight that Falcon Ridge stalwarts Vance Gilbert, Nerissa & Katryna Nields, and the Slambovian Circus of Dreams are returning –along with Family Stage faves The Storycrafters — while Woodstock, NY-based husband & wife Americana duo Larry Campbell & Teresa Williams will make their Falcon Ridge debut. So too will Rock & Roll Hall of Famer and country-rock pioneer Richie Furay — who was a founding member of Buffalo Springfield, Poco and Souther, Hillman & Furay.

Among the other artists and acts slated to perform are the Adam Ezra Group, Annie & the Hedonists, The Black Feathers, The Ebony Hillbillies, Tret Fure. The Gaslight Tinkers, Craig Harris, Alice Howe & Freebo, David Jacobs-Strain & Bob Beach, Steve Postell, Sam Robbins, South For Winter, Amilia K. Spicer, and Annie Wenz.

The popular festival, which will feature four stages of music, officially kicks off on Friday afternoon, July 27, at noon. That’s when 13 artists have been invited to perform in the 2024 Grassy Hill Emerging Artist Showcase on the festival’s Mainstage. Appearing in this year’s showcase are (listed alphabetically by last name, not in order of appearance) are Carlyle, Allie Chip, Heather Anne Lomax, Louie Lou Louis, Nan MacMillan, Sean Magwire, MQ Murphy, Alex Radus, Tina Ross, Ida Mae Specker, Mark Stepakoff, Tracy Walton, and Dylan Patrick Ward. Although there is no compensation for showcasing artists, each receives full admission, on-site camping and meals during the festival plus a guest pass

The Grassy Hill Emerging Artist Showcase is not a contest, and artists won’t be judged per se during the festival, although the audience is surveyed as to which showcase artists they’d like to see return the following year to participate in a Most Wanted Song Swap. In evaluating submissions, a panel of three judges looked for high-quality performances of interesting, well-crafted, acoustic-based material. This year’s judges were Ron Olesko of Folk Music Notebook, singer-songwriter Carolann Solebello and Hannah Stritzker from Caffe Lena in Saratoga Springs, NY.

Katie Dahl, Kemp Harris and The Honey Badgers –three of the four top audience-voted showcase performers from last year — will showcase their talents during this year’s Most Wanted Song Swap, as well as in other performance slots during the festival.

An Activities 4 Kids Area, Circle of Song acoustic community stage, Family and Workshop Stages, and Dance Barn also will begin on Friday afternoon, July 26, while evening Mainstage performances and nightly dancing are slated to follow the daytime programming. Mainstage performances extend until 10 p.m. on Friday and Saturday nights, while Sunday’s musical festivities wrap up at 6 p.m. For those camping on the fairgrounds, there will be some late-night musical revelry featuring an array of informal jams, artist showcases and song circles that help foster a sense of “folk” community and a different kind of festival experience.

The Black Feathers will play the Falcon Ridge Folk Festival for the first time.
The Black Feathers will play the Falcon Ridge Folk Festival for the first time.
“Falcon Ridge has been on our bucket list ever since our first trip to NERFA [Northeast Regional Folk Alliance] back in 2017,” said Ray Hughes of The Black Feathers, a UK-based folk and roots music duo with his wife Sian Chandler that has drawn comparisons to Gillian Welch & Dave Rawlings and The Civil Wars. “Everybody was telling us how great Falcon Ridge was and how we’d be a great fit for it. So we’ve been trying to line up our tour schedule around it since then – always leaving the last week in July open, just in case we were offered a spot,” he told AcousticMusicScene.com. “It’s finally happened and we’re excited.”

Tret Fure, a Virginia-based singer-songwriter also making her maiden flight at Falcon Ridge Folk Festival, shares their excitement. “I’m delighted to be part of the lineup,” she said. “It’s gonna be a very moving weekend, I feel, on the heels of the recent passing of Tom Prasada Rao [a much-adored member of the folk and singer-songwriter community]. I know that there’ll be a lot of love for him there, so I’m just delighted to be part of the weekend.”

While live music may be Falcon Ridge’s main draw, festivalgoers also can enjoy a variety of ethnic and good ole Americana cuisines with plenty of vegetarian and vegan options, while and array of international craft vendors will be plying and selling their wares.

Thursday Night Music Stage Precedes the Festival and Features Nine Talented Acts

Thursday Night Music Stage 2024 FRFFPrior to the start of the actual festival, the aforementioned Pre-Fest Tastings & Farmers Market will take place on Thursday afternoon, while Scotten Jones (a co-founder of the Lounge Stage that hosted live music on Thursdays for many years) and Kathy Sands-Boehmer of Harbortown Music host a Thursday Night Music Stage beginning at 5 p.m.

“Being given the opportunity to present some artists on the Thursday Night Music Stage is a real labor of love,” said Sands-Boehmer, a former concert presenter who curates it. “So many folks come to the fest a day or two early so this is a great chance to experience music together before the actual festival begins on Friday.”

Artists slated to appear on the Thursday Night Music Stage include Mya Byrne, Goodnight Moonshine, Honeysuckle, Eva James, Kat and Brad, Heather Maloney, Miles and Mafale, Grace Morrison, and The Rough and Tumble.

“We are thrilled to be playing the Thursday Night Music Stage this year,” said Eben Pariser who, with his wife Molly Venter, is part of the New Haven, CT-based guitar & vocal duo Goodnight Moonshine. “Molly and I are old-school Falcon Ridge alums, having both won the emerging artist showcase with our respective bands, Red Molly and Roosevelt Dime,” He noted. “Even as everything changes, it’s nice to know that some things stay the same – like the feeling we get when we reunite with our Falcon Ridge community.”

Three-day festival tickets are $250 with camping or $175 without camping. Single -day tickets also are available for $65. All three-day tickets include Pre-Fest Thursday admission, while tickets for Pre-Fest Thursday also can be purchased for $20 at the gate. Children ages 12 and under will be admitted free, while tickets are heavily discounted for teens. The campgrounds will open by 4 p.m. on Wednesday, July 24. More information on the Falcon Ridge Folk Festival can be found at falconridgefolk.com.

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Black Bear Americana Music Fest Set for October 7-9, 2022 in Goshen, Connecticut https://acousticmusicscene.com/2022/09/30/black-bear-americana-music-fest-set-for-october-7-9-2022-in-goshen-ct/ Sat, 01 Oct 2022 02:19:11 +0000 http://acousticmusicscene.com/?p=12341 Black Bear Music Fest 22 logoMore than 50 performing artists/acts and lots of live music fans will converge on the Goshen Fairgrounds in Goshen, Connecticut, October 7-9, 2022 for the fourth annual Black Bear Americana Music Fest. The three-day festival features performances on several stages by Grammy Award-winning national touring artists, local New England-based artists and emerging talents, as well as music and art workshops.

Adam Ezra Group, Shawn Colvin, Vance Gilbert, Martin Sexton, and the Slambovian Circus of Dreams are among the artists slated to appear. Also showcasing their talents will be Allison Leah, John John Brown, Ian Campbell (the festival’s artistic director), Bruce T. Carroll, Scott Cook with Pamela Mae, KJ Denhert, Kala Farnham, Deidre Flint, Abbie Gardner, Goodnight Moonshine, Kyle Hancharick, Phil Henry, Mike Horyczun, The McKrells, The Meadows Brothers, Matt Nakoa, Shanna in a Dress, Victor Wainwright and the Train, Tracy Walton, and more. Artists will also conduct workshops.

Ian Campbell, who curates the festival, said that Black Bear Americana Music Fest was borne out a conversation with his now partner, Beth, who told him that she was thinking of creating a festival and asked if , with his experience in the music business, would he be interest. “She called another friend, Evan Dobos, who mis a whiz at web design and branding – and then I called some old friends who I knew from 1984 when they were a small DJ company,” he said, noting that “the now huge” Powerstation Events partnered with them in producing the festival.

Ian Campbell has curated the Black Bear Americana Music Festival since its inception in 2018.
Ian Campbell has curated the Black Bear Americana Music Festival since its inception in 2018.
“We have both gone to festivals for a long time and we had an idea of what we would want ours to look like … We have this idea that we can get the community involved so much that they too can feel like this is theirs,” he said. “We bring in nonprofits and local groups. We are all working to create this community… like folks are coming to visit us in our backyards … We are so hopeful that people find a home here and that we continue to create a place that we all have made our community!”

He acknowledged that the festival drew a “pretty scant attendance” its first year. “We tease that all six people who were there had an amazing time,” Campbell said. “Artists like Vance Gilbert and Joe Crookston stood on the stage and told the small crowd: ‘You can say you were here in the beginning of what is going to be a huge festival.’”

From its humble beginnings, the festival has grown each year. Although still relatively small, Campbell and his team keep adding new elements and layers to the festival. “This year will have 50+ acts, all kinds of workshops – from songwriting and studio pre-production to guitar, open tuning, ukulele and hand drums all the way to [making] bourbon-candied bacon and Slambovian jellyfish umbrellas,” he noted. “We have showcase and jam tents, and just all kinds of things going on all the time. There won’t be a dull moment, if you don’t’ want one. Then again, you can kick back at your campsite with a fire and have all the dull moments you want,” Campbell added. Participating artists appear to share his enthusiasm for the festival.

Performing Songwriters Share Their Reflections on the Festival

Tracy Walton performs on the festival's main stage in 2021. (Photo: Michael Kornfeld)
Tracy Walton performs on the festival’s main stage in 2021. (Photo: Michael Kornfeld)
“Black Bear has quickly become one of my favorite festivals in New England,” said Tracy Walton, a Connecticut-based singer-songwriter and multi-instrumentalist. Walton, who performed as half of the duo Belle of the Fall during the festival’s inaugural year (2018), told AcousticMusicScene.com that “the crowd was small that year, but it was obvious [that] this was going to be a special festival in years to come. Thrilled to be back this year performing a solo set, doing a workshop, and participating in a songwriters’ round, Walton noted that he’ll also be playing bass during Riley Cotton’s set.

A studio owner, as well as performing songwriter, Walton is also pleased to see a number of artists who he is currently recording are part of this year’s festival lineup. “Sierra West is really amazing, and the Meadows Brothers have been favorites of mine for years, so getting to produce them has been special,” he said. “Seeing acts like Shawn Colvin and Martin Sexton headlining this year is super exciting,” he added.

Calling Litchfield County “one of the prettiest places on the planet in the fall,” Walton maintains “it’s the perfect setting for what should be an amazing weekend. It feels like this is going to be the year that Black Bear really arrives as a big player on the festival circuit.”

Kyle Hancharick, an upstate New York-based singer-songwriter, is also “excited” to be returning to the festival. Like Walton, Hancharick performed at the first festival in 2018, while he came as a listener and participated in a few workshops that he called “incredible” last year. “It’s such a supportive environment with incredible talent,” he said. “Ian Campbell and his team have grown this festival in the very best of ways,” he noted, while also expressing appreciate for the audience it draws. “The festival has grown since its beginnings but it still has that intimate feel between performers and listeners. They’re true folk fans,” he added.

Shanna in a Dress (Photo: Michael Kornfeld)
Shanna in a Dress (Photo: Michael Kornfeld)
Similarly, Shanna in a Dress, a quirky, Nashville, Tennessee-based singer-songwriter, opined: “Since it’s a young festival, it grows a little bit each year and you get to feel like you’re part of something that going to be huge eventually.”

“I love Black Bear Fest – with the exception of the temperature making my stage name a little more difficult to execute,” she said. Besides showcasing her performance and songwriting chops that have earned her accolades as a winner of the prestigious Kerrville New Folk Competition and the Great River Folk Fest Song Competition in 2020, as well as of the Rocky Mountain Folks Festival Songwriter Showcase in August, Shanna will lead songwriting workshops including Let’s Write a Funny Song.

Kala Farnham (Photo: Sara McIngvale)
Kala Farnham (Photo: Sara McIngvale)
Connecticut State Troubadour Kala Farnham, who looks forward to playing the gazebo and workshop stages on Friday, recalls playing the inaugural Black Bear Americana Music Fest in 2018. “It took place in a beautiful location with potential and space for growth,” she said. ” “it’s not an easy feat to start up a new music festival, especially when a pandemic hits after the second year. I can see that Ian Campbell is building something special — live music is returning, and Black Bear Music Fest is back stronger than ever,”Farnham continued. “With stages set for bands, solo acoustic acts, and songwriter rounds, there’s a variety of musical options for listeners to choose from.”

Late-Night Song Circles to Take Place Under the Big Orange Tarp

New to the Black Bear Americana Music Fest this year will be unplugged, late-night song circles under the Big Orange Tarp hosted on the campgrounds by Alan Rowoth beginning after the music ends on the main stage on Friday and Saturday nights, as well as a housewarming circle on Thursday night preceding the actual start of the festival.

Inspired by the late-night song circles that he experienced at the Kerrville Folk Festival in the Texas Hill Country beginning in 1992, Rowoth sought to replicate what he calls “the incredibly intimate nature of this listening experience” at other festivals.” Noting that campground music was virtually unheard of at other folk festivals around the country at the time, Rowoth decided “to try to spread the germ” by taking his Big Orange Tarp to campgrounds at the Falcon Ridge Folk Festival (which now also takes place at the Goshen Fairgrounds), Planet Bluegrass in Colorado, Sonoma Valley in California, and other spots. “I honed the performer quality and fine-tuned the circle format to maximize the listener experience to try and stimulate interest in the house concert scene that was just beginning to take off. Audience response was incredible. Other festival camps began to emulate us.”

Matt Nakoa plays the Big Orange Tarp during the 2018 Falcon Ridge Folk Festival. (Photo: Michael Kornfeld)
Matt Nakoa plays the Big Orange Tarp during the 2018 Falcon Ridge Folk Festival. (Photo: Michael Kornfeld)
Rowoth observed: “House concerts play on the same intimacy and proximity that make other song circles so compelling. At the same time, I courted small venues and house concert hosts to get them out to see the cream of the crop in rising talent [something that AcousticMusicScene.com has since done at festivals as well through its curated song swaps]. “It was a powerful synergy, and led to a lot of opportunities for both musicians and presenters.’

Having engaged in this labor of love for more than 30 years now as he seeks to create opportunities for musicians by connecting them with listeners and presenters, Rowoth is pleased to bring the Big Orange Tarp to Goshen, CT this year. “Black Bear is a great fit for us,” he said. “Ian Campbell’s love of music and the community festival experience is exactly what the Big Orange Tarp is all about. We could not be more excited about partnering with Ian.”

As at Falcon Ridge, Rowoth plans to start each night with established performers — including some who are part of the official festival lineup and others who are not — and eventually transition to an open circle. “We have no scheduled closing time; it ends when everyone leaves,” he added. Although Rowoth often livestreams performances from the Big Orange Tarp via his Facebook page to create even greater accessibility, he believes that “Nothing feels as good as being there in person.”

For Tickets and More Information on the Festival

Day tickets and multi-day camping tickets for the Black Bear Americana Music Festival may be purchased online at blackbearmusicfest.com, where you will also find more information on the festival – including the complete artist lineup and schedule.

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New Bedford Folk Festival Set for July 9-10, 2022 https://acousticmusicscene.com/2022/06/26/new-bedford-folk-festival-set-for-july-9-10/ Sun, 26 Jun 2022 16:05:06 +0000 http://acousticmusicscene.com/?p=12202 New Bedford Folk Festival 25 LogoAfter a two-year hiatus, the 25th Annual New Bedford Folk Festival takes place on Saturday and Sunday, July 9-10, 2022. Among the Northeast’s most pleasant, refined and enjoyable music festivals, the family-oriented event takes over the cobblestoned streets of this historic Massachusetts port city –- much of which is part of the Whaling National Historic Park. Visitors will soak in the area’s rich maritime history as they stroll its streets while listening to world-class contemporary and traditional folk music, Americana, blues and Celtic performers under tents set up along them and in the air-conditioned comfort of the Zeiterion Performing Arts Center and the fabulous New Bedford Whaling Museum’s auditorium.

“For more than two decades, the New Bedford Folk Festival has been enjoyed by both locals and visitors who love food, music and artisan markets, so it was very much missed during the pandemic,” said Rosemary Gill, executive director of the Zeiterion PAC, the festival’s presenter since 2016.

The festival schedule includes a plethora of talented artists and acts — many of them performing in song-swap style workshops with folks whom they may have never even met, making for unique musical pairings. It also poses a dilemma of choices that may have some attendees walking briskly from one stage to another nearby to catch certain artists.

There will be continuous music from 11 a.m. to 9 p.m. on seven sound stages, ranging from the intimate “Meet the Performer” area at the historic Seamen’s Bethel (which figures In Herman Melville’s classic novel, Moby Dick) and the National Park Garden Stage to the majestic 1200-seat Zeiterion Performing Arts Center. Besides nearly 75 musical performances on those stages, there will be non-ticketed areas open to the public – including six blocks of craft vendors, a gourmet food court & beer garden, and a Southcoast Stage featuring local performers.

“We continue to attract high-caliber musicians who are the best in their genre,” maintains Alan Korolenko, who originated the festival as New Bedford Summerfest in 1996 and currently serves as its artistic director, along with his wife Helene. “Our loyal audience look forward to the artists they know, as well as those they haven’t yet experienced, like at the workshops [featuring three of four artists/acts on stage at the same time] that match unlikely musicians,” he said. “These unique performances have helped New Bedford Folk Festival to become the gem it is today.” This summer’s song swap-style workshops include “A Change is Gonna Come: Topical Songs Then and Now,” “The Great American Songbook: What’s In It, What Should Be In It,” and “Now I Long for Yesterday: Songs I Wish I had Written.”

The Celtic Extravaganza is a festival highlight.
The Celtic Extravaganza is a festival highlight.
Among the festival’s performing artists will be Abbie Gardner, Alisa Amador, Art Tebbetts, Beppe Gambetta, Bourque Émissaires, Bruce Molsky and Tony Trischka, Cary Morin, Catie Curtis, Cheryl Wheeler, Chris Pahud, Claudia Russell and Bruce Kaplan, Crys Matthews, Dansmall, Emerald Rae, Garnet Rogers, Grace Morrison, J.P. Cormier, John Gorka, John Roberts, McLane, Cummings and VanNorstrand, Musique à bouches, Mustard’s Retreat, Peter Mulvey, RUNA, Rev. Robert B. Jones Sr, Roy Book Binder, Sally Rogers and Howie Bursen, Seth Glier, Sparky and Rhonda Rucker, Susan Werner, The Kennedys, The Vox Hunters, Tom Rush, Vance Gilbert, and É.T.É. The popular Celtic Extravaganza closes out the festival on Sunday night. Led by Benoit Bourque, a very entertaining and gifted Quebecois artist, this year’s extravaganza is dedicated to the memory of Johnny Cunningham — a dynamic Scottish fiddler, composer and producer who was founding member of Silly Wizard, later played in Relativity and Nightnoise , and was a mainstay of the festival for years.

Local artists Back Porch, Butch McCarthy, Chuck Williams, Dori Rubbicco, Eric Kilburn, Fourteen Strings, Gary Fish and Red Fish, Jeff Angeley and the Pebbles of Rain, Joanne Doherty, MaryBeth Soares and Dave Perreira, Mike Laureanno, Molly O’Leary, New Bedford Harbor Sea Chantey Chorus, Putnam Murdock, Sacred Harp with The Beans, The Harper and The Minstrel, and The Jethros will showcase their talents on the Southcoast stage, the only stage open to the public without tickets.

Besides the music, many artisans and crafts makers will set up booths along the cobblestoned streets between the performance tents and venues. Among them will be jewelers, instrument makers, tie dyeers, local honey purveyors, ceramic artists, vendors selling handmade health and beauty products, and more.

Benoit Bourque (l.), a festival mainstay, is shown with AcousticMusicScene.com's Michael Kornfeld following a previous Celtic Extravaganza.
Benoit Bourque (l.), a festival mainstay, is shown with AcousticMusicScene.com’s Michael Kornfeld following a previous Celtic Extravaganza.
While in New Bedford, you also can enjoy fresh seafood and sample tasty cuisine at one of the whaling city’s many Portuguese restaurants. A food court and beer garden will fill two blocks of Purchase Street in front of the Zeiterion and near the Southcoast Stage.

Admission to the festival is quite affordable at $50 for the weekend or $40 for one-day. Weekend and single-day passes are available for purchase at Zeiterion.org, by calling 508-994-2900, or in person at the box office at 684 Purchase Street. Children under 12 will be admitted free with an adult.

For more information and to see complete schedules for the weekend, visit newbedfordfolkfestival.com.

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Falcon Ridge Folk Festival Goes Hybrid for a Day – July 31 https://acousticmusicscene.com/2021/07/22/falcon-ridge-folk-festival-goes-hybrid-for-a-day-july-31-2021/ Thu, 22 Jul 2021 15:02:39 +0000 http://acousticmusicscene.com/?p=11713 A Day of Falcon Ridge 2021After going completely virtual last year in light of the COVID-19 pandemic, the Falcon Ridge Folk Festival has adopted a hybrid model for its 33rd year and will be considerably shorter than in previous years. A one-day only festival with full pandemic precautions and both socially distanced in-person and livestream options is set for Saturday, July 31, 2021 at the Goshen Fairgrounds in Goshen, Connecticut — where the Podunk Bluegrass Music Festival and the Black Bear Americana Music Fest also take place in August and October, respectively.

Marking its usual calendar spot and Brigadoon-like appearance, the fest will be shorter & sweeter yet still brimming with love, talent, community spirit and, of course, still accessible and ASL-interpreted, according to Anne Saunders, the festival’s artistic director. She noted that this year’s festival will seek to be as contact-free as possible and advises attendees to bring and use only their own chairs. There will be no on-site camping.

A Day of Falcon Ridge — for which advance ticket sales end by July 28 — will feature eight acts on two stages, along with more limited food and crafts and the ever-present community vibe. Slated to perform are festival stalwarts Vance Gilbert, Nerissa & Katryna Nields, the Slambovian Circus of Dreams, and Susan Werner.

The Fox Run Five are (l.-r.) Tom Prasad-Rao, Neale Eckstein, Jagoda, Eric Schwartz, and Matt Nakoa.
The Fox Run Five are (l.-r.) Tom Prasada-Rao, Neale Eckstein, Jagoda, Eric Schwartz, and Matt Nakoa.
Joining them will be folk icon Tom Rush, the Fox Run Five (the brainchild of Fox Run Studios’ Neale Eckstein that features Jagoda, Matt Nakoa, Tom Prasada-Rao, Eric Schwartz, and himself), 2021 JUNO award-winning indigenous Canadian blueswoman Crystal Shawanda, and the Falcon Ridge House Band doing its own set. The music will extend from 11 a.m. to 10 p.m. both on-site for those able to attend and online for those unable to do so (Email: info@FalconRidgeFolk.com for livestream information; signup deadline is midnight on July 28). More information on the one-day event may be found at FalconRidgeFolk.com.

Over the span of more than 30 years, the Falcon Ridge Folk Festival has drawn thousands of music lovers to a farm in Hillsdale, New York — located in the foothills of the Berkshires near the tri-state corner of NY, Connecticut and Massachusetts — where the multi-day event usually takes place. The festival generally features dozens of artists performing on several stages, children’s music and activities, and a wide array of crafts, food and other vendors. In recent years, it has been preceded by a Pre-Fest Tastings Day & Farm Market featuring locally grown food, drink and artisanal items, along with performances by a number of artists on The Lounge Stage curated by Tribal Mischief Productions. Those camping at Falcon Ridge and staying up through the early morning hours have enjoyed an array of informal jams, mini-showcases and after-hours song circles that help foster a sense of “folk” community.

Saunders expressed hope that Falcon Ridge can return to its previous incarnation next year. “But this year, amid the pandemic, we’re following state and federal guidelines and exhibiting an abundance of caution out of concern for the health and safety of our community,” she said.

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Falcon Ridge Folk Festival Goes Virtual https://acousticmusicscene.com/2020/07/29/falcon-ridge-folk-festival-goes-virtual/ Wed, 29 Jul 2020 15:23:53 +0000 http://acousticmusicscene.com/?p=11266 Over the span of more than 30 years, the Falcon Ridge Folk Festival has drawn thousands of music lovers to Hillsdale, New York in the foothills of the Berkshires near the tri-state corner of NY, Connecticut and Massachusetts. Although the ongoing COVID-19 pandemic prompted the cancellation of this year’s festival, a virtual one will take place online in its place over the same extended weekend – Thursday, July 30 – Sunday, August 2, 2020.

Picture-102The festival usually features dozens of artists performing on several stages (including a dance tent), children’s music and activities, and a wide array of crafts, food and other vendors. For the past several years, a Pre-Fest Tastings Day & Farm Market has taken place on Thursday and featured locally grown food, drink and artisanal items, along with performances by a number of artists from the late afternoon through the evening on the Lounge Stage curated by Tribal Mischief. Those camping at Falcon Ridge and staying up through the early morning hours have enjoyed an array of informal jams, mini-showcases and after-hours song circles that help foster a sense of “folk” community. This year’s virtual festival will be quite a different experience to be enjoyed from the comfort of your own home.

The Falcon Ridge 2020 Share & Shelter In Place Fest will be shown on the festival’s Facebook and YouTube pages: facebook.com/FalconRidgeFest and http://youtube.com/channel/UCgoYgzUgfFhTc_EXhNeC_ng? from 1:30-4:30 p.m. each day and will also be archived for replay and future viewing. The audio stream from the virtual festival may also be heard on FolkMusic Notebook.com, the 24/7 online music channel.Live streams from virtual camps, song swaps and mini-showcases — including The Lounge Stage on Thursday night (see details below), Big Orange Tarp, Dave Carter Song Circle, Night Owl Song Swap, Pirate Camp and more will also be shared at later times via various online platforms.

Evocative archival footage from past festivals and special messages from previous festival artists, longtime vendors, radio sponsors, dancers, campers, and others in the festival commUNITY will be interspersed among performance videos by 30 confirmed participating artists/acts and an abbreviated Grassy Hill Emerging Artist Showcase.

Susan Werner is among the featured artists during the Falcon Ridge 20=20 Share &amp Shelter in Place Festival.
Susan Werner is among the featured artists during the Falcon Ridge 2020 Share & Shelter in Place Festival.
“All of the artists that we booked for the festival this year will be appearing,” said Anne Saunders, Falcon Ridge’s artistic director. Featured artists slated to grace the virtual stage include Alisa Amador, Buddy System, Jim & Madeline Christensen, Scott Cook, Donna the Buffalo, The Empty Bottle Ramblers, The End of America, The Falcon Ridge House Band, The Gaslight Tinkers, Mary Gauthier, Vance Gilbert, Eileen Ivers, Beth Molaro, Zoe Mulford, Matt Nakoa, Nerissa & Katryna Nields, Patti O’Brien Melita, Oshima Brothers, Professor Louie & the Crowmatix, Quarter Horse, Paul Rosenberg, The Russet Trio, Scott Cook, Crystal Shawanda, The Slambovian Circus of Dreams, South for the Winter, The Storycrafters, Tame Rutabaga, Kathryn Wedderburn, Annie Wenz, and Susan Werner. A tentative schedule appears online at https://falconridgefolk.com.

Scott Cook (a Canadian prairie roots balladeer), Zoe Mulford (a transatlantic singer-songwriter) and South For The Winter (a Nashville-based, genre-bending trio) were the artists who were voted “Most Wanted” to return by festival attendees following last year’s Grassy Hill Emerging Artist Showcase.

Scott Cook (Photo: Michael Kornfeld)
Scott Cook (Photo: Michael Kornfeld)
“Having heard tales of Falcon Ridge over the years, it was an honor to be invited to play, and an unexpected joy to be invited back, ” Cook told AcousticMusicScene.com. “This pandemic dealt me a big life change — being off the road, and living in a house for the first time in 13 years! — but I’m adjusting surprisingly well,” he continued. “Online concerts (including a recent Tribal Mischief round with the other Most Wanted artists) have been a nice way way to reconnect with festival family around the world. But there’s nothing like gathering in person, and I sure look forward to getting back to Hillsdale someday,” said the internationally touring Edmonton, Alberta-based troubadour.

More information on Cook and the other Most Wanted artists, as well as video links, may be found in an article that was published in February and may be found at https://acousticmusicscene.com/2020/02/12/falcon-ridge-most-wanted-artists-named-2/.

Although 24 artists/acts usually showcase their talents on Friday afternoon, this year’s abbreviated edition of the Emerging Artist Showcase includes 11: Andy Baker, John Beacher, Randy Lewis Brown, Buffalo Rose, Kala Farnham, Lynne Hanson, Indian Summer Jars, Karyn Ann, The Levins, The Real Sarahs, and Shanna in a Dress. The Emerging Artists Showcase is not a contest, and artists won’t be judged per se, although the audience is surveyed as to which showcase artists they’d like to see return the following year to participate in a Most Wanted Song Swap.

Lounge Stage at Falcon Ridge Streams Via Twitch on Thursday, July 30

Another highlight of the Falcon Ridge Folk Festival has been The Lounge Stage. For the past 10 years, many festivalgoers have flocked to it on Thursdays for an early musical fix before the festival formally gets underway on Friday.

Lounge Stage composite image 2020Curated by Tribal Mischief (the brainchild of Ethan Baird and Jake Bush, who are also the mainstays of the band Pesky J. Nixon) with tech support by Scott Jones, what began as a special event on the festival’s campgrounds now customarily takes place in the Dance Tent. This year, The Lounge Stage will stream live on Thursday evening, July 30, from 7p.m.-12 a.m. EST at http://twitch.tv/tribalmischief.

Artists slated to perform, in order of appearance, include Pete Mancine, Izzy Heltai, Zoe Mulford, Brian and Katie (We’re About 9), Mya Byrne, Kirsten Maxwell, Dinty Child, Sol y Canto, Mike McKenna Jr., Annie Sumi, Tragedy Ann, Rachael Kilgour, Crys Matthews, Heather Mae, and Vance Gilbert.

Baird noted that the Lounge Stage at Falcon Ridge was launched to afford the weeklong attendees at the festival and select artists an opportunity to more intimately engage with each other when the festival was forced to shorten its schedule after a couple of really challenging years due to weather. Over the last decade, the Lounge Stage has presented more than 200 artists. “This year, the stage has really been split into two entities,” said Baird. “ One run by Scott Jones — our initial partner in putting the Lounge Stage together as the technical director and master of lighting, sound, and recording – will feature a retrospective of the last 10 years of material from the Lounge Stage’s evolution from hillside show to a festival mainstay. Jake and I are taking what we have built with the Tribal Mischief network of conversational programming and music presentation and are hoping to present the best amalgamation of virtual and live events.

Baird acknowledged that while multiple musicians can share a stage via the platform that Tribal Mischief is using, current technology won’t allow for them to play together live simultaneously. “However,’ he added, “they can cheer for each other, comment, speak, and interact. That interaction has always been the principle on which the Lounge Stage was built, and to be able to facilitate that means a lot to us.”

Baird noted that “Tribal Mischief is in the middle of a high-risk experiment in which we are betting on technologies and online tools that the folk community hasn’t really embraced as of yet — namely YouTube and Twitch. There are millions of people out there on these platforms actively and desperately looking for good content, for something different. We are betting that this is something that the remarkable creators in our community may not have realized they were missing.”

In addition, but of equal importance, according to Baird, “both of these platforms offer creators the opportunity to earn money passively through advertising.” He said that “while we welcome the subscriptions of our fans and want to encourage community building and engagement, we are trying to move away from a fundraising mechanism that is 100% reliant on donations. We hope to be able to build that through efforts like this.” Accordingly, this will be the first Lounge Stage for which donations will be accepted. It will also be the first one for which all the participating artists will be paid, while 20 percent of the funds raised will go to help ensure that the continuation of the Falcon Ridge Folk Festival.

“We won’t take a penny raised through this show – making sure that the artist community has an opportunity to make some money this year –considering all the shows and performances that have been lost is really important to us, “ Baird added.

Tribal Mischief (http://tribalmischief.com) seeks to assist worthy causes and build community through music. Baird and Bush host weekly conversational broadcasts with music makers and others in the music industry each Sunday on Tribal Mischief’s Twitch channel.

To stream or download past Lounge Stage performances, visit http://theloungestage.com.

Although there is no cost the stream the Falcon Ridge 2020 Share & Shelter in Place Festival, Saunders noted that donations — via paypal.me/FalconRiidgeFolkFest or venmo.com/FalconRidgeFolks or from the venmo app: @FalconRidgeFolks –will be much appreciated.”One of our goals in presenting this virtual fest, as far as contributions raised,is to come as close as we can to paying all of our confirmed artists their entire fee for this year because, for many of them, it may be the only fee they will get for a very long time,” she said. “Along with that, we hope to give something substantial to Dodds Farm [where the festival usually takes place] so that they can continue to hold on as well.”

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Kerrville Folk Festival Hosts Virtual Celebration; 24 New Folk Finalists Named https://acousticmusicscene.com/2020/05/16/kerrville-folk-festival-hosts-virtual-celebration-24-new-folk-finalists-named/ Sat, 16 May 2020 16:25:49 +0000 http://acousticmusicscene.com/?p=11081 Kerrville FF Virtual Celebration 2020Although the annual Kerrville Folk Festival won’t be taking place in late May- June on the Quiet Valley Ranch campgrounds in the Texas Hill Country due to the novel coronavirus (COVID-19) pandemic, “virtual concerts” featuring nearly 40 of the artists who were booked to perform during it will be streamed from the festival’s website and its Facebook page on three successive Saturdays. Meanwhile, 24 songwriters have been named as finalists in the 2020 Grassy Hill Kerrville New Folk Contest for Emerging Songwriters that organizers hope will take place Oct. 9 and 10 during the 49th annual Kerrville Folk Festival that has been tentatively rescheduled for Oct. 8-18.

“None of us know when it will be possible to responsibly invite you back to Quiet Valley Ranch; we are hoping with all our hearts for October,” The Kerrville Festival Foundation staff wrote in a May 14 email to friends of the festival. “In the meantime, we are doing all we can, using every option available to us to weather this storm, and we will succeed.

What gives us faith is all of you. We are so deeply touched by so many messages of encouragement, love for the festival, and love for the community. And as festival time draws closer, we asked our artists to help us with a gift to our Festival family.”

Kerrville Folk Festival Virtual Concerts are slated for Saturdays May 23, May 30 and June 6 from 7-9 p.m. CDT/8-10 p.m. EDT/5 p.m. PDT. Among the artists set to perform are Marcia Ball, Beat Root Revival, Black Pumas, The Chris Chandler Show, Mikaela Davis, John Elliott, Folk Family Revival, Rebecca Folsom, John Fullbright, Vance Gilbert, Jaimee Harris, Kyshona, Bernice Lewis, The Limeliters, James McMurtry, Tom Meny, Possessed by Paul James, Tom Prasada-Rao Trio, Bruce Robison, Shake Russell & Michael Hearne, Darrell Scott, Texicana Mamas, Verlon Thompson, Trout Fishing in America, Wood & Wire, and more.

The virtual concerts will stream online at https://kerrvillefolkfestival.orgg and on the festival’s Facebook page, where more details will be posted in coming days. Viewers will be afforded the opportunity to tip the artists and donate to the foundation. The two-hour concerts each evening will be followed by Virtual Campfires via Zoom hosted by members of the Kerrmunitty.

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Named as finalists in the Grassy Hill-Kerrville New Folk Competition are: Clint Alphin (Nashville, TN), Andy Baker (Gables, MI), Nancy Beaudette (Cornwall, ON, Canada), John John Brown (Pawling, NY), T Buckley (Calgary, AB, Canada), Susan Cattaneo (Medford, MA), Ryan Davenport (Taylor, TX), Anne E. DeChant (Avon Lake, OH), Nick Dupuy (New Canaan, CT), Eliza Edens (Williamstown, MA), Daniel Elixir (Brixley, MO), Chad Elliott (Limoni, IA), Jeremy Facknitz (Colorado Springs, CO), Sadie Gustafson-Zook (Boston, MA), Claire Kelly (Nashville, TN), China Kent (Denver, Colorado), Abigail Lapell (Toronto, ON, Canada), Louise Mosrie (Williamstown, MA), Russ Parrish (Burnsville, MN), Michael Prysock (Dallas, TX), Justina Shandler(Roanoke, VA), Shanna in a Dress (Boulder, CO), Aubryn Stevens (Nashville, TN), and Alex Wong (Nashville, TN).

After performing the two songs that they submitted during New Folk Concerts slated for Oct. 9 and 10 at the Threadgill Theater during the festival, six songwriters will be selected as 2020 New Folk Winners. The six will receive cash honorariums and other prizes, as well as the opportunity to return the following weekend to each perform 20-minute sets during a Grassy Hill Kerrville New Folk Award Winners concert.

Established in 1972 at the urging of Peter Yarrow, the Kerrville New Folk Concerts have become a highlight of the annual festival that is geared towards singer-songwriters of various musical styles and is the longest continuously running festival of its kind in North America. In addition to receiving cash awards and additional performance opportunities, being named as a New Folk Award Winner is regarded as a very prestigious honor.

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Falcon Ridge ‘Most Wanted’ Artists Named https://acousticmusicscene.com/2020/02/12/falcon-ridge-most-wanted-artists-named-2/ Wed, 12 Feb 2020 17:47:27 +0000 http://acousticmusicscene.com/?p=10961
Scott Cook (Photo: Michael Kornfeld)
Scott Cook (Photo: Michael Kornfeld)
Scott Cook, Zoe Mulford and South for Winter have been invited to participate in the Most Wanted Song Swap at this summer’s Falcon Ridge Folk Festival. They were chosen in balloting by 2019 festival attendees from among 24 artists/bands who performed in last year’s Falcon Ridge/Grassy Hill Emerging Artist Showcase.

Scott Cook, a Canadian prairie roots balladeer, was the top choice “with an amazing 49% of voters in his corner,” according to Anne Saunders, the festival’s artistic director. An internationally touring Edmonton, Alberta-based troubadour, Cook has been playing an average of more than 150 shows and a dozen festivals annually since 2007. His sixth album, Further Down the Line (2017), is packaged in a 132-page softcover book that features a look back, in words and pictures, on his first decade of near-incessant rambling. A straight-talking, keenly observant singer-songwriter, Cook delves in folk, roots, blues, soul and country, and accompanies himself on fingerstyle guitar and clawhammer banjo.

Here’s a link to a video by JB Nuttle of Cook performing “Fellas Get Out The Way”:

https://www.youtube.com/watch?v=9Q3iGNvkPM8praie

Zoe Mulford, a transatlantic singer-songwriter, is, perhaps, best-known as the writer of “The President Sang Amazing Grace,” which was covered by Joan Baez on her 2018 album Whistle Down the Wind and was named Song of the Year in the 2018 International Folk Music Awards presented by Folk Alliance International. Baez’s recording was the most-played song on folk radio during March 2018, while Mulford’s own rendition of it appears on her 2017 release Small Brown Birds that was the most-played album on folk radio in February of that year, according to the Folk DJ Charts.

Here’s a link to view a video by JB Nuttle of Zoe Mulford performing the song:

https://www.youtube.com/watch?v=2qdB1EypJFU

Mulford, who originally hails from Pennsylvania, has released five albums on the cooperative Azalea City Recordings label. She now lives in the North of England and tours on both sides of the Atlantic.

South for Winter is a genre-bending Nashville, Tennessee-based trio whose music fuses folk, blues, classical, jazz and rock elements. Band members cite The Civil Wars and The Lone Bellow among their influences. Initially a duo featuring Colorado singer-songwriter Dani Cichon and New Zealand musician Nick Stone who met while doing volunteer work in Peru in 2014, South for Winter became a trio with the addition of Michigan cellist Alex Stradal in 2017. The group released its debut EP in January 2018 and a follow-up EP that August before embarking on its first national tour. The band has since toured Canada as well.

Here’s a link to view the official video for South for Winter’s song “All We Have”: https://www.youtube.com/watch?v=bnjwe7k6Mp4

Popular Festival is Set for July 31-August 2, 2020

Photo by Richard Cuccaro
Photo by Richard Cuccaro
Among the Northeast’s most popular festivals, the Falcon Ridge Folk Festival, now in its 32nd year, takes place July 31 to August 2, 2020 at Dodds Farm on route 7D in Hillsdale, New York, located in the foothills of the Berkshires near the tri-sate corner of NY, Connecticut and Massachusetts. The festival features dozens of artists performing on several stages (including a dance tent), children’s music and activities, and a wide array of crafts, food and other vendors. The three-day community of folk music and dance is preceded by a pre-fest day of activities on Thursday, July 30 — including a farmers market and tastings in the Family Stage Tent during the afternoon and live music curated by Tribal Mischief Productions from 5-11 p.m. at The Lounge Stage.

Although many of the festival’s participating artists are still to be announced, its popular Friday Night Summer’s Eve Song Swap will feature Vance Gilbert, Matt Nakoa, Susan Werner and one more TBA. Longtime festival favorites Katryna and Nerissa Nields and the Slambovian Circus of Dreams also have been confirmed for the weekend.

Apply Now for Falcon Ridge/Grassy Hill Emerging Artist Showcase

Applications also are now being accepted for this year’s Falcon Ridge/Grassy Hill Emerging Artist Showcase. From among all entries received by May 10, 24 artists/acts will be selected for two song/10-minute spots on the main stage on Friday afternoon, July 31, during the festival.

An opportunity to be seen and heard in a large amphitheater setting, with hundreds of folk fans, presenters, agents, media and other music industry professionals in attendance, the showcase is open to all performing artists who have not previously showcased their talents at Falcon Ridge in the last two years and who will not be appearing on its stages in any other capacity this year. In evaluating submissions, a panel of three judges will look for high-quality performances of interesting, well-crafted, acoustic-based material that need not be original.

Selected artists, to be notified by June 15, will be assisted by a stage and sound crew and may have their mailing lists, CDs and other merchandise available in the festival’s sales tent. Their names will also appear in the festival program book. Although there is no compensation for showcasing artists, each will receive full admission, on-site camping and meals for the festival, plus one guest pass per act. There is a $20 showcase application fee. Artists may submit materials online via Submittable: https://showcasefalconridgefolkfestival.submittable.com.

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NERFA Conference Returns to Stamford, CT, Nov. 9-12 – Celebrating Music and Community https://acousticmusicscene.com/2017/11/02/nerfa-conference-returns-to-stamford-ct-nov-9-12-celebrating-music-and-community/ Thu, 02 Nov 2017 21:27:05 +0000 http://acousticmusicscene.com/?p=9666 AcousticMusicScene.com
will again have a major presence as it hosts afternoon and late-night song swaps in addition to its popular Midnight Hoot at the close of the conference’s first day. [To continue reading this article -- which includes listings of all the artists performing in juried Formal and Semi-Formal Showcases, as well as those hosted by AcousticMusicScene.com -- click on the headline.]]]> More than 700 performing artists, presenters, promoters, agents and managers, folk DJs, and others actively engaged in contemporary and traditional folk music will converge on the Crowne Plaza in Stamford, Connecticut, Nov. 9-12, 2017 for the 23rd Annual Northeast Regional Folk Alliance Conference. AcousticMusicScene.com will again have a major presence as it hosts afternoon and late-night song swaps in addition to its popular Midnight Hoot at the close of the conference’s first day.

Being held in Stamford for the second consecutive year after outgrowing its previous location in the Catskills of upstate New York, the NERFA conference will feature several jam-packed days and nights of music showcases, song swaps, informal jam sessions, panel discussions and workshops, a keynote by singer-songwriter Vance Gilbert, a Wisdom of the Elders session, a children’s concert, short performances by Connecticut State Troubadours, one-on-one mentoring sessions, a large trade show-like exhibit hall, communal meals, a welcoming party and happy hours, and lots of informal conversation and networking.

Booking gigs may be the primary objective of some performers who attend the conference, and many presenters and folk DJs do scout out new artists and those whom they have not previously heard and seen in live performance. However, the conference experience is much more than that; it’s really about forging connections, building community, and attending workshops and seminars to learn about options to further careers, promote the music, and attract audiences and listeners.

Singer-Songwriter Vance Gilbert Keynotes the Event

Vance Gilbert will keynote the 2017 NERFA Conference, conduct performance workshops and showcase his musical talents.
Vance Gilbert will keynote the 2017 NERFA Conference, conduct performance workshops and showcase his musical talents.
With his engaging personality, biting wit, soulful and resonant voice, and solid songwriting and performance skills, Vance Gilbert has been impressing audiences since emerging on the Northeast acoustic singer-songwriter scene during the early 1990s. A former multicultural arts teacher and jazz singer from the Philadelphia suburbs, he began playing open mics in the Boston area and soon attracted the attention of singer-songwriter Shawn Colvin. She invited him to be a special guest on a 1992 tour in support of her Fat City album. Gilbert has since released a dozen albums, toured extensively, and opened tours for the late comedian George Carlin.

Gilbert – who embarks on a 22-date eastern Australia tour immediately following the conference — enthralls concert and festival audiences with his moving lyrics and his strong tenor voice that can morph into falsetto when needed, as well as his stand-up riffs on contemporary societal mores. His songwriting and performance clinics at the Falcon Ridge Folk Festival, NERFA conferences, and the Rocky Mountain Song School also have drawn rave reviews from attendees.

54 Artists/Acts Perform in Juried Showcases on Friday and Saturday Nights

In addition to his keynote, Gilbert will present two performance workshops and showcase his own musical talents during the conference. His “Collision Course” workshops are among some two-dozen featured workshops and panel discussions. Other workshops will focus on such topics as activist artists in tumultuous times, budgeting and business planning for venues, diversifying the community, the DIY artist, engaging the next generation, a guitar master class, teaching while touring, venue marketing, and writing the funny song. The popular “On the Griddle” instant critique session, also returns. Also slated are morning yoga sessions led by singer-songwriter Caroline Cotter, while MusiCares will fit folks for custom earplugs.

Singer-Songwriter Kirsten Maxwell will be among the Formal Showcase artists.
Singer-Songwriter Kirsten Maxwell will be among the Formal Showcase artists.
Taking center stage during this year’s conference will be 14 artists/acts selected by a panel of judges, each to perform a 15-minute formal showcase set on Friday and Saturday nights. Slated to perform on Friday are Andrew Collins Trio, Beth Wood, Bettman & Halpin, The End of America, The Early Mays, Kirsten Maxwell, and David Roth. Saturday’s Formal Showcase lineup features Mari Black & The World Fiddle Ensemble, Dan Weber, Ryanhood, Sloan Wainwright, Elage Diouf, Martin Kerr, and Emma’s Revolution.

After the formal showcases, attendees will shuffle between four conference ballrooms to catch short sets by 40 additional artists who were selected by a different set of judges. Performing in these semi-formal showcases on Friday night are (in alphabetical order) Clint Alphin, Emily Barnes, Bethlehem & Sad Patrick, The Black Feathers, Shawna Caspi, Dave Curley, Friction Farm, Abbie Gardner, Sharon Goldman, Hoot & Holler, Greg Klyma, Abigail Lapell, Paddy Mills, Emily Mure, Musique a bouches, Piedmont Bluz, Poor Man’s Gambit, Katherine Rondeau & The Show, Robinson Treacher, and Josh White Jr. Saturday’s semi-formal Showcase artists include Banjo Nickaru & Western Scooches, Lisa Bastoni, Rachel Beck, Sophie Buskin, Meghan Cary, Dunham Shoe Factory, Vance Gilbert, Alice Howe, Rod MacDonald & Mark Dann, Austin MacRae, Mama’s Broke, Mike McKenna Jr, Zoe Mulford, No Good Sister, NUA, Elaine Romanelli, The Small Glories, Christine Sweeney, Ernest Troost, and Brad Yoder.

Following the juried showcases each evening, AcousticMusicScene.com and some three-dozen presenters, performers and others will host guerilla showcases in their hotel rooms that extend through the early morning hours. Community sings, informal jam sessions, thematic song circles and round-robin song swaps round out the musical mix. Musicians are also apt to stake out other areas of the hotel and jam into the early morning hours. Some guerilla showcases also are slated for Friday and Saturday afternoons.

AcousticMusicScene.com Midnight Hoot Features Artists and Singing Folk DJs

An overflow crowd will likely descend on the AcousticMusicScene.com suite on Thursday overnight for its popular Midnight Hoot. Extending from 11:30-2:30 a.m., the AcousticMusicScene.com Midnight Hoot is a pre-arranged, round robin song swap featuring a few singing folk DJs and some three-dozen artists/acts – each of whom will perform one song. A house band also will be there for anyone who desires accompaniment.

Now in its 11th year, the Midnight Hoot is intended to shine a spotlight on several folk DJs who also enjoy singing, while providing them, presenters and others with an opportunity to get a small sampling of the music of a lot of artists in a short period of time.

As in recent years, the musical festivities in the AcousticMusicScene.com suite will wrap up on Saturday overnight with an extended “O Canada” song swap. Carrying their instruments and the maple leaf, a number of talented Canadian artists will march into the room at 2 a.m. singing their national anthem.

Schedules for the AcousticMusicScene.com showcases appear below:

AcousticMusicScene.com Midnight Hoot

Thursday, Nov. 9, 2017 11:30 p.m. – 2:30 a.m.

(One song per artist and folk DJ, not in order of appearance)

Host: Michael Kornfeld

Folk DJs: Jim Colbert, Graham & Barbara Dean, Wanda Fischer, Jon Stein

Artists: Clint Alphin, Antonio Andrade, Banjo Nickaru & Western Scooches, Orly Bendavid & the Mona Dahls, Sophie Buskin, Quentin Callewaert, Susan Cattaneo, Sara Chodak, Greg Cornell, Dave Curley, Alyssa Dann, Nancy Dillon, Freebo, Friction Farm, Tret Fure, Gathering Time, Gina Holsopple, Alice Howe, Jaeger & Reid, Brian Kalinec, Susan Kane, Judy Kass, Mara Levine, Eric Lee, Rob Lytle, Pete Mancini, Kirsten Maxwell, Millpond Moon, Kim Moberg, Annie Moscow, Andrea Nardy, Nico Padden, The Renfrees, Patty Reese, Hank Stone, Taylor Pie, Toby Tobias

House Band: Greg Cornell (guitar), Mark Dann (bass), Jagoda (percussion), Eric Lee (violin), Nick Russo (banjo).

Toby Tobias will be among the guest hosts and performers during the Friday afternoon song swaps. (Photo: Michael Kornfeld)
Toby Tobias will be among the guest hosts and performers during the Friday afternoon song swaps. (Photo: Michael Kornfeld)
Friday Afternoon, Nov 10, 2017

2:00 Long Island Sounds: Bryan Gallo, He-Bird, She-Bird, Hank Stone

2:30 Long Island Sounds: Scott Krokoff, Christine Sweeney, Toby Tobias

3:00 Hudson Valley Songsters: Steve Chizmadia, Susan Kane, Judy Kass

3:30 Voices of Upstate New York: Marc Black, Gina Holsopple, Colleen Kattau

4:00 Jersey Gals: Loretta Hagen, Katherine Rondeau

4:30 Sea Shanty Sing with The Royal Yard (Stuart Markus & Robin Greenstein)

Friday Night, Nov 10, 2017

11:45 Greg Cornell

12:00 STEADY ON: Celebrating Lilith Fair at 20: Sharon Goldman, Amy Soucy, Sloan Wainwright (with Stephen Murphy)

12:30 Harmonic Convergence: Gathering Time, KC Groves, Mara Levine

1:00 Keystone Staters: Antonio Andrade, Meghan Cary, No Good Sister

1:30 Two Trios: The Belle Hollows & The Early Mays

Saturday Night, November 11, 2017

11:45 Banjo Nickaru & Western Scooches

12:00 Songswarm: Peter Calo, Brian Kalinec, Taylor Pie

12:30 A Trio of Duos: Friction Farm, The Levins, Miles & Mafale

1:00 Two Gals and a Geezer: Freebo, Alice Howe, Kirsten Maxwell

1:30 Three Guys from New England: Marc Douglas Berardo, Jud Caswell, Rob Lytle

2 :00 O Canada: Rachel Beck, Matthew Byrne, Shawna Caspi, Andrew Collins Trio, Elage Diouf, Gathering Sparks, Martin Kerr, Abigail Lapell, Mama’s Broke, David Newland (guest emcee), Cheryl Prashker (percussion), Benjamin Dakota Rogers

“We hope that all of our attendees will share a meal and/or a song with new friends they don’t yet know, embrace the spirit of community that NERFA represents, and have a great conference experience,” said Michael Kornfeld, president of NERFA’s board of directors and editor and publisher of AcousticMusicScene.com. He expressed thanks to Dianne Tankle, NERFA’s longtime conference director, and her team of volunteers for all of their efforts in arranging the event.

Here’s a link to a video montage that Neale Eckstein created following the 2016 NERFA Conference: https://www.facebook.com/neale.eckstein/videos/10154271098733893/

1455053_10152013300694357_911056309_nNERFA (www.nerfa.org) is a regional affiliate of Folk Alliance International, a Kansas City, MO-based nonprofit organization that seeks to nurture, engage and empower the international folk music community – traditional and contemporary, amateur and professional – through education, advocacy and performance.

Editor’s Note: My thanks to Hank Stone for his assistance in setting up the AcousticMusicScene.com showcase room and for guest-hosting Friday afternoon song swaps along with fellow singer-songwriters Stuart Markus and Toby Tobias, and to Amy Blake, Arpie Maros and Sybil Moser for the loan of folding chairs.

In addition to hosting the AcousticMusicScene.com Midnight Hoot and other showcases, leading a community meeting with the NERFA board of directors as its president, and assisting a few artist clients who will be showcasing their talents during the conference, I will be doing some mentoring on various public relations and strategic communications topics.

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